Souvenir glass commemorating the Royal wedding of Prince Charles and Lady Diana Spencer 29th July 1981, tumbler style with dimpled base, gold rim and depictions in gold of bride and groom on side.event, official, wedding

Sepia toned photograph of the wedding of Gloria Mullens and Cliff Harrison in 1959. From left to right - Geoff Spencer, Margaret Fankhauser, bride and groom, Ivan Mullens, Elaine Harrison and flower girl, Janette Mullensharrison, cliff, mullens, gloria, spencer, geoff, fankhauser, margaret, ivan, elaine, janette

Wedding dress worn by donor in 1963. In Supplementary File, photocopy of house at 3 Buxton Road, Mitcham where bride and groom lived after wedding. Photos, invitation and marriage certificate also in Supplementary File1963 Wedding dress of cream satin; floor length, short sleeves, round neckline, fitted at waist. Cream Giupure lace motifs down down front of skirt, on bodice and sleeves. A detached triangular organdie and satin train held with bow to attach to waist of dress. See Veil NA3473costume, female ceremonial

black and white photo: wedding photo of bride and groom. Gentlemen in three piece dark suit. Lady in mid-calf length frock of 1920's style, large floral bouquet. Cap with floor length veil.person, group, portrait

The register documents twenty-five weddings that took place in the Mission to Seamen's church district between the 21st of April, 1947 to the 8th of June 1950. Each certificate is a record of all the information needed to legalise a marriage under Commonwealth law, such as names, dates of birth, marital status, parents and employment. Within the register, there are four Forms of Consent, used when the bride or groom were below the age of twenty-one. There is a memo confirming the death of one bride's previous husband, a letter confirming one groom was actually a bachelor, and letters from a ship's captain, swearing a bride and groom are both unmarried.The register is a historical record of weddings performed at the Mission to Seamen church between 1947 to 1950.On front cover, handwritten in blue ink: REGISTER NO 6 / 21-4-47 - 8-6-50 / NOTE NO 94 (underlined) / CELEBRATED AT ST NICHOLAS'MARINERS'CHURCH / WILLIAMSTOWN / NO 103 (underlined) AT ST ANDREWS " " / PORT MELBOURNEwedding, marriage, 1947-1950, register, church, marriages, dio-marriages, mission to seafarers, seamen's mission

Huttley - Martin2 B/W: Studio Portrait: Bide and Groom Bride Veil and long white dress with bouquet. groom in dark suit with tie1: Lorna with our love 2/4/32. Madge Huttley & Jack Hull married at Stawell Congregational Church 2/4/1932 age 33 & 28 Madge's Jack 2: Jack Hull & Madge Huttley married at Stawell Congregational Church 2 April 1932 aged 33 & 28huttley, martin

Congues and Mowlam families Images of two families who lived in Cruikshank Street from the 1930s to 1950s. .18 - Con FRISBY and Pat MOWLAM wedding at St Joseph's 1953. Picture taken of bride and groom coming up the aisle families, congues family, mowlam family, pat frisby nee mowlam, con frisby, religion - roman catholic church (st josephs)

BHS CollectionFormal sepia photograph of a wedding party with bride and groom, two bridesmaids and best men; and two young girls; unknown date. Photograph credited on the card mount to W. William Kelly, Mitchell Street, Bendigo. McKenzie Family Collection.history, social event

Photograph - black and white. Photograph of a wedding, a large wedding party. Bride and Groom, 6 other women and 6 other men and 3 young girls and 1 young boy (all possibly wedding party). Wedding dress full length.Vincent Kelly Studio, Mitchell Street, Bendigo.person, group, wedding portrait, cloonan family collection. vincent kelly photographer.

Alfred Ernest Edwards was born 29/12/1903 in Mitcham and died 4/7/1967 at Forest Hill. he was a kiln worker at Geal's Pottery, Nunawading. Doris Gwendoline was born in 1905 at Surrey Hills and died on 15/3/1996 in a Healesville nursing home. She was 91. When Doris two her father died. Her mother remarried (Finger) and she had two step-sisters. Alfred (Alf) and Doris (Dorrie) had one child, Gwendoline Norma Edwards, born on 3/10/1930 at Forest Hill.Sepia studio photograph of the wedding of Alfred Ernest Edwards and Doris Gwendoline Hodge in 1926. There are nine people in the group. The bride and groom are in the centre; the man on the left is Alfred's brother Theodore and the woman seated on the left is Doris' Half -sister Jean (Finger)edwards, alfred ernest. hodge, doris gwendoline. edwards, theodore. finger, jean

HUttleyB/W. Studio Portrait of Wartime Bride in white, Groom in Uniform flanked by seated Bestman in Uniform and seated Brides Maid with short Sleeved dressKeith Donald, Lorna, Jack, Hazel Richhuttley

Wedding in 1930 in Slovenia, parents of Lojze (Alojz) Markicwedding photoBlack and white photo of a wedding in 1930 Members of Markic family from Podnanos and Lavrencic from Vrhpolje, Slovenia. bride Ivanka Lavrencic groom Alojz Markicslovenia, slovenian association melbourne

Wedding party; groom, bride, older woman (possibly mother of the bride) plus couple on groom's L/H side. As Ethel is mentioned on inscription the bride could be Ethel Georgina Nightingale(b.1885 - 1946) currently do not have spouse's name. Older seated woman possibly mother of the bride could be Emma Augusta Thompson (1859 - 1949) (Needs further research for confirmation)Sepia photograph on dark grey card of wedding partyMakers mark: The Yeoman Studios Inscription on back: To Dear Ethel with best wishesthompson collection, nightingale

This photograph was printed from a glass negative held in the Society's picture collection. The original glass negative is part of a set donated to the Society by Ian McKenzie, a professional photographer in Kew. Wedding party, ca. 1900-ca. 1920. A bride and groom pose for a family portrait in the garden of a family home. The bride in the photo can also be seen in 1995.0038. The photo was printed from a glass negative in the collection. The original glass negative is part of a set donated to the Society by Ian McKenzie.weddings, glass negatives

Photograph - black and white. Wedding portrait, bride and groom, 8 other adults, 4 children. Written on the back, 'To Auntie Kate and Uncle Jack and Family with love from Els & Cic. Wishing them a Merry Xmas and Happy New Year.' My address (rubbed out), Boulder City. W.A.person, group, wedding portrait, wedding portrait.

BHS CollectionPhotograph of a group of ladies: The black and white photo is of a group of ladies in fancy wedding dress for her kitchen tea. Dressed up as a wedding party with the bride groom, marriage celebrant, flower girl, brides maids and groomsman. Nine people in the photo. The wedding party are carrying flowers, the bride has a vale with flowers and the men are in suits. * On the back the names hand written in black ink are: *Joyce Martin, Elsie Boyd, Isobel Thompson, Margaret Shepheard, Elaine Horne, Vi Morgan, Joyce Davidson, Phyliss Brerton. Little Nellie flower girl. The date 16/09/39. Hand written in blue ink *At Alma Pemb's Kitchen Tea. Estelle Dole, 1 Farrell St., Bendigo* Box 116Aphotograph, person, female, bendigo. estelle dole

This magazine belonged to Roma Cameron, who was the daughter of Harry Purchase Cameron and Lilian Gladys (nee Harding). Roma married Ronald Richard Smith in 1944 and is the mother of Lorraine (Mrs Peter Coulton) and Margaret Smith. Harry's father, James Cameron, came to Bellagoogan on Majors Creek in 1882. Bellagoogan was on Majors Creek near Orbost and was the site of the first race course. Like many others at the time, the Camerons bred race horses.Harry died in 1964 aged 75. Roma was the youngest of three siblings: Jean (Mrs John Gavin (Jack) Ralston) and James (Jim) (m. Joan Hossack). Women’s magazines during WWII played a “reflecting role,” meaning they cooperated with government agendas while still including topics of readers’ interests Women’s employment rate had skyrocketed during WWII. However, even though the number of women working outside the home grew rapidly most of them were still engaged entirely in homemaking. Therefore women’s magazines centered mostly on the stresses and shortages of wartime. Articles as well as advertisements presented information on “product rationing, tips on keeping the family healthy, guidelines for thrifty shopping and advice on how to look good through it all. This is an example of an English women's magazine published during WW11.It gives practical advice on needlework / knitting and evidences the widespread interest in contemporary fashion. In doing so it shows what were the fashionable, but broadly affordable, women's and children's clothing styles of their day. These magazines also reflect women's interests An English magazine published monthly. It is titled Woman and Home & Good Needlework Magazine, July 1944. On the front cover is a picture of a bride and groom cutting a wedding cake. The groom is dressed in military uniform. the price 9D has been crossed out and 1/- is below it. The magazine contains advertisements, stories, needlework patters and news articles.On front cover handwritten in pen : Miss R. Cameronmagazine-woman-and-home magazines-women's cameron

Photograph - black and white. Photograph of a wedding party. Bride standing in full length wedding dress, groom sitting on her left. Groom wearing bow tie and 3 piece suit. Looks like a family photo, parents, bridesmaids, best men, 2 young girls and a toddler. 14 adults (include bride and groom) and 3 children.R.Vere-Scott, Hannan St., Kalgoorlie, W.A.person, family, wedding portrait, cloonan family collection.

Five B&W family photographs 3a Holden photograph with woman driver 3b family group of three, Horrie, David & June Dated 1954 3c two teenagers on motorcycle - Leigh Campbell (18 years) and Bill Campbell (16 years) 3d Luxton wedding family group (bride and groom, two bridesmaids, two groomsmen, & two mothers

Identified in the back row are Charles Kelly, Kathleen Evans, Robert Evans and Vera Kelly. In the front row are Nancy Carlson, Jack Kelly, Irene Carlson and Irene Evans. Sepia coloured wedding photo believed to be of the Evans family. The party is comprised of the bride and groom, 2 female attendants, 2 male attendants & 2 flower girls. The bridesmaids are wearing large hats. The general style of dress is indicative of the mid-1920s. There is considerable superficial loss due to silverfish damage. The photo is mounted on a brown cardboard matt which is badly foxed.Printed on front: The Marlborough Studios 125 Swanston St Melbourneevans family, weddings, portraits, evans wedding portrait, kelly, charlie, evans, kathleen, robert, vera, carlson, nancy, jack, irene, george evans collection

Taken to mark the wedding of Patrick James Burns and Ivy Lillian Ellen Bolton at Holy Trinity Surrey Hills in 1940. Ivy's sister Beryl Torey is at right and Beryl's daughters were flower girls. Patrick's brothers Eddie and Emet are at either end and his cousin Win Ramage is on the left. Patrick and Ivy's home was at 244 Union Road, Surrey Hills. Ivy was born in 1908 in Seymour, the daughter of Samuel Henry Bolton and Elizabeth Beatrice Maher. She died in 2004 in Mansfield and is buried at Fawkner Cemetery. Patrick was a mechanic. He was born in 1906 at Longwood and died in 1964 at Surrey Hills.A black and white photograph of a wedding group showing bride and groom, two bridesmaids, two flower girls and 3 other men. The men are dressed in dark suits and have a buttonhole flower in their lapel, the bride dressed in a floor length dress of lace with a long train supported on her head by a headband, the bridesmaids are wearing floor length dresses, with short sleeves and a hat styled like a small beret, and the flowergirls are also wearing floor length dresses and short sleeves, and also hats styled like the berets. All the females are carrying bouquets.(mr) patrick burns, (mrs) ivy burns, (miss) ivy bolton, (mrs) beryl torey, (mr) eddie burns, (mr) emet burns, (ms) win ramage, union road, surrey hills, holy trinity church, churches

The Mullens family were one of the first to settle in the East Burwood area. They were orchardists with property on the north-west corner of Burwood and Springvale Roads.Black and white photograph of the marriage of Ivan Mullens of East Burwood, to Joy Blanksby. From right to left - Bruce Roy Mullens, Thelma Mary Mullens, Groom and Bride, Glen Blanksby, Harold Blanksby. The group is in a reception room with a leaf-patterned carpet.blanksby, joy, mullens, ivan, bruce roy, thelma mary, glen, harold

Cutting from a newspaper titled Bendigo - the way we were. Photo shows two horse drawn vehicles standing outside the Manchester Arms Hotel. Both are pulled by grey horses. The two horses in the front vehicle are wearing a white lacy sort of covering over their backs and rump with pompoms on the edge. The carriage has a bride and groom sitting in it. The second carriage has four horses harnessed to it. The building has M.U.I.O. Odd Fellows Hall above the veranda and also Manchester. The edge of the veranda has iron lace. Written on the back is: from before 1903 and Bible Christian Church House in the middle. Mosaic 11010.150b is a larger copy scanned at 1200dpi.bendigo, history, long gully history group, the long gully history group - the manchester arms late last century, m.u.i.o. odd fellows hall

The owner of the 'Autograph' book was Mary Alys (Gipps) Kirkland, the daughter of Richard Brook Woodthorpe Gipps (c.1872-1946). The family had migrated from Great Britain to Coorparoo, Brisbane, where most of the items in the album were created. In June 1925, The [Brisbane] Telegraph reported the wedding of Richard Gipps to Mary Alys Kirkland at Elvaston, The Righi, South Yarra. The bride, like the groom, was originally from Queensland, but at the time of her marriage lived with her parents at 21 The Righi. The album passed to their daughter Rosemary Alison (Gipps) Vaughan-Smith, and thence by donation to the collection of the Kew Historical Society. While the signatures are interesting, they are not rare. Rather it is the illustrations that dazzle with the surety of their design and execution. In the portraits, one can recognise the debt that Edwardian art and design owed to the Pre-Raphaelites whose serene and poised idealisations of women are exemplified in the drawings, albeit simplified for a new 20th century sensibility. Typical, is a very early portrait from 1906 of Mary Alys Kirkland by a 20-year-old Garnet Agnew (1886-1951). Agnew later became an illustrator for The Brisbane Courier and The Queenslander Illustrated Weekly, creating cover illustrations for these publications between 1926 and 1930. Another pen and ink portrait of Mary Alys Kirkland was created in 1910 by Augusta Frances Isabel Hobday (1884-1961). Augusta, with her brother and sister, Percy Stanhope Hobday and Gladys Hobday, were artists and teachers. Each was involved for many years in the Queensland Art Society. While the album has historic, aesthetic and social significance to Brisbane’s history, as a document, its preoccupations have a wider Australian relevance and importance. Compiled between 1905 and 1922, the 'Autograph' book has considerable aesthetic coherence, even though drawings and text are by different hands. Together, it provides a vivid depiction of social life and values in Brisbane in the period preceding the First World War. Like other autograph albums of the period, it is a compilation of pen and ink sketches, watercolours, quotations, poems, aphorisms and signatures. Most entries are from Queensland, particularly Coorparoo in Brisbane; friends and acquaintances from other Australian States also contributed items. The autograph album predictably contains numerous mementoes of the notable and the forgotten. It includes the signatures of the British contralto Dame Clara Butt (1872-1936) her husband, the baritone R. H. Kennerley Rumford (1870-1957), and that of the Australian actress and singer Nellie Stewart (1858-1931). autograph albums, manuscripts - kew historical society, rosemary vaughan-smith, vaughan-smith collection, dame clara butt, garnet andrew, augusta frances isabel hobday, coorparoo - brisbane, nellie stewart, mary alys kirkland, mary alys gipps (nee kirkland)

A photograph of a fund-raising procession from 1922. The now politically incorrect use of black face by the participants and the naming of the card has been included on Victorian Collections as representing the values of the period.The subject matter and original description is interesting as a reflection of social values by white Australians in the 1920s.Photograph of a fund-raising bicycle ride in High Street, Kew in 1922. Donated by Alva Allen in 1987.Dark Town Wedding 1922 Bride Bert Williams, Groom Mrs Stromach, Father Jack Allen, Best man ***, Pastor Snowy Raymond, Man on Penny Farthing Don Allen, won the Sun Office prize for the best decorated bike. Also in picture Ray Allen, Lawrie Allen. Don riding in procession. Ava Allen almost *** Picture taken in High Street Kew in 1922 *** riding in processionfund-raising - kew (vic), parades - kew (vic)

The photograph shows Tottie Todd with her Tainsh relatives - her cousins Lizzy Tainsh and Jane Hicks, and her uncle (by marriage) Thomas Hicks. Tottie was born Eliza Jane Todd to parents John Todd and Jane Tainsh in 1883.Black and white photograph taken at the wedding of Eliza ("Tottie") Todd and Alex Begg. Photograph shows groom and two other men in formal attire, bride and attendant in long gowns holding flower bouquets, two flower girls in short dresses and large hats, one standing the other seated in front of her on the floor, both holding bouquets."Bride "Tottie" Todd, groom Alex Begg, Bank Manager Kerang. Right hand end: Thomas Francis Hicks. From left to right: Lizzie Tainsh, daughter of William Tainsh and cousin of Tottie Todd; Charlie Bennett of Linton; Tottie (nee Todd) Begg; Alex Begg; Jane Hicks, daughter of Thomas Hicks; Thomas Francis Hicks, uncle of Tottie; front Lily Todd, sister of Tottie." "Mrs Todd made flowers / no wire used".tottie todd, weddings, thomas francis hicks, lizzie tainsh, charlie bennett, alex begg, jane hicks, lily todd

Walter was the youngest son of Emily and Thomas Antonio. At the time of the marriage Ivy was only 19 years of age. Her mother, Ada Alice Bond. gave her consent to the marriage and was also a witness. The other witness was John Thomas Antonio, eldest brother of the groom. Emily Antonio is seated at the right of the photograph wearing a yellow dress. Presumably, the the lady on the left is Ada Bond, the mother of the bride. Thomas Antonio, the groom's father, would be the older gentleman standing behind the groom, and John Antonio would be one of the younger men standing. Ivy did have an older brother, Stanley Gordon, so presumably that would be the gentleman standing behind her mother. Ivy and Walter had three children, Dorothy Jean (Jean), Ernest Walter and Alfred John (Teddy0Sepia photograph of a 1st May 1913 wedding party. Three men, two flower girls, bride standing, two attendants and groom seated. Yellow and pink tones have been added to the photograph.bond, ivy myrtle, antonio, walter herbert