Colour photograph of members of Senior Citizens Club Dot Sanders in black, Dot Davies in blue, Celia Daniel in pink with glasses;fundraising, entertainment, bridges

Invitation to opening of exhibition of screen prints by Tom SANDERS 28 November 1987, with illustration of his impression of proposed SCDC 'Bayside Development'celebrations fetes and exhibitions, arts and entertainment - visual arts, tom sanders

non-fictionAbstract William Holman Hunt's Light of the World (1851-53) was a remarkable painting that depicted an idealised vision of his conversion to Evangelical Protestantism. The derogatory critics and fierce debates that greeted the Pre-Raphaelite paintings at Royal Academy exhibitions from 1850 in no way abated when the Light of the World and other PRB works were hung in 1854. Acceptance of the Light of the World was gradual, significantly aided by a long explanatory letter from John Ruskin published in The Times (5 May 1854 p. 9) that explained the symbolism in great detail, championing the work as the principal Pre-Raphaelite picture in the Exhbition and one of the noblest works of sacred art ever painted. Curious Londoners flocked to see it, but there was no inkling then of its influence on religious art, poetry and illustration that would continue well into the twentieth century; no less influential was its impact on stained glass. Almost immediately it was embraced as a new subject for church windows of all denominations. The global tour of Hunt's larger copy of the Light of the World reached Australia in 1906 where, preceded by clever pre-publicity, it generated huge interest in cities and country centres here and in New Zealand. The effect of the 'blockbuster' tour was far-reaching, with hundreds of stained glass windows appearing in churches across the country for the next fifty years. This paper explores William Holman Hunt's co-option of illumination as metaphor and reality, the factors behind the longevity of the Light of the World as a stained glass phenomenon in Australia, and its universal appeal to Protestant church-goers.jesus, stained glass windows, bronwyn hughes, pre-raphaelite, william holman hunt (1827-1910)

Black and white photograph of two members of Metung Yacht Club Harry Halstead and Bruce Sanders enjoying Beef and Burgundy night at the Clubrooms Metung Victoriapeople, clubs, entertainment

People - "Poole, Bronwyn; Hunter, Annie" Buildings - Town Hall Associated with - M.H.S

Colour photograph taken at the opening of the Geneological Group display in the Mechanics Hall showing President Jan Grant welcoming Ross Gibbs and Bronwyn Merritt from PRO. Lakes Entrance Victoriaclubs