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Churchill Island Heritage Farm
Document - Motor Spirit Consumer's Special LIcence, 15/11/1949 approx
Dr Harry Jenkins owned Churchill Island from 1936 to 1963 and bequeathed it to Margaret Campbell on his death. Sister Campbell had been nurse to his disabled son and wife and she lived on the island from the time of World War Two. The item was given to Arthur Evans, a family friend, on the day of the auction sale of artifacts when she sold the island, approximately 1973.The document demonstrates his interest in the farm and provides information on farming in the era.Paper Motor Spirit Consumer's Special LIcence issued by Commonwealth of Australia Liquid Fuel Control Board (Vic) to Edward H. Jenkins, Churchill Island via Newhaven, for International Tractor B. & P. Lighting Plant, Special Licence No. SP/33298, period 15/11/49 to 31/5/50[stamped] RELIEF NO4; SAN REMO VIC 6FE50; LFOB CANCELLED VICTORIA; LFOB CANCELLED VICTORIA; LFOB CANCELLED VICTORIA; LFOB CANCELLED VICTORIA: LFOB CANCELLED VICTORIA; LFOB CANCELLED VICTORIA; LFOB CANCELLED VICTORIA; Ration Tickets may be drawn only at San Remo 9Post Office) [initialed] Authorising Officer 6-12-49 (Date) [front]motor spirit consumer's special licence, harry jenkins, jenkins, churchill island, cars, license, car -
Churchill Island Heritage Farm
Document - Solicitor's letter, 11 May 1939 approx
Dr Harry Jenkins owned Churchill Island from 1936 to 1963 and bequeathed it to Margaret Campbell on his death. Sister Campbell had been nurse to his disabled son and wife and she lived on the island from the time of World War Two. The item was given to Arthur Evans, a family friend, on the day of the auction sale of artifacts when she sold the island, approximately 1973.The letter provides information regarding the purchase of Churchill Island.Typed solicitor's letter from Henderson & Ball Solicitors & Co, to Mr. E.H. Jenkins, 33 Collins St, Melbourne, regarding purchase from G.R. Buckley and Other, and enclosing sketch plan (catalogue item no. 0108.2), dated 11th May 1939, titled "You from G.R. Buckley and Others"[signed] Henderson & Ball "at 4 1/2 %" [inserted last line, fourth paragraph], "(Purchase Price 2000 pounds)" [end fourth paragraph], "HenB" [bottom first page], "Henderson Ball" [second page}harry jenkins, churchill island, purchase, solicitor, letter, jenkins -
Churchill Island Heritage Farm
Map - Hand drawn map of Churchill Island, May 1939 (approx.)
Dr Harry Jenkins owned Churchill Island from 1936 to 1963 and bequeathed it to Margaret Campbell on his death. Sister Campbell had been nurse to his disabled son and wife and she lived on the island from the time of World War Two. The item was given to Arthur Evans, a family friend, on the day of the auction sale of artifacts when she sold the island, approximately 1973. This document is an example of a hand drawn map of the era, measured in links.Hand drawn map in pencil on paper of situation and measurements of land contained in Vendor's Title. Attached to solicitor's letter catalogue item No. 0108.1[signed] Hen B [bottom right hand corner]churchill island, purchase, harry jenkins, jenkins, margaret campbell, sister campbell, real estate, solicitor -
Churchill Island Heritage Farm
Journal - Bridge Notebook, 1959 approx
Dr Harry Jenkins owned Churchill Island from 1936 to 1963 and bequeathed it to Margaret Campbell on his death. Sister Campbell had been nurse to his disabled son and wife and she lived on the island from the time of World War Two. The item was given to Arthur Evans, a family friend, on the day of the auction sale of artifacts when she sold the island, approximately 1973. This item demonstrates Harry Jenkins thorough and detailed approach to the maintenance of Churchill Island Farm and construction in the era.Small lined notebook, with navy blue plastic removable cover with press stud fasteners. Contains notes regarding 1959 bridge construction written by Harry Jenkins. bridge, 1959, harry jenkins, churchill island, farm, roadwork, jenkins -
Churchill Island Heritage Farm
Document - Carbon Copy of Memo with Bordesan title page, BORDESAN, 1938 approx
Dr Harry Jenkins owned Churchill Island from 1936 to 1963 and bequeathed it to Margaret Campbell on his death. Sister Campbell had been nurse to his disabled son and wife and she lived on the island from the time of World War Two. The item was given to Arthur Evans, a family friend, on the day of the auction sale of artifacts when she sold the island, approximately 1973. The document demonstrates farming and fungicide methods of the era.Paper document report, carbon copy, foolscap, on 'Bordesan', a colloidal suspension of a highly fungicial copper preparation, written by J.D. Riedal-E. de Haen A.G., Chemical Works, Berlin-Britz, Germany, and a memo from S.W. Peterson & Co. Ltd, Sydney Office to Mr. Sutcliffe, Melbourne. 15 pagesBordesan, J.D. Riedel-E. de Haen A.G., Churchill Island, S.W. Peterson & Co Ltdbordesan, j.d. riedel-e. de haen a.g., churchill island, s.w. peterson & co ltd, chemical -
Churchill Island Heritage Farm
Document - Receipt from Warley Bush Hospital, 1962 approx
Dr Harry Jenkins owned Churchill Island from 1936 to 1963 and bequeathed it to Margaret Campbell on his death. Sister Campbell had been nurse to his disabled son and wife and she lived on the island from the time of World War Two. The item was given to Arthur Evans, a family friend, on the day of the auction sale of artifacts when she sold the island, approximately 1973. Demonstrates involvement with local communityDonation receipt from Warley Bush Nursing Hospital Cowes, Phillip Island, No. 3522, received from Churchill Island Family in sum of 50 pounds for a bed, dated 21.5.196221.5.196, Churchill Island Family, fifthy [pounds], Donation - Bed, 50, [signed] M.J. Beatonwarley bush nursing hospital, cowes, phillip island, churchill island -
Churchill Island Heritage Farm
Document - Final Statement re Estate of late Mrs Anna Hannah Gahan, April 1936 approx
Dr Harry Jenkins owned Churchill Island from 1936 to 1963 and bequeathed it to Margaret Campbell on his death. Sister Campbell had been nurse to his disabled son and wife and she lived on the island from the time of World War Two. The item was given to Arthur Evans, a family friend, on the day of the auction sale of artifacts when she sold the island, approximately 1973. This item demonstrates values and costs of era.Paper document, Final Statement re Estate of late Mrs. Anna Hannah Gahan, relative of the wife of Harry Jenkins, Alice (nee Gahan), itemizing receipts and disbursements, dated 24/4/1936. Original typed.mrs. anna hannah gahan, alice gahan, alice jenkins, harry jenkins, churchill island, gahan, jenkins, statement -
Churchill Island Heritage Farm
Document - Carbon Copy of Estate of Mrs Anna Hannah Gahan, c. 24/04/1936
Dr Harry Jenkins owned Churchill Island from 1936 to 1963 and bequeathed it to Margaret Campbell on his death. Sister Campbell had been nurse to his disabled son and wife and she lived on the island from the time of World War Two. The item was given to Arthur Evans, a family friend, on the day of the auction sale of artifacts when she sold the island, approximately 1973. This carbon copy of the estate of Mrs Anna Hannah Gahan shows the price and value of Churchill Island at the time of her death.Carbon copy of the Final Statement of the Estate of Mrs Anna Hannah Gahan, relative of the wife of Harry Jenkins, Alice. Document is typed in two columns with an itemised list of the complete estatemrs. anna hannah gahan, alice gahan, alice jenkins, harry jenkins, churchill island, jenkins, farm, gahan, statement, deceased estate, 1973, auction, arthur evans -
Churchill Island Heritage Farm
Document - Handwritten notes on paper, c. May 1940
Dr Harry Jenkins owned Churchill Island from 1936 to 1963 and bequeathed it to Margaret Campbell on his death. Sister Campbell had been nurse to his disabled son and wife and she lived on the island from the time of World War Two. The item was given to Arthur Evans, a family friend, on the day of the auction sale of artifacts when she sold the island, approximately 1973. Churchill Island was run as a dairy farm in the 1940's.These notes demonstrate Harry Jenkins interest in the farm and his thorough approach to farming. It also provides historical information on farming in the era.Handwritten notes in pencil on paper, regarding top dressing; includes map with amounts and dates.churchill island, farm, top dressing, harry jenkins, jenkins -
Bendigo Historical Society Inc.
Document - THE RESTORATION OF THE BENDIGO GASWORKS BOILER HOUSE COMPLEX
The Restoration of The Bendigo Gasworks Boiler House Complex, A Community Jobs Project March 2002 - June 2002. Final Report. Researched, compiled and written by: Fiona Gust and Simone (Mona) Krause. Front cover is purple, back cover is black and some inside pages are red or yellow. Topics in the book are: History of the Gasworks, How a Gasworks Works, Heritage Requirements, The CJP Crew, Crew Profiles, Initial Condition of the Boiler House Complex, O, H & S, Work Begins - Asbestos Removal, Clean-up, Iron Removal and Glazing. Artifact Cataloguing, where artifacts and where they were found were cataloged. On Going Discoveries. Exhauster ad Tank Room Ceilings, Pipes, Oil Spray Tower, Skillion over the Amenities Block, Posts, Beams along the Exhauster Room Wall-NE side, Beams on the SW side of the gable .. The join between the skillion and gable roof, Donuts on the Exhauster Room Wall - NE side, Trusses, Gutters and down pipes, Paint and Whitewash, Brickwork, Iron Fittings, Internal Fixtures, Generator Room/Compressor Room, Floors and Conclusion. The Captains Last Words by Peter Roberts. Acknowledgements. The coloured pages in the back are Edition One - 19.4.2002, Edition Two and Edition 3 of Combustible News which gives a progressive account of the work.buildings, gas company, the bendigo gasworks, the restoration of the bendigo gasworks boiler house complex, fiona gust, simone (mona) krause, city of melbourne gas and coke company, the bendigo mercury, the gas and fuel corporation, central deborah, community jobs project, peter roberts, chrysalis constructions, cvgt industrial training center, rod mclaughlin, allan fox, david gilroy, glen slater, aaron ott, ron whitford, daniel keogh, paul atkins, nick pearson, leigh williams, des leahy, anthony jennings, heritage victoria, the bendigo shire, central deborah, david bennear, david wright, deborah simm, community jobs unit, james thompson, mac booth, mine, tramways, discovery centre, mandy cooper, delwyn douglass, cindy tassie, helen yorston, brenda stanley, greg o'connell, kym smith, darren hutchesson, julie cain, john bullen, joe slaviero, mario joh;ns, norm harris, paul green, len cutting, jim morrissy, melissa tuddenham, fiona beckwith, leo trainor, gary anquetil, helen lynch, abbotts supply, action auction, garry floyd, bendigo trailers and hardware - matt, ron & jack, brennans - butch & robbie, bunnings - evan, brett crapper, hip pocket, jason kiel, country victorian scaffolding, paint right bendigo, alan gladman, deborah simms, graeme jennings, hugh ward, leigh williams, paul eccles, peter sporn, barb & mal krause, peter & shirley turner, bendigo copy centre -
Churchill Island Heritage Farm
Functional object - Cigar holder, 1902 hallmark C
The item was awarded to Dr Harry Jenkins for a motorcycle race. Jenkins was a racing driver and had a dental practice in Collins Street Melbourne. He owned Churchill Island from 1936 to 1963 and bequeathed it to Margaret Campbell on his death. Sister Campbell had been nurse to his disabled son and wife and she lived on the island from the time of World War Two. The item was given to Arthur Evans, a family friend, on the day of the auction sale of artifacts when she sold the island, approximately 1973.This trophy demonstrates Harry Jenkins's reputed love of motor sport, speed and competition.Silver holder for 4 cigarsEngraved on centre 2 sections: MOTOR CYCLE CLUB OF NSW SCRATCH RACE 4 HP AND OVER H JENKINS 16-2-10 Also Hallmarks SYDENHAM PATENT 2272 A S trophy, harry jenkins, motor bike racing, churchill island -
Queenscliffe Maritime Museum
Instrument - Brass Inclinometer
Various artifacts from the steamship 'Wattle'. The Steam Tug Wattle, a steel ship, was built as a harbor tug in 1933. Steam is supplied from a two-furnace Scotch Marine wet-back boiler which was originally fired with dewatered and filtered waste oil but has recently been converted to burn distillate for environmental and maintenance reasons. It was launched at Cockatoo Island on 27 June 1933 by Cockatoo Docks & Engineering Co. Ltd. (CODECO) on order from the Commonwealth Shipping Board. Now fully restored it operates excursions in Port Phillip and the Yarra. One of a very few still operating steam tugs.Brass inclinator mounted on timber plate.steam tug wattle, harbour tugs -
Queenscliffe Maritime Museum
Instrument - Solar reflector
Various artifacts from the steamship 'Wattle'. The Steam Tug Wattle, a steel ship, was built as a harbor tug in 1933. Steam is supplied from a two-furnace Scotch Marine wet-back boiler which was originally fired with dewatered and filtered waste oil but has recently been converted to burn distillate for environmental and maintenance reasons. It was launched at Cockatoo Island on 27 June 1933 by Cockatoo Docks & Engineering Co. Ltd. (CODECO) on order from the Commonwealth Shipping Board. Now fully restored it operates excursions in Port Phillip and the Yarra.Solar Reflector with spirit level in wooden boxst wattle, navigational intruments -
Eltham District Historical Society Inc
Photograph, Opening of Andrew Ross Museum, Kangaroo Ground, 20 Nov 1994, 20/11/1994
In 1992 Shire of Eltham Historical Society member and Kangaroo Ground resident, Bruce Ness became aware that the old school teacher residence at Kangaroo Ground School was no longer being used. Over the years Bruce had been storing a growing collection of the Society's artifacts and objects including various machinery and farm tools. He proposed that this might present an opportunity to set up a museum with the Society's objects. It was proposed that a board be appointed containing representatives of the Society, the School Council, Shire of Eltham and "Friends of the Andrew Ross Museum." As a consequence, most of the Society's objects were transferred to the museum and the Society became more focused on documents, maps and photographs, etc.Roll of 35mm colour negative film, 3 stripsFuji 100shire of eltham historical society -
Eltham District Historical Society Inc
Photograph, Opening of Andrew Ross Museum, Kangaroo Ground, 20 Nov 1994, 20/11/1994
In 1992 Shire of Eltham Historical Society member and Kangaroo Ground resident, Bruce Ness became aware that the old school teacher residence at Kangaroo Ground School was no longer being used. Over the years Bruce had been storing a growing collection of the Society's artifacts and objects including various machinery and farm tools. He proposed that this might present an opportunity to set up a museum with the Society's objects. It was proposed that a board be appointed containing representatives of the Society, the School Council, Shire of Eltham and "Friends of the Andrew Ross Museum." As a consequence, most of the Society's objects were transferred to the museum and the Society became more focused on documents, maps and photographs, etc.Roll of 35mm colour negative film, 3 stripsFuji 100shire of eltham historical society -
Eltham District Historical Society Inc
Photograph, Opening of Andrew Ross Museum, Kangaroo Ground, 20 Nov 1994, 20/11/1994
In 1992 Shire of Eltham Historical Society member and Kangaroo Ground resident, Bruce Ness became aware that the old school teacher residence at Kangaroo Ground School was no longer being used. Over the years Bruce had been storing a growing collection of the Society's artifacts and objects including various machinery and farm tools. He proposed that this might present an opportunity to set up a museum with the Society's objects. It was proposed that a board be appointed containing representatives of the Society, the School Council, Shire of Eltham and "Friends of the Andrew Ross Museum." As a consequence, most of the Society's objects were transferred to the museum and the Society became more focused on documents, maps and photographs, etc.Roll of 35mm colour negative film, 3 stripsFuji 100shire of eltham historical society -
Eltham District Historical Society Inc
Photograph, Opening of Andrew Ross Museum, Kangaroo Ground, 20 Nov 1994, 20/11/1994
In 1992 Shire of Eltham Historical Society member and Kangaroo Ground resident, Bruce Ness became aware that the old school teacher residence at Kangaroo Ground School was no longer being used. Over the years Bruce had been storing a growing collection of the Society's artifacts and objects including various machinery and farm tools. He proposed that this might present an opportunity to set up a museum with the Society's objects. It was proposed that a board be appointed containing representatives of the Society, the School Council, Shire of Eltham and "Friends of the Andrew Ross Museum." As a consequence, most of the Society's objects were transferred to the museum and the Society became more focused on documents, maps and photographs, etc.Roll of 35mm colour negative film, 3 stripsFuji 100shire of eltham historical society -
Eltham District Historical Society Inc
Photograph, Opening of Andrew Ross Museum, Kangaroo Ground, 20 Nov 1994, 20/11/1994
In 1992 Shire of Eltham Historical Society member and Kangaroo Ground resident, Bruce Ness became aware that the old school teacher residence at Kangaroo Ground School was no longer being used. Over the years Bruce had been storing a growing collection of the Society's artifacts and objects including various machinery and farm tools. He proposed that this might present an opportunity to set up a museum with the Society's objects. It was proposed that a board be appointed containing representatives of the Society, the School Council, Shire of Eltham and "Friends of the Andrew Ross Museum." As a consequence, most of the Society's objects were transferred to the museum and the Society became more focused on documents, maps and photographs, etc.Roll of 35mm colour negative film, 3 stripsFuji 100shire of eltham historical society -
Eltham District Historical Society Inc
Photograph, Opening of Andrew Ross Museum, Kangaroo Ground, 20 Nov 1994, 20/11/1994
In 1992 Shire of Eltham Historical Society member and Kangaroo Ground resident, Bruce Ness became aware that the old school teacher residence at Kangaroo Ground School was no longer being used. Over the years Bruce had been storing a growing collection of the Society's artifacts and objects including various machinery and farm tools. He proposed that this might present an opportunity to set up a museum with the Society's objects. It was proposed that a board be appointed containing representatives of the Society, the School Council, Shire of Eltham and "Friends of the Andrew Ross Museum." As a consequence, most of the Society's objects were transferred to the museum and the Society became more focused on documents, maps and photographs, etc.Roll of 35mm colour negative film, 3 stripsFuji 100shire of eltham historical society -
Eltham District Historical Society Inc
Photograph, Opening of Andrew Ross Museum, Kangaroo Ground, 20 Nov 1994, 20/11/1994
In 1992 Shire of Eltham Historical Society member and Kangaroo Ground resident, Bruce Ness became aware that the old school teacher residence at Kangaroo Ground School was no longer being used. Over the years Bruce had been storing a growing collection of the Society's artifacts and objects including various machinery and farm tools. He proposed that this might present an opportunity to set up a museum with the Society's objects. It was proposed that a board be appointed containing representatives of the Society, the School Council, Shire of Eltham and "Friends of the Andrew Ross Museum." As a consequence, most of the Society's objects were transferred to the museum and the Society became more focused on documents, maps and photographs, etc.Roll of 35mm colour negative film, 3 stripsFuji 100shire of eltham historical society -
Eltham District Historical Society Inc
Photograph, Opening of Andrew Ross Museum, Kangaroo Ground, 20 Nov 1994, 20/11/1994
In 1992 Shire of Eltham Historical Society member and Kangaroo Ground resident, Bruce Ness became aware that the old school teacher residence at Kangaroo Ground School was no longer being used. Over the years Bruce had been storing a growing collection of the Society's artifacts and objects including various machinery and farm tools. He proposed that this might present an opportunity to set up a museum with the Society's objects. It was proposed that a board be appointed containing representatives of the Society, the School Council, Shire of Eltham and "Friends of the Andrew Ross Museum." As a consequence, most of the Society's objects were transferred to the museum and the Society became more focused on documents, maps and photographs, etc.Roll of 35mm colour negative film, 3 stripsFuji 100shire of eltham historical society -
Eltham District Historical Society Inc
Photograph, Opening of Andrew Ross Museum, Kangaroo Ground, 20 Nov 1994, 20/11/1994
In 1992 Shire of Eltham Historical Society member and Kangaroo Ground resident, Bruce Ness became aware that the old school teacher residence at Kangaroo Ground School was no longer being used. Over the years Bruce had been storing a growing collection of the Society's artifacts and objects including various machinery and farm tools. He proposed that this might present an opportunity to set up a museum with the Society's objects. It was proposed that a board be appointed containing representatives of the Society, the School Council, Shire of Eltham and "Friends of the Andrew Ross Museum." As a consequence, most of the Society's objects were transferred to the museum and the Society became more focused on documents, maps and photographs, etc.Roll of 35mm colour negative film, 3 stripsFuji 100shire of eltham historical society -
Eltham District Historical Society Inc
Photograph, Opening of Andrew Ross Museum, Kangaroo Ground, 20 Nov 1994, 20/11/1994
In 1992 Shire of Eltham Historical Society member and Kangaroo Ground resident, Bruce Ness became aware that the old school teacher residence at Kangaroo Ground School was no longer being used. Over the years Bruce had been storing a growing collection of the Society's artifacts and objects including various machinery and farm tools. He proposed that this might present an opportunity to set up a museum with the Society's objects. It was proposed that a board be appointed containing representatives of the Society, the School Council, Shire of Eltham and "Friends of the Andrew Ross Museum." As a consequence, most of the Society's objects were transferred to the museum and the Society became more focused on documents, maps and photographs, etc.Roll of 35mm colour negative film, 3 stripsFuji 100shire of eltham historical society -
Eltham District Historical Society Inc
Photograph, Opening of Andrew Ross Museum, Kangaroo Ground, 20 Nov 1994, 20/11/1994
In 1992 Shire of Eltham Historical Society member and Kangaroo Ground resident, Bruce Ness became aware that the old school teacher residence at Kangaroo Ground School was no longer being used. Over the years Bruce had been storing a growing collection of the Society's artifacts and objects including various machinery and farm tools. He proposed that this might present an opportunity to set up a museum with the Society's objects. It was proposed that a board be appointed containing representatives of the Society, the School Council, Shire of Eltham and "Friends of the Andrew Ross Museum." As a consequence, most of the Society's objects were transferred to the museum and the Society became more focused on documents, maps and photographs, etc.Roll of 35mm colour negative film, 3 stripsFuji 100shire of eltham historical society -
Eltham District Historical Society Inc
Photograph, Opening of Andrew Ross Museum, Kangaroo Ground, 20 Nov 1994, 20/11/1994
In 1992 Shire of Eltham Historical Society member and Kangaroo Ground resident, Bruce Ness became aware that the old school teacher residence at Kangaroo Ground School was no longer being used. Over the years Bruce had been storing a growing collection of the Society's artifacts and objects including various machinery and farm tools. He proposed that this might present an opportunity to set up a museum with the Society's objects. It was proposed that a board be appointed containing representatives of the Society, the School Council, Shire of Eltham and "Friends of the Andrew Ross Museum." As a consequence, most of the Society's objects were transferred to the museum and the Society became more focused on documents, maps and photographs, etc.Roll of 35mm colour negative film, 3 stripsFuji 100shire of eltham historical society -
Eltham District Historical Society Inc
Book, Eltham's serious and their neighbours : a history and memoir : Eltham Wesleyan/Methodist/Uniting Church, Eltham Montmorency Uniting Church 1850-2009 and of Nillumbik / Kenneth Eric Eckersall, 2010
EDHS Newsletter No. 191 March 2010 BOOK LAUNCH Eltham's Serious and Their Neighbours (100 pages, B5, February 2010) This new book by Ken Eckersall follows from his publication of 2000, Eltham Inhabitants, with some stories retold and many new stories. Eltham 's Serious and Their Neighbours tells an Eltham narrative from 1850 to the present. The name 'Eltham's Serious' refers affectionately to Eltham/Wesleyan/Methodist/Uniting Church/Eltham Montmorency Uniting Church. Eltham's Serious and Their Neighbours presents a kaleidoscope of Nillumbik through stories, and the national and international historical context. Some stories are drawn from Eltham District Historical Society resources including R.D. Taylor 'Reminiscences' of 1931 and the Family History Project. The Book Launch will be at 2.00 pm on Sunday 18 April 2010 at Eltham Uniting Church, comer of Main Road and John Street. Opportunity will be provided to view church artifacts such as the stained glass windows, the World War I memorial and the bell. Paperback; iv, 92 p. ; 25 cm.[signed by author on title page]churches, eltham, eltham methodist church, eltham uniting church -
Flagstaff Hill Maritime Museum and Village
Ceremonial object - Church Bell, Before 1855
This artifact is a large brass bell. It was retrieved from the Schomberg wreck by local divers in the 1970s. Its location at the wreck site was described as "found on the west side towards the stern" the vessel remains lying on a north-south axis, with the bow pointing towards the shore as a result the bell was assessed from this position to have formed part of the cargo. The view that this was not a ship's bell belonging to the Schomberg is gained from two other 'Schomberg Bells' in the Flagstaff Hill collection, both of which have the vessel's name prominently etched into their outer surface. Additional indications indicate that this bell was not intended for maritime use due to the bell's rounded 'bell-curve' shape suggesting it was melodically tunable. Also the detailed basket-type fittings on the bell dome that would allow the bell to be suspended by ropes rather than just bolted to a yoke. The bell is currently on display at Flagstaff Hill, categorised as a church bell part of the Schomberg's cargo that was intended for use in a church within the Victorian colony. As the Colony of Victoria became more established, and its population expanded with the Gold Rush and other emigration from Britain, the demand for regular religious services and permanent church buildings also grew. We will never know if this bell was a specific order or part of an enterprising bell founder's consignment of general stock to a wholesale supplier in Melbourne. A cargo manifest for the Schomberg has unfortunately never been found. The shipwreck of the Schomberg is regarded as of significance to Victoria and is registered on the states Heritage list (S 612). The Schomberg wreck has great historical significance as a rare example of a mid 19th century large, fast clipper ship intended to transport cargo and passengers between England and Australia. The vessel that carried this bell represents the marine advances made in an attempt to break established sailing records between Europe and Australia. Flagstaff Hill holds a noteworthy collection of artefacts from the Schomberg shipwreck. The collection as a whole is primarily significant because of the relationship the objects have archaeologically, not only to highlight the story of the Schomberg ship and later it's wrecking but have an important potential to interpret the story and progression of maritime shipping in the 19th century. The church bell has a standard bell-curve shape and is dull bronze in colour. A large brass bell, plain and without visible maker marks, but with traditionally intricate basket-type cast fittings for suspension from a yoke by a number of ropes or chains. Approximately 3/8 of the bell’s outer surface bears a thin layer of marine growth and limestone accretion, and there is some minor pitting and spots of light verdigris over the remainder. The bell mouth, or lip, is slightly compressed-in in two places. It was retrieved from the wreck of the Schomberg. None warrnambool, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, schomberg, shipwrecked-artefact, clipper ship, black ball line, 1855 shipwreck, aberdeen clipper ship, captain forbes, peterborough shipwreck, ss queen, brass bell, church bell -
Federation University Art Collection
Painting - Acrylic on Linen, 'Tingari Cycle' by Walala Tjapaltjarri
Walala Tjapaltjarri (b. c1960) Language: Pintupi Region: Kiwirrkuru In late 1984 Walala Tjapaltjarri and several other members of the Pintupi Tribe walked out of the remote wilderness of the Gibson Desert in Western Australia and made contact for the first time with European society. Described as 'The Lost Tribe', he and his family created international headlines. Until that day in 1984, Walala and his family lived the traditional and nomadic life of a hunter-gatherer society. Their intimate knowledge of the land, its flora and fauna and waterholes allowed them to survive, as their ancestors had for thousands of years. It is this sacred landscape, and its significant sites, that Walala so strikingly describes in his paintings. His style is generally highlighted by a series of rectangles set against a monochrome background. He paints the Tingari Cycle (a series of sacred and secret mythological song cycles) which are associated with the artist's many dreaming sites - they are Wilkinkarra, Maruwa, Tarrku, Njami and Yarrawangu, to name a few. These Dreamings are the locations of significant rockholes, sandhills, sacred mountains and water soakages in the Gibson Desert. (http://www.kateowengallery.com/artists/Wal90/Walala-Tjapaltjarri.htm, accessed 18 May 2015) Walala Tjapaltjarri started painting in 1997. His earliest works were in a classical Tingari style usually reserved for body painting, ground painting and the decoration of traditional artifacts. Within a couple of months his painting had evolved into his own innovative style of work, including the abstraction of classical Pintupi designs which resulted in a highly graphic language to speak of his country and ceremonial sites. The rectangles so prominent in his paintings form both a physical and spiritual map establishing Walala as a discerning draughtsman for his ancient country. (http://www.kateowengallery.com/artists/Wal90/Walala-Tjapaltjarri.htm, accessed 18 May 2015) This item is part of the Federation University Art Collection. The Art Collection features over 1000 works and was listed as a 'Ballarat Treasure' in 2007.Tingari Cycle - During the Tjukurrpa (Creation Era) Tingari ancestors beings gathered at a series of sites for Malliera (Initiation) Ceremonies. They travelled vast stretches of the country, performing rituals at specific sites that in turn created the diverse natural features of the environment. The Tingari men were accompanied by novices and usually followed by Tingari Women. The creation stories and rituals are venerated in the song cycles and ceremonies of today, forming part of the teachings of the post initiatory youths, whilst also providing explanations for contemporary customs. Walala Tjapaltjarri uses a highly personalised and minimal style to represent aspects of the sacred Tingari Cycle, an epic journey of Ancestors of the TJukurrpa (Creation Era). He paints aspects of the Tingari Cycle which are associated with the artist's many sacred sites - such as Wilkinkarra, Maruwa, Tarrku, Njami and Yarrawangu, to name a few. These are locations of significant rockholes, sandhills, sacred mountains and water soakages in the Gibson Desert. (http://www.kateowengallery.com/artists/Wal90/Walala-Tjapaltjarri.htm, accessed 18 May 2015)art, artwork, walala tjapaltjarri, aboriginal, dreaming, creation era, acrylic on linen, pintupi, kiwirrkuru, tingari, wilkinkarra, tarrku, njami, yarrawangu -
Flagstaff Hill Maritime Museum and Village
Document, 21/10/1805
This document is a reproduction of the page of the log book from the vessel HMS Euryalus, recording Nelson's famous signal at the Battle of Trafalgar. On October 21, 1805, Admiral Lord Nelson led the British Navy to victory against the French and Spanish navies in the Atlantic Ocean. The event became known as the Battle of Trafalgar. To commence the battle Nelson commanded his now-famous flag signal “England expects that every man will do his duty”. Nelson’s signal was transmitted from his ship HMS Victory in 12 separate flag-hoists, according to Sir Home Popham’s Telegraphic Code that had been supplied to the fleet as an experiment, with the numerical flags of the Admiralty official Day Signal book (1799 issue). The signal flags comprised eight that represented whole words and four that represented single letters - [ENGLAND] [EXPECTS] [THAT] [EVERY] [MAN] [WILL] [DO] [HIS] [D] [U] [T] [Y]. Nelson’s signal was received by the ‘reporting frigates’ who would then send them on to the other vessels. The signal was recorded by Captain Henry Blackwood who was in command of the HMS Euryalus. Captain Blackwood led a squadron of frigates, reporting back to Nelson on the movement of the French and Spanish fleets. Nelson’s famous signal was recorded in the log book of Euryalus and repeated to other vessels. The original log book is a canvas-backed manuscript written up from hour to hour during the battle. It is in the Nelson Collection at Lloyd's. Lloyd’s of London is a large insurance company in the United Kingdom. In 1803 Lloyd’s founded the Lloyd’s Patriotic Fund to honour the brave and provide for the wounded and dependents of those killed in major Napoleonic battles. Over the years Lloyd’s has accumulated an assorted collection of artefacts and memorabilia associated with Nelson, including this log book from HMS Euryalus. In 2003 Lloyds created a temporary exhibition to mark the bicentennial of Nelson’s Battle of Trafalgar. The display included key items from the Nelson Collection celebrating Nelson’s role in British Naval History. Lloyd’s now has a department called The Nelson Collection and Heritage Floor where historical artifacts are displayed and the story of Lloyd’s 300 years of history is told. This document, being a reproduction, is not significant in itself. However it's content is of historical significance for its connection to Admiral Nelson and The Battle of Trafalgar. Through the leadership and victory of Nelson, the British obtained the mastery of the seas over the French and Spanish and opened up the way for Britain to colonise many countries including Australia. The document is also associated with a wood sample from Napoleon's ship Victory that is in our Collection.Reproduction of a page of the log book of HMS Euryalus recording Nelson's famous signal at the Battle of Trafalgar. The original log book entry was handwritten, dated 21 Oct 1805.flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, log book, flag signal, hms euryalus, nelson's famous signal, battle of trafalgar, october 21, 1805, admiral lord nelson, french and spanish navies, england expects that every man will do his duty, hms victory, sir home popham’s telegraphic code, admiralty official day signal book (1799 issue), reporting frigates, captain henry blackwood, canvas-backed manuscript, nelson collection at lloyd's, lloyd’s of london, lloyd’s patriotic fund, napoleonic battles, british naval history -
Federation University Art Collection
Work on paper - Printmaking - Silkscreen, Lin Onus, 'Walawala Garrkman' by Lin Onus, 2001
Lin ONUS (1948-1996) Language: Wiradjuri / Yorta Yorta Lin Onus played a pivotal role in the recognition of Aboriginal art as an expression of a contemporary and dynamic living culture. Prior to his premature death at just 47 years of age he was a prominent, strident, yet non-confrontational agent in renegotiating the history of colonial and Aboriginal Australia. His father, Bill Onus, was the founder of the Aboriginal Advancement League in Victoria and a prominent maker of artefacts in Melbourne. As a young Koori growing up, Lin lived in a cultural environment that included exposure to visiting Aboriginal artists, including Albert Namatjira. He began his artistic life assisting his father in decorating artifacts, went on to develop skills working with metal and painting with air brush as a panel beater; and by 1974 he was painting watercolors and photo-realist landscapes. In the 1970's he completed a set of paintings on the first Aboriginal guerrilla fighter Mosquito, which holds pride of place on the walls of the Advancement League in Melbourne, to this day. Lin Onus was a largely self-taught artist. Particularly important in his development was his visits to Garmedi (Arnhem Land) starting in 1986. Jack Wunuwun, the Yolngu artist, introduced him into the Murrungun-Djinang clan and gave him permission to use some of traditional images in his paintings. His cultural education on the Aboriginal side was also provided by visits to Cummeragunja with his father, and stories told by his uncle Aaron Briggs, known as 'the old man of the forest' who gave him his Koori name - Burrinja, meaning 'star'. They would sit on the banks of the Murray River within view of the Barmah Forest, Lin's spiritual home, the subject of many of his later paintings and his final resting place. Lin's father had been of the Yorta Yorta people from the Barmah Forest country, and Lin also used images from this area in his paintings. The images in his works include haunting photorealist portrayals of the Barmah red gum forests of his father's ancestral country, and the use of rarrk cross-hatching-based based painting style that he learned (and was given permission to use when in Arnhemland). His painting Barmah Forest won Canberra's national Aboriginal Heritage Award in 1994. (http://www.cooeeart.com.au/aboriginal_artist/lin_onus/A, accessed 18 May 2015) This item is part of the Federation University Art Collection. The Art Collection features over 1000 works and was listed as a 'Ballarat Treasure' in 2007.Framed limited edition silkscreen.Signed 'Onus' lower right (posthumously by Tiriki Onus) Edition 68/80art, artwork, lin onus, onus, printmaking, screenprint, aboriginal, dreaming, frogs, available