Showing 210 items matching camp artists
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Tatura Irrigation & Wartime Camps Museum
Sketch - Pencil
... Josef Thum was an Austrian artist in Camp 13, as a POW... was an Austrian artist in Camp 13, as a POW. Ken Hill was a member of AAAS ...Josef Thum was an Austrian artist in Camp 13, as a POW. Ken Hill was a member of AAAS-Mobile Cinema Unit 36, around 1946-47 and based at Murchison. After hositilities ceased, Thum was permitted to assist in the presentation of "pictures" as was the common term of the period, each time there was a screening at MurchisonBlack and white sketch of head and shoulders of a man about to throw a large ballman and ball, thum j, hill k, camp 13, tatura, illustrations, pencil -
Tatura Irrigation & Wartime Camps Museum
Sketch - Pastel
... Josef Thum was an Austrian artist in Camp 13, as a POW... the sketch Josef Thum was an Austrian artist in Camp 13, as a POW ...Josef Thum was an Austrian artist in Camp 13, as a POW. Ken Hill was a member of AAAS - Mobile Cinema Unit 36 around 1946-47 and based at Murchison. After hostilities ceased Thum was permitted to assist Hill, in the presentation of "Pictures" as was the common term of the period, each time there was a screening at MurchisonBlack and white pastel sketch of "Head of Christ". A pieceof tissue paper is attached to cover the sketchhead of christ, sketch, thum j, hill k, camp 13, tatura, illustrations, pastel -
Tatura Irrigation & Wartime Camps Museum
Sketch, 1943
... Josef Thum was a Austrian artist in Camp 13, as a POW. Ken... Thum was a Austrian artist in Camp 13, as a POW. Ken Hill ...Josef Thum was a Austrian artist in Camp 13, as a POW. Ken Hill was a member of AAAS - Mobile Cinema Unit 36 around 1946-47 and based at Murchison. After hostilities ceased, Thum was permitted to assist Ken Hill in the presentation of "pictures" as was the common term of the period, each time there was a screening at MurchisonBlack and white pencil sketch of a bridge, Church Spire and building in Melbourne. Dated 17.8.43. A piece of tissue paper is attached to cover the sketch."melbourne", sketch, thum j, hill k, aaas, camp 13, tatura, illustrations, pencil -
Tatura Irrigation & Wartime Camps Museum
Sketch, 1942
... Josef Thum was an Austrian artist in Camp 13 as a POW. Ken... artist in Camp 13 as a POW. Ken Hill was a member of AAAS ...Josef Thum was an Austrian artist in Camp 13 as a POW. Ken Hill was a member of AAAS - Mobile Cinema Unit 36 around 1946-47 and based at Murchison. After hostilities ceased, Thum was permitted to assist Ken Hill in the presentation of "pictures" as was the common term of the period, each time there was a screening at Murchison.Black and white pencil sketch of a portrait of a lady. Dated 23.1.1942"australien" 231942, sketch, thumj, hill k, camp 13, tatura, illustrations, pencil -
Whitehorse Historical Society Inc.
Wedding Gown, 1871
... was associated with the Heidelberg School and the Box Hill Artists Camp... was associated with the Heidelberg School and the Box Hill Artists Camp ...The wedding gown was worn by Lucy Kneeshaw Prout for her marriage to John Sommers on 29th November, 1871 at Trinity Church of England and Ireland, Williamstown, Victoria. Lucy was born in Woolwich, Kent, England in August 1850 and immigrated to Australia with her family in 1852 on the 'SS Coromandel'. She was the youngest of five children. Their parents were Edward and Elizabeth Prout (nee Hall). Lucy died in 1940 - 90 years of age. John E. Sommers was born in Glasgow, Scotland in 1846 and emigrated to Australia with his family in June 1853 on the 'Tongataboo'. His marriage certificate shows that he was an engineer. He studied at the National Gallery's School of Design under both Clark and Campbell from 1872 to 1879. He drew a compressed charcoal and pencil portrait of Fred McCubbin in 1876. The portrait was displayed in the Golden Summers exhibition at the National Gallery of Victoria in 1985 and is shown on page 40 of the Golden Summers catalogue. Their grand-daughter, Mrs Marjorie Gibson (born 1910) said he was associated with the Heidelberg School and the Box Hill Artists Camp. He is also noted in the 'Book of Australian Artists'. He exhibited prolifically with the Victorian Artists Society until his resignation in 1898. In 1881 John Sommers took employment with the Education Department at Castlemaine (Ref. Golden Summer catalogue - pages 26 and 40). John died in 1930 aged 84 years. John and Lucy Sommers children John and Dora both studied at the National Gallery of Victoria, so senior was added to John E. Sommers Senior's works. There is a short biography on page 26 of Golden Summers. Researched by Valda and Ted Arrowsmith May 2006.One piece old gold Paper Taffeta wedding gown, stand up collar, piped in green taffeta. Forty covered buttons from neck to hemline. Shaped sleeve with 15cm cuff and three buttons. Two rows of seven cm appliqued green and gold shaped fans along hemline. Two rows of green and gold piping and 8cm deep gold fringe. Back of dress has central panel of pleats and six covered buttons and a square cut hem line for the train at back. Dress bodice is lined and has two 7cm bones in side seam.costume, female ceremonial -
Eltham District Historical Society Inc
Book, Percy Leason: an artist's life by Margot Tasca, 2016
... involvement in the artists’ camps of Eltham, to his important series... involvement in the artists’ camps of Eltham, to his important series ..."Who would have thought that a boy born in 1889 from the Victorian Mallee would become a successful artist on New York’s Staten Island? This finely illustrated, exhaustively researched and beautifully written biography on Leason features the artist’s entire career as a painter and cartoonist renowned for his depictions of Australian society in the 1920s and 1930s. Leason’s story is a poignant one tracing his beginnings as a cartoonist, to the bohemian Melbourne art scene in the early 20th century, to his involvement in the artists’ camps of Eltham, to his important series of portraits of Lake Tyers Indigenous Australians, and his eventual move to the US where he has been acknowledged as making an enormous contribution to the New York arts scene. This story, as yet untold, fills a gap in the history of art in Australia and offers a new perspective on Australian art in the first half of the 20th century." - Thames and Hudson website A NEW HOME IN ELTHAM Once they had settled back into Melbourne, Perry and Belle began to look for a place to make a permanent home. Having enjoyed the bush setting of Mosman, they decided to explore the rural fringes of Melbourne. Each weekend they packed a picnic and travelled to the towns in the nearby hills - such as Ferntree Gully, Sassafras, Lilydale and, of course, Cockatoo Creek. Eventually deciding these places might be a little too far from The Herald office, they searched closer to the city. The Heidelberg and Box Hill regions that had inspired his old teacher McCubbin, had become busy, urban areas but further east, towards Warrandyte and Templestowe, there were still large tracts of bush. Finally they settled on Eltham, an area Percy knew very well, having often painted there with Jock Frater. Perry's old friend Dick McCann and his wife Margery had also settled in Eltham. The township was fifteen miles from Melbourne and serviced by an electric train that went to the central Melbourne station of Flinders Street, near where The Herald offices were located. Eltham was a small village in 1925, separated from Melbourne by the Yarra River, and surrounded by orchards and large tracts of bush. Small farms dotted the landscape and the main businesses revolved around ironmongers, blacksmiths, and farming supplies. Of particular appeal to artists was Eltham Park, a large expanse of bushland bounded by the Yarra River on the south side and the Diamond Creek on the east. The park included a playing field that was busy on weekends with cricket or football matches, but for the rest of the week it was mostly empty and an ideal place to paint. The scenery there provided the inspiration for many paintings by Leason, Meldrum and other artists such as Colin Colahan and Peter (A.E.) Newburv. The Leasons found a rundown old farmhouse on four-and-a-half acres of land in New Street, now known as Lavender Park Road. The site was splendid, at the top of a gentle slope which gave panoramic views east to the Dandenong hills, south over the Templestowe orchards and north to Kinglake. The front lawn was taken over by onion grass (or wiregrass as Leason called it) and scattered about the property were many wattles and gum trees. Aloe cacti covered much to the front of the house, while old quince and lucerne hedges separated the house and out-buildings from a rundown apple orchard. Here they would build a new home. ·with financial assistance from The Herald, Leason bought the property and immediately commissioned an architectural firm to design a new house in the popular bungalow style of the time. The old farm house was demolished but Percy saved the siding boards, bricks and corrugated iron for the outbuildings of his new home. The new house was a two storey, triple brick with a large, gabled, terracotta tiled roof. It was situated at the very top of the slope. The paint and varnish were barely dry when the family moved in during the summer of 1925-26 and the fumes were overpowering in the heat. Despite the house being wired for electricity, power poles had not yet reached the area and initially the family had to rely on kerosene lamps and candles. When electricity did arrive, Leason reflected on the community's reception of electricity at the expense of the old growth gum tree corridors in his cartoon, Electricity comes to Wiregrass. The family had now grown to seven. Jack was nearly nine, Jean was seven, Marjory was four, Nancy was two and the baby Patricia was seven months old. Jack and Jean were enrolled in the local primary school down the hill. A retired farmer, Jock McMillan, came to live on the property and help out with the general maintenance. Jock built himself a shack and Belle provided him with meals. He was kept occupied building structures around the property·, such as the garage, the outside toilet, garden beds, trellis arbours and a number of ponds. The elderly, bearded Scotsman with his old hat and baggy pants also provided the inspiration for one of the characters Leason regularly included in his cartoons. Like Leason, Jock smoked a straight stemmed pipe. A neighbour was employed to help Belle with domestic chores, and so the family settled down to live comfortably in their new Eltham house. Two dogs, Maginary and Wodger, completed the large and vibrant household. “Percy Leason; an artist’s life” by Margot Tasca, Thames & Hudson Australia Pty Ltd, Port Melbourne 2016, pp 63-64 Hardback Bookpercy leason, margot tasca, biography, artist, landscape -
Emerald Museum & Nobelius Heritage Park
Relief prints, Thomas Baines et al, An Explorer's Camp, Circa 1875
From 'Australia' by Edwin Carton Booth. Thomas Baines joined Augustus Gregory as official artist and storekeeper, in the expedition across northern Australia between 1855-1857 sponsored by the Royal Geographical Society to evaluate the northern area of Australia for suitability as a colonial settlement. The Baines River was named after him.The item is socially and artistically significant as it is a very early image of Northern Australia.Framed black and white etching depicting a cap site located near the ocean.Artist T. Baines - J.J. Crew. From 'Australia' by Edwin Carton Booth. Thomas Baines joined Augustus Gregory as official artist and storekeeper, in the expedition across northern Australia between 1855-1857 sponsored by the Royal Geographical Society to evaluate the northern area of Australia for suitability as a colonial settlement. The Baines River was named after him.print, baines -
Kew Historical Society Inc
Journal, Kewriosity : November 1991
The Horse Tram returns to Kew [Kew Depot Open Day] / p1. Chief Executive's Comment [Kew Junction] / Malcolm Hutchinson p2. Mayor's Comment [Kew Junction Strategy Plan] / Cr Daryl Oldaker p3. Diary Dates for November / p4. Diary Dates for December / p5. The Lioness Club of Kew / p5. Market [Kew Community House] / p5. Invitation to Lawn Bowls [Auburn Heights Bowling Club] / p5. Leader Sports Challenge Camp / p6. New face [Heather Crichton] / p7. New Way Theatre [Company][Kew Cottages] / p7. Safe disposal of chemicals around the home [Disposal options - Waste type by location] / p8. Insects / Marlowe p9. Bothered by pests? [Improved and cheap pest control for Kew residents] / p9. Kewriosity advertising rates / p10. City of Kew Waste Disposal Services for 1991/92 / Malcolm Hutchinson p11. New mum presentation [Nursing Mothers' Association; St George's Hospital] / p12. Kew Auxiliary - Royal Women's Hospital / p12. L.Bear [Library Bear] / p13. Arthritis self help / p14. Mural [by Bill Wood] / p14. Old Trams [request for photos] / p14. Kew Info Youth / p15. Local Artist [Mary McQueen] / p15. Golden putter golf [Studley Park Golf Course] / p15. City of Kew Residential Policies Review Committee [update] / p16. Apology [Kew Community House program] / p16.Kewriosity was a local newsletter combining Kew Council and community news. It was published between November 1983 and June 1994, replacing an earlier Kewriosity [broad] Sheet (1979-84). In producing Kewriosity, Council aimed to provide a range of interesting and informative articles covering its deliberations and decision making, together with items of general interest and importance to the Kew community and information not generally available through daily media outlets.non-fictionThe Horse Tram returns to Kew [Kew Depot Open Day] / p1. Chief Executive's Comment [Kew Junction] / Malcolm Hutchinson p2. Mayor's Comment [Kew Junction Strategy Plan] / Cr Daryl Oldaker p3. Diary Dates for November / p4. Diary Dates for December / p5. The Lioness Club of Kew / p5. Market [Kew Community House] / p5. Invitation to Lawn Bowls [Auburn Heights Bowling Club] / p5. Leader Sports Challenge Camp / p6. New face [Heather Crichton] / p7. New Way Theatre [Company][Kew Cottages] / p7. Safe disposal of chemicals around the home [Disposal options - Waste type by location] / p8. Insects / Marlowe p9. Bothered by pests? [Improved and cheap pest control for Kew residents] / p9. Kewriosity advertising rates / p10. City of Kew Waste Disposal Services for 1991/92 / Malcolm Hutchinson p11. New mum presentation [Nursing Mothers' Association; St George's Hospital] / p12. Kew Auxiliary - Royal Women's Hospital / p12. L.Bear [Library Bear] / p13. Arthritis self help / p14. Mural [by Bill Wood] / p14. Old Trams [request for photos] / p14. Kew Info Youth / p15. Local Artist [Mary McQueen] / p15. Golden putter golf [Studley Park Golf Course] / p15. City of Kew Residential Policies Review Committee [update] / p16. Apology [Kew Community House program] / p16.publications -- city of kew (vic.), kewriosity, council newsletters, community newsletters -
Federation University Art Collection
Painting - Natural pigment on bark, Mawurndjul, John, 'Female Wayarra Spirit' by John Mawurndjul, 1995
Balang [John MAWURNDJUL] (1952 - ) Born Mumeka, Northern Territory Country: Milmilngkan, West Arnham Land, Northern Territory Clan: Na-Kurulk Language Group: Kunwinjku Location: Milmilngkan John Mawurndjul is an Australian indigenous artist. He is a member of the Kuninjku people of West Arnhem Land, Northern Territory. Growing up John had only occasional contact with non-indigenous people and culture. He was tutored in rarrk, a traditional painting technique using fine cross hatching and infill, working on small barks. During the 1980s he started producing larger and more complex works. The artist has painted 'Wayarra', a generic term which can include both malevolent spirit beings which continually inhabit certain sites or objects but can also mean the Spirit of a recently deceased person. These spirits are one of two spirits of the dead, the other being the 'Kun-malng' soul. The 'Wayarra' is the shadow or 'shade' of the dead and may take on the form of the deceased and haunt areas where the deceased recently inhabited. In order to prevent Wayarra spirits from harassing relative of the recently deceased, a smoking ceremont is performed where Ironwood leaves are burnt around the camp of the recently deceased and ochre is rubbed on all objects belonging to the deceased. Ochre may also be rubbed on vehicles, houses and trees. Some Wayarra are a particular Dreaming totem for people of certain clans. This is why many artists depict Wayarra in their bark paintings and sculptures. They are depicting clan totems particular to their lineage and which are celebrated in major regional patrimoiety ceremonies. In 1989 the work of John Mawurndjul was included in the landmark exhibition "Magiciens de la Terra' at the Centre Pompidou and Grande Halle de la Vilette in Paris, France. His works have also been exhibited in numerous solo and group exhibitions in Australia, New York, Paris and Japan. Mawurndjul is one of eight artists whose work in part of the largest inernational commission of contemporary Indigenous art from Australia at the Musee du Quai Branly, Paris. The work was exhibited in the Australian survey "John Mawurndjul: I Am The Old And The New", at the Museum of Contemporary Art, one of the 160-odd works all chosen by Mawurndjul for inclusion in the exhibition. This item is part of the Federation University Art Collection. The Art Collection features over 1000 works and was listed as a 'Ballarat Treasure' in 2007.This artwork was chosen by John Murwurndjul as on of around 160 works for exhibition in the 2018 Australian Survey of his work at the Museum of Contemporary Art. The artist is known for his rarrk work, which is evident in 'Female Wayarra Spirit'.Aboriginal bark painting featurung rarrk. The artwork is associated with Dilebang, a duwa moiety place that belongs to the Kurulk clan. This work is currently on loan for exhibition in 'John Mawurndjul: I am the old and the new'. The exhibition will be shown at the Museum of Contemporary Art Australia (Sydney) from 6 July – 23 September 2018, and the Art Gallery of South Australia, Adelaide from 26 October 2018 – 28 January 2019.art, artwork, john mawurndjul, aboriginal, bark painting, rarrk, wayarra, kuninjku, maningrida, loan -
Tatura Irrigation & Wartime Camps Museum
Card - Card game
Used by internees at Camp 3Painters Card game consisting of 36 cards depicting painters (artists). 4 cards of painters from later British school, 4 from Umbrian School, 4 from Venetian school, 4 German painters, 4 early British school, 4 French school, 4 Dutch Flemish painters, 4 Spanish school and 4 Florentine school. Dales Educational series. Dark blue and white box with picture of a man on front. Also Don Allen written on front in ink, and 3/9 being the price written in pencilPAINTERS Dales Educational Series. Don Allen. 3/3 9 -
Tatura Irrigation & Wartime Camps Museum
Sketch, Mr. A Koenig, Portrait of a Lady, 1940's
Portrait of Gerda Decker in her role as Das Fuchen in Aus Dem Zerbrochenen Krug. Artist A. Konig was a graphic artist in Sydney and interned in compound A in camp 3 in 1940.Head and shoulders portrait of a lady with plaits wearing a Dutch bonnet, cream blouse and blue check, possibly apron, over the top of the blouse. Neck on the reverse of the bonnet match the check in the blouse.gerda decker, das fuchen, a. koenig -
Tatura Irrigation & Wartime Camps Museum
Photograph - copy, copy 1988
... of artist Tatura internment camp built during WW2. Photograph taken ...Tatura internment camp built during WW2. Photograph taken at exhibition of Camp memorabilia displayed at Temple Home for Aged, Bayswater, Victoria, in 1981.Colour photograph of painting of barracks by Gehalt Von Herr Breckwold. Negative no. 18.name of artistpainting, camp barracks, gehalt von herr breckwold, ww2, pow -
Tatura Irrigation & Wartime Camps Museum
Photograph - copy, Manfred Mueller, Original 1942, copy 1989
WW2 internment camp Tatura. Prisoners of war.ID photo of German POW, Manfred Mueller, artist, in profile. Number PWG41595pow, german pow, pwg41595, manfred mueller -
Tatura Irrigation & Wartime Camps Museum
Photograph - copy, Manfred Mueller, Original 1942, copy 1989
... , artist. WW2 Internment Camp Tatura, Prisoners of War pow german ...WW2 Internment Camp Tatura, Prisoners of WarId photograph front view of German POW Manfred Mueller, number PWG41595, artist.pow, german pow, manfred mueller, pwg41595, internment camps, tatura -
Tatura Irrigation & Wartime Camps Museum
Folder, Japanese Internment Camp 4. New Caledonian Group
17 March 2005: Mami Yamade (author), husband Masani (artist), researching Japanese POW's at camp 13, 1944; 19 March 2005: New Caledonian group - Marijosee Michel Hon. Consul to Japan, from Noumea. Yuriko Nagata, ??? University and Mutsumi Tsuda (Japan) Emma Chaubet, Andre Nagata, his daughter Andree Verge, Henriette Guillot from New Hebrides, Rosemary Take, also Evelyn Suzuki from Sydney, ex internee Vicki Lawson, niece of Melba Oki, ex camp 4 internee. Visited Museum for research 20 March. 21st march tour of camp 4.Record of 2 visits by Japanese researchers, 17 March 2005. Black plastic cover with white writing "clear folder" in gold.mami yamade, marijosee michel, yuriko nagata, mutsumi tsuda, emma chaubet, andre nagata,, andree verge,, henriette guillot, rosemary take, evelyn suzuki, vicki lawson, melba oki, camp 4 internees -
Tatura Irrigation & Wartime Camps Museum
water color of camp 3, Internee in Camp 3, Camp 3 by Kurt Winkler, 1942
... Artist Mr Winkler a camp 3 internee from Palestine painted... Artist Mr Winkler a camp 3 internee from Palestine painted ...Artist Mr Winkler a camp 3 internee from Palestine painted a watercolour of these internment camp huts behind the barbed wire in 1942ww2, camp 3 art works -
Tatura Irrigation & Wartime Camps Museum
Folder, Japanese/New Caledonian Exhibition, 2008
Correspondence relating to an exhibition of Japanese artist Mutsumi Tsuda entitled "Feu nos Peres" focusing on the history of Japanese people on New Caledonia during WW2Blue plastic folder, black spinejapanese, new caledonian exhibition, tsuda m, monash university, camp 4, tatura, ww2, books, history, local -
Tatura Irrigation & Wartime Camps Museum
Photograph, Bruno Simon
Artist Bruno Simon was a Dunera internee.Black and white photograph of a sculpture by Bruno Simon of a figure with arrows piercing its body, in front of a column. In a plastic sleeve with yellow zip-like closure on one side.bruno simon, internment camp sculptures -
Tatura Irrigation & Wartime Camps Museum
Album - small photo album
The artist of the sketches Hans - Wolter von Gruenewaldt - ex South African Mining Engineer served in the North Africa campaign. This album also includes photos of visitors to the Tatura Museum, Memorial service German War Cemetery 1992 and visitors to Camps 1, 2, 4 and 13 Photos include Murchison R.S.L clubhouse,which was Murchison P.O.W Camp,13 Recreation Hall, Colonel Walter Tinsley D.S.O who was appointed Commandant camp 13 1946, Folk Dancers from Hungary,Scotland, Yugoslavia, Russia, Spain, Holland, German waitress, African Mother and Child,, Asia, Australian swagman, Australian A.W.A.S, British Army W.O, British Naval Officer. Visitors to Memorial service German War Cemetery 1992 Photos show a collection of the art work painted on walls of Camp 13 Recreation hall Small, green coloured photo albumHans-Wolter von Gruenewaldt, German P.O.W. painted these scenes and figures as murals on the walls of the camp 13 Recreation Hall. The hall was transferred to Murchison after WW2 and was purchased by the Murchison R.S.L. as its headquarters in 1955. These paintings can now be seen at the David Jones Nursing Home in Murchison.murchison pow recreation hall, german war cemetery -
Tatura Irrigation & Wartime Camps Museum
Book, Leonhard Adam - From the Spree to the Yarra - Aquarelles: 1911-1955, 1996
... pages. Black and white photos and paintings by the artist... by the artist of Tatura camp 3, Europe, Sydney and Melbourne ...Rectangular shaped book, covered with painting of "Undoolya" (east of Alice Springs) on both font and back covers. 30 pages. Black and white photos and paintings by the artist of Tatura camp 3, Europe, Sydney and Melbourne, Acknowledgement: Mary - Clare Adam daughter of Leonhard Adam.artwork at camp 3 tatura, life of leonhard adam, leonhard adam -
Tatura Irrigation & Wartime Camps Museum
Sketch, B. Roberts (dec) artist, Harston Memorial Hall, 1991
Framed sketch of Harston Memorial Hall. Sketched by B. Roberts, 1991.harston hall, b. roberts -
Tatura Irrigation & Wartime Camps Museum
Photograph, The Barn Art Gallery, 1987
Set in spacious and well developed grounds and gardens, the upstairs gallery is for artists from the Goulburn Valley region. Many exhibitions are held each year.Black and white photograph of The Barn Art Gallery, Pyke Street Tatura. Ian Lynch, proprietor, is pictured at entrance. Also statueon back: Tatura Galleries, proprietor Ian Lynch 1987 -
Tatura Irrigation & Wartime Camps Museum
Photograph - original, Free & Son, Frank Busam, 1940 original
Frank Busam grew first stone fruit in Tatura. Photograph given to Museum by Cr. Kevin Walker.Original sepia photograph of Frank Busamon back: Free & Son. Photographic Artists. Eastern Market, Bourke Street, 22 Greville Street Prahan.frank busam -
Tatura Irrigation & Wartime Camps Museum
Book, St. James 1871-1977, 1977
History of St. James, Lake Rowan, Yundool, Waggarandool, Almonds, Tungamah. G. J. Coles opened his first store in St. James.Cream cover. Sketch of old scenes of buildings on front cover. Continuing on back cover and photographs of author, J. A. Willis and artist B. A. Cooper.victorian history, st james victoria, g j coles -
Tatura Irrigation & Wartime Camps Museum
Photo
Ken Hill was a member of the Australian Army Amenities Service - AAAS Mobil Cinema Unit No. 36 around 1946-47. He was based at Murchison Camp 13 where Josef Thum, an artist, was a Prisoner of War. Hill was a Mobile Cinema Operator during this period, after hostilities had ceased and Thum was permitted to assist in the presentation of "Pictures", to use the common term of the period, each time pictures were screened.Black and white photo of an army truck which was used by Australian Army Amenities Service around 1946/47 which was based at Murchison Camp 13photography, photograph, slides, film -
Tatura Irrigation & Wartime Camps Museum
Photograph
... at Shepparton Art Gallery. ww2 artists Herschfield Mach Camp 1 Tatura ...Drawings by Herschfeld Mack during internment at Camp 1 Tatura. Originals at Shepparton Art Gallery.Photograph of drawings of camp hut army guard in foreground. Abstract drawing.ww2 artists, herschfield mach, camp 1 tatura, shepparton art gallery -
Tatura Irrigation & Wartime Camps Museum
Photo album, 1942
Military and nursing staff from Camp 4.Sky blue photo album. Superimposed on front cover Camp 1 Tatura. Military and nursing staff - WW2 - 1942-43 - original photographs borrowed from Sister Beatrice Moore - Camp 4 commandant Major Scurry - Captain Hendy with Sisters Tootell and Elliott - 1942 - Captain Llewellyn on "Tony" and daughter Jacqueline on "Darkie" - Manfred Mueller POW artist.WW2 internees POW'ssister beatrice moore, sister tootell, sister elliott, captain llewellyn, major scurry, manfred mueller -
Tatura Irrigation & Wartime Camps Museum
Photograph - sketch, Preperations for the NIght, 1940
One of the many examples of the very many different artists of the Dunera Boys.Sketch of the Dunera boys preparing for the night.Preparations for the nightdunera boys, dunera artists -
Tatura Irrigation & Wartime Camps Museum
Book - Book - Family History, Born on the Banks of the Murrumbidgee, 2009
The story of McCormick family spanning 2 centuries from 1809 on the Isle of Wight and Ireland to 2009 in Australia. Contains details of reunion 14 November 2009 on leaflet insert. Peppercorn trees still standing on Harston property.Pale green soft covered book, background of peppercorn leaves, rocking chair on wooden floor. Writing and sketch in black ink. Sketch by well known cartoonist and artist Jeff Hook.Born on the Banks of the Murruambidge - the chant of Peter Mcormick - Stories of his Life and his peopleparker and chambers, jeff hock, mulcahy family, parker family, chambers family, mccormick family, family reunions, harston -
Tatura Irrigation & Wartime Camps Museum
Booklet, Nagambie Anniversary Book
Artist's impression of Nagambie's Historical streetscape and bridges over past years.Cream cover, green writing. Sketch of buildings in main street, Nagambie.nagambie tourism inc, books, history, local, nagambie streetscape, nagambie bridges