'After training as a Cartographic Draftsman within the mining industry, I worked as a property illustrator for real estate firms in the eastern suburbs of Melbourne for 23 years from 1983. I initially photographed houses with a Polaroid camera and made a 'thumbnail' sketch while there. The photos were used to scale off a sketch in pencil and then that sketch was overlaid with drafting film and the 'pen and ink' completed. The pens I used were the Rotring ‘Rapidigraph’ drafting pens. The ink was also made by Rotring (German).The film was ‘Rapidraw’, polyester drafting film, double matte. It takes a very fine line and doesn’t bleed. As well as house sketches, there were often floor plans and site plans ordered. Aerial sketches were ordered when the property needed an overall view.' (Margaret Picken, 2020)This property illustration is one of a series created by Margaret Picken for a range of real estate agents in Melbourne between c. 1983 and c. 2006. Each work is signed and dated by the artist.Gift of Margaret Picken, 2020pen and ink architectural drawing on drafting film. Dimension 220x164 Inscription: 42 HARTS PDE, HAWTHORN Margaret Picken ~92 WOODARDS -HAWTHORN42 HARTS PDE, HAWTHORN Margaret Picken ~92 WOODARDS -HAWTHORNartist - margaret picken 1950-

'After training as a Cartographic Draftsman within the mining industry, I worked as a property illustrator for real estate firms in the eastern suburbs of Melbourne for 23 years from 1983. I initially photographed houses with a Polaroid camera and made a 'thumbnail' sketch while there. The photos were used to scale off a sketch in pencil and then that sketch was overlaid with drafting film and the 'pen and ink' completed. The pens I used were the Rotring ‘Rapidigraph’ drafting pens. The ink was also made by Rotring (German).The film was ‘Rapidraw’, polyester drafting film, double matte. It takes a very fine line and doesn’t bleed. As well as house sketches, there were often floor plans and site plans ordered. Aerial sketches were ordered when the property needed an overall view.' (Margaret Picken, 2020)This property illustration is one of a series created by Margaret Picken for a range of real estate agents in Melbourne between c. 1983 and c. 2006. Each work is signed and dated by the artist.Gift of Margaret Picken, 2020pen and ink architectural drawing on drafting film. Dimension 206x164 Inscription: 16 HASTINGS ST, HAW E Margaret Picken ~92 WOODARDS -C'WELL16 HASTINGS ST, HAW E Margaret Picken ~92 WOODARDS -C'WELLartist - margaret picken 1950-

'After training as a Cartographic Draftsman within the mining industry, I worked as a property illustrator for real estate firms in the eastern suburbs of Melbourne for 23 years from 1983. I initially photographed houses with a Polaroid camera and made a 'thumbnail' sketch while there. The photos were used to scale off a sketch in pencil and then that sketch was overlaid with drafting film and the 'pen and ink' completed. The pens I used were the Rotring ‘Rapidigraph’ drafting pens. The ink was also made by Rotring (German).The film was ‘Rapidraw’, polyester drafting film, double matte. It takes a very fine line and doesn’t bleed. As well as house sketches, there were often floor plans and site plans ordered. Aerial sketches were ordered when the property needed an overall view.' (Margaret Picken, 2020)This property illustration is one of a series created by Margaret Picken for a range of real estate agents in Melbourne between c. 1983 and c. 2006. Each work is signed and dated by the artist.Gift of Margaret Picken, 2020pen and ink architectural drawing on drafting film. Dimension 206x164 Inscription: 16 HASTINGS ST, HAW E Margaret Picken ~92 WOODARDS -C'WELL16 HASTINGS ST, HAW E Margaret Picken ~92 WOODARDS -C'WELLartist - margaret picken 1950-

Phonograph record, black shellac, with black Columbia "Magic Notes" label. A&B sides: Viennese Nights - Waltzes Selection parts 1&2. Artist: Regal Cinema Orchestra.Reference Number DOX - 167. Has a white and blue semi circular label attached to the record label. G.J. Grice Ltd House of Music Supplies.

'Queep-Queep’ means ‘birds’ in Woi-wurrung language—the language of the Wurundjeri people—the Traditional Owners of the land on which the building is standing. Referencing what lived and flourished in this area prior to European invasion, the artwork acknowledges the important Aboriginal history of the area now known as the City of Yarra. The six native birds depicted in the artwork can all be found living within the City of Yarra: the male red-rumped parrot, kookaburra, superb fairy wren, rainbow lorikeet, raven, and wedge-tailed eagle. Many south-eastern Aboriginal people recognise the wedge-tailed eagle as Bunjil—the creator spirit. Bunjil is the head of the Kulin Nation and is very powerful. Bunjil created the land, waterways, animals, plants and even the people. He is watching over the land to ensure that we are caring for Country—reminding us to respect ourselves, respect others and respect the environment.'Queep-Queep' is a site-specific artwork commissioned for the new Richmond Kindergarten, Lord Street, Richmond, 2023.Two aluminium birds (a wedge-tailed eagle and a raven) at the entrance to the building, and a large, colourful mural of Australian native birds painted in a graphic style on the other side of the wall facing into the playground.accompanying plaquebirds, bunjil, country, kulin nation, environment, public art

Photograph wrongly identified on reverse as Matthew Leighton Hutchinson Session Clerk Brunswick Presbyterian Church. Slightly faded waist length sepia studio portrait of unidentified white-beared elderly man dressed in suit and bowtie.brunswick, presbyterian, sessions clerk, matthew leighton hutchinson

Black and white photograph, multiple people, photograph of Power Lifter Carolyn Briggs on stage receiving an awards, 13/03/92 Bendigo Advertiser description on back of photo: Carolyn Briggs Power Lifting November 13/03/92recreations, sports, awards

Circa WWII type 92 Japanese steel helmetCirca WWII japanese type 92 steel helmetWWII Japanese steel helmet, Type 92, painted silver post-war. A five point star is soldered to the front. There are four small holes (two on either side) in the top of the helmet. A circular metal stud is located on either side of the helmet at the rear. Three liner mounting attachment points are located on the inside rim of the helmet. The rim of the helmet is cracked in two places.helmet, japanese, headgear

92 Wing RAAF Malaysia ( known as 92 Squadron Butterworth )plaque, post ww2, raaf

Coloured Photographs. Sandhurst Drummers December 92. Fred's Drum; Brigid Fahey; Sharnu Verma; Jamie Sumner; Nicole McDonnell.photograph, person, sandhurst drummers

Cattle grazing on the Bogong High Plains occurred on most summers since the 1840s. The families were farmers from the Kiewa Valley. The 2003 fires interrupted this tradition which was discontinued altogether in 2005 for environmental reasons. This tradition is still controversial.History of Cattle grazing on the Bogong High Plains and farming in the Kiewa Valley and the families that lived there.Photocopied topographical map of part of the Alpine National Park showing 11 families areas for cattle grazing. Dated 1991/92 up to 2003 fires.91/92 Until fires in 2003 Families names have been added in blue texta. They are: 'Kelly, Faithful, Weston Briggs, Ryder, Cooper, Blair, Roper, Maddison, Fitzgeralds, Hicks.'cattlemen of the kiewa valley, cattle grazing on the bogong high plains

This photograph is part of the Caulfield Historical Album 1972. This album was created in approximately 1972 as part of a project by the Caulfield Historical Society to assist in identifying buildings worthy of preservation. The album is related to a Survey the Caulfield Historical Society developed in collaboration with the National Trust of Australia (Victoria) and Caulfield City Council to identify historic buildings within the City of Caulfield that warranted the protection of a National Trust Classification. Principal photographer thought to be Trevor Hart, member of Caulfield Historical Society. Most photographs were taken between 1966-1972 with a small number of photographs being older and from unknown sources. All photographs are black and white except where stated, with 386 photographs over 198 pages.From Victorian Heritage Database citation for Rippon Lea H0614 https://vhd.heritagecouncil.vic.gov.au/places/427(as at 23/10/2020) Rippon Lea was commenced in 1868 by Frederick Sargood, a most successful politician and merchant. He was born in England in 1834 and arrived in Melbourne in 1850. He soon joined his father's wholesale soft goods firm, spending some time as its manager on the goldfields. Sargood entered the Legislative Council in 1874. He was Victoria?s first Minister for Defence in 1883. Sir Frederick Sargood was created CMG. In 1885 and KCMG in 1890 as a reward for his contribution to public life. He died suddenly in 1903. Rippon Lea was designed by the leading firm of architects, Reed and Barnes. Joseph Reed had travelled in Europe in 1863, including northern Italy. When he returned he introduced the use of polychromy. While not the first examples, Rippon Lea and the Independent Church in Collins Street were the best and set a fashion which became a distinctly Melbourne style, particularly used for houses and churches. Its popularity was possible because of the new availability of different coloured bricks. Reed's fine Lombardic Romanesque details soon became debased by others. As Sargood's family grew and his fortunes prospered, Rippon Lea was extended to include 33 rooms - a complete mansion. The cast iron porte cochere and the northern conservatory were added in 1897. The architects were Taylor and Fitts. The ballroom was added in 1882 and remodelled in 1889. Many alterations have changed the interior and exterior during the ownerships of Benjamin Nathan and later his daughter Mrs Louisa Jones in the 1930s and are in their own right of significance. Sir Thomas Bent owned the property from 1903 until 1911 but never lived there. He subdivided much of the land. The original garden dates from about 1868, and it seems that William Guilfoyle of the Botanic Gardens was involved. It was redesigned in a more natural style in the 1880s by Sargood and his head gardener, Adam Anderson. The lake, waterfalls, fernery, hill and grotto are balanced by mighty deciduous trees and conifers. These are interspersed with, but never dominated by Australian species such as eucalyptus and other exotics. The sinuous drive with its carefully prepared approach to the house is notable. The original vegetable gardens, orchard and outer paddocks no longer survive. The shade house is important as the largest known in Australia and possibly the world. Its curved plan and form of construction are particularly notable. It was built about 1884.Page 92 of Photograph Album with four photographs (three landscape and one portrait) of Ripponlea - views of entrance and left front of mansion.Handwritten: "Ripponlea" Hotham Street [top right] / Neg 245 Dec 1972 [under top left photo] / Neg 246 Dec 1972 [under bottom left photo] / Neg 247 Dec 1972 [under bottom right photo] / 92 [bottom right]trevor hart, elsternwick, mansion, hotham street, frederick sargood, reed and barnes, lombardic, romanesque, cast iron porte cochere, conservatory, 1860's, 1890's, ballroom, 1880's, benjamin nathan, louisa jones, thomas bent, sir thomas bent, william guilfoyle, adam anderson, lake, grotto, shade house, portico, ripponlea, victorian, sir frederick sargood, architects, polychrome bricks, lombardic romanesque style, rippon lea, entrances

Book of 92 pagesnon-fictiongolden, colorado, technical and engineering society, coal lands, dakota formation, electric haulage, sunnyside, utah, pahang, malaysia, magnetic seperator, colorado school of mines, schools of mines

Ill, p.92.non-fictionA guide to the Australian war memorial when located in the Exhibition Buildings, Melbourne.military museums - australia, australian war museum - melbourne

Glossary, p.92.non-fictionA book of petry dedicated to all who served in the empire and allied air forcesworld war 1939-1945 - poetry, airmen - allied air forces - poetry

This secondary school textbook looks at life in Australia during the depressions of the 1890s and 1930s.Paperback, 92 p. illus.Signed Faye Fort on title page.australia history, great depression 1930s, economic depressions

Describes the broad patterns of development across Banyule in the post-European contact period, 92 p, 30 cmbanyule history, greensborough history, montmorency history, heidelberg history, ivanhoe history

Ill, maps, p.92.non-fictionA study of the various types of rolling stock used on the tramways of New South wakes including trolley busestramways - new south wales, tramway rolling stock