Showing 1596 items
matching bed
-
University of Melbourne, Burnley Campus Archives
Plan, Jennifer Young, Grevillea Robusta Bed, 2006
(1) Site Analyis. (2) Plant Survey by Jennifer Young, March 2006. (3) Plant Plan.jennifer young, grevillea -
University of Melbourne, Burnley Campus Archives
Plan (Item), Gibson North Island Bed 1:50 Nov. '17, 2017 - 2019
-
University of Melbourne, Burnley Campus Archives
Plan - Planting Design, Gibson North Island Bed
emily gibson, plant list, garden plan -
The WAMA Project : The National Centre for Environmental Art
Work on paper, Roger Edwards, On the Ash Bed, 2020
The irresistible appeal of our unique Terrestrial orchids will often find native plant enthusiasts down on hands and knees following a hot summer bushfire surveying the forest floor where flowering colonies may emerge stimulated by the ‘Ash Bed’ effect and the symbiotic relationship with a particular soil Hyphae. Many like the small Hare orchid and Red Beaks depicted in this work may not be seen flowering again on the site until the next fire event.This work is one of a number painted by the artist after bushfires in the Grampians. Roger Edwards was a Forest Officer, posted to Cavendish, in SW corner of the Grampians, in 1975. He retired in 2018, enabling him to devote more time to his art.Environment, Wildflowers, Landscape, Botanic artGift of Rob Youl to commemorate artist, Betty Conabere.This painting shows orchids and other native plants regrowing densely in an ashbed after a Grampians bushfire. It is an aesthetic depiction of important ecological processes. wildflowers, lanscape, orchids, bushfire, grampians, environment, recovery after fire, botanic art -
University of Melbourne, Burnley Campus Archives
Plan, Plans for Garden Bed, c. 1980
(1) Coloured elevation plan of plants. (2) Plan with key for Plant Name, Size and Colour.plants, gardens, flower beds -
Flagstaff Hill Maritime Museum and Village
Functional object - Bed Pan, S Maws & Son & Thompson, 1870-1900
Item is of British manufacture made of ironstone pottery possible made by or for the Maws Co that provided many glass and ceramic items for hospitals, doctors and chemists. It was used in various types of Hospitals throughout Australia to facilitate a patient's comfort.Item is believed to an early production item and to have been made between 1870 to 1900.These items were made in England for export to Australia by a number of different potteries, further provenance information is unavailable at this time but this type of item was also in production up till the 1940s.White ironstone china slipper bed pan with pear-shaped base and white handlePrinted in black "The New Slipper Bed Pan" then instructions for useflagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, bed pan, the new slipper bed pan, medical -
National Wool Museum
Archive - Advertisement, Laconia Woollen Mills, 1963
Note from collector- "For more than 100 years blankets were made all over Australia in over 100 woollen mills. My aim, is to preserve 100 examples of these wonderful pieces of history. Ten years ago I started collecting the iconic Onkaparinga travel rugs, so that on movie nights at home there would be plenty to go around. Everyone had their favourite; even the cat had his own – a small red tartan one. Keeping an eye out for those travel rugs at op-shops and markets, collectable stores and bazaars, led to noticing vintage blankets. I'd never really thought about them before or paid much attention though of course I had grown up with them at my grandmother's. When I discovered my first Laconia cream blanket with blue stripes, my eyes just went gaga. Well that was it, I was hooked and since then over 500 blankets have passed through my hands. These common, everyday items, found in all households for so many decades, were traditional engagement gifts. Pairs were prized wedding presents turning into family heirlooms. They were fashionable dressers of beds, givers of warmth, bestowers of security and reliability. The comfort found in these objects resonates with almost all of us; we grew up with them ourselves or fondly recall them in a grandparent’s home. There is no modern replacement with the integrity of these old blankets, many of them now older than most of us. They are romantic, sensible, special, familiar, nostalgic and nothing else feels so appropriate in so many situations. No offense to the great Aussie doona, but from hippie to hipster, at a music festival, picnic, campsite or couch, a vintage blanket is something coveted by all. This industry that employed tens of thousands and must have been such a huge contributor to the economy is almost completely lost now. Blanket Fever is an ode to everything that came before: the land, the sheep, the shearers, the hands, the mills, the weavers, the designers, the distributors, the department stores. To the grandparents that gave them, the people that received them, the families that kept them; thank you. I’m passionate about my collection of Australian blankets manufactured in mostly Victoria, South Australia and Tasmania from the 1930s to the end of the 1960s. The collection has blankets from each of these four decades representing the styles and fashions of their time and includes dated advertisements which help determine the eras the blankets are from." 'Laconia Makes a Bed' blanket range across two pages Laconia Makes a Bed/Softer, warmer, lovelier for years and years to come/Laconia 100% Pure Lambs' Wool Blankets blanket, blanket fever, wool, laconia, advertisement, the australian women's weekly -
National Wool Museum
Archive - Advertisement, Onkaparinga Woollen Mill Company, 1953
Note from collector- "For more than 100 years blankets were made all over Australia in over 100 woollen mills. My aim, is to preserve 100 examples of these wonderful pieces of history. Ten years ago I started collecting the iconic Onkaparinga travel rugs, so that on movie nights at home there would be plenty to go around. Everyone had their favourite; even the cat had his own – a small red tartan one. Keeping an eye out for those travel rugs at op-shops and markets, collectable stores and bazaars, led to noticing vintage blankets. I'd never really thought about them before or paid much attention though of course I had grown up with them at my grandmother's. When I discovered my first Laconia cream blanket with blue stripes, my eyes just went gaga. Well that was it, I was hooked and since then over 500 blankets have passed through my hands. These common, everyday items, found in all households for so many decades, were traditional engagement gifts. Pairs were prized wedding presents turning into family heirlooms. They were fashionable dressers of beds, givers of warmth, bestowers of security and reliability. The comfort found in these objects resonates with almost all of us; we grew up with them ourselves or fondly recall them in a grandparent’s home. There is no modern replacement with the integrity of these old blankets, many of them now older than most of us. They are romantic, sensible, special, familiar, nostalgic and nothing else feels so appropriate in so many situations. No offense to the great Aussie doona, but from hippie to hipster, at a music festival, picnic, campsite or couch, a vintage blanket is something coveted by all. This industry that employed tens of thousands and must have been such a huge contributor to the economy is almost completely lost now. Blanket Fever is an ode to everything that came before: the land, the sheep, the shearers, the hands, the mills, the weavers, the designers, the distributors, the department stores. To the grandparents that gave them, the people that received them, the families that kept them; thank you. I’m passionate about my collection of Australian blankets manufactured in mostly Victoria, South Australia and Tasmania from the 1930s to the end of the 1960s. The collection has blankets from each of these four decades representing the styles and fashions of their time and includes dated advertisements which help determine the eras the blankets are from." Can't you see them on your beds (blanket range)Can't you see them on your beds/Onkaparinga, the ALL WOOL Blankets with the 12 year guarantee/ Onkaparinga Woollen Company Ltd blanket, blanket fever, wool, onkaparinga, advertisement, the australian women's weekly -
Mont De Lancey
Functional object - Bed and Patchwork Quilt
Iron bed from home of Wandin Sebire, with ticking mattress and pillows and frilled hemstitched pillowslips. Patchwork Quilt mad by Local CWA for Mont De Lancey.White painted single iron bed with silver ornaments on bed head and end. Has wheels on the legs of the bed. Some paint scratched off. Has a colourful patchwork quilt and pillows on it. bedding, beds, quilts -
Churchill Island Heritage Farm
Clothing - Bed jacket
The names of the Amess women who owned the lace are: Jane Amess (nee Straughan) – donor Unity’s great grandmother (pet name Janet, but not used as it will confuse with Unity’s mother). Jane was the wife of Samuel Amess, first Samuel Amess to own Churchill Island. Frances Amess (nee Turnbull) – grandmother, married Robert Lisle Straughan Amess, 4th child of Samuel and Jane Janet Jickell (nee Amess) – mother, 2nd of two children of Robert and Francis, married James Jickell Unity Mary Bright (nee Jickell) was the donor, 2nd of two children of Robert and Francis. The Amess family owned Churchill Island from 1872 to 1929. This lace collection was owned and contributed to by four generations of Amess women, see above.See photos (4)Packaged with note "Fine cotton bed jacket. Hand embroidered scalloped edge."janet amess lace collection, lace, churchill island, bed, jacket, amess -
Marysville & District Historical Society
Flyer (Item) - Information flyer, Delderfield, Unknown
An information flyer regarding Delderfield Bed and Breakfast in Marysville.An information flyer regarding Delderfield Bed and Breakfast in Marysville.marysville, victoria, australia, delderfield bed & breakfast, accommodation, information flyer -
Marysville & District Historical Society
Ephemera (Item) - Advertising brochure, HILLCREST HOUSE, Unknown
An advertising brochure for Hillcrest House Bed & Breakfast in Marysville.An advertising brochure for Hillcrest House Bed & Breakfast in Marysville.marysville, victoria, australia, hillcrest house bed & breakfast, accommodation, advertising brochure -
Port Fairy Historical Society Museum and Archives
Photograph, 1938
Ward 1B Pt Fairy Hospital 1938Ward environment pre WWIIBlack and white photograph of Interior of Ward 1B decorations above windows and male patient in nearest bedhospital, ward, bed, patient, ward 1b -
Millewa Community Pioneer Forest & Historical Society
Hot Water Bottle, Sunrise Stainless
Used as a bed warmer by the Boston Family Representative of bed warmers used by pioneers on frosty Millewa nightsStainless steel hot water bottle for bed warming, screw in stopperSunrise Stainless Steel CO MELB PAT APPN 6368/42boston, hot water bottle, millewa, warming -
Whitehorse Historical Society Inc.
Functional object - Bed Warmer
Hot water would have been poured into container and placed in bed before retiringPorcelain cylinder shaped bed warmer with porcelain plugdomestic items, heating -
Whitehorse Historical Society Inc.
Furniture - Bed Double
Bed was restored by George Cox - former committee member.Wooden double bed. Four ends are rounded and on castors. Mahogany in colour.furniture, domestic -
National Wool Museum
Book, Knitting, Woolworths no. 12 Economy Knit Book
This book was owned by the late Dr Elizabeth Kerr and was donated to the Museum by the executor of her estate, Margaret Cameron. This book was produced by Woolworths and contains knitting patterns for womens bed jackets, under clothes etc.No. 12 "Economy" / KNIT BOOK / BED JACKETS / and UNDERWEAR / including ... / DRESSING GOWNS / BED SOCKS, ETC. / Design No. / 1928 / 6 1/2d.knitting handicrafts - history, woolworths ltd, knitting, handicrafts - history -
Churchill Island Heritage Farm
Document - Receipt from Warley Bush Hospital, 1962 approx
Dr Harry Jenkins owned Churchill Island from 1936 to 1963 and bequeathed it to Margaret Campbell on his death. Sister Campbell had been nurse to his disabled son and wife and she lived on the island from the time of World War Two. The item was given to Arthur Evans, a family friend, on the day of the auction sale of artifacts when she sold the island, approximately 1973. Demonstrates involvement with local communityDonation receipt from Warley Bush Nursing Hospital Cowes, Phillip Island, No. 3522, received from Churchill Island Family in sum of 50 pounds for a bed, dated 21.5.196221.5.196, Churchill Island Family, fifthy [pounds], Donation - Bed, 50, [signed] M.J. Beatonwarley bush nursing hospital, cowes, phillip island, churchill island -
Vision Australia
Photograph - Image, Barry Farnsworth reading Australian Vision book, c.1983
Barry Farnsworth in his room at Elanora. A large sign attached to his bed reads 'BARRY'. Around him, three people are gathered, one is holding the book 'Australian Visions: nature, heritage, creation, life' by A.G. Simmons, illustrated by James Egan. James Egan looks to be holding the book and possibly reading poetry to Barry Farnsworth. Another man sits on the bed and a woman stands next to James Egan in the other photograph.2 b/w photographs of man in bed and three visitorsassociation for the blind, elanora home (brighton), barry farnsworth, james egan -
Vision Australia
Photograph - Image, Mrs Laura Clarke at 103, 1968
Mrs Laura Clarke, aged 103, sits upright in her nursing home bed for her photograph to be taken. She wears a robe with flowers over her nightgown, and has a ribbon in her hair. She was the oldest resident at Bendigo when this image was taken. 1 B/W photograph of older woman sitting upright in bedNo 5 5" wide Ticket No 4765 Clients Tooronga 120# Wanted Tuesday 19th 52 3/4% .12 1.10 association for the blind, mirridong home (bendigo), laura clarke -
Robin Boyd Foundation
Functional object - Cushion
This set of mustard and honeycomb coloured cushions (items F088-F092 and F099-F103) are located on Penleigh and Suzy's beds in the east facing back rooms of the Children's Pavilion.Mustard and white stripe cotton with a concealed zip and piping. Matches bed cover (item F087).walsh st furnishings, robin boyd -
Robin Boyd Foundation
Functional object - Cushion
This set of mustard and honeycomb coloured cushions (items F088-F092 and F099-F103) are located on Penleigh and Suzy's beds in the east facing back rooms of the Children's Pavilion.Mustard and white stripe cotton with a concealed zip and piping. Matches bed cover (item F087).walsh st furnishings, robin boyd -
Robin Boyd Foundation
Functional object - Cushion
This set of mustard and honeycomb coloured cushions (items F088-F092 and F099-F103) are located on Penleigh and Suzy's beds in the back east facing rooms of the Children's Pavilion.Mustard and white stripe cotton with a concealed zip and piping. Matches bed cover (item F104).walsh st furnishings, robin boyd -
Robin Boyd Foundation
Functional object - Cushion
This set of mustard and honeycomb coloured cushions (items F088-F092 and F099-F103) are located on Penleigh and Suzy's beds in the back east facing rooms of the Children's Pavilion.Mustard and white stripe cotton with a concealed zip and piping. Matches bed cover (item F104).walsh st furnishings, robin boyd -
Robin Boyd Foundation
Functional object - Bed cover
The daybed cover here is same fabric as some of the cushions (items F088-F092 and F099-F103) located on the Penleigh's bed.Mustard and white stripe cotton made to fit single bed (item F086), with calico lining. Has a curved edge.walsh st furnishings, robin boyd -
Marysville & District Historical Society
Newspaper (Item) - Newspaper article, Surprise for Delderfield, 13-07-2011
A newspaper article regarding the awarding of a 2011 National Accommodation Industry Awards for Excellence for Delderfield Luxury Bed & Breakfast in Marysville.A newspaper article regarding the awarding of a 2011 National Accommodation Industry Awards for Excellence for Delderfield Luxury Bed & Breakfast in Marysville.marysville, victoria, australia, delderfield luxury bed & breakfast, accommodation, national accommodation industry award for excellence, 2009 black saturday bushfires -
University of Melbourne, Burnley Campus Archives
Photograph - Sepia print, Administration Building, c. 1950
A few years after the surrounding beds had been planted. Appears as an illustration in, "Green Grows Our Garden," A.P. Winzenried p 89. Caption reads, "A landscaping challenge. Stark outlines of the building are gradually softened by foliage."Sepia print. Administration building. 2 students walking behind the Emily Gibson bed.administration building, green grows our garden, a.p. winzenried, planting of surrounding beds, emily gibson, garden design -
Robin Boyd Foundation
Functional object - Bed cover
The daybed cover here is same fabric as the curtains (item F111) and some of the cushions (items F088-F092 and F099-F103) located on the Suzy's bed.Mustard and white stripe cotton made to fit single bed (item 105), with calico lining. Has a curved edge.walsh st furnishings, robin boyd -
National Wool Museum
Archive - Advertisement, Onkaparinga Woollen Mill Company, 1956
Note from collector- "For more than 100 years blankets were made all over Australia in over 100 woollen mills. My aim, is to preserve 100 examples of these wonderful pieces of history. Ten years ago I started collecting the iconic Onkaparinga travel rugs, so that on movie nights at home there would be plenty to go around. Everyone had their favourite; even the cat had his own – a small red tartan one. Keeping an eye out for those travel rugs at op-shops and markets, collectable stores and bazaars, led to noticing vintage blankets. I'd never really thought about them before or paid much attention though of course I had grown up with them at my grandmother's. When I discovered my first Laconia cream blanket with blue stripes, my eyes just went gaga. Well that was it, I was hooked and since then over 500 blankets have passed through my hands. These common, everyday items, found in all households for so many decades, were traditional engagement gifts. Pairs were prized wedding presents turning into family heirlooms. They were fashionable dressers of beds, givers of warmth, bestowers of security and reliability. The comfort found in these objects resonates with almost all of us; we grew up with them ourselves or fondly recall them in a grandparent’s home. There is no modern replacement with the integrity of these old blankets, many of them now older than most of us. They are romantic, sensible, special, familiar, nostalgic and nothing else feels so appropriate in so many situations. No offense to the great Aussie doona, but from hippie to hipster, at a music festival, picnic, campsite or couch, a vintage blanket is something coveted by all. This industry that employed tens of thousands and must have been such a huge contributor to the economy is almost completely lost now. Blanket Fever is an ode to everything that came before: the land, the sheep, the shearers, the hands, the mills, the weavers, the designers, the distributors, the department stores. To the grandparents that gave them, the people that received them, the families that kept them; thank you. I’m passionate about my collection of Australian blankets manufactured in mostly Victoria, South Australia and Tasmania from the 1930s to the end of the 1960s. The collection has blankets from each of these four decades representing the styles and fashions of their time and includes dated advertisements which help determine the eras the blankets are from." Tonight sleep deep in blankets of purest wool (lady making bed and range of blankets) Tonight sleep deep in blankets of purest wool toned in the softest of pastel checks to make a bed lovely and warm/Onkaparinga, the worlds finest blanket from the world's finest wool/Onkaparinga new pastel multi-check blankets/Buy Well-Buy Wool/Obtainable from leading stores throughout Australiablanket, blanket fever, wool, onkaparinga, advertisement, australian women's weekly -
Linton and District Historical Society Inc
Photograph, Gold Mine at Devil's Kitchen, Piggoreet, 1920s-1930s?
Looking south into Devil's Kitchen, Piggoreet with the Woady Yallock River dry bed. This photograph was originally thought to be of the Try Again Mine, however information from Joan Hunt in 2015 suggests this is the Port Arthur No. 1 Mine, located between the Devil's Kitchen and the Grand Trunk MineSmall black and white original photograph of dry creek bed with mine poppet head in distance."1920s-1930s/Devils Kitchen/Piggoreet".try again mine, port arthur no. 1 mine, devil's kitchen, piggoreet, mining, mines