Showing 84 items
matching aboriginal australian -- juvenile literature | yorta yorta
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Federation University Art Collection
Artwork, other - Artwork, 'Reconciliation' by Shanaya Sheridan and Josh Muir, 2018
... Sheridan and Josh Muir in 2018. Josh Muir was a proud Yorta Yorta... was a proud Yorta Yorta, Gunditjmara and Barkinji man, who holds his ...This artwork was created in collaboration by Shanaya Sheridan and Josh Muir in 2018. Josh Muir was a proud Yorta Yorta, Gunditjmara and Barkinji man, who holds his culture close to his heart as it gives him a voice and great sense of identity. Josh is a Ballarat-based multimedia artist. In 2015 Josh was the recipient of the Telstra National Indigenous and Torres Strait Islander Art Award – Youth Award and the Hutchinson Scholarship, through which he undertook a 12-month residency at the Victorian College of the Arts in Melbourne. Muir's work has been acquired by the Koorie Heritage Trust, The National Gallery of Australia, the Museum and Art Gallery of the Northern Territory, the National Gallery of Victoria and was commissioned as a major project artist by White Night. Shanaya Sheridan, is a proud Yorta Yorta, Dja Dja Wurrung and Boon Wurrung woman who has resided in Ballarat for 20 years, after living in Horsham, Shepparton and Melbourne. Growing up and watching her Elders, and their style of artworks, Shanaya is influenced by a traditional style of Aboriginal art, mixing it up with contemporary colours. This reconciliation piece is Shanaya’s first commission. Artists' Statement: '“This painting represents reconciliation across all lands, from the skies down to the waters including the mountains, grass and sand. The hands represent people of all cultures reaching for a brighter future, and the men and women in talks of how reconciliation can be achieved. Last but not least, the footprints represent our Aboriginal and Torres Strait Islander ancestors that have fought for reconciliation before us and their steps/progress towards reconciliation.' Digital prints of this artwork on aluminum are displayed at Federation University Australia campuses at Mt Helen, Gippsland (Churchill), Berwick, Brisbane and Horsham.reconciliation, josh muir, shanaya sheridan, aboriginal, reconciliation action plan -
Victorian Aboriginal Corporation for Languages
Sue Atkinson, Bartja and Mayila, 2012
... . Bartja and Mayila written by Sue Atkinson (Yorta Yorta... will treasure. Bartja and Mayila written by Sue Atkinson (Yorta Yorta ...When Bartja's best friend Mayila plans to leave the forest they live in to visit the ocean, Bartja wants to find her the perfect parting gift. With some advice from Uncle Ambrose and the forest animals, Bartja creates a gift that Mayila will treasure. Bartja and Mayila written by Sue Atkinson (Yorta Yorta) and illustrated by Annette Sax (Taungurung). This is the first book in the YSS series, giving young children insight into Indigenous Victorian culture. The Yarn Strong Sista series is supported by background notes and ideas for related activities. -
Federation University Art Collection
Artwork - Painting, [Welcome] by Josh Muir, 2014
... Josh MUIR (1991- ) Yorta Yorta/Gunditjmara/Barkinjl Muir's... (Churchill), Stawell and Horsham. goldfields Josh MUIR (1991- ) Yorta ...Josh MUIR (1991- ) Yorta Yorta/Gunditjmara/Barkinjl Muir's art draws on hip-hop and street art culture and often depicts the history of indigenous people and European settlers. He spent a lot of time in his teens researching and enjoying public art, especially graffiti. Inspired by the commitment of graffers he was inspired by the concepts they illustrate. He started expressing his own ideas with pen and pad and once the basic concept down and it was tangible and could be converted that to canvas or walls. Muir experimented with spray and stencil work a lot in his teens and later branched out into acrylic paints, paint pens, and digital forms of Art. In 2016 Josh Muir's work 'Still Here', projected onto the front wall of the National Gallery of Victoria was critically acclaimed. At that time he stated: "‘I am a proud Yorta Yorta/ Gunditjmara man, born and living in Ballarat, Victoria. I hold my culture strong to my heart – it gives me a voice and a great sense of my identity. When I look around, I see empires built on aboriginal land. I cannot physically change or shift this, though I can make the most of my culture in a contemporary setting and use my art projects to address current issues of reconciliation." In 2016 Josh Muir was awarded the second recipient of HMS Trust’s Hutchinson Indigenous Fellowship at University of Melbourne, based at the Victorian College of the Arts (VCA). The Fellowship was created to enable Indigenous artists to undertake significant projects of their choice. Computer generated image on canvas.josh muir, aboriginal, artwork, artist, hutchinson indigenous fellowship -
Federation University Art Collection
Artwork - Painting, [AMuir] by Josh Muir, 2014
... Josh MUIR (1991- ) Yorta Yorta/Gunditjmara Muir's art... (Churchill), Stawell and Horsham. goldfields Josh MUIR (1991- ) Yorta ...Josh MUIR (1991- ) Yorta Yorta/Gunditjmara Muir's art draws on hip-hop and street art culture and often depicts the history of indigenous people and European settlers. He spent a lot of time in his teens researching and enjoying public art, especially graffiti. Inspired by the commitment of graffers he was inspired by the concepts they illustrate. He started expressing his own ideas with pen and pad and once the basic concept down and it was tangible and could be converted that to canvas or walls. Muir experimented with spray and stencil work a lot in his teens and later branched out into acrylic paints, paint pens, and digital forms of Art. In 2016 Josh Muir's work 'Still Here', projected onto the front wall of the National Gallery of Victoria was critically acclaimed. At that time he stated: "‘I am a proud Yorta Yorta/ Gunditjmara man, born and living in Ballarat, Victoria. I hold my culture strong to my heart – it gives me a voice and a great sense of my identity. When I look around, I see empires built on aboriginal land. I cannot physically change or shift this, though I can make the most of my culture in a contemporary setting and use my art projects to address current issues of reconciliation." In 2016 Josh Muir was awarded the second recipient of HMS Trust’s Hutchinson Indigenous Fellowship at University of Melbourne, based at the Victorian College of the Arts (VCA). The Fellowship was created to enable Indigenous artists to undertake significant projects of their choice.josh muir, artist, artwork, aboriginal, hutchinson indigenous fellowship -
Federation University Art Collection
Artwork, other - artwork, Josh Muir, [Portrait] by Josh Muir, 2014
... Josh MUIR (1991- ) Yorta Yorta/Gunditjmara/Barkinjl Muir's... (Churchill), Stawell and Horsham. goldfields Josh MUIR (1991- ) Yorta ...Josh MUIR (1991- ) Yorta Yorta/Gunditjmara/Barkinjl Muir's art draws on hip-hop and street art culture and often depicts the history of indigenous people and European settlers. He spent a lot of time in his teens researching and enjoying public art, especially graffiti. Inspired by the commitment of graffers he was inspired by the concepts they illustrate. He started expressing his own ideas with pen and pad and once the basic concept down and it was tangible and could be converted that to canvas or walls. Muir experimented with spray and stencil work a lot in his teens and later branched out into acrylic paints, paint pens, and digital forms of Art. In 2016 Josh Muir's work 'Still Here', projected onto the front wall of the National Gallery of Victoria was critically acclaimed. At that time he stated: "‘I am a proud Yorta Yorta/ Gunditjmara man, born and living in Ballarat, Victoria. I hold my culture strong to my heart – it gives me a voice and a great sense of my identity. When I look around, I see empires built on aboriginal land. I cannot physically change or shift this, though I can make the most of my culture in a contemporary setting and use my art projects to address current issues of reconciliation." In 2016 Josh Muir was awarded the second recipient of HMS Trust’s Hutchinson Indigenous Fellowship at University of Melbourne, based at the Victorian College of the Arts (VCA). The Fellowship was created to enable Indigenous artists to undertake significant projects of their choice.A computer generated artwork on stretched canvas.josh muir, artist, artwork, aboriginal, hutchinson indigenous fellowship -
Federation University Art Collection
Artwork, other - Artwork, Josh Muir, [Eye] by Josh Muir, 2014
... Josh MUIR (1991- ) Yorta Yorta/Gunditjmara Muir's art... (Churchill), Stawell and Horsham. goldfields Josh MUIR (1991- ) Yorta ...Josh MUIR (1991- ) Yorta Yorta/Gunditjmara Muir's art draws on hip-hop and street art culture and often depicts the history of indigenous people and European settlers. He spent a lot of time in his teens researching and enjoying public art, especially graffiti. Inspired by the commitment of graffers he was inspired by the concepts they illustrate. He started expressing his own ideas with pen and pad and once the basic concept down and it was tangible and could be converted that to canvas or walls. Muir experimented with spray and stencil work a lot in his teens and later branched out into acrylic paints, paint pens, and digital forms of Art. In 2016 Josh Muir's work 'Still Here', projected onto the front wall of the National Gallery of Victoria was critically acclaimed. At that time he stated: "‘I am a proud Yorta Yorta/ Gunditjmara man, born and living in Ballarat, Victoria. I hold my culture strong to my heart – it gives me a voice and a great sense of my identity. When I look around, I see empires built on aboriginal land. I cannot physically change or shift this, though I can make the most of my culture in a contemporary setting and use my art projects to address current issues of reconciliation." In 2016 Josh Muir was awarded the second recipient of HMS Trust’s Hutchinson Indigenous Fellowship at University of Melbourne, based at the Victorian College of the Arts (VCA). The Fellowship was created to enable Indigenous artists to undertake significant projects of their choice.Digital print on stretched canvas.josh muir, artist, artwork, aboriginal, hutchinson indigenous fellowship -
Federation University Art Collection
Painting - Artwork - Painting, [Boost It] by Josh Muir, c2014
... Josh MUIR (14 August 1991- 05 February 2022 ) Yorta Yorta... 1991- 05 February 2022 ) Yorta Yorta/Gunditjmara/Barkinjl ...Josh MUIR (14 August 1991- 05 February 2022 ) Yorta Yorta/Gunditjmara/Barkinjl Muir's art draws on hip-hop and street art culture and often depicts the history of indigenous people and European settlers. He spent a lot of time in his teens researching and enjoying public art, especially graffiti. Inspired by the commitment of graffers he was inspired by the concepts they illustrate. He started expressing his own ideas with pen and pad and once the basic concept down and it was tangible and could be converted that to canvas or walls. Muir experimented with spray and stencil work a lot in his teens and later branched out into acrylic paints, paint pens, and digital forms of Art. iN 2014 Josh Muir was THE Australian Indigenous Mentoring Experience'S (AIMe) Program Manager Assistant at Federation University Australia in Ballarat.Australian Indigenous Mentoring Experience Z In 2016 Josh Muir's work 'Still Here', projected onto the front wall of the National Gallery of Victoria was critically acclaimed. At that time he stated: "‘I am a proud Yorta Yorta/ Gunditjmara man, born and living in Ballarat, Victoria. I hold my culture strong to my heart – it gives me a voice and a great sense of my identity. When I look around, I see empires built on aboriginal land. I cannot physically change or shift this, though I can make the most of my culture in a contemporary setting and use my art projects to address current issues of reconciliation." In 2016 Josh Muir was awarded the second recipient of HMS Trust’s Hutchinson Indigenous Fellowship at University of Melbourne, based at the Victorian College of the Arts (VCA). The Fellowship was created to enable Indigenous artists to undertake significant projects of their choice.Signed lower right "jmuir"josh muir, artwork, artist, aboriginal, hutchinson indigenous fellowship -
Federation University Art Collection
Artwork, other - Artwork, [Heart of a Champ] by Josh Muir, 2014
... Josh MUIR (1991-05 February 2022) Yorta Yorta/Gunditjmara... February 2022) Yorta Yorta/Gunditjmara/Barkinjl Born Ballarat ...Josh MUIR (1991-05 February 2022) Yorta Yorta/Gunditjmara/Barkinjl Born Ballarat, Victoria Muir's art draws on hip-hop and street art culture and often depicts the history of indigenous people and European settlers. He spent a lot of time in his teens researching and enjoying public art, especially graffiti. Inspired by the commitment of graffers he was inspired by the concepts they illustrate. He started expressing his own ideas with pen and pad and once the basic concept down and it was tangible and could be converted that to canvas or walls. Muir experimented with spray and stencil work a lot in his teens and later branched out into acrylic paints, paint pens, and digital forms of Art. In 2016 Josh Muir's work 'Still Here', projected onto the front wall of the National Gallery of Victoria was critically acclaimed. At that time he stated: "‘I am a proud Yorta Yorta/ Gunditjmara man, born and living in Ballarat, Victoria. I hold my culture strong to my heart – it gives me a voice and a great sense of my identity. When I look around, I see empires built on Aboriginal land. I cannot physically change or shift this, though I can make the most of my culture in a contemporary setting and use my art projects to address current issues of reconciliation." In 2016 Josh Muir was awarded the second recipient of HMS Trust’s Hutchinson Indigenous Fellowship at University of Melbourne, based at the Victorian College of the Arts (VCA). The Fellowship was created to enable Indigenous artists to undertake significant projects of their choice. He was also a Telstra National Indigenous and Torres Strait Islander Youth Art Award winner. The Koorie Heritage Trust, the National Gallery of Australia, the National Gallery of Victoria, the Art Gallery of the Northern Territory and Federation University Australia all own his work. Digital output on stretched canvas.josh muir, artist, artwork, aboriginal, hutchinson indigenous fellowship -
Federation University Art Collection
Work on paper - Printmaking - Silkscreen, Lin Onus, 'Walawala Garrkman' by Lin Onus, 2001
... Lin ONUS (1948-1996) Language: Wiradjuri / Yorta Yorta Lin...) Language: Wiradjuri / Yorta Yorta Lin Onus played a pivotal role ...Lin ONUS (1948-1996) Language: Wiradjuri / Yorta Yorta Lin Onus played a pivotal role in the recognition of Aboriginal art as an expression of a contemporary and dynamic living culture. Prior to his premature death at just 47 years of age he was a prominent, strident, yet non-confrontational agent in renegotiating the history of colonial and Aboriginal Australia. His father, Bill Onus, was the founder of the Aboriginal Advancement League in Victoria and a prominent maker of artefacts in Melbourne. As a young Koori growing up, Lin lived in a cultural environment that included exposure to visiting Aboriginal artists, including Albert Namatjira. He began his artistic life assisting his father in decorating artifacts, went on to develop skills working with metal and painting with air brush as a panel beater; and by 1974 he was painting watercolors and photo-realist landscapes. In the 1970's he completed a set of paintings on the first Aboriginal guerrilla fighter Mosquito, which holds pride of place on the walls of the Advancement League in Melbourne, to this day. Lin Onus was a largely self-taught artist. Particularly important in his development was his visits to Garmedi (Arnhem Land) starting in 1986. Jack Wunuwun, the Yolngu artist, introduced him into the Murrungun-Djinang clan and gave him permission to use some of traditional images in his paintings. His cultural education on the Aboriginal side was also provided by visits to Cummeragunja with his father, and stories told by his uncle Aaron Briggs, known as 'the old man of the forest' who gave him his Koori name - Burrinja, meaning 'star'. They would sit on the banks of the Murray River within view of the Barmah Forest, Lin's spiritual home, the subject of many of his later paintings and his final resting place. Lin's father had been of the Yorta Yorta people from the Barmah Forest country, and Lin also used images from this area in his paintings. The images in his works include haunting photorealist portrayals of the Barmah red gum forests of his father's ancestral country, and the use of rarrk cross-hatching-based based painting style that he learned (and was given permission to use when in Arnhemland). His painting Barmah Forest won Canberra's national Aboriginal Heritage Award in 1994. (http://www.cooeeart.com.au/aboriginal_artist/lin_onus/A, accessed 18 May 2015) This item is part of the Federation University Art Collection. The Art Collection features over 1000 works and was listed as a 'Ballarat Treasure' in 2007.Framed limited edition silkscreen.Signed 'Onus' lower right (posthumously by Tiriki Onus) Edition 68/80art, artwork, lin onus, onus, printmaking, screenprint, aboriginal, dreaming, frogs, available -
City of Ballarat
Artwork, other - Public Artwork - Temporary, Roots by Josh Muir, November 2019 - March 2020
... , engagement, protest and performance. With Gunditjmara and Yorta Yorta ...Old uncle is standing on the mountainside watching over the modern-day empires built on Aboriginal land shaking his head, saying: “they are doing it again, every empire has a rise and fall”. It’s something that has never been learnt over time. — Josh Muir Josh Muir’s work, Roots, was the first temporary artwork to be installed on the Gallery Annex Wall on the approach to Alfred Deakin Place, Police Lane in Ballarat Central. The space is an important site to host this work given that Alfred Deakin Place is commonly used as a place of discussion, engagement, protest and performance.Temporary artwork - printed vinyl application to concrete wallnoneelder, aboriginal and torres strait islander -
Victorian Aboriginal Corporation for Languages
Book, Lenny and the big red kinan : an Awabakal Language Book, 2010
Awabakal is the language of the Aboriginal people from the Newcastle, Lake Macquarie and Lower Hunter region of New South Wales in Australia. As Lenny takes his walk and collects insects, we learn some words that relate to the bush, to the landscape and the little creatures that would be found there. This book has been printed with sound, which can be heard through an Audio Reader. If you have an Audio Reader, run it over the pages to hear the sound.word lists, colour illustrationsawabakal, newcastle, lake macquarie, hunter region, juvenile literature -
Koorie Heritage Trust
Booklet, Baxter, Bruce [et al.]. (Aboriginal History Program), Matakupat : the Aboriginal history of the Swan Hill area, 1990
Traditional Aboriginal Society was an oral culture so that the history, stories, and songs and knowledge of Spirituality, Laws, Customs and Values were communicated verbally for thousands of years.The invasion of Europeans caused destruction of tribal groups by disease and killings. It limited the use of language, exchange of stories, land use and the important performance of rituals and ceremonies. Europeans used their world view as a mirror and through their observations, documents, diaries, reports and stories were full of racist comments and ignorant opinions of a lifestyle and culture of which they had little understanding.This book was the result of many months of research by a group of Swan Hill Aboriginal Educators. It is an attempt to present limited information about the history and lifestyles of the Wemba Wemba and Wathi Wathi people, the Tribes of the Swan Hill and Lake Boga areas.20 p. : ill., map ; 21 cm.Traditional Aboriginal Society was an oral culture so that the history, stories, and songs and knowledge of Spirituality, Laws, Customs and Values were communicated verbally for thousands of years.The invasion of Europeans caused destruction of tribal groups by disease and killings. It limited the use of language, exchange of stories, land use and the important performance of rituals and ceremonies. Europeans used their world view as a mirror and through their observations, documents, diaries, reports and stories were full of racist comments and ignorant opinions of a lifestyle and culture of which they had little understanding.This book was the result of many months of research by a group of Swan Hill Aboriginal Educators. It is an attempt to present limited information about the history and lifestyles of the Wemba Wemba and Wathi Wathi people, the Tribes of the Swan Hill and Lake Boga areas.1. aborigines, australian -- victoria -- swan hill -- history -- juvenile literature. 2. aborigines, australian -- victoria -- swan hill -- social life and customs -- juvenile literature. i. baxter, bruce. ii. title., other: wemba wemba tribe -- wathi wathi tribe -- aboriginal educators. -
Koorie Heritage Trust
Book, Barlow, Alex et al, The land and the dreaming : Aboriginal religions, 1987
... Federation Square, Melbourne melbourne Aboriginal Australians ...30 p. : Ill. ; 20 x 26 cm.aboriginal australians -- religion -- juvenile literature. -
Koorie Heritage Trust
Book, Barlow, Alex et al, Meeting people, 1987
... Federation Square, Melbourne melbourne Aboriginal Australians ...30 p. : col. ill. ; 20 x 26 cm.aboriginal australians -- cultural assimilation -- juvenile literature. -
Koorie Heritage Trust
Book, Barlow, Alex et al, The craft of the stone : Aboriginal technology, 1987
... -- Implements -- Juvenile literature. Aborigines, Australian--Implements ...Aborigines, Australian--Implements -- Juvenile literature.30 p. : col. ill. ; 20 x 26 cm.Aborigines, Australian--Implements -- Juvenile literature.aboriginal australians -- implements -- juvenile literature. -
Koorie Heritage Trust
Book, Barlow, Alex, The spear, 1994
... Aboriginal Australians -- Implements -- Juvenile literature... Federation Square, Melbourne melbourne Aboriginal Australians ...30 p. : ill. (some col.) ; 20 x 26 cm.aboriginal australians -- implements -- juvenile literature. | spears -- australia -- juvenile literature. -
Koorie Heritage Trust
Book, Barlow, Alex, The brothers Barmbarmbult and Mopoke, 1991
... . | Aboriginal Australians -- Victoria -- Food -- Juvenile literature ...Story retold by Alex Barlow with illustrations by Elizabeth Djandilnga Thorne. "Long ago, when the great spirit ancestors were making the land, two spirit brothers lived in north-west Victoria. They were the brave warriors Barmbarmbult. this story recounts one of their many adventures."32 p. : col. ill. ; 22 cm.Story retold by Alex Barlow with illustrations by Elizabeth Djandilnga Thorne. "Long ago, when the great spirit ancestors were making the land, two spirit brothers lived in north-west Victoria. They were the brave warriors Barmbarmbult. this story recounts one of their many adventures."readers (primary) | readers -- aboriginal australians -- folklore. | readers -- aboriginal australians -- religion. | readers -- aboriginal australians -- food. | aboriginal australians -- victoria -- folklore. | aboriginal australians -- victoria -- religion -- juvenile literature. | aboriginal australians -- victoria -- food -- juvenile literature. | food -- folklore. long age -
Koorie Heritage Trust
Book, Barlow, Alex et al, You and me living together : the story of Aboriginal land rights, 2001
... -- History -- Juvenile literature. | Aboriginal Australians -- Land ...Aboriginal land rights then and now. Traditional Aboriginal concepts of land and caring for land, and how European settlers ovetook the land, using it for their own purposes and changing it forever. Learn about the land wars that occurred, the years on the reserves and missions and the struggle of Aboriginal people to reclaim their lands. In this book, the story of Aboriginal land rights, then and now, is told. Read about traditional Aboriginal concepts of land and caring for land, and how European settlers overtook the land, using it for their own purposes and changing it forever. Learn about the land wars that occurred, the years on the reserves and missions and the struggle of Aboriginal people to reclaim their lands. -- Back cover.32 p. : ill. (some col.), map, ports. ; 28 cm.Aboriginal land rights then and now. Traditional Aboriginal concepts of land and caring for land, and how European settlers ovetook the land, using it for their own purposes and changing it forever. Learn about the land wars that occurred, the years on the reserves and missions and the struggle of Aboriginal people to reclaim their lands. In this book, the story of Aboriginal land rights, then and now, is told. Read about traditional Aboriginal concepts of land and caring for land, and how European settlers overtook the land, using it for their own purposes and changing it forever. Learn about the land wars that occurred, the years on the reserves and missions and the struggle of Aboriginal people to reclaim their lands. -- Back cover.aboriginal australians -- history -- juvenile literature. | aboriginal australians -- land tenure -- juvenile literature. -
Koorie Heritage Trust
Book, O'Brien, May, The legend of the seven sisters, 1990
... -- Western Australia -- Juvenile literature..... | Aboriginal Australians -- Western Australia -- Juvenile literature ...A traditional Aboriginal story from Western Australia.[8], 21 p. : chiefly col. ill., col. ports. ; 22 x 30 cm.A traditional Aboriginal story from Western Australia. stars -- australia -- folklore. | aboriginal australians -- western australia -- juvenile literature. -
Koorie Heritage Trust
Book, Barlow, Alex et al, Bosses ourselves : the story of Aboriginal self-government, 2001
... -- History -- Juvenile literature. | Aboriginal Australians ...Aboriginal self-government in the past and at present is related. A well presented book suitable for upper primary/early secondary students. In this book, the story of Aboriginal self-government, then and now, is told. Read about the traditional importance to Aboriginal people of their senior men and women and how the arrival of European settlers disrupted forever the way Aboriginal people organised their society and governed themselves. Learn about the struggle of Aboriginal people for the right to self-determination and about the role of bodies such as ATSIC. -- Back cover.32 p. : col. ill., maps, ports. ; 28 cm.Aboriginal self-government in the past and at present is related. A well presented book suitable for upper primary/early secondary students. In this book, the story of Aboriginal self-government, then and now, is told. Read about the traditional importance to Aboriginal people of their senior men and women and how the arrival of European settlers disrupted forever the way Aboriginal people organised their society and governed themselves. Learn about the struggle of Aboriginal people for the right to self-determination and about the role of bodies such as ATSIC. -- Back cover.aboriginal australians -- history -- juvenile literature. | aboriginal australians -- politics and government -- juvenile literature. -
Koorie Heritage Trust
Book, Barlow, Alex et al, Sharing our cultures : the story of Aboriginal cultures, 2001
... -- Australia -- Juvenile literature. Talks abourt ancient Aboriginal ...Talks abourt ancient Aboriginal cultures and how culture influences identity. Also discusses cultural theft and how to share culture with respect.32 p. : ill. (some col.), map ; 28 cm.Talks abourt ancient Aboriginal cultures and how culture influences identity. Also discusses cultural theft and how to share culture with respect.aboriginal australians -- social life and customs -- juvenile literature. | aboriginal australians -- history -- juvenile literature. | cultural property -- australia -- juvenile literature. -
Koorie Heritage Trust
Book, Barlow, Alex et al, Indigenous heroes and leaders, 2003
... -- Juvenile literature. | Aboriginal Australians -- Biography .....presents the stories of Australian Indigenous people who have worked to bring about respect, justice and fair treatment for their people.32 p. : ill.(col.)., ports.(col.). : 28 cm...presents the stories of Australian Indigenous people who have worked to bring about respect, justice and fair treatment for their people. aboriginal australians -- juvenile literature. | aboriginal australians -- biography -- juvenile literature. -
Koorie Heritage Trust
Book, Barlow, Alex et al, Heroes of the Aboriginal struggle, 1987
... Federation Square, Melbourne melbourne Aboriginal Australians ...30 p. : ill. (some col.), ports., col. maps ; 20 x 26 cm.aboriginal australians -- civil rights -- juvenile literature. -
Koorie Heritage Trust
Book, Abdulla, Ian W, Tucker, 1994
... Australian -- South Australia -- Aboriginal artists.... | Aboriginal Australians in art -- Juvenile literature. | Painting ...Ian's narrative paintings recall the stories of his youth with refreshing simplicity, while their rich textures and brilliant colours evoke a deep love for a time and a place that are never very far from his imagination.He has mounted seven solo shows and fifteen joint exhibitions and represented in many galleries throughout Australia, including the National Gallery.38 unnumbered pages colour illustrations, map ; 26 x 31 cm.Ian's narrative paintings recall the stories of his youth with refreshing simplicity, while their rich textures and brilliant colours evoke a deep love for a time and a place that are never very far from his imagination.He has mounted seven solo shows and fifteen joint exhibitions and represented in many galleries throughout Australia, including the National Gallery.abdulla, ian w., 1947-2011 -- childhood and youth. | aboriginal australians -- murray river region (n.s.w.-s.a.) -- food -- juvenile literature. | aboriginal australians -- south australia -- food -- juvenile literature. | aboriginal australians, in art -- juvenile literature. | painting, australian -- south australia -- aboriginal artists -- juvenile literature. | wild foods -- murray river region (n.s.w.-s.a.) -- juvenile literature. | wild foods -- south australia -- juvenile literature.