Showing 662 items
matching 1800s
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Glenelg Shire Council Cultural Collection
Administrative record - Rate Notice - Borough of Portland, 31/01/1885
Borough of Portland 'Rate Notice' Assessment, 31 January 1885. White paper, black print.rate notice, 1800s, borough of portland -
Glenelg Shire Council Cultural Collection
Decorative object - Calendar - 1899, c. 1899
White cockatoo shaped cardboard calendar with fold out wings; months of the year on feathers. Calendar for 1899. Cockatoo sitting on branch, chain around one leg. 'Pretty Polly' written on branch and 'Calendar for 1899' written on cockatoo's food bowl.calendar, 1800s, cockatoo -
Mt Dandenong & District Historical Society Inc.
Photograph, The Rock, Olinda, c1921
Close up photograph of 'The Rock', a popular tourist destination at Olinda since the late 1800s. The Rock is situated adjacent to the old Olinda Golf Course. The views from The Rock have now been overgrown. This postcard style photograph is c1921. Written on back in pen: The Rock Olinda.olinda, the rock, olinda -
Bendigo Historical Society Inc.
Newspaper - JENNY FOLEY COLLECTION: WIDE OPEN
Bendigo Advertiser ''The way we were'' from 2000. Wide Open - Mitchell street circa late 1800s. As far as we can ascertain, this is the intersection of Railway Place, Mollison and Garsed streets, which is now a roundabout. The clip is in a folder.newspaper, bendigo advertiser, the way we were -
Brighton Historical Society
Clothing - Jodhpurs, late 1800s - early 1900s
This item is from the "Barone" Collection. "Barone" (also known as "Seaview") was a stately Brighton home built at 9 Moule Avenue prior to 1855 and demolished in 1986. The house's residents included Edward Elgin Browne (during 1859-72), a Melbourne tea merchant, and the family and descendants of retired Scottish Army captain Archibald Black (during the period 1880-1970). Its neighbors included “St Ninians” owned by the Ward- Cole family, “Seacombe” owned by the Moule family, and the home of James Grahame and his family. The items in the "Barone" collection were largely donated by two of the house's later owners, Mrs Doris Halkyard and Mrs Brian Brandt.A pair of black wool twill women's jodhpurs from late 1800s to early 1900s. The jodhpurs feature a flat flap-front that buttons on either hip with four buttons on either side. The cut of the leg is full tapering through shaped panels to a slim fit over the calf. At the centre front of the leg at the shin, the pant leg is laced closed and finished with brown binding. From the back, the pant hangs loose and full over the bottom, tapering to a slim fit over the calf. Note: These jodhpurs are not a matching piece of the riding habit T0002.1. However, it appears that the same person wore them together as an outfit.barone, riding habit, seaview, jodhpurs, brighton -
Port Melbourne Historical & Preservation Society
Document, The Formation of Sandridge - Port Melbourne, 1980s
Wendy has suggested that the document may have been written by June Kirby, the History LibrarianThe Formation of Sandridge - Port Melbourne Five pages with all printing in black capital letters. A Hstory of Port Melbourne from the 1830s to the time of writing, thought to be in 1980s. Emphasis is on th 1800s and the effect of the geographical features of the Port Phillip District on the developmentnatural environment, built environment, history, sandridge, june kirby -
Bendigo Historical Society Inc.
Newspaper - JENNY FOLEY COLLECTION: IN THE FAMILY
Bendigo Advertiser ''The way we were'' from 2000. In the family: Richard Stevenson's Victoria store in Kangaroo Flat in the late 1800s. Mr Stevenson took over the business from his father. It stocked everything from groceries to paints. The clip is in a folder.newspaper, bendigo advertiser, the way we were -
Bendigo Historical Society Inc.
Newspaper - JENNY FOLEY COLLECTION: HOT WORK
Bendigo Advertiser ''The way we were'' from 2000. Hot work: the Dunn and Redpath city foundry in a photo from the late 1800s. The business was started in 1860 by F. Gripe and produced a wide range of mining, agricultural and building ironwork. The clip is in a folder.newspaper, bendigo advertiser, the way we were -
Glenelg Shire Council Cultural Collection
Artwork, other - Newspaper, Copy of the First Portland Guardian, published August 20th 1842, 1842
From Trove and Wikipedia: The Portland Guardian was a weekly newspaper published between 1842 and 1964 in the seaport town of Portland, Victoria, Australia. It was known as the Portland Guardian and Normanby General Advertiser from 1842 to 1876. It was founded by Thomas Wilkinson and James Swords, and was the second newspaper to be launched in country Victoria. It was eventually absorbed by local rival Portland Observer, with the final issue appearing on 26 March 1964.Newspaper page framed between 2 panes of glass in a wooden frame formed by 4 cross-bars of wood.portland guardian, newspaper, 1800s, 1842 -
Glenelg Shire Council Cultural Collection
Book, Mrs Beeton's Englishwoman's Cookery Book and Household Guide, 1890
Brown cloth binding over carboard covers, with title in gold in top left corner. Illustration of a woman in a kitchen on front cover. 191 pp.household management, cookery, mrs beeton, 1800s -
Glenelg Shire Council Cultural Collection
Decorative object - Commemorative Place - Naming of Portland Bay, n.d
Commemorative plate, manufactured by Adams. 'Lieutenant Grant - discovery and naming of Portland Bay, Dec 5 1800portland bay, 1800s, lieutenant grant, commemorative -
Glenelg Shire Council Cultural Collection
Functional object - Seal, Portland Borough, c. 1855
Item from the Borough of Portland (1855-?)Iron seal with rectangular base oval insignia centred in cross-bar designFront: Borough of/Reg/No/Portland (in reverse) circular sealborough of portland, 1800s, seal, administration -
Glenelg Shire Council Cultural Collection
Photograph - Photograph - reception of Lord Hopetoun, Casterton, 4 May 1892, 1892
Located in Casterton Town Hall, upstairs in glass cabinet.black and white photograph of a procession of people and horse-drawn carraiges. They are standing on a road between a picket fence and a brick building with a decorative portico.Front: (no inscriptions) Back: Belongs to/ Ruth July/ re Audrey Grand (black pen, centre)casterton, lord hopetoun, horse-drawn carriage, 1800s -
Glenelg Shire Council Cultural Collection
Administrative record - Journal - schooling fees 1864 - 1868, Casterton District, 1864-1868
Owned by Mr. Bell (7) Presented to President of Shire of Glenelg 20/2/1942 by Mary Gilmore M.B.G. Found in the records of former Glenelg councillor. Cr. Davidson, and given back to Glenelg Shire Council by his son Ross Davidson.casterton, administrative record, school fees, 1800s -
Flagstaff Hill Maritime Museum and Village
Print - Picture
Print of a ship in the late 1800s set against a background of other ships (one of a steam paddle) and a reddish sky. Wooden decorative frame, with carved oak leaves and acorns and gold edging to print. Handwritten inscriptions on a round yellow sticker on the front and a white rectangular sticker on the back.Yellow sticker "A5". White sticker "67"flagstaff hill, warrnambool -
Flagstaff Hill Maritime Museum and Village
Tool - Drill Brace, 1800s
The subject item is an early Victorian Scotch Brace with a 10-inch sweep. They were also known as a six penny or "gentleman's" brace and were designed to accept tapered square shank bits, early designs have a thumb screw to help secure the bit. Later designs had a catch to secure drilling bits. This type of brace was used in wagon making for boring & drilling holes into the wood for a variety of purposes, including driving screws. The subject item is unmarked but could have been made in Glasgow Scotland by John Fray in the 1800s A significant early example of a drill brace made in the UK during the 1800s demonstrates the evolution of this type of tool from this time that today is a rare and collectable example of woodworking tools.Drill Brace metal with socket and thumbscrew, varnished wooden head and handleNoneflagstaff hill, warrnambool, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, brace, carpenders wheel brace, cabinet makers tools, drilling tool, wagon makers drill -
Flagstaff Hill Maritime Museum and Village
Accessory - Hair Brush, Circa late 1800s or early 1900s
The hair brush is part of a vanity set owned by a woman who lived in the Harbour Master's house at Warrnambool in the late 1800s and early 1900s. The set was possibly a wedding gift from her mother-in-law, Caroline Edwards, a local business woman who was an importer of 'china and fancy goods' along with her husband Thomas Myers Edwards. The Edwards owned Staffordshire House a business in Timor St (and later Liebig St) from 1876. The hair brush is an example of a valued possession of women at the time and could signify social standing. It was also a functional accessory used on a daily basis.The item is significant socially as an example of accessories available to and used by women in the late 1800s and early 1900s. Historically, it is linked to a local import business ‘Staffordshire House’ in Liebig St Warrnambool, where it most likely came from. A pewter (or possibly silver-plated) hair brush that is part of a vanity set. It features a beautiful ornate moulded rose/flower design on the back and handle of the hair brush. The hair brush insert is most likely made of celluloid, it no longer has bristles and is purely ornamental. flagstaff hill, warrnambool, flagstaff hill maritime museum and village, maritime village, maritime museum, shipwreck coast, great ocean road, vanity set, pewter, silver plate, toilet set, harbours master's house, staffordshire house, hair brush, hairbrush, brush, celluloid -
Flagstaff Hill Maritime Museum and Village
Accessory - Hand Mirror, Circa late 1800s or early 1900s
The hand mirror is part of a vanity set owned by a woman who lived in the Harbour Master's house at Warrnambool in the late 1800s and early 1900s. The set was possibly a wedding gift from her mother-in-law, Caroline Edwards, a local business woman who was an importer of 'china and fancy goods' along with her husband Thomas Myers Edwards. The Edwards owned Staffordshire House a business in Timor St (and later Liebig St) from 1876. The hand mirror is an example of a valued possession of women at the time and could signify social standing. It was also a functional accessory used on a daily basis.The item is significant socially as an example of accessories available to and used by women in the late 1800s and early 1900s. Historically, it is linked to a local import business ‘Staffordshire House’ in Liebig St Warrnambool, where it most likely came from. A pewter (or possibly silver-plated) hand mirror that is part of a vanity set. It features a beautiful ornate moulded rose/flower design on the back, handle and front edge of mirrorflagstaff hill, warrnambool, flagstaff hill maritime museum and village, maritime village, maritime museum, shipwreck coast, great ocean road, vanity set, hand mirror, pewter, silver plate, toilet set, harbours master's house, staffordshire house -
Flagstaff Hill Maritime Museum and Village
Accessory - Comb, Circa late 1800s or early 1900s
The comb is part of a vanity set owned by a woman who lived in the Harbour Master's house at Warrnambool in the late 1800s and early 1900s. The set was possibly a wedding gift from her mother-in-law, Caroline Edwards, a local business woman who was an importer of 'china and fancy goods' along with her husband Thomas Myers Edwards. The Edwards owned Staffordshire House a business in Timor St (and later Liebig St) from 1876. The comb is an example of a valued possession of women at the time and could signify social standing. It was also a functional accessory used on a daily basis.The item is significant socially as an example of accessories available to and used by women in the late 1800s and early 1900s. Historically, it is linked to a local import business ‘Staffordshire House’ in Liebig St Warrnambool, where it most likely came from. A ladies hair comb which features an ornate flower design on the pewter (or possibly silver-plated) edge. The comb teeth are most likely made of celluloid.flagstaff hill, warrnambool, flagstaff hill maritime museum and village, maritime village, maritime museum, shipwreck coast, great ocean road, vanity set, pewter, silver plate, toilet set, harbours master's house, staffordshire house, celluloid, comb -
The Beechworth Burke Museum
Photograph
Taken in the late 1800s, depicted is a portrait of Charles Sherwood Stratton (professionally known as General Tom Thumb). He is dressed in a formal suit. Charles Sherwood Stratton was an American performer who traveled with the Barnum & Bailey Circus. The show was founded by Phineas Taylor (P. T.) Barnum in 1871. Charles participated in various acts including singing, dancing, miming, and celebrity impersonations. He gained international fame for his successful career and small physical stature. Charles performed in Australia in August 1870. He was joined by his touring party as part of the Barnum & Bailey Circus "Round the World" tour. The "Australian Tom Thumb", real name John David Armstrong, made his "audaciously competitive" stage debut alongside Charles when the circus performed at the Prahran Popular Entertainments in Melbourne. Charles, P. T. Barnum and the circus inspired the popular musical drama film, "The Greatest Showman" (2017).The photograph is historically significant due to Stratton's status and legacy as an internationally renowned performer. Furthermore, the record relates to the history of performance in Victoria during the late nineteenth century. It illustrates the type of entertainment that was enjoyed by the public during this time. Black and white rectangular photograph printed on matte photographic paper.Reverse: 3712 /entertainment, entertainment album, general tom thumb, circus, performance, arts, recreation, lavinia warren stratton, charles sherwood stratton, 1800s, portrait, p. t. barnum, barnum & bailey circus -
Flagstaff Hill Maritime Museum and Village
Tool - Drill Brace, 1800s
The subject item is an early Victorian Scotch Brace with a 10-inch sweep. They were also known as a six penny or "gentleman's" brace and were designed to accept tapered square shank bits, early designs have a thumb screw to help secure the bit. Later designs had a catch to secure drilling bits. This type of brace was used in wagon making for boring & drilling holes into the wood for a variety of purposes, including driving screws. The subject item is unmarked but could have been made in Glasgow Scotland by John Fray in the 1800s, early drill braces of this type were often unmarked by their makers. A significant early example of a drill brace made in the UK during the 1800s demonstrates the evolution of this type of tool from this time that today is a rare and collectable example of woodworking tools.Brace metal with wooden handle. Has a screw in the holding socket item also has an auger bit. Noneflagstaff hill, warrnambool, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, brace, carpenders wheel brace, cabinet makers tools, drilling tool, wagon makers drill -
Port Melbourne Historical & Preservation Society
Letter - Photocopy, Letters to Louisa Wright-Moffit, 1700 - 2000
From red binder of family history of Caroline and Willbraham Liardet consisting of photocopies of various photos and documents, family trees, etc.donated by Philippa Gamlin, granddaughter of Leonora. 11. Translation of several letters to Louisa Wright-Moffitt in early 1800s. Includes copy of certificates relating to Perpetue Catherine's burial in 1845.Each leaf is numberedliardet family, phillippa gamlin, ynys grecian -
Federation University Historical Collection
Newspaper, Ballarat Courier, Ballarat 150 years: Supplement to the Ballarat Courier, 1988, 17 March 1988
Collection of photographs and articles telling the history of Ballarat from the 1800sNewspaper - tabloid1838 pastoral period, first settlers, anderson family, ballarat pioneers, aborigines, goldfields, eureka, school of mines, technical school, ballarat clubs, victorian city -
Buninyong Visitor Information Centre
Clothing - Bodice, White cotton bodice, plain with narrow lace edging around neck
Underwear worn by women from the late 1800s to early 1900s.White cotton, fairly plain except for tiny lace edging around neckline. Five hand worked buttonholes. Two sharing darts each side of front.underwear, costume -
Whitehorse Historical Society Inc.
Photograph, Pearce Moustache Cups
Moustache was normal for 1800s as a large portion of the male population had a moustache.Coloured photograph of Moustache Cups owned by Pearce Family.|For view of cups see Np2630.pearce, ronald, harry, mary, edward, moustache cups -
Whitehorse Historical Society Inc.
Photograph, Pearce Cups
Moustache was normal for 1800s as a large portion of the male population had a moustache.Coloured photograph of details of two china moustache cups, (Internal view see Np2629) used by Pearce family.pearce, ronald, harry, mary, edward -
Buninyong & District Historical Society
Photograph - B/W photograph, Dr Longden's and Sparling's former residences, Learmonth St west, Buninyong, July 1993
Dr Longden, a medical practitioner, was a significant figure in Buninyong history in the late 1800s.Brick buildings are prominent examples of Victorian era residences. Dr Longden was a prominent medical practitioner in Buninyong in the late 1800s.B/W photo of Dr Longden's (built circa 1898) and Sparling's former residences, Learmonth St west, Buninyong. Streetscape photo taken in 1993 of two brick residences.buninyong, longden, sparling, brick building, house, street scape, learmonth st -
Buninyong & District Historical Society
Photograph - Original B/W Photograph, Clive Brooks, Buninyong roundabout, cnr Warrenheip and Learmonth Sts, with streetscape of shops on north-east corner, Sept 1993
Roundabout is situated at the centre of the town. Shops in streetscape are a mixture of 1800s and 1900s construction.The streetscape is of historic and social significance, representative of a small country town.Original B/W photograph of roundabout at the corner of Learmonth and Warrenheip Sts, Buninyong. Streetscape of shops on the NE corner. buninyong, roundabout, warrenheip st, learmonth st, streetscape, shops -
Royal Australian and New Zealand College of Obstetricians & Gynaecologists (RANZCOG)
Bath thermometer case associated with midwife Mary Howlett, c. 1866 - 1920
Bath thermometers were used in both hospital and home nursing during the 1800s.Mary Howlett (1840-1922) began practising as a country midwife in 1866 in the western district of Victoria. She qualified as a 'ladies monthly nurse' in 1887 and continued to practise as a nurse and midwife until 1920.She began her six months training at the Melbourne Lying-In Hospital. She was known by many as 'Auntie', and her career spanned more than 50 years. Mrs Howlett's midwifery box and contents were given to Dr Frank Forster, and he donated them to the museum collection in 1993.Container for bath thermometer, consisting of base and lid. Cylindrical box made of tin with copper lining. Bath thermometer is missing.diagnostic instruments, midwifery -
The Beechworth Burke Museum
Photograph
A death mask is a plaster or wax mould made of a human face shortly after death (around 30 minutes after the execution). The intention was to capture the likeness of the individual and maintain their facial expression and features before these became distorted in death. They differ from their counterparts the life masks which were made to preserve the likeness of an individual while alive. Death masks were often replicated and sold to various institutions and private buyers. Death masks were created for a variety of reasons. Organisations like museums and scientific institutes collected these masks to support the study of phrenology. Phrenology is the study of the conformation of a skull in an effort to understand the mental faculties and traits of an individual. This was undertaken in a period in which it was argued that the shape of a head could provide detailed knowledge into personality. In addition, death masks were also created to aid effigy making, as tools for sculpture and as objects of veneration. Death masks were often placed on display as objects of curiosity. Edward “Ned” Kelly was convicted of murder on the 29th of October 1880 and executed by hanging on the 11th of November that same year. In the 1800s it was common practice for authorities to make a death mask of an executed criminal. In Kelly’s case, there were multiple copies made of his death mask, one of which is in the collection of the Burke Museum. Copies of the official death Mask (attributed to Maximilian Kreitmayer) have been made by artists including Max Meldrum (1875-1955). It depicts the head, neck and partial right shoulder of Ned Kelly. Whilst generally considered to be a ‘pseudoscience’ today, phrenology and the study of the reception and use of artefacts like Ned Kelly’s death mask, can provide valuable insight into a past era’s views of personality and the human body. This mask presents a unique three-dimensional depiction of Ned Kelly shortly after his execution which is unlike any other depiction of him. It can provide vital information as to the use of death masks in Victoria and their popularity in the 1800s. These masks were mostly done of criminals and used for exhibition purposes alongside phrenological study. Phrenologist AS Hamilton used Kreitmayer’s replication of the mask (displayed in Kreitmayer’s Bourke Street waxworks the day after Kelly’s death) to report a detailed phrenological analysis on Ned Kelly and concluded from his research that the deceased had an “enormous self-esteem”. Portraits of living people represent the way they themselves and/or the artists wished themselves to be remembered. The death mask contrasts this and therefore, creates a likeness of a person in their entirety and not just an ideal representation. Therefore, the study of such artefacts and their history of use and disuse can provide interesting information valuable to understanding the past. Colour rectangular photograph printed on gloss photographic paper.Obverse: Reverse: AGFA kelly album, ned kelly, death mask, kreitmayer, old melbourne gaol, phrenology, craneology, 1800s, pseudoscience, burke musuem, max meldrum