Two copies of student work pen drawings, mounted on board'6B' and VI girls (?)williamstown high school, 1960s, student work, art, pen and ink

Dean Bowen is renowned for his charming, child-like aesthetic and unique thematic interplay between the urban and rural as well as humans and animals. Bowen has developed a distinctive and humorous symbolic language that filters through each work. His highly charismatic and whimsical renderings of animals, human characters and Australian environments celebrate the vicissitudes of life, evincing the simple pleasures of human habitation within the artificial and the natural world. The work and thoughts of Jean Dubuffet, particularly those which focus on the philosophy of 'Art Brut', give support to Dean's belief that untrained artists are more honest, that artists interested in emulating the art of children are trying to regain the pure expression they lost with childhood. 'The Offering' was a finalist in the Nillumbik Art Awards in 1997. The work refers to the act of giving back, rather than taking which Bowen sees as more prevalent in our Western society. While the image is childlike, the expression of the boy is a mixture of sadness and happiness, knowing and naivety, youth and age. The smile has a Mona Lisa quality and the earthy and sensuous colours suggest landscape. When realising the images he relies on memory rather than observation so that the struggle with drawing and representation sometimes doesn't work. The style of the drawing and the flat space relates to the graphic style of cartoons and caricature. The intuitive and the imaginative are essential elements in his work. lower right 'Dean Bowen '97'

Drink coaster from I.W.T.O conference in Perth, 1989. Collected by Wilhelm Eckels who attended the conference.Gold coloured drink coaster with wording above large etching of a cartoon sheep. Rear of coaster is blue Felt with metallic silver sticker on the top left corner. Coaster is inside of a plastic pocket.Front, Wording: 58th I.W.T.O CONFERENCE 30 APRIL - 5 MAY 1989 PERTH - AUSTRALIA Image: Drawing of sheep Rear, attached sticker. Wording: Hand Crafted In Australia Goodwill Productsi.w.t.o conference, 1989, perth

The Sphinx was a magazine of Durham University students published between 1905-1922, except for the period between July 1914 and the end of 1918. This volume appears to be a collection of the cartoons originally published in that magazine. While it contains no publishing details or date, we surmise it may have been published in about 1908.Thin grey covered book with grey a drawing of a Sphinx on cover. Contents consist of pages of cartoons, printed on only one side of the paper, being a collection of satirical cartoons.durham university, cartoons

A book put out by London Stores Ltd., which contains advertisements for their products, home notes, recipes, sport records, gardening, first aid and laundry hints, beauty notes and sick room hints.Small soft covered tan book with drawing of a large department store, a book and a cartoon person pointing at the store. Also Contents at right bottom corner. All done in black and orange. Back cover has advertisement for men's hats "Tailsworth".as abovelondon stores ltd, household year book, household hints, gardening hints, beauty notes, sick room hints, laundry hints, first aid hints, recipes, 1940's

The Flying Dogtor is a black and white cartoon series, consisting of line drawings, devised and written by Robin Boyd. He also created the initial drawings for all the characters. The Flying Dogtor series, consisting of 52 episodes, was devised and written by Robin Boyd between 1962-1964 (items D194-D241). They were produced by Crawford Productions and broadcast on Australian Television Network, which later became the Seven Network. Hector Crawford and Robin Boyd were friends.16mm black and white film with sound. Inside a circular metal canister with lid. Duration-5:31 Minutes the flying dogtor, hector crawford, crawfords, robin boyd

The Flying Dogtor is a black and white cartoon series, consisting of line drawings, devised and written by Robin Boyd. He also created the initial drawings for all the characters. The Flying Dogtor series, consisting of 52 episodes, was devised and written by Robin Boyd between 1962-1964 (items D194-D241). They were produced by Crawford Productions and broadcast on Australian Television Network, which later became the Seven Network. Hector Crawford and Robin Boyd were friends.16mm black and white film with sound. Inside a circular metal canister with lid. Duration-5:12 Minutes the flying dogtor, hector crawford, crawfords, robin boyd, ohm2022, ohm2022_5

The Flying Dogtor is a black and white cartoon series, consisting of line drawings, devised and written by Robin Boyd. He also created the initial drawings for all the characters. The Flying Dogtor series, consisting of 52 episodes, was devised and written by Robin Boyd between 1962-1964 (items D194-D241). They were produced by Crawford Productions and broadcast on Australian Television Network, which later became the Seven Network. Hector Crawford and Robin Boyd were friends. 16mm black and white film with sound. Inside a circular metal canister with lid. Duration-5:31 Minutes the flying dogtor, hector crawford, crawfords, robin boyd

White yearbook with a black drawing of the outlines of cartoon students standing in a crowd waving WTC flags. Above and below this image is text reading GERONIMO '75 WANGARATTA TECHNICAL COLLEGEGERONIMO '75 WANGARATTA TECHNICAL COLLEGE

A 48 page book, primarily humorous drawings that provide a lighter look at life in the trenches of France. It is missing its original cover and has a white cardboard cover to replace it. The drawings were drawn by Captain Bruce Bainsfather and published in The Bystander, a London publication and republished in Australia in 5 volumes. Unknown which volume this is from. Primarily humorous drawings that provide a lighter look at life in the trenches of France.Illustrations from World War One that would have been significant to the founding legatees who had all served in World War One.Front, white cardboard cover, with black stripe on the bottom and two vertical black and white patterns on right and left side of cover. Rear cover, white cardboard, blue stripe top and right hand side of cover. Pages and spine sewn together with white cotton, reinforced with grey tape. Pages, glossy white paper. Full of cartoon caricatures accompanied by frontline humour.world war one, souvenir, magazine

Photocopy of a cartoon illustration of the failure of the trolley pole base on No. 26 on 13/3/1994 by Michael Parker. Reproduced in the March 1994 issue of Fares Please!, along with an item on the failure of the base. Trolley pole was being turned by Simon Green. See March 1994 issue of Fares Please!trams, tramways, tram failures, trolley poles, cartoons, begonia festival

Kodachrome Transparency - 35mm slide - cardboard mount, with one side with red border and words "Kodachrome Transparency / Processed by Kodak" top and bottom. Photo taken by Ben Parle 5/4/1958. Has slide No. "9" stamped in red in top corner and date stamped on slide. Photo of a board featuring drawings of buxom ladies of the time mounted onto a panel within the Wendouree Parade depot. Underneath is another panel featuring a page of cartoons from a paper, titled "Laughs - fit to kill"."Depot Ballarat" "-5 APR 1958"tramways, trams, wendouree parade, depot, ballarat depot, comics, drawings

Original drawing by Mullin for cartoon entitled 'THEY NEVER COME BACK', for publication in New York World Telegram. Large central naturalistic portrait of Gonzales, surrounded by caricatured vignettes referencing Gonzales comback in 1964 after semi-retirement. Glass backing on frame reveals handwritten inscr's.: 'MULLIN FOR TUES', 'VIA WESTERN UNION MESSENGER/CHARGE ACC'T WILLARD MULLIN/27 COLONIAL DRIVE PLANDOME L.I./(516) MA 7-2555/ PLEASE RUSH/ TO / ENGRAVING ROOM / 5TH FLOOR / WORLD TELEGRAM / 125 BARCLAY ST. / N.Y.C.' and ' PLEASE/DO NOT/CRUSH'. Frame glazed with UV glass. Materials: Paper, Graphite, Glass, Cardboard, Glue, Wood, Metal, Felt, Foamboardtennis

Educational booklet for school children entitled "Larry's Learn to Knit Book". The book is designed to teach children how to knit with wool. Published by the Australian Wool Corporation, Melbourne.Educational booklet for school children entitled "Larry's Learn to Knit Book". Written in cartoon style with yellow background featuring black and white drawings on top. Wool is Pink. The back cover is a Larry's Learn to Knit Certificate.knitting

Dave Gibbs (c1959-2021) This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007.A cartoon of a Mount Helen buildings with four flagpoles.art, artwork, university of ballarat, cartoon, cartoonist, fllags, dave gibbs, available, gibbs

Edwin (Ted) CANNON Ted Cannon was a student of the Ballarat Technical Art School, and a cartoonist with the local Ballarat newspaper.Pencil sketch of a barber working on a client.ted cannon, edwin cannon, cartoon, caricature, hairdresser, barber

A book of 36 pages including photographic images, sketches and text explaining stretching techniques suitable for skiing and other forms of physical activity. The cover features a black and white image of a pair of gloves on top of ski poles set in the snow.This book focuses on stretches suitable for developing flexibility suitable for skiers and other athletes. It includes drawings, cartoons and sketches provided by Ashley and Sue Moorehead.skiing lessons, flexibility for skiing, falls creek ski and board school

Ink Drawing for Newspaper CartoonSigned l.r

Ink drawing for newspaper cartoonTitled u.l

Ink Drawing for Newspaper CartoonSigned l.r

A book of drawings and photos published about the trenches in Europe in 1917. Put together by the Australian Commonwealth Military Forces and published by a British publisher. Reproductions of official photographs and cartoons and sketches by members of the A.I.F. Photos show life in the trenches and the war zones, including Ypres, Hill 60, Hindenburg line, Bapaume, Menin Road, Zonnebeke and more. Plus conducting battle operations, Boche prisoners, ruined towns and churches, and the wounded awaiting transport. Most of the drawings are humorous. It is incomplete, the back cover is missing and the pages are only from Page 1 to 24 and 57 to 127. Information from the Australian War Memorial archives says it should have been 157 pages long. Was with other World War 1 memorabilia that has come from Private John Basil McLean, 2nd Reinforcements, 37th Battalion, A.I.F. J.B. McLean (Service No. 13824) was from near Maffra, Victoria and enlisted on 22 January 1916. He embarked on 16 December 1916 for Europe. His full war record is available from AWM. He spent time with the Australian Field Artillery (Pack Section). At the end of the war he worked for a year at the A.I.F. Headquarters in London before returning to Australia on the 'Ceramic', arriving Portsea in 1920.A record that photos from the trenches were published as a memento of Christmas in 1917, presumably for the troops.A book of black and white photos and drawings published for the troops in World War 1.Title page has 'JB McLean / Maffra' handwritten in blue ink.world war one, souvenir

A caricature drawing labelled 'Melbourne Good Samaritans - The Legacy Club', of the early Legatees with their names, roles and some characteristics. The artist was 'Wells' and it was reprinted in the Weekly bulletin in 1979. It was also printed in Blatchford's book in 1932 with the caption 'Some Club Leaders in 1928'. Many of these names appear through the archive but very few have photos, so this is one of the few examples of what some the early Legatees looked like. Some names and roles were: Capt C H Peters - President Capt. 'Dono' Joynt VC - Vice pres. AN Kemsley - The Live Wire WAM Blackett - Chairman Children's Committee CR Carleton - Board of Children's Committee Aaron Beattie - Gym sub committee RM Hall - Employment Col Tommy White - 'Half flight' KJ Mitchell - Distress problems Dr Mark Gardner 'Vin Rouge Ellingworth - Hon Secretary FW Higgins - Comradeship Hal Cohen - 1st Pres Dudley Tregent - The blind solicitor and war widows champion Cyril Smith - Recording sec, one of the Pillars FJ Doolan - Shrine of Remembrance / Eric Harding / AC Rudrum (Treas.) / A S Murray - Boys debating club It was in a folder of documents about the history of Legacy which appears to have been mostly compiled by Legatee Cyril Smith as he has many hand written notes on miscellaneous pieces of paper (some are envelopes addressed to him). The notes were typed up into a summary of the History of Legacy. Also documents relating to the first time Legacy approached the public for donations in September 1956, including newspaper articles that were reprinted, a schedule of information that was approved to be released to the press, and a list of potential donors that was circulated to Legatees in the hope they could contact the ones they knew personally or professionally. The documents from this folder have been added in separate records (see 01262 to 01281). The folder was part of an attempt to capture history of Legacy, generally from the 1950s.The documents provide an insight into the working of Legacy, especially in the 1950s. Legatee Cyril Smith and others were detailing their experiences and knowledge for the future. This reprint captured the spirit of the original Legatees and their roles and characters.A hand drawn picture of Legatees reprinted in the Weekly Bulletin.history, comradeship, founding legatees, cartoon

Denis Gibbons (1937 – 2011) Trained with the Australian Army, before travelling to Vietnam in January 1966, Denis stayed with the 1st Australian Task Force in Nui Dat working as a photographer. For almost five years Gibbons toured with nine Australian infantry battalions, posting compelling war images from within many combat zones before being flown out in late November 1970 after sustaining injuries. The images held within the National Vietnam Veterans Museum make up the Gibbons Collection.A cartoon characterisation of Denis Gibbons, the author of a large number ofphotographs as seen by WEG (William E Green) a catoonist with the Melbourne Herald. The drawing was done at the 1 A.T.F. Press Centre, Nui Dat, Phuoc Tuy Province Vietnam.cartoon, herald sun, weg (william e green), 1 atf base, press centre, nui dat, phuoc tuy province, gibbons collection catalogue, denis gibbons, photographer, vietnam war, cartoonist

Drawing - Decal - Iron On transfer - of a cartoon by W. E. Green, WEG featuring a Z class tram, route 96, destination MMTB, and title "Tram It" in reverse. Has instructions for application to a Tee or T shirt or cloth.trams, tramways, z class, cartoons, t shirts, mmtb

Framed original concept cartoon of Stewart Merritt for the Transporting Art Project - light aluminium brass colour frame, by Magic Picture Framing of Prahran. The tram has been cut out with the windows removed and placed on manila coloured card with the drawings done in ink, the stars cut out of silver paper and adhered to the surface. The tram has blue/black background. Frame with a glazedtrams, tramways, transporting art, ministry for arts, w2 class, tram 439

A cartoon of the 1930s titled "The Clancy Kids" of a boy dropping his pennies down the cable tram slot. Calls on Mr Timmie to help who responds with a comment regarding a vending machine. If you dropped a coin or a small item down the slot, there was no way of retrieving it.Demonstrates the peril of cable tram slots and lost items. Reproduction of a cartoon onto a display paper.tramways, cable trams, cartoon, cable slot, pennies

The 18 letters are from Arthur Edmund TRANTER V50166 & VX52843 POW. they are to his wife Pat and Daughter Brenda from Darley Camp Australia, at Sea then in Malaya prior to becoming a POW. The exercise book was written by "Tranter" to his daughter Brenda while a POW in "Gloegoer Camp" near "Medan" in Northern Sumatra. It was dedicated to his daughter. He managed to keep this hidden throughout captivity in pristine condition. Throughout the book there are subheadings, Sumatra, Singapore, Rubber, Soedaa, Siboertoet, Malacca, The story of the Cocos Islands, the Celebes, Dutch Borneo. They are the stories of these places. Some are from talks given by Officers to the men. There are two more Archival folders, Cat No's 7956.2 & 7958.2. Refer Cat No 7944 for E.A. Tranters service history..1) Black Archival folder box. .2) Black Archival folder 3 ring Binder with plastic inserts containing the following: 1. Eighteen letters hand written in B & W/Blue pen dated from 9.9.1941 - 4.4.1942. 2. Exercise book with ruled lines, hand written in blue pen 84 pages. The cover is brown with a red centre and black text with 7 black stars. 3. Original colour cartoon one page comic strip with 8 drawings of the "Medan Melbourne Frog Cup 1942"letters, archival, folder, tranter, pow

Built by artist and cartoonist Percy Leason in 1927 in what was then New Street but renamed Lavender Park Road in the late 1950s/early 1960s. Covered under Heritage Overlay, Nillumbik Planning Scheme. Published: Nillumbik Now and Then /​ Marguerite Marshall 2008; photographs Alan King with Marguerite Marshall.; p121 Said to be a genius, cartoonist Percy Leason’s career was at its peak when in 1925 to 1926 he built his home at New Street (now Lavender Park Road) Eltham. The Herald newspaper owner, Sir Keith Murdoch, had hired Leason for his newly acquired Melbourne Punch magazine at a salary of £1750, making him ‘one of the highest paid cartoonists in the world’.1 With this salary and financial help from Murdoch, Leason was able to build his lovely home in Eltham. At the crest of a sweeping drive, the home now two-storey in white brick with a gabled grey slate roof and dormer windows is flanked by an extension built by another owner in the 1980s. Leason lived in the home with his wife, Isabel and children, until 1937, when he left for the United States of America, where he lived until his death in 1959. The four-bedroom house and garden would have been well-suited to bringing up his family and to entertaining their friends in style. Large airy rooms have high ceilings with moulded plaster, timber floors and several are brightened with bay windows. Leason made friends with many of the artists and personalities who gravitated to Eltham. Around 1931 Justus Jörgensen, founder of the Montsalvat Artists’ Colony, helped Leason build his large studio at the back of the house. Another friend was journalist Mervyn Skipper, father of jeweller and sculptor Matcham, and artists Helen and Sonia. Leason’s teacher, artist Max Meldrum, also visited and rented accommodation in Eltham, opposite Wingrove Park. Punch folded in 1925, but Leason continued as cartoonist for Table Talk. In 1926 Leason began the cartoons of a mythical Australian town Wiregrass, which were inspired by Kaniva, his home town. The art gallery in Main Road Eltham was named Wiregrass in Leason’s honour. Leason completed 1000 drawings from 1919 to 1937, which author Garrie Hutchinson claimed, were technically unsurpassed and had regional and universal interest. Leason’s acute observations of country life stemmed from his childhood in Kaniva in Victoria’s western Wimmera, where he was born, the son of a selector, in 1889. Meldrum claimed that Leason could name every plant and the habits of every animal.2 Leason also painted 28 portraits of the last full-blooded aboriginals in Victoria at Lake Tyers in Gippsland, most of which are in a private collection. In Sydney Leason illustrated Henry Lawson’s Selected Poems and worked for The Bulletin. Leason had begun his career at 13 as an apprentice lithographic artist at Sands and MacDougall. He attended night classes at the National Gallery and the Victorian Artists Society. Leason first visited Eltham in 1910 to paint with fellow artist William ‘Jock’ Frater. They camped near Bible and Pitt Streets and along the Diamond Creek on the site of the present Eltham Retirement Centre. Despite his success as a cartoonist, Leason wanted to be recognised as a serious painter and for his anthropological work.3 He was also conservative and felt uncomfortable with the modern art scene in Melbourne.4 So he left for the United States of America to work as a painter. Ironically his time in New York saw the burgeoning of modern art, notably by artists such as Jackson Pollock. But Leason found his niche by running an art school, painting society portraits and illustrating books and magazines.This collection of almost 130 photos about places and people within the Shire of Nillumbik, an urban and rural municipality in Melbourne's north, contributes to an understanding of the history of the Shire. Published in 2008 immediately prior to the Black Saturday bushfires of February 7, 2009, it documents sites that were impacted, and in some cases destroyed by the fires. It includes photographs taken especially for the publication, creating a unique time capsule representing the Shire in the early 21st century. It remains the most recent comprehenesive publication devoted to the Shire's history connecting local residents to the past. nillumbik now and then (marshall-king) collection, landscape, lavender park road, percy leason, new street