Location unknown.The photo shows a sandy track through bushland.'Forests Commission, Victoria' inscribed on bottom, right of border. 'Publicity & Public relations Branch, When reproducing please Acknowledge Forests Commission, Victoria, Negative No. 322-14' stamped on back.access routes, roads, scenery, grampians ranges

2 Colour Photographs of 13 people in bushlandL/R: Bill Attrill, Jill Attrill, Clive Cawthorn, Betty Jackson, Maire Van Leeuwen, Wnedy Melbourne, Carmel Loats, Don Rickard, Ida Stanton Allan Kingston, Bill Cook, Thea Tucker, Pat Cookstawell historical society, halls gap

2 Colour Photographs of 13 people in bushlandL/R: Bill Attrill, Jill Attrill, Clive Cawthorn, Betty Jackson, Maire Van Leeuwen, Wnedy Melbourne, Carmel Loats, Don Rickard, Ida Stanton Allan Kingston, Bill Cook, Thea Tucker, Pat Cookstawell historical society, halls gap

Coloured photo of Bushland Path in Yarran Dheran.yarran dheran

This photograph was found loose in the first of three albums compiled and owned by J W Allen, Secretary of New South Wales Grazier's, and is associated with the New South Wales Graziers Association world tour of sheep 1928-1929. The album contains photographs of travel, sheep, farms, stations, people and landscapes from around the world. Locations include Naples, Port Said, Suez, Birregurra (Vic), Alexandra (Vic), Ballangeich (Vic), Keith (SA), Mt Gambier (SA), Buckland Park (SA), Tasmania, Winton (QLD), Sydney Harbour, Canberra (ACT), Toowoomba (QLD), Rockhampton (QLD), Tocal (NSW), Deepwater (NSW), Glen Innes (NSW), Longreach (QLD), Moree (NSW), Barraba (NSW) and Mudgee (NSW). Properties depicted include Mooleric, Turkeith, Woolongoon, Minadale, Crower Station, Merrindie, Koomooloo Station, Cappeedee, Koonoona, Rathmore, Ellenthorpe, Camden Park Station, Glenlegh, Strathmore Station, Ilparran Station, Binneguy, Midkin, Terlings, Ashley, Bereen, Plumthorpe, Mayvale and Havilah. The album was found in a clean out at the Great Southern Agricultural Research Institute and donated to the National Wool Museum, along with other related material such as photographs, glass lantern slides and ephemera.Black and white photograph depicting a landscape with bushland. back: [handwritten] Mt. Kenya / from Narrmore – Nanyuki / Road / Naromore – Nanyuki Road / Piece of bush belt with [?] Mt. Kenya / behind / [printed] Veloxagriculture, sheep, farming, stations, research, breeding, photography, travel

Churchill Island Heritage Farm has a large photograph collection dating from the mid-nineteenth century to the last decade.Black and white photograph showing a field and bushland in the background.Catalogue number written in pencil on reverse. '81' written in pencil on reversechurchill island, photograph

The Deep Lead Cemetery. The grave under the Cypress trees is that of John McClure B.A. who died in 1859 at the age of 46 years. He was the first clerk of petty sessions at Pleasant Creek and was one of the first buried at the deep lead cemetery which at the time was reserved but not fenced.Colour Photograph of a grave under cypress trees in bushlandGrave of John McClure at Deep Lead Cemetery

St Laurence O'Toole church and cemetery is located in a rural setting at 801/821 Creswick-Newstead Rd, Sandon. Originally a small wooden school (22’x14’) was erected in Sandon by Father Patrick Smyth (who was involved in the Eureka Stockade movement) in 1859. It was also used for Mass and became known as a chapel. In June 1882 tenders were called for the construction of a brick Church by the Castlemaine architect, T.F. Kibble, and it was built at a cost of 1000 pounds. The church was blessed by Archbishop Goold on 06 May 1883 and dedicated to St Laurence O'Toole. The brick building demonstrates original design qualities of a Victorian Rudimentary Gothic style, including the steeply pitched, parapet gable roof form, together with a central steeply pitched, gabled porch that projects slightly from the main gable end. Other intact qualities include the exposed brick wall construction, lapped galvanised corrugated iron roof cladding, minor gabled porch at the rear, small ventilation dormers nearby the roof ridgeline, series of stone steps that lead to the central porch with its double pointed door opening and vertical boarded doors, simple rose window in the main gable end, pointed windows, brick buttresses with double lower copings, and the light masonry detailing (the banding marking the floor level within, buttress copings, window and door surrounds and quoins, and the drip moulds).(Shire of Mount Alexander: Heritage Study of the former Shire of Newstead, 2000) The visually connected cemetery demonstrates important visual qualities formed by the regular rows of graves and cemetery architecture, and the grassed and treed rural landscape. It is a rare and substantially intact example of a Victorian Catholic Church with a cemetery in its churchyard. Many headstones and cemetery architecture, date from the 19th century and represent some fine examples of masonry craftsmanship. Some refurbisments occurred during the 1940s and in 2002 a major restoration project was undertaken from roof to footings, by a dedicated band of volunteers and trades people. Work was completed mid 2003 and in November 2003 St Laurence’s was re-dedicated with the celebration of Mass and a picnic tea. Colour photograph of bushland behind a church at Sandon, Victoria.sandon, sandon cemetery, st laurence o'toole catholic church, sandon, landscape, road

Colour photograph of houses screened by bushland, John Street, Elthamjohn street, eltham, houses

Coloured photo of Bushland along Walk in Yarran Dheran Reserve.yarran dheran

A black / white photograph of an early settler's home on a small clearing in bushland.on back - Boarding House at Sardine Creeksardine-creek

The location in the photo is unknown.The photo shows a road, seen on a slope, in the distance, crossing through bushland'Forests Commission, Victoria' inscribed on bottom, right of border. 'Publicity & Public relations Branch, When reproducing please Acknowledge Forests Commission, Victoria, Negative No. 322-1' stamped on back.access routes, roads, scenery, grampians ranges

Churchill Island Heritage Farm has a large collection of photographs dating from the nineteenth century. This photograph shows Churchill Island employee Ashley Reed, and was probably taken during the Bicentennial celebrations.Photograph of silhouette of a man's head and shoulders with well-lit bushland in the background.catalogue number written on reverse in pencilchurchill island, photograph, ashley reed, bicentennial

Churchill Island Heritage Farm has a large photograph collection dating from the nineteenth century. This series provides an insight into the early days of Churchill Island as a Conservation site.Black and White photograph of a man driving a Ford excavator in front of bushland.Catalogue number written on reverse in pencil.churchill island

Alice Blanch Chehovski was born in Queensland to a Russian mother and Polish father. When her father died leaving three small children to bring up on her own, her took them back to Russia to visit her own parents. In the following fateful year, Stalin came into power and the family was trapped by Russia closing its borders. At the age of twenty three, 1944, Alice entered Moscow's Institute of Decorative Arts and Applied Arts to study ceramics. Neither the subject of ceramics nor the academic drawing in fine pencil inspired her. At that time Moscow was surrounded by German troops, Russian culture was inhibited by the war and generally speaking it was not the time for arts. Alice said 'My soul and my hands were needed as a volunteer, to help the wounded soldiers survive'. Alice struggled through a lifetime of hardship and triumph before returning to her native land of Australia in 1981 at the age of 60.This lithographic print is one of a set of ten produced at Dunmoochin at the time of Clifton Pugh.Lithographic print in black and white depicting bushland and a pond reflecting light.Bottom left of print: ed. no. '4/10' and work title. Bottom right of print: artist signature 'Alice Blanch '04'chehovski, dunmoochin, pugh, pond, lithograph

Cardboard cover with colored drawing of a white bull in bushland with mountains in the distanceA Touch of History. The Moora Savage and other Tales of the Grampian Mountains by J.R. D'Altonstawell

This photograph, one of set of six, shows Ken Donchi, the youngest family member (at the time of photograph) at work as a sleeper cutter in the Orbost area since the 1890s. The photograph was used in an article for the Victorian Railways Magazine 1975. . It contains photographs and an article about Orbost as "Timber Country" and a detailed article titled, " Cutting Sleepers is a Family Business" which tells about the Donchi family.This item is associated with the timber and sleeper-cutting industry in the Orbost Region. Timber sleepers were superceded by concrete sleepers in c. 1970s. Orbost has historically been based on the timber industry, but that industry has declined considerably over the last 20 years. .The number of locals involved in the timber industry has declined and many of the mills have closed. This item reflects a time when that industry was a significant contributor to the economy of the district.A black / white photograph of Ken Donchi driving a bulldozer in bushland outside of Orbost.on back - Pr 8769donchi-pat sleeper-cutting timber-industry-orbost-railway

Churchill Island Heritage Farm has a large photographic collection dating from the nineteenth century. This series of photographs was probably taken at a Farm in Kyneton and shows a similar historic farm to Churchill IslandPhotograph of a large wooden barn set against bushland with sandy gravel in the foreground.Catalogue number written on reverse in pencil.churchill island, photograph, kyneton

The photograph is from the Brian Walsh Collection 1993. Three blocks of land were purchased in 1946 by Miss F. Ritchie and Mrs H. Grimshaw in Halford St. Inverloch. Three more blocks were purchased in 1948 - 1949. A sixth block was added in 1956. Money was raised by P.F.A. members. Two buildings were purchased from the Government Disposals Authority in 1959. Construction of the camp began in October 1959. Regular working bees were held by P.F.A. members. The first camp was held at the site at Easter 1960. The camp was opened by the Moderator the Rt. Rev. A. Creighton Barr and Flinders Presbytery ministers. In 1998 the decision was taken to sell the site. No buyer was recorded by April 2000.Colour photograph mounted on card showing the exteriors of two camp dormitories in bushland.Uniting Church Camp Inverloch. Gippsland Presbytery. Brian Walsh Collection 1993presbyterian church camp, inverloch, flinders presbytery, p.f.a., miss f. ritchie, mrs. h. grimshaw, rt. rev. creighton barr

Stawell Historical Society Members visit Joe Mitchell's mine in the Ironbark, forest near Deep Lead. L to R Ian Jackson, Carmel Loats, Thelona Bullock, Allan Kingston, Betty Jackson, Betty Collins, Dorothy King, Leslie Bennett, Lawrie Bennett.Colour Photograph of a Group of people standing, looking down a mine shaft in bushland.mining, gold mininging, stawell historical society, deep lead

Coloured photo of Bushland along Walk in Yarran Dheran. Mullum Mullum Creek.yarran dheran, mullum mullum creek

The photograph is from the album of Ivy Child. The Old Farm could refer to the early homestead of her grandfather Matthew Francis Child. Ivy May Child (1910 – 1989) was the daughter of Arthur Edward (Ted) Child (1878 – 1964) and Ethel May Madden (1888 – 1970). Ted Child was the son of Matthew Francis Child (1839 – 1933) and Martha Jeeves (1857 – 1926). He was the grandson of one of the early pioneers Francis Child. Ivy grew up on the family property on Childs Road and took many photographs. Most of these are glued into her photo album. The album covered the years from c1927 – 1932. Ivy married Henry William Burgess (1906 – 1968) in 1944. The photographs remain in their original state in the album with individual copies made. Black and white photograph with a homestead in the centre surrounded by trees with hills and bushland in the background.Written below the photograph in album: The Old Farmfarm, ivy child, child family, homestead, kalorama

This item is an example of a handcrafted item and reflects the needlework skills of women in the earl 20th century. Crochet work was an affordable way to personalise and add aesthetic value to homes, and examples of embroidered and crocheted pieces could be found in most Australian homes, A crocheted picture of bushland in East Gippsland. It is in white wool and framed in an ornate gold frame.handcraft crochet picture

Churchill Island Heritage Farm has a large photograph collection dating from the mid-nineteenth century to the last decade.Black and white photograph with a white border showing a broken down barn in front of bushlandCatalogue number written in pencil on reverse.churchill island, barn