A book titled,'Dolly Dimple's Stories.' Hard bound cream covered book with blue lettering / publisher London - Printer & Publisher - Ernest Nister / painting of girl on front/ circa 1890's ? / The collection of short stories includes a poem -spring time by F.E. Weatherby / Clifton Bingham poems, The Hoop, The Shepherd Boy , Preparing for Christmas.books, children's, story book, lydia chancellor collection, collection, - book-dolly dimpl's stories / london - ernest nister / poem -spring time by f.e. weatherby/ clifton bingham poem the hoop, stories, poetry, illustrations, literature

Black and white photo of the Ruedin family at their winery and vineyard at Huntly, circa 1890, Johanna and Aimie Louis Ruedin are pictured with their four sons. The woman with the youngest son is possibly one of Johanna's sisters, Bertha or Maria Amelia Burstall. The winery and home were destroyed by fire in 1903. Also three pages of typewritten notes on the Ruedin family.person, group, ruedin

Tim Kennedy built 'La Belle' Guest House circa 1890 - 1920. It became 'The Grange' sometime after 1942. The guest house was on Belgrave/Gembrook Road between IGA and the Shell Petrol Station. Unfortunately the guest house was demolished around 1983.Guest houses of the DandenongsSepia postcard, Rose Series depicting early guest house in EmeraldFront: The Rose Series Postcard, 'La Belle' Guest House, Emerald Vic. Back:: (handwritten) Dear Miss Hartnell, Just to wish you a Happy Xmas and bright new year I hope and trust that your health is better it was just twelve months yesterday since I returned from Olinda how time flies Doesent it, with all good wishes yours sincerely B George'la belle', the grange, tim kennedy

Samuel Keam (1851-1928) was the son of John Keam and Mary Truscott of Eaglehawk. He was a keen bike rider who challenged many other riders to races in the Bendigo area. He also rode in professional races. He eventually opened his bicycle shop in Williamson Street. He married Mary Jane Wheatley in 1873. They eventually moved to Spotswood where he died.Bendigo Advertiser ''The way we were'' from Thursday, February 12, 2004. Sporting times: S. Keam Importers and Manufacturers of Bendigo proudly display their collection of late model penny-farthings, alongside a treadle sewing machine, bicycles and other wares. The side wall of the firm's store is also advertising perambulators (prams) and bicycles, circa 1890. The clip is in a folder.newspaper, bendigo advertiser, the way we were

Aime Louis Ruedin (1847- 5/6/1896) was the son of Swiss immigrants Louis and his wife Catherine Schiener. Aime married Johanna Haemsen (1850 - 1909). in 1870. They planted extensive vineyards at Huntly and supplemented their income by selling fruit from their orchards. They had 7 children. In May 1903, fire began in the Ruedin home and spread to the winery. Some vats and winemaking equipment were save but approx 4000 gallons of casked wine was lost.Bendigo Advertiser ''The way we were'' from Tuesday, December 9, 2003. On the winery: the Ruedin family at their winery and vineyard at Huntly, circa 1890, Johanna and Aimie Louis Ruedin are pictured with their four sons. The woman with the youngest son is possibly one of Johanna's sisters, Bertha or Maria Amelia Burstall. The winery and home were destroyed by fire in 1903. The clip is in a folder.newspaper, bendigo advertiser, the way we were

Photo taken circa 1890 shows the building owned by the Torquay Improvement Association believed to have been used as Torquay's "Town Hall", and also as a school from 1899 until a new school was built in early 1900's. The building was destroyed by the devastating fire of 1940.Torquay's first "Town Hall", an early community initiative,Black and white copy photo

Bendigo Advertiser ''The way we were'' from 2000. Moving: Bendigo Coach Factory circa 1890. Situated on the site where the Dragon City Tenpin Bowl is now situated was Floods Coach Builders in Hargreaves street. The man fifth on the left was Thomas Flood, the father of Thomas Richard Flood who was mayor of Bendigo on four occasions. (Photo supplied by Peter Flood, Golden Square). The clip is a folder.newspaper, bendigo advertiser, the way we were

The donor and family of this gown were long-term Brighton residents, and the gowns were held by them as family heirlooms prior to donation to Brighton Historical Society. Originally owned by Elizabeth Emma Adams and Cecilia Elizabeth Adams, it is believed that the dress was brought to Australia by either a half brother, James Smith Adams, or a younger sister, Sophia Charlotte Louisa Adams (later known as Mother Rose Columba Adams). Elizabeth and Cecilia were the daughters of James Smith Adams (a squire, 1780-1860) and Elizabeth Emma McTaggart (1793-1843) of Tower House, Woodchester in Gloucester, a property which Elizabeth later inherited. Originally a monastery, Tower House had been converted into a stately home after the Reformation. According to information originally provided by the donor, the skirt portion of this dress (along with the bodice T0004.3) was made for either Elizabeth or Cecilia to be worn at the young Queen Victoria’s first 'drawing room ball' following the end of court mourning in 1838 for her uncle William IV who died in 1837. In 1838 Cecilia would have been twelve years old and Elizabeth would have been ten years old. It is possible that this dress was worn by one of the girls to this event as it is of appropriate dimensions for a child of that age, although its design is very formal and adult. Elizabeth was born on 30 June 1828 at Tower House and died on 1 May 1909. She created a scandal when she eloped with her first husband, Thomas Charles Gardiner at the age of 18. The validity of the marriage was later formally investigate and, while it was confirmed as valid, a second church wedding was subsequently held. Thomas died in 1878. Elizabeth subsequently remarried Reverend R. E. Blackwell, but was widowed again by 1889. Cecilia was born on 17 December 1826 and died in 1902 a spinster recluse in England. At the inquest into Cecelia's death in 1904 it was revealed that she had clearly come from a family of means as her home was filled to the brim with highly valuable goods, many in boxes. She was buried in the family vault at Woodchester. Elizabeth and Cecilia's sister Sophia converted to Roman Catholicism in 1851 and became a nun, taking the religious name 'Rose Columba'. In 1883 Mother Rose Columba led a group of eight to Australia, answering a call for Dominican sisters to nurse the sick in Adelaide. Upon arrival, she founded St. Dominic's Priory and the Church of Perpetual Adoration in North Adelaide, using her inheritance to build the chapel. Elizabeth's second son, George Henry Somerset, who inherited the Adams family estate dropped the 'i' in Gardiner and added the maiden name of his grandmother. Therefore, the family name has now become Gardner McTaggart. These Adams family entries have been updated with information provided by Dr Herbert Gardner McTaggart, great-grandson of George Henry Somerset in April 2016. Mr McTaggart contacted the society after finding our entries online.A hand and machine sewn cream, pale blue, orange and gold embroidered satin formal dress, the bodice dates from circa 1890. This dress shares a skirt with T0004.3, which dates from circa 1840. The bodice features a high scoop neckline with gathers at the base of the scoop and directly below where the bodice finishes creating fullness over the bust. The bodice front encloses the bust with a right panel over the top of a left panel and securing with two hook and eye closures over the left shoulder. The panels are secured together with 15 hook and eye closures. The sleeves are set neatly on the true shoulder and are elongated full puffs to just above the elbow. The fullness is created by nine pleats from the top of the shoulder over the back of the shoulder. At the base of the sleeve the fullness is gathered just above the elbow. At the centre back of the bodice are four inward facing pleats running from the centre neck to the waist. The bodice is secured around the waist with a tape and four hook and eye closures. The bodice is boned around the sides and back of the torso with eight bones. This bodice is finished at the waist with a pleated cummerbund of the dress fabric that is designed to appear to be a sash with two decorative bows. One front left of centre and one back right of centre. The skirt secures at the waist with an opening to the left of centre at the back. The skirt gathers tightly at the centre back with a dart on either side. The skirt has a front central panel and the skirt falls to floor length. At the back, the skirt is also floor length. The back of the skirt may have been modified at some time and may have originally finished in a train. It would be more appropriate to the period of the bodice, and the believed use of the dress with a train.cecilia elizabeth adams, elizabeth emma adams, queen victoria, tower house, woodchester, james smith adams, elizabeth emma mctaggart, sophia charlotte louisa adams, 1890s fashion

Object. Green Velvet & Silk Decorative Chocolate Box Late Victorian Era Circa 1890. Gold Metal Edged Decoration On Each Corner & Gold Metal Clasp. The Centre of the Lid is Decorated with a Large White Moulded Piece of Celluloid Over Heavy Cardboard. The Celluloid Decoration depicts a Classical Scene either Roman or Grecian; 2 Ladies, 1 Reclining & 1 Standing, With A Peacock & A Swan Around A Pond Containing Lotus Flowers Or Water Lilies in Foreground. The Side of the Box were Silk & 3 Beads in Each of the Corners.J.S. Fry & Sonsdomestic equipment, containers, green velvet chocolate box

The sea water baths were built in 1876 on the line of the railway track and were moved to the Gilles Street site with the advent of the railway. Salt water was drawn from the sea by a windmill and later by steam pump. The main pool was 100 feet by 50 feet. The present site of Heritage Works, the offices of the Warrnambool & District Society Inc. and Warrnambool Family History Group, is on the area of the Town of Warrnambool's Swimming Baths of 1890s. The Warrnambool seabaths have social and historical significance to the local area.Two sepia photographs depicting the baths. The top photo shows people in the pool with a large number of mainly men around the edge of the pool. The bottom photo depicts an empty pool. Mounted on dark cream card. Text between photos states, “ Swimming match Warrnambool Baths 1890.sea water baths warrnambool, sea water baths warrnambool photos, warrnambool history

A collection of music and songs, many labelled Colonial Music Cabinet. Thomas Smith, operated gas printing works in Koroit St Warrnambool opposite the Baptist Church in the latter part of the 19th Century. The business did a number of printing related tasks including lithographic printing, engraving and bookbinding. A collection of musical scores which were popular at the time with links to a well regarded business in Warrnambool.Brown cloth over hard card cover with black leather spine and corners. Contains 12 music folios of various length Bound by Smith Printers Warrnambool. 2nd Edition.warrnambool, thomas smith printers and bookbinders w. h glen & co. colonial musical cabinet

Augustus Bostock was the 9th child of Robert & Rachael Bostock of Vaucluse Epping Forest, Van Diemen’s Land. He was only 4 years old when his mother died. He was inspired by his father to seek his fortune in the Western District of Victoria. He arrived around 1850. He married Margaret Aitkin in July 1865. Augustus owned several properties in the district and leased others. He sat on the court of Warrnambool, Mortlake or Hexham as required. He resided at Marramook in Hawkesdale and later moved to Vaucluse in Hopetoun Road Warrnambool, where he died in 1920 at the age of 87. He was involved in many aspects of life in the Western District, racing, cricket, and social activities to name a few. This diary shows the daily entries over a long period of time with activities ranging from fencing, visiting neighbours and weather details. It mentions many local people and many properties he visited. Augustus Bostock along with a number of his brothers was one of the earliest pioneers in the Western District of Victoria. This diary sheds considerable light onto the life of Augustus and people of his era. There is a wealth of information on a range of topics relating to early life in Warrnambool and district.Blue cloth, water wave cover with maroon binding.Maroon, blue and white patterned pages inside front and back covers. Pages are all handwritten. Coomete 1890.diary of augustus bostock 1890, warrnambool

Dutton and Wiggs operated a brass and iron foundry known as the Warrnambool Brass and iron Foundry situated in Timor St. Mr Dutton was a mechanical engineer and Mr C Wiggs was an experienced foundry worker. They were innovative in their work and also manufactured a large number of everyday items such as verandah posts, brackets and milk aerators.The significance lies in the fact that the items were manufactured in Warrnambool by a well- established local business. Two solid cast iron rods of cylindrical shape with one flattened edge with name imprinted. Hollowed out section on one end. S. Wiggs W,bool. One has the number 7 and the other 5 cast into the metal. warrnambool, wiggs, dutton & wiggs, window weights

Historically this item is from the early to late 1890's. This Item documents the day to day commerce and financial transactions of a business in a regional centre of a rural district. It illustrates the greater degree of personal contact between bank staff and client, outside electronic money transfers and A.T.Ms. The personal activities especially in small towns between bank and customers made for a clearer and friendlier transaction interchange possibleThis item clearly details pre Federation banking and the important link with English law and commerce. Regional banking was very strong and the rural sectors provided the "wealth of the nation". This confidence was backed by the assurances of the Royal Charter and the financial strength of the British Homeland. The strong Pound Sterling was the currency of the "Empire"Discoloured white, hard cardboard book with brass clasp/clip early Pass book containing 45 pages. The page thickness is close to thin cardboard.No outside markings. Inside cover printed "The Bank Of Australia (Incorporated by Royal Charter, 1835)". Also Listed, the paid up capital, the reserve fund and regulatory information. The second page details the list of offices in Australia and the London office. Following pages credit debit information of typical bank Pass Book of "John Woodside No.2 A/Ccommerce, banking beechworth early accounting pre federation

B/W photo on cream embossed card, held in modern folder with inscription. Original card has been cut down. Business name in photo is 'J Steward - Kerang Pioneer Steam Coach Building and Implement Work Engineering (General work and repairs neatly executed) Business name on cart: EA Barrett - BakerEarly photograph of commercial buildings in KerangB/W photograph of men standing outside coach building/works at Kerang Victoria on cream cardon re-cut mount card 'Kerang 1920'snightingale, thompson, kerang

Glass vase. Glittering pink. Small, bulbous vase with fluted scalloped rim.. Inside is white.vase ornament-glass

Mankind has been bothered by flies ever since time began. This has led to the invention of a number of different fly traps or fly catchers.Glass fly traps were popular during the 19th and early 20th centuries. The flies, being attracted by some sweet liquid or other bait in the bottom, were unable to find their way out. This trap has small glass legs enabling it to be used standing on a flat surface such as a table. Most were suspended by wire handles. This is an example of a common domestic item no longer commonly used today.Moulded clear glass fly catcher on small glass legs. Glass stopper. A piece of bait is suspended in the centre and the top opening is covered up with a piece of cloth and a fluid such as kerosene or similar is put in the gutter below the outer part of the dome. The flying insect is drawn inside by entering the underside opening and then, when trying to leave, flies against the glass and then drops into the catching fluid below.fly-catcher pest-control glassware

This item is an example of a lighting device used before electricity and battery power were widespread.A small brass Elfin Reflector Night kerosene lantern with a reflector plate at the back. A handle runs around the middle. It has a small canvas wick. The glass is missing.On top of fuel tank-ELFIN REFLECTOR NIGHT LAMP On back-MADE IN U.S.A. BY EDWARD MILLER & CO USA On wicker winder (left) -E. MILLER -CO.U.S.A.lamp lantern kerosene oil lighting miller-edward

This photo has been taken at Richmond Park, Lake Learmonth, Victoria. The woman in the photo is likely to be Lily Jones with her two dogs. The lake is to the right hand side of the photo.It is one of the many photos of the early period of Lake Learmonth and one of the inhabitants. Also the beautiful outfit that Lily Jones is wearing shows the style of day wear from the late 1800's.Sepia photo of Lily Jones with her two dogs, taken at Richmond Park, Lake Learmonth with gum trees in the background.On the back of this photo is written, Richmond Park, Lake Learmonth. Lily Jones, photo, Learmonth.lake learmonth. richmond park. lily jones. dogs. gum trees.

The subject item is a good example of a large, hand-operated Bentwood box butter churn used to make up to 14 pounds of butter. It was made in Gisborne, Victoria, by the famous manufacturer, E. Cherry, and is known as an Improved Patent No.2 model probably dating from the late 1800s. The Cherry works specialised in making all types of butter churns and equipment for both domestic use on farms and small butter factories during the late nineteenth and early to mid. twentieth centuries. Milk was "separated" to retrieve the cream which was then beaten to make butter. E Cherry began making various models of Cherry butter churns in 1858, Edward Cherry migrated from Herefordshire England to Australia in 1855 with his wife Ann Appleby, nee Davis, and established a joinery workshop at Gisborne, Victoria. He began by making butter churns in his spare time and his product soon became popular allowing him to establish a viable business. A factory was established in 1875 and he started to make churns of all sizes including up to industrial scale. He exported his products to many countries around the world, Edward Cherry died in 1909 and the business was then run by his son George until he died in 1917. E Cherry's other son Thomas (1861-1945) was also involved in the firm maintaining an interest for several years. He had been born in Gisborne and became a senior house medical surgeon at the Melbourne Hospital in 1890. He continued his studies at Kings College London, eventually becoming a renowned bacteriologist and agricultural scientist. A significant giving an snapshot into how early rural and industrial manufacturing became established in Australia.Rectangular butter churn, a footed wooden box containing an X-shaped wooden interior rack, which is joined to an exterior metal hand crank with turned wood handle, through a hole in the box. Beneath the hand crank is a hole from the interior lined with metal. The lid has a carry handle affixed to the lid on two cross pieces attached to the lid by brass screws.Lettering in black on a transfer "CHERRY & SONS PTY LTD. GISBORNE VICTORIA". Model 00warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, flagstaff-hill-maritime-village, butter churn, gisborne, edward cherry, george cherry, thomas cherry, ann appleby, dairy equipment

This small desk was possibly used by an office clerk or student.This modest desk is typical of student's and administrative furniture used in the early 1900s.Desk, writing slope, plain design. Cedar wood, sloped top, plain tapered legs, hinged lid, lock at front, raised edge at front and back.flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, desk, writing desk, office furniture, domestic furniture, writing slope, clerk's desk

The donor of the petticoat is Ms Nancy Maggs. Nancy's grand-mother, Sarah Flagg, was the owner of the petticoat. Sarah Flagg and her family arrived in Melbourne in the 1840s.Sarah Flagg was the original owner of the petticoat. Sarah was the grand-mother of Nancy Maggs. Nancy Maggs had the petticoat in her possession before she donated it to the City of Moorabbin Historical Society.White half, floor-length petticoat with 3 tiers. A light blue ribbon woven around at knee length of the petticoat. Broderie anglais trimming round the first two tiers and through sections of the bottom half of the petticoat. There are 6 panels of the same embroided floral design which runs around the outside of the petticoat, between the Broderie anglais sections. There is a small side slit on the top right-hand side of the petticoat. Two small buttons are located down the side of the slit, but the third button is missing. The garment is in good condition, with mild discolouration in certain areas.petticoat, underwear, undergarment, waist slip, white, 1900s, sarah flagg, nancy maggs, broderie anglais, embroidery, blue ribbon, needle lace, lace, moorabbin, bentleigh, cheltenham, dressmaking, sewing, craftwork, brighton, market gardeners, pioneers, early settlers

Photograph- black and white. Portrait of a family consisting of a woman and three young children, one girl and two boys. By looking at there faces they have the same distinct chin, the woman is wearing a pendant. Youngest boy is wearing a frilly collared jacket, older boy dressed similarly but not so frilly. Woman is wearing dark top and skirt, wearing an unusual white hat. Girl is wearing a plain white dress, very tight curly hair tied in plaits.Alan Spicer, Bendigo.person, family, photograph

Photograph - black and white. Portrait of a young child, dressed like a boy. Wearing a dark velvet outfit, big white buttons, and a very large lacy collar, sitting on a chair with a fur type rug around him.Bartlett Bros. Sandhurst.person, child portrait

Photograph, sepia. Portrait of a young child, standing next to a tree stump, dressed in a white lacy looking dress, white socks and black shoes.Bartlett Bros., Sandhurst.person, individual, child portrait, photograph. portrait of a young child. unknown family collection.

Photograph, sepia. Portrait of a young woman, well dressed, leaning up against a beautiful lounge looking chair.Bartlett Bros. Sandhurst.person, individual, female portrait, photograph. portrait of a young woman. i believe the same as photo 1339.2. unknown family collection.

Photograph - black and white. Portrait of a man, well dressed in a plain suit, wearing a moustache.Foster, Pall Mall, Sandhurst.person, individual, portrait male, photograph. portrait of a man. unknown family collection.

Photograph, sepia. Portrait of a young woman. Standing next to lattice, looks like back of a house/garden,holding a umbrella, on the ground in front of the woman a straw hat. She has very long hair and it's out.Bartlett Bros. Sandhurst.person, individual, female portrait, photograph. portrait of a young woman. unknown family collection.