Churchill Island has a large photographic collection dating from the nineteenth century. This series shows the extensive work and volunteering conducted on site by workers after it was turned into a heritage siteColour photograph of Ash walking around an old hay baler. to the left, people can be viewed standing behind a fence. Probably taken at the Churchill Island Easter Festival 30/03/2013Catalogue number on reverse in pencil. Written on reverse in pen "Ash with C.I. hay baler. C.I.Easter Festival 30/3/2013"churchill island, photograph

Linked to the 1983 Ash Wednesday BushfiresSmall metal lockable cash box with handle and tray insert This item was burnt in the 1983 Ash Wednesday bushfires which destroyed the FCV Office and nursery It was recovered from ashes of the building It was in the office safe and contained charred bank notes and a chequebushfire, forests commission victoria (fcv)

The Squirrel is a small to medium sized member of the rodent family Sciuridae. They are commonly located in America, Eurasia and Africa. The Squirrel was introduced to Australia by humans. Interestingly, the tail of the Squirrel serves the purpose of keeping the rain, wind or cold off the body of the animal, to help it cool off in hot weather, to counterbalance when moving and can be utilized as a parachute when jumping from one location to the next. Squirrels consume foods that are rich in protein, carbohydrates and fats. They eat nuts, seeds. fruits and vegetation. This specimen is part of a collection of almost 200 animal specimens that were originally acquired as skins from various institutions across Australia, including the Australian Museum and the National Museum of Victoria, as well as individuals such amateur anthropologist Reynell Eveleigh Johns between 1860-1880. These skins were then mounted by members of the Burke Museum Committee and put-on display in the formal space of the Museum’s original exhibition hall where they continue to be on display. This display of taxidermy mounts initially served to instruct visitors to the Burke Museum of the natural world around them, today it serves as an insight into the collecting habits of the 19th century.This specimen is part of a significant and rare taxidermy mount collection in the Burke Museum. This collection is scientifically and culturally important for reminding us of how science continues to shape our understanding of the modern world. They demonstrate a capacity to hold evidence of how Australia’s fauna history existed in the past and are potentially important for future environmental research. This collection continues to be on display in the Museum and has become a key part to interpreting the collecting habits of the 19th century.Grey Squirrel standing on a wooden platform. The small sized specimen holds a pinecone between its hands and has a paper identification tag tied to one of its arms. It has grey/ash coloured fur with a pale belly and dark coloured glass eyes. It has a long and bushy tail that stands along its back in an arched shape. It has tiny hands and feet.40. ash-coloured / Squirrel / Catalogue, Page, 49. / A.4484 / BMM 75 32 /taxidermy mount, taxidermy, animalia, burke museum, beechworth, australian museum, skin, reynell eveleigh johns, squirrel

This is an ash tray sold to tourists as a souvenir of a visit to Warrnambool. It would have been relatively cheap to buy. Souvenirs such as this were mass-produced for the tourist market and a relevant photograph inserted on the base to suit the town or settlement where they were sold. As cigarette-smoking is no longer so socially acceptable, items such as this one are no longer sold as tourist souvenirs. This item is of interest as an example of the type of souvenir sold to tourists in Australia in the first half of the 20th century, probably in the 1940s or 1950s. It is of particular local interest because it contains a photograph of Warrnambool during that time. This is a souvenir tin ash tray circular in shape. It has a colour photograph of Warrnambool inserted into the base of the dish (Flagstaff Hill showing part of the fortifications, the Lower Lighthouse, a camping ground and Warrnambool Bay). The ash tray has three lips on the side of the dish for resting a cigarette. The base is gold-coloured and is slightly tarnished. ‘Warrnambool Victoria’ tourism in warrnambool

Churchill Island has a large photographic collection dating from the nineteenth century. This series shows the extensive work and volunteering conducted on site by workers after it was turned into a heritage siteColour photograph of a working horse team standing in a pasture, ringed with hay. They are being held by their handler Lyall who is talking to Ash. Probably taken at the Churchill Island Easter Festival 30/03/2013Catalogue number on reverse in pencil. Written on reverse in pen: "Working horse team being rested with their handler Lyall talking to Ash. C.I. Easter Festival 30/3/2013" churchill island, photograph

Photograph of Dinah Lee, Wayne Stephens and Ash Power taken at the Vietnam Veteran's Motorcycle Clubrooms at the unveiling of a commemorative wall to honour the 521 personnel who died during the Vietnam War on the 50th Anniversary of the Battle of Long Tan in August 2016. Dinah LEE - Lee entertained troops in Vietnam in the late 1960s on Australian Broadcasting Commission-sponsored tours and was awarded the Vietnam Logistic and Support Medal. Wayne STEPHENS - Vietnam Veteran and Victorian President of the Vietnam Veteran's Motorcycle Club. Ash POWER - Lt. Gen (Rtd) President of Wangaratta RSL Sub BranchBlack frame and mount containing colour photograph of two males either side of a female - all wearing jackets with colour badges/patches.50th Anniversary of the Battle of Long Tan 2016 Lt Gen (Rtd) Ash Power, Dinah Lee, Mark Stephensvietnam war

This ash tray is a souvenir of the City of Geelong and has been inscribed and used in 1927 as a presentation piece by the Southern Union Insurance Company of Australia. It has been presented to an employee of the company, N. Robilliard. He is possibly the son of James and Ellen Robilliard, De Jersey Norman Robilliard, who died in Warrnambool in 1973. This ash tray is of interest as an example of the type of gift given to employees in the 1920s. It is believed that the recipient was a resident of Warrnambool. This is a circular clear glass ash tray with a silver-coloured metal rim around the top edge. There are four metal scoops and a metal badge affixed to the top rim. There is also an inscription engraved on the metal rim. The silver rim is tarnished. Badge: ‘Souvenir City of Geelong’ Inscription: ‘Presented by the Southern Union Ins Co Ltd to N. Robilliard in recognition of his service as agent 7.2.27’ norman robilliard, southern union insurance company of australia

Match Holder & Ash Traymiscellaneous, ww1

A photograph of "Ash" accepting an award.recreations, sports, awards

An early black and white photograph of the Big Tree in Cambarville in Victoria.An early black and white photograph of the Big Tree in Cambarville in Victoria. It was, at one stage, known to be the tallest hardwood tree in the world standing at 92 meters (301ft, 6 inches). However, it was reduced to 84 meters by a wind storm in 1959. It is a mountain ash. There is a walking track through the forest to the Big Tree.The tallest Mountain Ash at the/ Cumberlandbig tree, mountain ash, cambarville, victoria, photograph

The word ashtray came into use around the 1920 and is a receptacle for ash from cigarettes and cigars and are typically made of fire retardant material such as glass, heat resistant plastic, pottery, metal, or stone. The most common ashtray design is a shallow cylinder with a flat base, designed to rest on a table. Other ashtrays, particularly in public places, are either wall or floor mounted. While simple, utilitarian forms of ashtrays existed long before the 19th century, it was during the start of the 20th century that the design, aesthetics and their popularity took off. As more women began to smoke. in the early 1900s, the ashtray went closer to being an art form as many women avoided the use of the traditional ashtray as it failed to reflect their feminine values, regarded as an item rather basic in design the general societal through of the time was that smoking was an activity exclusive to men. What emerged were detailed, often very fancy ashtrays acceptable to women depicting either pastoral scenes or vibrantly coloured landscapes. As time went on, and the onset of women smoking both cigars and cigarettes became less of a departure from the average person, ashtrays saw a decline in design and aesthetics beginning more of a shift towards practicality. The subject item is a primitive form of ashtray used in public spaces any time from the 1900 -1960s and is not associated with an historic person or event. However the item could have come from the Warrnambool Town Hall given the inscription on the base of the item.Ash tray-large rectangular floor model made from a wooden box covered with textured metal on the outsideThe metal has a relief design embossed at the top back "smokers" and "Town Hall" printed on bottom.flagstaff hill, warrnambool, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, ash tray

Discovering history in Melbourne Ash Range

"I am an Australian of German parents born in Persia. I was taught by Peter Rushforth, with a very strong Japanese influence. My work attempts to incorporate these four elements of my history. For form, my influence comes from Art Nouveau, or Jugendstil as it is called in Germany. Techniques are informed by pottery from Japan, China, Korea and Germany. My colours are inspired by the Australian landscape. Using the language of woodfiring, I create a personal vocabulary with new subjects, grammar and syntax, which make each pot a one-off object containing all my diverse influences." (Roswitha Wulff)Roswitha WULFF (1941- ) Born Tabrize, Iran. Arrived Austrqalia c1949 Roswitha Wulff spent her early childhood with her mother, potter Helma Klett, in Germany. In 1964, she obtained a ceramics certificate from the East Sydney Technical College. From 1964-65, she worked with Robin Welch and Ian Sprague at Sprague's Mungeribar Pottery in Upper Beaconsfield, VIC. In 1966 she worked at the Sturt Pottery in Mittagong, NSW under Les Blakebrough. Between 1967 and 1969 Roswitha Wulff travelled overseas, spending 6 monthe with Robin Welch after his return to England and 9 months as a full-time thrower at Briglin Pottery, London, as well as working in potteries in Denmark and Germany. From 1969-70, she worked in North-West Pakistan as a research scholar for the Smithonian Institute and the University of NSW. Returning to Australia in 1970, she set up a workshop in Paddington, NSW, with the help of an Australia Council grant and taught part-time at the East Sydney Technical College and the Willoughby Workshop Art Centre. Since then she has been a lecturer and Head of Ceramics in many institutions, including the National Art School. In the 1990s she moved her studio to Botany Bay, NSW.. While working with the vessel form, she sees her pots as abstract landscapes. Recently she has also been working with wall tiles. During a residency at the Canberra School of Art in 2002, she developed tiles that looked like woodfired pillows with soft rounded rims. In 2007, she used such tiles to create a mural commemorating the Sesquicentenary of St Vincent's Hospital in Paddington. Woodfired stoneware bowl with flay ashSigned on baseroswitha wulff, jan feder, jan feder memorial ceramics collection, woodfire, ceramics, gippsland campus, botany bay studio pottery

WWI historical significanceWWII Trench Art in the form of an ash tray made out of 25 lb shell with a Dutch Guilder Coin in the middle of ash tray.On the base: 373, WY, 1943, CF, MQ, 25PR II.

Chromium plated dentist's syringe with original box, needles and instructions.Front of syringe -"Sterling Ash. England"syringe dentistry

Black case containing Siemens movie projector. The carry case has an opening in top for handle to come through and two locking tabs on bottom of two sides and Siemens metal label on side. Camera is dark grey with two folding reel holders, one of which doubles as a carry handle through case top. Camera has electric cord and power switch on bottom right with two other switches. Two sides fold down, probably for cooling. Lens has siemens name on it and is focusable. Reels are driven by spring belts. Number H77702 on small tag on side above switches.SIEMENS ASH BESTER & CO. H77702photography, projectors

Kriewaldt’s Pharmacy Stawell - Souvenir Ash Tray stawell

The word ashtray came into use around the 1920 and is a receptacle for ash from cigarettes and cigars and are typically made of fire retardant material such as glass, heat resistant plastic, pottery, metal, or stone. The most common ashtray design is a shallow cylinder with a flat base, designed to rest on a table. Other ashtrays, particularly in public places, are either wall or floor mounted. While simple, utilitarian forms of ashtrays existed long before the 19th century, it was during the start of the 20th century that the design, aesthetics and their popularity took off. As more women began to smoke. in the early 1900s, the ashtray went closer to being an art form as many women avoided the use of the traditional ashtray as it failed to reflect their feminine values, regarded as an item rather basic in design the general societal through of the time was that smoking was an activity exclusive to men. What emerged were detailed, often very fancy ashtrays acceptable to women depicting either pastoral scenes or vibrantly coloured landscapes. As time went on, and the onset of women smoking both cigars and cigarettes became less of a departure from the average person, ashtrays saw a decline in design and aesthetics beginning more of a shift towards practicality. The subject item is a primitive form of ashtray used in public spaces any time from the 1920-1960s and is not associated with an historic person or event. However the item could have come from the Warrnambool Town Hall given the inscription on the base of the item.Ash tray-large rectangular floor model with cement sheet lining. Made from a wooden box covered with textured metal on the outsideThe metal has a relief design embossed at the top back "smokers" and "Town Hall" printed on bottom.flagstaff hill, warrnambool, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, ash tray, town hall, cigarette tray, smoker's ash tray

Ash Tray made from 40mm Bofors shellmiscellaneous, ww2, army

Ash Tray metal "HMAS Sydney" stamped on body.ephemera, ran

Triangular ash tray Twin engine bomber on stand

This ash tray is a souvenir of the Olympic Games held in Melbourne in 1956. This was an important event in post World War Two Australia and the first time the Olympic Games had been held in the Southern Hemisphere. The Opening and Closing Ceremonies, the athletics events and some other events were held at the Melbourne Cricket Ground. These were the first televised Olympic Games. To mark the occasion many souvenir items were produced for tourists and collectors.This item is kept as a memento of the 1956 Melbourne Olympic Games, an event that interested and affected all Australians as it made Melbourne and Australia via press and television coverage etc. the centre of attention in the world at the time. It is also a memento that would no longer be made or sold today as cigarette smoking in general is no longer socially and medically acceptable. It will be useful for display.This is a plastic circular ash tray. It has a blue base with a multi-coloured image in the centre of the base of a map of Australia, an Olympic Games torch and the Olympic Games ring motifs. The printing is in white and the name of the maker is embossed on the back of the tray. There are three indents around the base for stubbing out the cigarettes. ‘Olympic Games Melbourne Australia 22 Nov. - 8 Dec. 1956’ ‘British Plastics Pty Ltd Melbourne Reg. Des.’ olympic games melbourne, 1956 olympics

A hand carved wooden ash tray. The base is wattle and the rim is brass.ash-tray smoking personal-effects

105mm Fired Tank Cartridge Case with Inerting Certificate for display purposes from 1 Armoured Regiment and presented to Brig. Ash POWER CSC from the Commanding Officers and Men 1st Armoured Regiment to mark the occasion of his ' Big Bang" 19 Jun 03 - fired by the Brigade Commander prior to redeployment and one of the last cartridges to be fired from a leopard tank prior to being replaced by the Abrams tank. A common, NATO-standard, tank gun cartridge used in 105mm gunsLarge brass empty cartridge case Plaque - Presented to Brig Ash POWER CSC from the Commanding Officers and Men 1st Armoured Regiment to mark the occasion of your Big Bang 19 Jun 03 Base - SATO NT 278/03...105MMTK PW244tank, cartridge, 1 armoured regiment

Artillery shells were designed to be recycled and spent shells were returned to the munitions factory for re-filling, a mark engraved upon the head-stamp at each re-filling. Millions upon millions of shells were recycled and re-fired. Relationships with ‘objects’ were forged as recycled objects of conflict were welcomed into people’s homes. Such objects were embodied with personal experiences of war, later to become objects textured with memory, remembrance, and longing – attributes that clearly go beyond an object’s form and function. 18-Pounder Artillery Shells: The Great War Recycled and Re-Circulated Categories :Material Culture Machine Subscribe Share on facebook Share on twitter The intention of war is to kill, to maim and to destroy using, for example, the agency of 18-pounder artillery shells (so-called because they weighed 18 pounds). The shells were loaded in to the 18-pounder field guns used by the Royal Artillery and targeted to destroy German batteries and trenches as well as to shoot down aeroplanes. Horse-drawn field gun, Canal du Nord, France. Taken by First World War photographer David McLellan. Available via the National Library of Scotland as CC BY-NC-SA Horse-drawn field gun, Canal du Nord, France. Taken by First World War photographer David McLellan. Available via the National Library of Scotland as CC BY-NC-SA In Under Fire, Henri Barbusse recounts how the incessant and diabolical din of war constantly bombarded the soldier body with the unendurable noise of bursting shells that caused pain to the ears (Barbusse 2010 [1933]: 207). The noise was so ‘monstrously resounding’ that one felt ‘annihilated by the mere sound of the downpour of thunder’ (Barbusse 2010 [1933]: 206). Artillery shells were designed to be recycled and spent shells were returned to the munitions factory for re-filling, a mark engraved upon the head-stamp at each re-filling. Millions upon millions of shells were recycled and re-fired. A mound of spent shell cases, Nord, Nord-pas-de-Calais, France. Taken by war photographer, Tom Aitken, 1918. Available via the National Library of Scotland as CC BY-NC-SA. A mound of spent shell cases, Nord, Nord-pas-de-Calais, France. Taken by war photographer, Tom Aitken, 1918. Available via the National Library of Scotland as CC BY-NC-SA. People’s experience of the First World War did not end with the armistice. Whilst the noise of the artillery had ceased, the noise of war was remembered. Harry Patch on arriving home injured recalled being ‘jumpy for a while’ with the least noise prompting him to dive for cover (2009: 114). Something else materialised. Relationships with ‘objects’ were forged as recycled objects of conflict were welcomed into people’s homes. Such objects were embodied with personal experiences of war, later to become objects textured with memory, remembrance, and longing – attributes that clearly go beyond an object’s form and function. The head-stamp of these particular shells displays the British broad arrow and the initials ‘EOC’ indicates that they were made at the Elswick Ordnance Company, England; the initials ‘CF’ signal that the charge was loaded with cordite, a standard propellant. Spent shells were illicitly scavenged from massive mounds by both soldiers and civilians alike to become personal souvenirs or to swap or sell. Spent artillery shells were crafted, often using a hammer and a bent nail. The crafting of trench art reflects the construction of an identity that offers momentary relief from the hell experienced in the trenches. The lid of an 18Pounder shell which has been adapted for use as an ash tray.Lot 27 1927, 18Pr, III, EOC, C/F, Defence broad arrow,

Ash tray Spitfire piston head Model Spitfire over head on wire

The Grey Squirrel is a small to medium sized member of the rodent family Sciuridae. This species is commonly located in England, Wales and central Scotland. They are known for their agility and ability to climb trees. Interestingly, the tail of the Squirrel serves the purpose of keeping the rain, wind or cold off the body of the animal, to help it cool off in hot weather, to counterbalance when moving and can be utilized as a parachute when jumping from one location to the next. Squirrels consume foods that are rich in protein, carbohydrates and fats. They eat nuts, seeds. fruits and vegetation. This specimen is part of a collection of almost 200 animal specimens that were originally acquired as skins from various institutions across Australia, including the Australian Museum and the National Museum of Victoria, as well as individuals such amateur anthropologist Reynell Eveleigh Johns between 1860-1880. These skins were then mounted by members of the Burke Museum Committee and put-on display in the formal space of the Museum’s original exhibition hall where they continue to be on display. This display of taxidermy mounts initially served to instruct visitors to the Burke Museum of the natural world around them, today it serves as an insight into the collecting habits of the 19th century.This specimen is part of a significant and rare taxidermy mount collection in the Burke Museum. This collection is scientifically and culturally important for reminding us of how science continues to shape our understanding of the modern world. They demonstrate a capacity to hold evidence of how Australia’s fauna history existed in the past and are potentially important for future environmental research. This collection continues to be on display in the Museum and has become a key part to interpreting the collecting habits of the 19th century.This specimen has silver-grey fur with a pale cream coloured underside. The tale stands tall along the back of the specimen and is bushy. The specimen is of a smaller size and has no tuffs on its ears. It stands on a wooden platform and has two paper tags tied to its hands. One hand is stylized in a raised position while the other remains downward.A.4483 / 39. Ash-coloured / Squirrel / Catalogue. page, 49 /taxidermy mount, taxidermy, animalia, burke museum, beechworth, australian museum, skin, reynell eveleigh johns, squirrel