Showing 779 items
matching architecture australia
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Robin Boyd Foundation
Document - Manuscript, Robin Boyd, Conflicting Forces in World Architecture, 1971
... Since 1954, Australian architecture has been reflecting... 1954, Australian architecture has been reflecting American ...Since 1954, Australian architecture has been reflecting American architecture, ignoring Japan, Sweden, Italy etc. Discusses second force architecture and Giancarlo De Carlo. Mention of J M Richards and Peter Blake, who give an account of modern architecture -- its trials in its youth and its traumas in middle age.Original manuscript of the 'A Second Force at Work’ published in The Sunday Australian, 12.9.1971.Typewritten (c copy), pencil edits, quarto, 13 pagesaustralian architecture, american architecture, second force architecture, j m richards, peter blake, giancarlo de carlo, robin boyd, manuscript -
Robin Boyd Foundation
Document - Manuscript, Robin Boyd, The State of Australian Architecture, Jun-67
... on generalisations and not diplomatic. He writes that Australian architecture... melbourne Manuscript Document The State of Australian Architecture ...Boyd forewarns that the article is strong on generalisations and not diplomatic. He writes that Australian architecture is old-fashioned, second-hand, rejects sophisticated world fashion trends, and has under-developed professional pride and determination. In the last few pages, Boyd advocates a code of integrity and goodness in architecture, calling on designers to come together and commit to the code.Original manuscript published in Architecture in Australia, vol. 56, no. 3, pp. 454-465.Typewritten (c copy), pencil edits some pages missing, quarto, 26 pagesIncomplete- pages missing, and includes page 8Aaustralian architecture, sydney school, perth architecture, university architecture, code of integrity in architecture, robin boyd, manuscript -
Robin Boyd Foundation
Container - Hanging Files
... and professional documents. They are labelled "Puzzle of Architecture... "Puzzle of Architecture & Living in Australia". 'Stegbar ...Robin Boyd used these hanging files for personal and professional documents. They are labelled "Puzzle of Architecture & Living in Australia". 'Stegbar", 'Letters", 'Flying Dogtor", 'Publications", 'Crawfords", 'Club", 'The Australian", 'Miscellaneous", "Historical Notes". 'The Aist'n Ugliness", 'Trips", "290 Walsh St", "Car", "insurance", "Foster Parents", "Penleigh & Suzy" and some are untitled. These were kept in a special built in space in the upstairs south shelves.walsh st miscellaneous, robin boyd -
Robin Boyd Foundation
Document - Manuscript, Robin Boyd, Architecture: The Schizophrenic Style, 1971
... to architecture; claims architectural criticism in Australia is "all... as ‘The schizophrenic style’ in "The Sunday Australian", 14.3.1971 architectural ...Boyd proposes to apply art criticism techniques to architecture; claims architectural criticism in Australia is "all but dead" because of the 'schizophrenic nature of architecture" (i.e. building a socio-economic object as well as art). Boyd compares Kevin Borland's design of The Legend restaurant (Lonsdale St) with a recently designed residential apartment block (15 Collins St); claims that both are schizophrenic but The Legend is masterfully so whereas the apartments are aesthetically lacking.Original manuscript of an article published as ‘The schizophrenic style’ in "The Sunday Australian", 14.3.1971Typewritten (c copy), quarto, 11 pagesTop of page 1 handwritten where and when published. The last page credits photographer Mark Strizic, so images may have been attached.architectural criticism, art criticism, melbourne architecture, the legend restaurant, lonsdale st, leonard french, legend milk bar, tivoli theatre, clement meadmore, kevin borland, colonial architecture, 15 collins st, robin boyd, manuscript -
Robin Boyd Foundation
Document - lecture, Robin Boyd, What happened to taste?
... Australian Architecture. He addresses the lack of commissioning... that would define Australian Architecture. He addresses the lack ...Boyd questions the public's and architect's architectural taste - especially developing a style that would define Australian Architecture. He addresses the lack of commissioning of Modern Architects while Modern Architecture became the main preference in architecture 30 years prior to the written text. Frustrations towards people selecting styles that are 'familiar' rather than trying to be 'avant-garde'. Otherwise, Boyd challenges architects looking towards American Architecture as precedents.This appears to be a unpublished lecture. It is marked up for presentation with slides (indicates LIGHTS) when delivering a speech.Handwritten (pencil), quarto, 15 (page numbers on centre top up to 16, page 10 missing) pagesSpots of coffee stainsaustralian school, architecture, american embassy in new delhi, walter richmond butler, robin boyd, manuscript -
Robin Boyd Foundation
Journal, Students Society of the R.V.I.A (Melbourne), Lines, 1942
... . There is such an article 'An Australian Architecture?" (2 pages) which is perhaps.... There is such an article 'An Australian Architecture?" (2 pages) which is perhaps ...Robin Boyd was the editor and designer of this volume. Lines was an annual journal of the Students Society of the R.V.I.A. This is a very rare copy. Most articles have a byline, but the ones without are perhaps by Robin Boyd. There is such an article 'An Australian Architecture?" (2 pages) which is perhaps by Boyd. The journal also contains an article 'The Democratic City' by architect Dr Ernst Fuchs and an article 'An Australian School of Painting?' by John Reed, Deputy President Contemporary Art Society, founder of Heidi with his wife Sunday Reed.rvia, architecture, ernst fuchs, roy simpson, john reed, walsh st library -
Robin Boyd Foundation
Document - Script, Robin Boyd, University of the Air. Design in Australia. 5. Interiors. Working Script, 24.11.1964
... with the exterior. Exhibit B is the Australian architectural style... with the exterior. Exhibit B is the Australian architectural style ...Robin Boyd was involved in creating several TV series for the ABC University of the Air. 'Design in Australia' was an eight part series. (Items D184-D193 contain all the manuscripts except part six titled 'Communications'.) In Part 5, Boyd identifies three styles of interior decoration in Australia. The first, Exhibit A, is directly influenced by the fashions of Paris, London and New York and does not integrate the interior with the exterior. Exhibit B is the Australian architectural style of the 1960s. Exhibit C is characterised by practical, cheerful and easy to clean up interior fittings based on colourful plastics. Boyd refers to this style as "Australian pop art". He continues by explaining why Exhibit C came to be the preferred Australian style over Exhibit B. He suggests that the Australian public is ill-informed and misguided, ultimately concluding that Australian interior design reflects the public's lack of taste. (Same content as item D188, differing side notes on left side of pages)This is a script for the ABC television program 'University of the Air', subtitled 'Design in Australia', broadcast in 1965. Item D188 is the draft version.Typewritten, foolscap, 11 pages, (compared to D188, 15 pages)university of the air, design in australia, australian style, interior decoration in australia, frederick ward, lester bunbury, frances burke, grant featherston, modernage fabrics, manuscript, ohm2022, ohm2022_30 -
Glen Eira Historical Society
Album - Album page, Glenferrie Street, 4, Circa 1972
... (Freeland, J.M., Architecture in Australia, p. 213) of the Art... (Freeland, J.M., Architecture in Australia, p. 213) of the Art ...This photograph is part of the Caulfield Historical Album 1972. This album was created in approximately 1972 as part of a project by the Caulfield Historical Society to assist in identifying buildings worthy of preservation. The album is related to a Survey the Caulfield Historical Society developed in collaboration with the National Trust of Australia (Victoria) and Caulfield City Council to identify historic buildings within the City of Caulfield that warranted the protection of a National Trust Classification. Principal photographer thought to be Trevor Hart, member of Caulfield Historical Society. Most photographs were taken between 1966-1972 with a small number of photographs being older and from unknown sources. All photographs are black and white except where stated, with 386 photographs over 198 pages. From Glen Eira Heritage Management Plan 1996 by Andrew Ward: In 1905, most of portion 27 was vacant land, however Glenferrie Street had been formed and the land subsequently subdivided. In 1906, Robert Joseph Haddon, architect and painter, designed and built for his private residence, a brick house on the west side. Haddon named the house "Anselm". Also built on the property were a garage and fibro cement studio. "Anselm" is architecturally important at the State level as a substantially intact, highly personalised and boldly expressed house expressive the Arts and Crafts movement and incorporating Art Nouveaux enrichment in a variety of forms, the use of ornamental terra cotta tiles to the comer tower being of special note. Its importance at the State level is strengthened by its place as the home of the noted architect and Melbourne's most influential exponent (Freeland, J.M., Architecture in Australia, p. 213) of the Art Nouveaux movement.https://vhd.heritagecouncil.vic.gov.au/places/4442 Victorian Heritage Register: What is significant? Anselm was designed by noted English born architect Robert Joseph Haddon(1866-1929) as his own house and constructed in 1906. A single storey Arts and Crafts influenced red brick house with attic, Anselm has a pyramidal slate roof with prominent chimney stacks. There is a octagonal corner tower with saucer shaped domed roof surmounted by a weather vane, and the tower has decorative terracotta panels immediately below the eaves line. The front door opens immediately into a large living or common room, screened from view by a timber and bottle glass screen. The large room was designed to function as a drawing and dining room. The house is rich with hand crafted details including door and window furniture, wrought iron gutter brackets, fireplaces (one with built in wood box), and fire tools. The interior decoration includes hand painted frieze of Port Phillip in the study, and a hand painted frieze of turbulent sea with sailing boats in the tiled bathroom. There is a small hand painted tile at the base of the tower which states ?This building was erected AD1906 from designs by Robt J Haddon FRIBA,Lond FRIVA Melb Architect?. He also designed an attic addition which was constructed in 1927. Anselm is substantially intact although the double casement window immediately to the south of the front door was originally circular....Page 60 of Photograph Album with three exterior photographs (one portrait and two landscape) of Anselm.Hand written: 4 Glenferrie Street [top right] / ANSELM 4 Glenferrie St [under top photo] / 60 [bottom right] trevor hart, anselm, art nouveaux, arts and crafts, tower, bay window, glenferrie street, robert joseph haddon, 1900's, terra cotta tiles, double storey, caulfield north, corner tower, gates, cast iron work -
Glen Eira Historical Society
Album - Album page, Glenferrie Street, 4, Circa 1972
... (Freeland, J.M., Architecture in Australia, p. 213) of the Art... (Freeland, J.M., Architecture in Australia, p. 213) of the Art ...This photograph is part of the Caulfield Historical Album 1972. This album was created in approximately 1972 as part of a project by the Caulfield Historical Society to assist in identifying buildings worthy of preservation. The album is related to a Survey the Caulfield Historical Society developed in collaboration with the National Trust of Australia (Victoria) and Caulfield City Council to identify historic buildings within the City of Caulfield that warranted the protection of a National Trust Classification. Principal photographer thought to be Trevor Hart, member of Caulfield Historical Society. Most photographs were taken between 1966-1972 with a small number of photographs being older and from unknown sources. All photographs are black and white except where stated, with 386 photographs over 198 pages. From Glen Eira Heritage Management Plan 1996 by Andrew Ward: In 1905, most of portion 27 was vacant land, however Glenferrie Street had been formed and the land subsequently subdivided. In 1906, Robert Joseph Haddon, architect and painter, designed and built for his private residence, a brick house on the west side. Haddon named the house "Anselm". Also built on the property were a garage and fibro cement studio. "Anselm" is architecturally important at the State level as a substantially intact, highly personalised and boldly expressed house expressive the Arts and Crafts movement and incorporating Art Nouveaux enrichment in a variety of forms, the use of ornamental terra cotta tiles to the comer tower being of special note. Its importance at the State level is strengthened by its place as the home of the noted architect and Melboume's most influential exponent (Freeland, J.M., Architecture in Australia, p. 213) of the Art Nouveaux movement. Victorian Heritage Register https://vhd.heritagecouncil.vic.gov.au/places/4442 What is significant? Anselm was designed by noted English born architect Robert Joseph Haddon(1866-1929) as his own house and constructed in 1906. A single storey Arts and Crafts influenced red brick house with attic, Anselm has a pyramidal slate roof with prominent chimney stacks. There is a octagonal corner tower with saucer shaped domed roof surmounted by a weather vane, and the tower has decorative terracotta panels immediately below the eaves line. The front door opens immediately into a large living or common room, screened from view by a timber and bottle glass screen. The large room was designed to function as a drawing and dining room. The house is rich with hand crafted details including door and window furniture, wrought iron gutter brackets, fireplaces (one with built in wood box), and fire tools. The interior decoration includes hand painted frieze of Port Phillip in the study, and a hand painted frieze of turbulent sea with sailing boats in the tiled bathroom. There is a small hand painted tile at the base of the tower which states ?This building was erected AD1906 from designs by Robt J Haddon FRIBA,Lond FRIVA Melb Architect?. He also designed an attic addition which was constructed in 1927. Anselm is substantially intact although the double casement window immediately to the south of the front door was originally circular....Page 61 of Photograph Album with one exterior photograph (portrait) of Anselm.Hand written: 61 [bottom left] trevor hart, anselm, art nouveaux, arts and crafts, tower, bay window, glenferrie street, robert joseph haddon, 1900's, terra cotta tiles, double storey, caulfield north, corner tower, brick house, attics -
Nillumbik Shire Council
Reinis ZUSTERS (b.1918 Ukraine, arr.1950 Aus - d.1999 NSW Aus), Sunday Morning Montsalvat, 1979
... chief designer with the Australian-American architectural firm... chief designer with the Australian-American architectural firm ...Reinis Zusters OAM was born 15 October 1918 in Odessa, Ukraine, of Latvian parents. Zusters’ father died before he was two years old and he was raised in an orphanage from an early age. He had one sister. He studied Art at the Riga Technical College, Latvia, from 1935 to 1940. He married Aldija Kapteinis, and they had a daughter, Rudite (born 1942 in Riga). After World War II the Zusters family were refugees. They reached Western Australia in 1950, where they stayed for 6 months before moving to Canberra, ACT. In 1952, Zusters moved from Canberra to Pennant Hills in Sydney with his second wife, Arija Biks. Their daughter Laura was born in Sydney in 1956. In 1966, Zusters met his future third wife, Venita Salnajs. In 1969, Zusters bought a house in Greenwich, Sydney. He married Venita on September 17, 1976, and they moved to Wentworth Falls in the Blue Mountains. Zusters died on 8 October, 1999 at Wentworth Falls, and was cremated at Rookwood Crematorium, Sydney. His ashes are buried in the Latvian section of Rookwood Cemetery. Zusters studied at the Technical College of Riga (Latvia), and at East Sydney Technical College, Australia. He was influenced by his Latvian cultural heritage, and admired the artist Voldemars Tone (1892-1958). Shortly after arrival in Australia, Zusters became a draughtsman with the Department of Works and Housing in Canberra. Later he was appointed chief designer with the Australian-American architectural firm Austin-Anderson, at St. Leonards, Sydney. Zusters practised as a full-time professional artist from 1968. Zusters was a prolific painter, predominantly in oils. He produced many large landscapes, including triptychs of the Blue Mountains. His landscapes were mountain scenes prepared in the manner of Jackson Pollock and completed with washes and pale glazes of colour. His cityscapes featured a rich paint surface and sharp-edged thickness of paint applied with a palette knife, layer upon layer. He painted urban scenes of Sydney, inland Australian scenes, and several major portraits including Sir Winston Churchill’s gardener (purchased by Art Gallery of NSW). He made many small informal portrait-drawings of friends. His usual signature was “Zusters”. His work is represented in numerous public and private collections in Australia and abroad. He won numerous prestigious awards in Australia, Japan and USA and was honoured with the Order of Australia Medal in 1994. -
Robin Boyd Foundation
Article, Japan Interior Design, An Architect's House in Melbourne, Australia. Architect: Robin Boyd, Feb-62
... of Australian architecture, The Walls Around Us, as well as a book... of Australian architecture, The Walls Around Us, as well as a book ...This Japanese journal features a photographic article on Boyd's Walsh Street home. It was written by a Japanese architecture student who visited Walsh Street with a group of 6 such students in 1961. A translation of the text follows. ________________________________________________________ "An Architect’s House in Melbourne, Australia Author: Tamon Okubo This house was built by architect Robin Boyd as an experimental work. Although in a residential area of Melbourne, the site is a 40 x 126 ft rectangle in a corner of a former park with high rise buildings on either side. Due to its location, the design focuses on protecting the privacy of the house from the outside and on the composition of the interior space, creating a somehow introverted plan. However, the interior is not completely closed from the outside; it is cleverly designed to provide both views of the rooves of nearby houses as well as the mountains in the distance. Firstly, the couple’s room and the children’s rooms are in separate buildings. These two independent structures are connected by a courtyard. The ceiling of the courtyard is partly open, so one can look out from the second-floor terrace of the couple’s room. The walls on both sides of the courtyard are of opaque glass to ensure privacy from outside. In both buildings brick walls with three-inch steel pipe inserted into the brick cavities form the structure and separate each room. The roof is connected to pairs of 3/4-inch thick cables, spaced four feet apart, attached to the brick walls of both buildings and supported by wooden posts that separate the glass panels in the rooms. The cables are not tightly strung together but are loosely suspended from the front structure, where the entrance is, to the rear one. The upper cable in the courtyard is covered with vine. The materials used are insulation board for the roof, raw timber for the structural materials, native jarrah for the timber sections of the interior walls and white eucalyptus for the joints. Robin Boyd – A Brief Personal History 1919 Born in Melbourne, Australia 1947 As an architect, was the first director of the Small Homes Service, a public housing research institute established to provide homes for needy Australians. 1960 Wins the American Institute Architects Prize (the Japanese architect, Kenzo Tange, was awarded the same prize in 1959). In the same year he was elected an honorary member of the Institute. Mr Robin Boyd is currently writing a book on the history of Australian architecture, The Walls Around Us, as well as a book on Kenzo Tange. He is a frequent visitor to Japan to exchange ideas with Japanese architects and is quite a Japanophile. " This is a photocopy of the article from Japan Interior Design No 17. Pages 4-5 are glued together, and pages 6-7 are glued together, p8 p9, p10 are separate. There is writing on it (not Robin Boyd's hand). Geoffrey Serle, Robin Boyd's biographer, may have given it to Patricia Boyd.walsh st library -
The Beechworth Burke Museum
Photograph - Postcard, Town Hall Beechworth, c1910
Beechworth Town Hall was designed by architects J.J. Coe and Thomas Dalziel and is dated to 1859. The building was made of granite and constructed to local builders Donald and William Fiddes. The original front to the building was replaced by a two story facade in 1889 designed by George Jobbins and built by Thomas Sandham according to a plaque on the front. The Town Hall is remarkable for its vaulted ceilings and columns. Originally the building was used as the Shire Offices but also doubled as a fire station and a courthouse, with still surviving cells underneath. Among the inmates was notorious bushranger Harry Power who was originally transported to Van Dieman’s Land for stealing a pair of shoes. He gained his freedom six years later but spent time in and out of gaol for the rest of his life for a variety of offences including a number of armed robberies. The Town Hall is now home to the Visitor Information Centre which helps visitors with amongst other things, accommodation, tours, event enquiries, and is the commencement point for Precinct walking tours. The Beechworth Town Hall is one of five distinctive granite buildings on Ford Street that comprise the Justice Precinct. It is of considerable historical significance as activity on the site dates from Australia’s gold rush period and was the administrative centre for north-eastern Victoria. The building has seen continual use from 1858 as an important public building and displays many aspects of the history of law enforcement in Victoria. The building is also of substantial architectural significance for its construction from local honey coloured granite, which also showcases early stone masonry techniques and craftsmanship. The Precinct is listed on the Victorian Heritage register and is protected by Heritage Victoria under the Victorian Heritage Act 2017. The buildings are also registered by the National Estate, the National Trust and protected by Indigo Shire Council’s Planning Scheme. Black and White rectangular postcard printed on cardReverse: 1906-1910?beechworth, beechworth town hall, town hall, jj coe, thomas dalziel, granite, beechworth historic building, courthouse, cells, geoge jobbins, thomas sandham, 1859, 1889, walking tours, beechworth historic precinct, historic precinct, harry power, bushranger, australian bushrangers, van dieman's land, transportation, armed robberies -
The Beechworth Burke Museum
Photograph
The old Bank of New South Wales building is located on the corner of Camp and Ford streets in Beechworth, Victoria. It was constructed between 1856 and 1857 from local honey coloured granite. It was designed by architects Robertson & Hale and is a two-storey rendered brick building and the original coat of arms is still visible. The coat of arms is distinctive and consists of a kangaroo, emu, lion, and rising sun. The rear of the building was surrounded by high granite walls for security as it was the original home for the local gold office. Beechworth Honey currently offers tourist accommodation in the Hive Apartment located in the former Bank of New South Wales Managers residence.The Bank of New South Wales building in Beechworth is significant for its location in one of Australia's most prominent goldfield towns. Of particular interest is the use of distinctive local Beechworth honey coloured granite in its construction. The building’s architecture is a simple, conservative classical style known as Renaissance Revival. It is one of the few known surviving works of the architects Robertson and Hale. The decorative composition above the main entrance and the counter in the banking chamber are of special interest.Black and white rectangular photograph printed on cardAHold bank of new south wales, bank of new south wales building, beechworth bank of new south wales, bank of nsw, beechworth 1850s, robertson and hale, architects robertson and hale, rendered brick, coat of arms, granite walls, local honey coloured granite, gold office, 1856, 1857, beechworth, beechworth honey, hive apartment, manager's residence, renaissance revival -
The Beechworth Burke Museum
Geological specimen - Marble, Unknown
A granular metamorphic rock, marble is derived from limestone or dolomite and composed of calcite or dolomite interlocking grains. Heat and pressure from overlying sediments form it from limestone buried deep in Earth's crust. Graphite, pyrite, quartz, mica, and iron oxides can affect rock texture and colour. This specimen was found in Carrara, Italy. Carrara marble is the most common marble found in Italy, and it gets its name from the region where it is located. The marble was also called Luna marble and was used as a decorative element in buildings and sculptures. It has been quarried since Roman times in the Lunigiana, the northernmost tip of Tuscany, just outside the city of Carrara in the province of Massa and Carrara.Marble is one of the most popular and expensive rocks used in sculpture, architecture, interior decorations, statues, table tops, and novelties. It is available in various colors and textures depending on the chemical composition. The strength of the rock and its ability to hold finer details have made it a favorite among designers. This specimen is part of a larger collection of geological and mineral specimens collected from around Australia (and some parts of the world) and donated to the Burke Museum between 1868-1880. A large percentage of these specimens were collected in Victoria as part of the Geological Survey of Victoria that begun in 1852 (in response to the Gold Rush) to study and map the geology of Victoria. Collecting geological specimens was an important part of mapping and understanding the scientific makeup of the earth. Many of these specimens were sent to research and collecting organisations across Australia, including the Burke Museum, to educate and encourage further study.A solid hand sized Marble (metamorphic rock) predominantly white with specks light grey and ochre geological specimen, geology, geology collection, burke museum, beechworth, marble, carrara marble, italian marble, marble specimen, tuscany -
Greensborough Historical Society
Book, Historic Buildings of Victoria, 1966_
A listing of National Trust listed buildings from around Victoria in 1966. Each entry has a photograph and caption with some history of the building. Arranged by region.The development of architectural style in Victoria.278 pages, black and white illustrations. Hard cover. Dust jacket has illustration of interior of the Library of the Supreme Courtmelbourne architecture, victoria architecture, historic buildings victoria, national trust of australia, victoria -
Federation University Historical Collection
Plans, Ballarat School of Mines Plans for the Additions to Trades Class Rooms
Born in Ballarat, George William Clegg F.R.V.I.A. was articled to Tappin, Gilbert and Dennehy who had architectural offices in Melbourne, Sydney and Ballarat, from 1885-1889. Clegg formed a partnership with Gilbert who ran the Ballarat Office and later with Kell and Miller. This eventually became Clegg and Miller, then Clegg Miller and Morrow, and finally Clegg and Morrow (1916). From about 1907 up until his resignation in 1918 Clegg taught Architecture and Building Construction at the Ballarat School of Mines. From 1918 he pursues interests in the Eureka Terracotta and Tile Company.Two plans on linen, relating to additions in the trade classrooms at the Ballarat School of Mines.ballarat school of mines, george clegg, george william clegg, george w. clegg, clegg, miller and morrow, trades -
Federation University Historical Collection
Plans, Ballarat School of Mines New Workshops, 1944, 17/11/1944
Four coloured plans and one copy of the new trades building at the Ballarat School of Mines.ballarat school of mines, architecture, trades, plumbing, percy everett, architectural drawing -
Federation University Historical Collection
Photograph - Black and White, Frank Wright standing next to an architectural feature, 1940's?
Frank Wright was a renown resident of Smeaton, where he was born on 2 August 1901. He lived at Laura Villa, and attended Smeaton State School. His father William was a gold miner and his mother's name was Sarah. Their family won many singing and instrumental awards. Frank was tutored by Percy Code and was awarded a gold medal for the highest marks in the ALCM examinations in the British Colonies at the age of seventeen years. He became the Australian Open Cornet Champion by the age of eighteen. A year later, Frank conducted the City of Ballarat Band, and later the Ballarat Soldiers’ Memorial Band. He formed the Frank Wright Frisco Band and Frank Wright and his Coliseum Orchestra. These bands won many South Street awards, and Frank as conductor won many awards in the Australian Band Championship contest. In 1933 Frank Wright sailed to England to conduct the famous St Hilda’s Band and was later appointed Musical Director of the London County Council, where he organized many amazing concerts in parks, in and around the London district. He was made Professor of Brass and Military Band Scoring and conducted at the Guildhall of Music and Drama. Frank was often invited to adjudicate Brass Band Championships around Europe, in Australia, including South Street and in New Zealand. The Frank Wright Medal at the Royal South Street competition is awarded to an individual recognized as making an outstanding contribution to brass music in Australia.Black and white photo of a man dressed in a three piece suit and hat, leaning against a stone architectural feature high above the surrounding countryside. The foreground is concreted and on the far left is part of what appears to be a metal support for another structure. The background is hazy, but appears to be part of a town below. The man is Frank Wright.frank wright, conductor -
Federation University Historical Collection
Plan, Ballarat School of Mines 'Old Chemistry Building' Plan
Ballarat School of Mines is a predecessor institution of Federation University Australia. Two plans showing the Ballarat School of Mines Old chemistry Building and the Ballarat Technical Art School Building. It also shows the location of the Ballarat School of Mines Model Mine, Battery House, etc.ballarat school of mines, model mine, battery, old chemistry building, ballarat technical art school, laboratory, plan, architectural plans -
Federation University Historical Collection
Plan (copy), 'Proposed New Catholic School at Camperdown' by Herbert L. Coburn
Ballarat born Herbert L. Coburn grew up to be a renowned Ballarat architect, practising from 1905 to 1956. He taught Architecture and Building Construction at the Ballarat School of Mines (SMB) from 1918, resigning in 1948 due to ill health. Copy of a plan for a Catholic primary school at Camperdown by H.L. Coburn. The plan includes front elevation, ground floor and block plan.coburn, h.l. coburn, herbert l. coburn, architecture, camperdown, architectural plan -
Federation University Historical Collection
Plan - Plan (copy), 'Design for Brick Residence Cnr Sturt and Russell St for K. Price Esq.' by Herbert C. Coburn, not dated
Ballarat born Herbert L. Coburn grew up to be a renowned Ballarat architect, practising from 1905 to 1956. He taught Architecture and Building Construction at the Ballarat School of Mines (SMB) from 1918, resigning in 1948 due to ill health.Photocopy of a plan by architect H. L. Coburnherbert l. coburn, coburn, h.l. coburn, k. price, architectural plan, russell street, ballarat -
Federation University Historical Collection
Plan - Plan (copy), 'Brick cased Residence 1515 Sturt Street West for Mrs H.L. Coburn, by H. Leslie Coburn, not dated
Ballarat born Herbert L. Coburn grew up to be a renowned Ballarat architect, practising from 1905 to 1956. He taught Architecture and Building Construction at the Ballarat School of Mines (SMB) from 1918, resigning in 1948 due to ill health.Copy of a plan by H.L. Coburn. It includes a front, west, east and rear elevation; ground plan, block plan; and layout plan. herbert l. coburn, h.l. coburn, coburn, architecture, herbert coburn, architectural plan -
Federation University Historical Collection
Plans (copy), 'Proposed new Premises at Horsham for Paterson's Furniture Pty Ltd' by Herbert L. Coburn, not dated
Ballarat born Herbert L. Coburn grew up to be a renowned Ballarat architect, practising from 1905 to 1956. He taught Architecture and Building Construction at the Ballarat School of Mines (SMB) from 1918, resigning in 1948 due to ill health.Copy of 2 plans for a proposed double storey building at Horsham for Paterson's Furniture Pty Ltd.: .1) Ground and first floor plans .2) Elevationsherbert l. coburn, h.l. coburn, coburn, architecture, horsham, paterson's furniture pty ltd, architectural plan -
Federation University Historical Collection
Plan, Ballarat School of Mines Plumbing Building additions, 1948
Copy of plans showing elevations for additions to the Ballarat School of Mines Plumbing Shopballarat school of mines, plumbing, architectural plan -
Federation University Historical Collection
Plan, Ballarat School of Mines Proposed New Toilet Block, Barkly Street Campus, 1985, 16/08/1985
Plan showing plans for a toilet block at the former Ballarat East High School, Barkly Street.ballarat school of mines, barkly street campus, ballarat east secondary college, toilet block, architectural plans -
Federation University Historical Collection
Plan, Ballarat School of Mines Preliminary Drawings for a Covered Way between Plumbing and Tippett Hall, 1962, 09/01/1962
Plan includes Ballarat School of Mines Administration Building and Tippett Hall (former Wesley Church)ballarat school of mines, architectural plan, plumbing, tippett hall, former wesley church, former ballarat school of mines museum -
Federation University Historical Collection
Document, Ballarat Technical Art School Subject Legend, c1910
The Ballarat Technical Art School was a division of the Ballarat School of MinesHandwritten list of Ballarat Technical Art School subjects. This are most probably a legend for enrolments. ballarat technical art school, ballarat school of mines, art subjects, repousse, wood carving, historic ornament, lettering, dressmakingstill life, ornament, drawing for builders and artisans, archiecture and architectural drawing -
Federation University Historical Collection
Plan, Plan for Colonial Mutual Life Assurance Society Limited, 316 Collins Street Melbourne
Three plans for the Colonial Mutual Life Assurance Society Limited, 316 Collins Street Melbourne. It appears to have been used for refurbishment purposes and includes annotations. architecture, plans, peters, gilpin, colonial mutual life assurance society limited -
Federation University Historical Collection
Photograph - Black and white, Geoff Biddington, Photographs by Geoff Biddington, 1967, c1967
Image if a cast iron spiral staircase in St Peter's Anglican Church, Ballarat. The staircase leads to the choir loft.geoff biddington, cast iron, ballarat, architecture, stairway -
Federation University Historical Collection
Photograph, Clare Gervasoni, Stairs at St Peter's Anglican Church, Ballarat, 2015, 09/2015
Two colour photographs showing a cast iron stairway at St Peter's Anglican Church which leads to the choir loft.st peter's anglican church, ballarat, cast iron, stairway, architecture