View of Jeeves Saddle in 1907 showing everyday life and including important people and businesses from early settlement - Dodd's grocery and meat cutting carts; Beulah tea Rooms/Post Office; Mrs Hand, Fred Jeeves, Theo Hand.This photograph has a detailed inscription on the back handwritten by John Lundy-Clarke in 1974.“Jeeves Saddle” in 1907. Isaac Jeeves special strip of land Crown Allotment “C” 7 chains wide, lay between the sledge load of pea stalks and the far end of the verandah on Mrs Hand’s “Beulah Tea Rooms” which soon afterwards became the Mt Dandenong North Post Office. The coach road came up from the right behind the tall stump. The big woman in black was Mrs Hand. The wagon at the shop was Dodd’s grocery cart. The nearer wagon was the first coach on the mountain which had belonged to Briarty. The small cart was Dodd’s meat cutting cart. The elm trees are in the centre of the picture and above them is Price’s sign advertising their shop and newsagency. The big house is “Mountjoy” burnt 1975. Walker’s house is among the big trees left centre. Boy at horse’s head is Fred Jeeves. Boy on sledge is Theo Hand. The horse is “Blossom”. Barbers Road goes to the left from behind the elm trees.jeeves, theo hand, fred jeeves, isaac jeeves, barbers road, beulah tea rooms, post office, mount dandenong north, mt dandenong north, kalorama, coach, mountjoy

watercolourlandscape, werribee, gorge, trees, charles douglas richardson, watercolour, cd richardson, c douglas richardson, rocks, mountains

watercolourlandscape, river, charles douglas richardson, tree, c douglas richardson, cd richardson, mountain, birds, lerderderg

watercolourlandscape, beach, brighton, coast, water, boat, charles douglas richardson, cd richardson, c douglas richardson, bayside, mountain, bay

type C photographiceland, snow, landscape, mountain, cloud, georgina campbell, photograph, type c photograph

type C photographiceland, snow, mountains, cloud, photograph, georgina campbell, type c photograph

type C photographsnow, iceland, mountains, photograph, georgina campbell, type c photograph, clouds

type C photographsnow, iceland, landscape, mountains, photograph, georgina campbell, type c photograph

type C photographsnow, iceland, mountains, landscape, path, photograph, georgina campbell, type c photograph

type C photographsnow, iceland, mountains, landscape, photograph, georgina campbell, type c photograph

Henry Beater Christian (1886-1962) , was a descendant of one of the earliest settler families in Kew. Employed at the Kew Asylum as a 'public servant', he was a skilled amateur photographer, photographing numerous scenes in Kew and on his travels around Victoria. The majority of his photographs date from 1916 to 1929. His finest photographs are housed in two photograph albums. Digital copy of a photograph from page 18 of the 47-page photograph album containing 261 gelatinous silver images, loaned by Diane Washfold with permission given to digitise and hold a copy in our collection. This photograph, dating from c.1926, forms part of a group of photos taken on a bushwalking trip to Marysville, Victoria. John Chapman has written in 'Bushwalking Clubs - A Brief History', about the establishment in Victoria of the first bushwalking club in 1888, and the popularisation of bushwalking during the interwar period. The photograph of a post and rail wooden bridge includes a man at the left of the crossing and mountains in the distance."Spur" [illegible ink inscription]henry beater christian (1886-1962), landscape photography, kew (vic.) — yarra river, christian-washfold collection, photograph albums, bushwalking -- victoria, strickland spur

Nicholas Caire was born on Guernsey in the Channel Islands in 1837. He arrived in Adelaide with his parents in about 1860. In 1867, following photographic journeys in Gippsland, he opened a studio in Adelaide. From 1870 to 1876 he lived and worked in Talbot in Central Victoria. In 1876 he purchased T. F. Chuck's studios in the Royal Arcade Melbourne. In 1885, following the introduction of dry plate photography, he began a series of landscape series, which were commercially successful. As a photographer, he travelled extensively through Victoria, photographing places few of his contemporaries had previously seen. He died in 1918. Reference: Jack Cato, 'Caire, Nicholas John (1837–1918)', Australian Dictionary of Biography.An original, rare photograph from the series 'Views of Victoria: General Series' by the photographer, Nicholas Caire (1837-1918). The series of 60 photographs that comprise the series was issued c. 1876 and reinforced a neo-Romantic view of the Australian landscape to which a growing nationalist movement would respond. Nicholas Caire was active as a photographer in Australia from 1858 until his death in 1918. His vision of the Australian bush and pioneer life had a counterpart in the works of Henry Lawson and other nationalist poets, authors and painters.Views of Victoria (General Series) No.27 / ‘Scene from the Black Spur’ / Albumen silver photograph mounted on boardOn Reverse: ‘The scene which this illustration represents is taken from one of the slopes of the Black Spur Hill, on the Great Dividing Range of Mountains, and is characteristic of the scenery to be found in most parts of the beautiful and romantic districts of Fernshawe and Healesville.’nicholas caire (1837-1918), australia - landscape photography

Nicholas Caire was born on Guernsey in the Channel Islands in 1837. He arrived in Adelaide with his parents in about 1860. In 1867, following photographic journeys in Gippsland, he opened a studio in Adelaide. From 1870 to 1876 he lived and worked in Talbot in Central Victoria. In 1876 he purchased T. F. Chuck's studios in the Royal Arcade Melbourne. In 1885, following the introduction of dry plate photography, he began a series of landscape series, which were commercially successful. As a photographer, he travelled extensively through Victoria, photographing places few of his contemporaries had previously seen. He died in 1918. Reference: Jack Cato, 'Caire, Nicholas John (1837–1918)', Australian Dictionary of Biography.An original, rare photograph from the series 'Views of Victoria: General Series' by the photographer, Nicholas Caire (1837-1918). The series of 60 photographs that comprise the series was issued c. 1876 and reinforced a neo-Romantic view of the Australian landscape to which a growing nationalist movement would respond. Nicholas Caire was active as a photographer in Australia from 1858 until his death in 1918. His vision of the Australian bush and pioneer life had a counterpart in the works of Henry Lawson and other nationalist poets, authors and painters.Views of Victoria (General Series) No.28 / ‘Scene near Dandenong, Moon’s Range’ / Albumen silver photograph mounted on boardOn Reverse: 'Moon’s Range is situated to the right of the portion of the Dandenong Range of Mountains called “Fern Tree Gully.” This Range is notable for its almost impenetrable forest of trees, the majority of them being of gigantic growth. Numerous splitters and wood-cutters obtain lucrative employment in the production of laths and firewood. Near the summit of the range are several summer residences belonging to Melbourne merchants.’nicholas caire (1837-1918), australia - landscape photography

Nicholas Caire was born on Guernsey in the Channel Islands in 1837. He arrived in Adelaide with his parents in about 1860. In 1867, following photographic journeys in Gippsland, he opened a studio in Adelaide. From 1870 to 1876 he lived and worked in Talbot in Central Victoria. In 1876 he purchased T. F. Chuck's studios in the Royal Arcade Melbourne. In 1885, following the introduction of dry plate photography, he began a series of landscape series, which were commercially successful. As a photographer, he travelled extensively through Victoria, photographing places few of his contemporaries had previously seen. He died in 1918. Reference: Jack Cato, 'Caire, Nicholas John (1837–1918)', Australian Dictionary of Biography.An original, rare photograph from the series 'Views of Victoria: General Series' by the photographer, Nicholas Caire (1837-1918). The series of 60 photographs that comprise the series was issued c. 1876 and reinforced a neo-Romantic view of the Australian landscape to which a growing nationalist movement would respond. Nicholas Caire was active as a photographer in Australia from 1858 until his death in 1918. His vision of the Australian bush and pioneer life had a counterpart in the works of Henry Lawson and other nationalist poets, authors and painters.Views of Victoria (General Series) No.31 / ‘View of Sailor’s Creek Bridge’ / Albumen silver photograph mounted on boardOn Reverse" ‘Sailor’s Creek as situated in the Jim Crow Ranges, which Range forms a portion of the Great Dividing Range of Mountains in Victoria. These hills contain many romantic spots. The one which forms the subject of the present illustration is a view of the Bridge which spans the Creek. Gold has been found throughout the course of the bed of this Creek in payable quantities. The diggers, as may be seen in the photograph, have constructed sluices in the side of the embankment for the purpose of washing the fine gold contained in the wash-dirt.’nicholas caire (1837-1918), sailor's creek (vic), gold mining (vic)

Nicholas Caire was born on Guernsey in the Channel Islands in 1837. He arrived in Adelaide with his parents in about 1860. In 1867, following photographic journeys in Gippsland, he opened a studio in Adelaide. From 1870 to 1876 he lived and worked in Talbot in Central Victoria. In 1876 he purchased T. F. Chuck's studios in the Royal Arcade Melbourne. In 1885, following the introduction of dry plate photography, he began a series of landscape series, which were commercially successful. As a photographer, he travelled extensively through Victoria, photographing places few of his contemporaries had previously seen. He died in 1918. Reference: Jack Cato, 'Caire, Nicholas John (1837–1918)', Australian Dictionary of Biography.An original, rare photograph from the series 'Views of Victoria: General Series' by the photographer, Nicholas Caire (1837-1918). The series of 60 photographs that comprise the series was issued c. 1876 and reinforced a neo-Romantic view of the Australian landscape to which a growing nationalist movement would respond. Nicholas Caire was active as a photographer in Australia from 1858 until his death in 1918. His vision of the Australian bush and pioneer life had a counterpart in the works of Henry Lawson and other nationalist poets, authors and painters.Views of Victoria (General Series) No.33 / ‘Interior of the crater at Mount Franklin’ / Albumen silver photograph mounted on cardOn Reverse: ‘Mount Franklin is situated near Malmsbury, about ten or twelve miles distant. The most remarkable and interesting part of this Mountain is its Crater, which, from its immense size and great depth, denotes that a volcanic eruption of considerable magnitude must have taken place at some period in the past. Looking down from the summit, the large gum trees growing at the bottom of the Crater appear but small saplings.’nicholas caire (1837-1918), mount franklin, victoria - landscape photography

Nicholas Caire was born on Guernsey in the Channel Islands in 1837. He arrived in Adelaide with his parents in about 1860. In 1867, following photographic journeys in Gippsland, he opened a studio in Adelaide. From 1870 to 1876 he lived and worked in Talbot in Central Victoria. In 1876 he purchased T. F. Chuck's studios in the Royal Arcade Melbourne. In 1885, following the introduction of dry plate photography, he began a series of landscape series, which were commercially successful. As a photographer, he travelled extensively through Victoria, photographing places few of his contemporaries had previously seen. He died in 1918. Reference: Jack Cato, 'Caire, Nicholas John (1837–1918)', Australian Dictionary of Biography.An original, rare photograph from the series 'Views of Victoria: General Series' by the photographer, Nicholas Caire (1837-1918). The series of 60 photographs that comprise the series was issued c. 1876 and reinforced a neo-Romantic view of the Australian landscape to which a growing nationalist movement would respond. Nicholas Caire was active as a photographer in Australia from 1858 until his death in 1918. His vision of the Australian bush and pioneer life had a counterpart in the works of Henry Lawson and other nationalist poets, authors and painters.‘The Township of Walhalla’ : Views of Victoria (General Series) No.37 : Albumen silver photograph | Photo on card with Title and Description on reverse | Mounted 24 x 30 cm; Photo 12 x 17 cm.On Reverse: ‘This romantic Township is situated near Stringer’s Creek in Gipps Land, not far from the celebrated Baw-Baw Mountains. The Long Tunnel Gold Claim has proved a great source of wealth to this small out-of-the-way place, yielding sometimes between 2,000 and 3,000 ounces of gold per month. The population, which is mostly a mining one, reaches nearly 2,000 inhabitants, and are scattered about among the creeks and gullies of the neighbourhood. Until recently, the road traffic was limited to pack-horses, in consequence of the precipitous hills which surround the Town.‘nicholas caire (1837-1918), walhalla, landscape photography

Nicholas Caire was born on Guernsey in the Channel Islands in 1837. He arrived in Adelaide with his parents in about 1860. In 1867, following photographic journeys in Gippsland, he opened a studio in Adelaide. From 1870 to 1876 he lived and worked in Talbot in Central Victoria. In 1876 he purchased T. F. Chuck's studios in the Royal Arcade Melbourne. In 1885, following the introduction of dry plate photography, he began a series of landscape series, which were commercially successful. As a photographer, he travelled extensively through Victoria, photographing places few of his contemporaries had previously seen. He died in 1918. Reference: Jack Cato, 'Caire, Nicholas John (1837–1918)', Australian Dictionary of Biography.An original, rare photograph from the series 'Views of Victoria: General Series' by the photographer, Nicholas Caire (1837-1918). The series of 60 photographs that comprise the series was issued c. 1876 and reinforced a neo-Romantic view of the Australian landscape to which a growing nationalist movement would respond. Nicholas Caire was active as a photographer in Australia from 1858 until his death in 1918. His vision of the Australian bush and pioneer life had a counterpart in the works of Henry Lawson and other nationalist poets, authors and painters.‘Scene near the Buffalo Mountains’ : Views of Victoria (General Series) No.41 : Albumen silver photograph | Photo on card with Title and Description on reverse | Mounted 24 x 30 cm; Photo 12 x 17 cm.On Reverse: ‘This scene is taken from the banks of the Buckland River, which is about five miles distant from the Buffalo Mountains, as seen in the distance. These mountains are frequently covered with snow, in consequence of their great altitude. The Buckland River is a small tributary of the Ovens River, which flows through the Beechworth district, and eventually finds its way to the River Murray. The Bridge which is seen on the right of the picture forms the roadway which leads from the Buckland Camp to the Township of Bright.’nicholas caire (1837-1918), landscape photography

Nicholas Caire was born on Guernsey in the Channel Islands in 1837. He arrived in Adelaide with his parents in about 1860. In 1867, following photographic journeys in Gippsland, he opened a studio in Adelaide. From 1870 to 1876 he lived and worked in Talbot in Central Victoria. In 1876 he purchased T. F. Chuck's studios in the Royal Arcade Melbourne. In 1885, following the introduction of dry plate photography, he began a series of landscape series, which were commercially successful. As a photographer, he travelled extensively through Victoria, photographing places few of his contemporaries had previously seen. He died in 1918. Reference: Jack Cato, 'Caire, Nicholas John (1837–1918)', Australian Dictionary of Biography.An original, rare photograph from the series 'Views of Victoria: General Series' by the photographer, Nicholas Caire (1837-1918). The 60 photographs that comprise the series were issued c. 1876 and reinforced a neo-Romantic view of the Australian landscape to which a growing nationalist movement would respond. Nicholas Caire was active as a photographer in Australia from 1858 until his death in 1918. His vision of the Australian bush and pioneer life had a counterpart in the works of Henry Lawson and other nationalist poets, authors and painters.‘Mount St. George, Addis Bay’ : Views of Victoria (General Series) No.56 : Albumen silver photograph | Photo on card with Title and Description on reverse | Mounted 24 x 30 cm; Photo 12 x 17 cm.On Reverse: ‘Addis Bay is situated to the north-east of Appollo Bay, and very near Cape Patten. This mountain is 6,000 feet high, and commands one of the finest views on the Cape Otway Ranges. The ascent is a somewhat difficult one, but visitors to this locality not unfrequently make this a favourite outing.’nicholas caire (1837-1918), landscape photography

The Kew Light Opera Company was formed in 1952, and mounted a number of musical and variety productions each year until it was subsumed in the "Q" Theatre Guild in 1957. Most of the Company's performances took place in the Kew Recreation Hall in Wellington Street, Kew. A list of its productions by year includes: 1952 Florodora 1953 The Cingalee 1953 San Toy OR The Emperor’s Own 1953 Celebratory variety performance 195? While the Sun Shines 1954 A Country Girl 1954 Our Miss Gibbs 1955 The Toreador 1955 The Arcadians 1956 The Maid of the Mountains 1956 Whiteoaks 1956 Good night Vienna! 1957 A Country Girl The "Q" Theatre Guild, which subsumed the earlier Kew Light Opera Company, performed in the Kew Recreation Hall from 1957 and later in the Kew Town Hall from 1960. Its productions include: 1957 The Geisha 1958 Maritana 1959 They All Do It (Cosi Fan Tutti) c.1959 Blossom Time 1959 Love’s a Luxury 1960 There And Back & The Bohemian Girl [1960 Die Fledermaus]??? 1961 Gay Rosalinda 1961 The Land of Smiles 1961 Kisses For A Kid & Hansel and Gretel 1962 Die Fledermaus 1964 Monsieur Beaucaire 1964 Macbeath [The Beggars’ Opera] 1964 The Beggars’ Opera ? And So To BedThe Marion Tilley scrapbook is a significant record of performing arts in Melbourne during the 1950s and 1960s. The scrapbook includes programmes, photographs, newspaper reports and personal annotations which are a rich source of detail about repertoire, performers, and artistic sensibility in the period.Scrapbook of newspaper reviews cast photographs and programmes of the Kew Light Opera Company (later amalgamated into the "Q" Theatre Guild). Compiled by Marion Tilley, a cast member and wardrobe mistress for both companies, it was donated to the Society by her daughter. The scrapbook covers performances during the years 1952 to c. 1965. See image carouselkew light opera company, "q" theatre, performing arts

Sold as a souvenir of Mt Buffalo. 'Souvenirs in relation to the Chalet and Mount Buffalo were first mention in December 1912... A large range of souvenirs has since been associated with the Chalet and Mount Buffalo from crafted wooden items, silver spoons, cups etc... The collection includes a broad selection of products that have been sold throughout much of the Chalet's history, each representative of the transient fashions of their period.' (Pg. 114. Historica) "Souvenirs in relation to the chalet were perhaps first mentioned in December 1912, when enterprising locals, Mr J Pass of Porepunkah and Mr C Walker asked for permission to use timber on the mountain for making ornamental souvenirs . The government was agreeable to the ide and soon afterwards PWD chief architect George Austin went to Mount buffalo to make arrangements for supply of the timber, They proposed to make wooden egg cups, small boxes and photograph frames to sell to tourists, small items that' will serve as an advertising medium of the famous mount'" (Pg. 113.Historica) ' Fig 123. Bookends MBC0319,serviette rings MBC0217.2,eggcup MBC0218 and ashtray MBC0205 made of mulga, a wood from particular types of wattle tree that grow in arid climates. Souvenirs crafted from mulga became popular in the post WW2 years' (Pg 117. Historica) Purchased in a second hand shop and donated to MBC. Listed in Draft Inventory of Significant Collection Items . Appendix A.3. Souvenirs. (Pg 168. Historica).Two matching mulga wood book ends. They form a sphere when placed together. Hand painted motif and inscription on each. Painting of a skier dressed in colourful clothing on each and "From Mt Buffalo" painted at the base. "From Mt Buffalo"

An extremely damaged, old and worn black covered booklet about ailments that people suffer with the title Doan's Dream Book. The front cover has an illustration of an ancient Egyptian woman sitting on a large stone chair with a child at her feet playing a type of harp. 'I wonder if Dreams Come True' is written at the bottom with the publisher details. It has many examples throughout of how these illnesses may be improved with advertising for products too. The back cover has lists of medication made by Doan's. p. 32. De Witt's 200 Year Calendar and Book of Horoscopes has a red, black, pink and cream front cover showing an oval with horoscopes drawn around the edges and a mountain with a yacht sailing on a river with 'The Quest for Health' written below. The title is written at the bottom of the cover. This booklet has the 200 year calendar at the front with dates from 1776 - 1976. Throughout the booklet are advertisements and information on various medications produced and sold by the company circa 1950's. p32.non-fictionA booklet on dream interpretation dispersed with advertisements and testimonials for Doan's medicines. Originally published in 1904, this likely is an early 1920's printing. Many booklets like this were produced as PR material to increase product sales between c. 1900 - 1915. They were given to the more affluent customers or clients by the local shopkeepers of the period and are interesting Australiana historical publications. They were anywhere between 8 to 32 pages. The De Witt's booklet is similar with advertisements and information on various medicinal products produced and sold by the company for ailments. p.32.dreams, medicines, ilnesses, horoscopes, calendars

A publication of 128 pages includes 230 full colour photos, 42 illustrations and 19 colour route maps. A touring guide of the Murray RIver, Australia from its source in the mountains following its journey to the sea. The first sections cover information about the area of the Upper Murray, including Lake Hume and the Albury-Wodonga area.murray river, australia - tourism

Bellfield Peak The Grampians Victoria. c 1930's Photograph taken before Lake Bellfield was built.Coloured Photograph of a rocky cliff face with mountain view in the background.Bellfield Peak, The Grampians, Victoria. Post Card The Valentine & Sons' Publishing Co., Ltd., Melbourne. halls gap grampians

Copy photo of the Montague Football Club Grand Final team 1960sport - australian rules football, montague football club, b atkins, c furzer, r mckenzie, m mahady, g fleming, m bayliss, a parker, b cooper, w morrow, k darrigan, t mountain, j ray, w tyrell, j crowley, a dennis, i fitzgerald, s alexander, j o'keefe, w watts, k ross, i welsby, m o'flynn, t parkinson, r oldman, l ollington, k mcfee, r stewart

For generations, Bushells Coffee has been a part of everyday Australian life. It is an iconic household brand name that generations of families have grown up enjoying. These tea and coffee tins or caddies were commonly purchased from suppliers selling the well-known products of Bushels or Robur. The empty tins would have been used for storing other foods, household or farming items.A badly damaged square, Bushells Ltd 'Barley' tea canister or tea caddy with a rusted on lid and faded mountain scenes depicted around the four sides of the tin. There is indecipherable print at the bottom of each side, however, some details can be read - No. 144 (of a series) Net 1lb. Weight and other words not clearly read. The lid has a picture of the Bushells man with a long beard. This canister is from c.1920's and is very rare. There is indecipherable print at the bottom of each side, however, some details can be read - No. 144 (of a series) Net 1lb. Weight and other words not clearly read. The lid has a picture of the Bushells man with a long beard. The pictures on each side are very worn, but are of a female tea picker in traditional clothing working on a mountainside, standing near a shed with a cow and another one of her standing near an ox driven cart. metal, tea caddies, tea accessories, containers, food containers

Wonderland Peak The Grampians Victoria. Valentine Series. c 1930'sPost card of a cliff face with mountains in the background.Wonderland Peak, The Grampians, Victoria Post Card printed in Great Britain The Valentine & Son's Publication Co. Ltd. Melbournehalls gap grampians

Relph Peak The Grampians Victoria. c 1930's. Coloured photograph of a narrow cliff face with mountain views in the back ground.Relph Peak, The Grampians, Victoria. Post Card The Valentine & Sons' Publishing Co., Ltd., Melbourne.halls gap grampians

Mackey's Peak No 30 The Grampians. c 1930's.Coloured photograph of a mountain peak. Mackay's Peak, Grampians No 30halls gap grampians

These items are from the private collection of George Shirling of Red Onion, Falls Creek. This poster was a major component of the Victorian Tourism promotion in 1962. George Shirling arrived in Falls Creek in 1962. He engaged Phil Nowell to build the original Koki Alpine Lodge which opened in 1965 with 14 beds. George operated the lodge with Michael “Baldy” Blackwell as manager. He also graduated in sport psychology in 1981 and was invited to become team psychologist for the Australian Winter Olympic team which went to Albertville, France, in 1992. He later owned the Red Onion Chalet. George credited the success of Koki to “Baldy” Blackwell. “Baldy” and Phil Nowell started the Trackers Mountain Lodge in partnership during the 1980s. In 1971 George sold Koki Lodge to Sigi Doerr. In 2024 the renamed Koki Alpine resort remains a highly popular destination in Falls Creek. George Shirling passed away on 27th February 2023. He had remained actively involved in Falls Creek and was generous with his time and knowledge, always an amazing supporter of The Falls Creek Museum and Falls Creek Village.This item is significant because it was part of a major marketing program for the Victorian Tourism Board to promote the Victorian Alpine Area.A colour poster including a photo of a snow covered mountain in the top section and a group of skier at the bottom. The text is printed in black between the images. The poster is accompanied by an exhibition display sign.Across centre of poster: VICTORIA'S WINTER WONDERLAND ' On Display Card: 'VICTORIA'S WINTER WONDERLAND Falls Creek has a charm all its own, a charm it owes in part to the fact that is within the State Electricity Commissions territory" The Victorian Government Tourist Bureau, 272 Collins Street Melbourne c. 1962victorian tourism board, high country marketing