This book has written by a local Warrnambool resident Dennis O’Keeffe. He was a folk-singer and composer and collector of folk songs. In this book he documented for the first time the full details of the origins of the song, ‘Waltzing Matilda’, especially its connections with 19th century Warrnambool. It contains much original material. This book is significant because it was written by a well-known Warrnambool resident and tells the full story of the origins of the song, Waltzing Matilda, including its beginnings in Warrnambool in 1894. The book is signed by the author. This is a soft cover book of 294 pages. The front cover has yellow and white lettering with an image of a bushman camping in the bush with a smaller version of the same image on the back cover. Information on the book is on the back cover. The book has a preface, 17 chapters of text, a bibliography, notes and an index. There are several black and white photographs and illustrations in the book. The book is signed in black biro by the author, Dennis O’Keeffe. ‘D.O’Keeffe’ dennis o’keeffe, waltzing matilda, history of warrnambool

Theatre programme with director's notes for play presented at Artspace At Realm, Ringwood, 24 September to 5 November 2023.Project Direction and Playwright - Sharyn Mullens Taylor OAM, Creative Director - Eva McEntee, Cinematographers - Bobby Dong, Finn Clarke, Hugo Stevens, Composer and Sound Design - Andrew Becaller, Cast - Bridget Sweeney, Jordan Chodziesner, Paul Armstrong, Phoebe Anne Taylor, Peter O'Brien, Adam White.

A booklet with a photo of Chaliapin on the front cover. Also on the front cover are the words, 'CHALIAPIN CONCERTS Auditorium Direction: J. & N. Tait Souvenir Programme Book of Words.' Inside is an advertisement for Buckley's Elizabethan Tea Rooms, Melbourne. Inside is the programme of his concerts, books of songs by famous composers, photos and advertisements. Saturday, July 24, 1926, Melbourne. 56 pgs. The Specialty Press Pty., Ltd., Melbourne.program, music, chaliapin concerts, lydia chancellor collection, collection, music, entertainment, programme, program, concert, event, individual, person

Frank Wright was a renown resident of Smeaton, where he was born on 2 August 1901. He lived at Laura Villa, and attended Smeaton State School. His father William was a gold miner and his mother's name was Sarah. Their family won many singing and instrumental awards. Frank was tutored by Percy Code and was awarded a gold medal for the highest marks in the ALCM examinations in the British Colonies at the age of seventeen years. He became the Australian Open Cornet Champion by the age of eighteen. A year later, Frank conducted the City of Ballarat Band, and later the Ballarat Soldiers’ Memorial Band. He formed the Frank Wright Frisco Band and Frank Wright and his Coliseum Orchestra. These bands won many South Street awards, and Frank as conductor won many awards in the Australian Band Championship contest. In 1933 Frank Wright sailed to England to conduct the famous St Hilda’s Band and was later appointed Musical Director of the London County Council, where he organized many amazing concerts in parks, in and around the London district. He was made Professor of Brass and Military Band Scoring and conducted at the Guildhall of Music and Drama. Frank was often invited to adjudicate Brass Band Championships around Europe, in Australia, including South Street and in New Zealand. The Frank Wright Medal at the Royal South Street competition is awarded to an individual recognized as making an outstanding contribution to brass music in Australia.2 small newspapers 1). Small 16 page newspaper from Saturday, 14 October 1967. On page 5 is a photograph and caption pertaining to Frank Wright. His name is also mentioned on page 9 in the 'Fourth Section Test Piece' as composer. 2). Small 8 page newspaper from Saturday, 25 October 1969. On pages 2 and 6 are 'Adjudicators' Remarks' written by Frank Wright among others.frank wright, the british bandsman, newspaper, brass bands, adjudicator, composer

The Boyds purchased their record player and sound system from Thomas’s in Melbourne. Patricia Boyd (later Davies) was very interested in opera and was later appointed to the Board of the Australian Opera.Verdi La Traviata. LP 33RPM vinyl - Box set, Catalogue Number: 212D 2 D212D 3, 1 cardboard box cover with hinged lid, 3 paper record record sleeves (with inscriptions), 3 vinyl disk, 1 booklet with libretto. Joan Sutherland, Luciano Pavarotti, Matteo Manguerra and other artists. Composer: Verdi; Conductor Richard Bonynge; The National Philharmonic Orchestra, London Opera Chorus.lp, sound recording, opera

This is an early 20th century piece of music, a popular song for piano and voice. It was composed by Carrie Jacobs-Bond (1862-1946), the first great American woman popular composer. She was born in Wisconsin and was an invalid for most of her life. Her second husband died after seven years of marriage and she struggled to support herself and a child. She became one of the most popular composers of her time and her song ‘A Perfect Day’ has been a concert favourite for a 100 years. The words of the song, ‘God Remembers When the World Forgets’, were written by Clifton Bingham who was born in Bristol, England and was an author of verses for children’s picture books as well as a writer of lyrics for popular songs. He was most famous for the words of ‘Love’s Old Sweet Song’. Grice’s Piano Store was at 92 Queen Street in Brisbane. This is an interesting piece of music as it represents the type of music popular early in the 20th century and the cover is artistic and charming. This is a four-page piece of sheet music (cover, frontispiece and three pages of music). The pages are of a creamy colour, perhaps once white. The second page has a three-stanza poem (‘How many gardens in this world of ours…’) printed in black and the musical notations are in black print. The front cover is multi-coloured, with a sketch of a rose branch with several roses (sketched by ‘Herbert’) This page has two pale green borders and a shop stamp. The back page has information on the publisher. The pages are in good condition, though there is some tearing on the folds. Front cover stamp: ‘Pianos, Grice Brisbane’ Front cover: ‘Herbert, Poem by Clifton Bingham, Music by Carrie Jacobs-Bond, 60, 2/- net, High,*Low, Medium’ carrie jacobs-bond, clifton bingham, warrnambool, sheet music

The Boyds purchased their record player and sound system from Thomas’s in Melbourne. Patricia Boyd (later Davies) was very interested in opera and was later appointed to the Board of the Australian Opera.La Fanciulia Del West. LP 33RPM vinyl - Box set, Catalogue Number: 2740186, 1 cardboard box cover with hinged lid, 2 paper record record sleeves (with inscriptions), 2 vinyl disk, 1 booklet with libretto. Composer: Puccini. Carol Neblett, Placido Domingo, Sherrill Milnes, Chorus and Orchestra The Royal Opera House Covent Garden (Chorus master: Robin Stapleton; Director Zubin Mehta).lp, sound recording, opera

The Kew Light Opera Company was formed in 1952, and mounted a number of musical and variety productions each year until it was subsumed in the "Q" Theatre Guild in 1957. A partial record of performances by the company includes: 1952 Florodora, 1953 The Cingalee - San Toy or The Emperor's Own, 1954 While the Sun Shines - A Country Girl - Our Miss Gibbs, 1955 The Toreador - The Arcadians, 1956 The Maid of the Mountains - Whiteoaks - Goodnight Vienna!, 1957 A Country Girl. Most of the Company's performances took place in the Kew Recreation Hall in Wellington Street, Kew. The scrapbook of annotated photographs, programmes, and newspaper reviews of which this item is a part was assembled by Marion Tilley, wardrobe mistress for, and performer in, productions by the Kew Light Opera Company and the "Q" Theatre Guild. It is significant as a remarkably complete document of theatre performances in Kew, Victoria during the 1950s and 1960s. The scrapbook, and the items individually catalogued within it, have artistic and aesthetic significance within the history of performing arts in Victoria in the middle of the 20th Century. They have social significance in that they reveal socio-cultural values and preoccupations during the period. The records also act as a history of arts activities in the Kew Recreation Hall and later in the Kew City Hall as entertainment and community arts and music precincts.Black and white photograph of Joan Hutchinson, playing Cilli, an errand girl in a flower shop, in the Kew Light Opera Company's performance of Goodnight Vienna! in 1957. The theatre programme for the production notes that: "Joan Hutchinson (Cilli) made her first appearance with the Company as "Vittoria" in "The Maid of the Mountains" and was an instant success. Before coming to us she had played in "Alaya" by the Australian composer, Edith Harrhy, and now as "Cilli" has the opportunity of creating another successful memorable part."Inscribed beside the photo in the scrapbook by Marion Tilley: "Joan Hutchinson".performing arts -- kew (vic.), scrapbooks, marion tilley collection, kew light opera company, kew recreation hall, musical comedy -- melbourne -- victoria

This work was commissioned by the University of Ballarat (later Federation University Australia) at the suggestion of University lecturer Janice Newton.The composers brief was to provide fanfare/processional - type music that reflected both something of the early history of Ballarat and something of the goldfields. 'Look Out Below' and the medieval university tune 'Gaudeamus Igitar' has been incorporated into the body of the music. The discerning ear may pick out these tunes being played independently or together, in snatches or longer segments, throughout the piece. Rosalie Boninghton (9.4.1946 - 21.12.2011) was born in Ballarat. She studied composition under Keith Humble, Ian Bonington, Theodore Dollarhide and Lawrence Whiffen from the University of Melbourne and completed her Master of Arts (Music) at LaTrobe University in composition with a thesis on 'Contemporary Liturgical Music and the Composer. In 1967 Rosalie was awarded the Coutts Memorial Prize for Composition from the University of Melbourne. She has also won the national Song of Jubilee competition (1999), and was co-winner of the national Competition for Liturgical Psalm-Setting (1983). An A3 score of fourteen A3 pages for brass, woodwind and timpani. The pages have been inserted into an A3 display book. An collections of A4 scores for each musical instrument is also located in the A3 display book. The music has been designed for flexi-length options to suit each particular occasion, ranging from approximately 2 minutes and 35 seconds minimum length to approximately 3 minutes and 37 seconds maximum, and including a range of intermediate lengths possible. graduation, music, music score, rosalie bonighton, processional hymn, janice newton, fanfare

This piece of music was composed by Joseph Summers (1839-1917). The date of the composition is between 1863 and 1866. The brother of Charles Summers, the sculptor, Joseph Summers was born in England and came to Australia in 1865. He was an organist and composer, an Inspector of Music in schools and in charge of music examinations conducted through Trinity College, London. In 1897 he moved to Perth. The signature of ‘Miss Jessie Webster’ presents a problem as no information has been found on this person. This is a most significant item because of the date, 1866, and the name, ‘Jessie Webster’. But it is not known if the music has any local provenance. The item also has social significance as an example of the type of music played in mid-Victorian drawing rooms. This is a piece of music of four printed pages of musical notation. The cover of this music is missing. The paper is white with black printing and all the pages are much mottled and stained. The edges of the pages are ragged and torn. There is some pencil scribble on the first page. A name and a date are written in black ink on the first page. ‘Miys (Miss) Jessie Webster, November 13th 1866’jessie webster, joseph summers, warrnambool

This music was used by Frank Wright who had been tutored by Percy Code. Frank Wright won the Australian Open Cornet Championship using this music, and won the gold medal for the highest mark in the British Colonies. Percy Code was born in Melbourne on 03 July 1888. He started learning the violin and piano at the age of eight. Three years later his father, Edward, started tutoring him on the cornet. His first competition was in October 1902 in Ballarat's South Street Competitions. Percy Code was Musical Director of Ballarat City Brass Band from 1913 until 1921. He was Frank Wright's teacher. Code apparently lived in a large house just west of where St Peter's church (Ballarat) now stands. Percy Code toured the world as principal cornet with the 'Besses o' th' Barn Band.' He returned to Australia in 1912. Frank Wright at one stage rode his pushbike from Smeaton to Ballarat for lessons. Leaving Australia for America in March 1921 Percy Code obtained an appointment as trumpet soloist for the 70 piece San Francisco Symphony Orchestra. He returned home two years later and became bandmaster to the Prahran City Band in 1925. From 1938, as part of Australia's Sesqui Centenary celebrations, Percy Code conducted the Sydney Symphony Orchestra for the ABC orchestral concerts in Sydney Town Hall. His career with the ABC came to an end in late 1951 due to poor health. Percy Code died on 17 October 1953. From 'Legend in Brass' with additions from Bob Pattie of the Ballarat Brass Band.11071.1 Four cream pages containing handwritten title page in front, two sheet music pages inside and blank back cover. 11071.2 Eight cream pages containing front page typed title with handwritten text at top, Six pages of sheet music cream pages, with parts for piano and cornet, with black printed notes. A photograph of the composer Mr Percy Code is glued into the first page at the top left hand corner. The back cover page has advertisements for four music albums from Allan & Co. Prop. Ltd..1) Front page handwritten in blue pen and pencil. Hand written notations in pencil for cornet throughout sheet music pages. Frank Wright Smeaton 15 July 1919 in top right hand corner; Champion Bb cornet solo South Street 1919 in top left hand corner. Under title on front page: Handwritten notes in pencil giving results of competition and judge's comments. 2) Frank H. Wright Smeaton 15/7/1919 handwritten in top left hand corner. "With Compliments Percy Code 15/7/1919 written diagonally in blue pen in at right hand top.cornet, frank wright, allan & co., allans music, ballarat, south street, percy code, code, wright, sheet music, "wendouree", (romance), wendouree, romance, wendouree

Ballarat Teachers' College Principal W.H. Ellwood (1926-31) formed a friendship with Mr C. Ellis when they were teachers at neighbouring Gippsland schools. During the first world war they served in the same regiment. When Mr Ellwood became Principal of the Ballarat Teachers' College in 1926 the original copy of the college anthem, "Extra Muros", bore the words written and composed by Helen Ellis. She was a London born singer, composer and author who came to Australia after her marriage to c. Ellis in 1918.A3 photocopy of Extra Muros words and music. The words are by C. Ellis and the music is by Helen Ellis. ballarat teachers' college, helen ellis, c. ellis, extra muros, score, music

Edwin Burston's father was B. J. Burston, conductor of the Bendigo Symphony Orchestra in 1896.The Strand Musical Magazine, Volume III, January to June 1896. The inside front cover has a certificate outlining it was presented to Edwin Burston, at Gravel Hill State School No.1566, for School Choir: First Prize, Astral Competitions, Bendigo May 1897. The book has a grey hardcover with black, red, blue inscriptions and pictures on the cover. The spine has gold and black inscriptions and pictures, and the back cover is blank. The book includes pictures and articles on musical instruments, composers, musicians and sheet music for various pieces. This book is missing pages at the beginning and starts at page 3.music, gravel hill school, astral competition, sheet music, burston family

Jacqueline Dark attended Ballarat Grammar school. She has won many awards for singing and performs with Opera Australia.A4 page in colour from school magazineJacqueline Dark was recognised in Melbourne's premier arts award ceremony. The Green Room Awards recently for her work as Composer in Victoria Opera's Ariadne and Naxos. Jacqui was nominated in the category of "Female in a Leading Role" along with Yvonnne Kenny, Dominica Matthews, Tiffany Speight and Susan Bullock. All performances were of exceptional quality. The nominations and awards are made by the Green Room membership of industry professionals via sub-committees for each discipline.jacqueline dark, the green room, awards, yvonnne kenny, dominica matthews, tiffany speight, susan bullock

This is an early 20th century musical composition by a leading Tasmanian composer, Florence Hull (Mrs Arthur Kenny). It is a sentimental song as the ‘sprig of boronia’ is a withered one, kept as a relic of some past event. This music was printed in the Victorian School Paper for Grades 7 and 8 in 1918 and the proceeds of copies of one of the editions of this work were donated to the Hawthorn Red Cross in Melbourne. Florence Hull’s musical works and memoirs are in the Tasmanian Archives. Paul Dufault, who sang this song, was a leading Canadian tenor who toured Australia and Europe. He died in 1930 aged 57. This sheet music has significance as it was composed by a Tasmanian woman in the early 20th century and it represents the type of music popular in concert halls at the time. It has been in the Warrnambool and District Historical Society collection for many years. This is a four page piece of sheet music (cover plus two pages of music). The paper is cream-coloured, discoloured in places, with brown print on the back of the cover and black notation on the music pages. The front cover is in brown, yellow and green tonings, with a chromolithographic illustration of a Boronia flower spray and some music bars. The back of the cover has information on eight of Florence Hull’s other compositions with comments by critics. The pages have been torn and mended with adhesive tape.Front Cover: ‘Sung by Paul Dufault’ ‘A Sprig of Boronia’ ‘Music by Florence Hull’ ‘Copyright, Price 2/- nett, Published by F. M. Kenny, Melbourne, Allan and Co. Pty. Ltd., 276-278 Collins Street, Melbourne, Adelaide, Bendigo, Geelong’ In pencil on front cover: ‘To Mac from ….., 25/8/24’ florence hull, paul dufault, warrnambool, a sprig of boronia sheet music, sheet music, warrnambool history

Dorian Le Gallienne (1915-1963) was born in Melbourne and studied music at Melbourne University Conservatorium and at the Royal College of Music, London. In 1951 he won a Commonwealth Jubilee Music Scholarship and studies in London for a further two years. Le Gallienne was recognized as one of Australia’s foremost composers. He was also well known as a music critic for Melbourne newspapers. On the local scene he wrote the music for Tim Burstall’s 1958 film “The Prize”; set in Eltham. Bicentennial/Heritage Week Display, "The Eltham Tradition", Eltham Shire Office, 17-22 April 1988 Colour photographactivities, eltham shire office, heritage display, heritage week, dorian le gallienne, the prize (film), tim burstall

Astra String Orchestra, City Hall, Bendigo, Tuesday, 4th April 1967. The Music Advancement Society of Bendigo Presents the First Concert 1967 series. Conductor: John Glickman. Leader: Jean Lehmann. Soloists: Sybil Copeland - Violin, Margot Prior - Oboe. Photo of John Glickman. President: E Beilharz. Joint Hon. Secs. Madge Edgar, Emily Bright. Programme Ten Cents. Variations on a Theme of Tchaikowsky Arensky The Russian Composer, Anton Arensky was a pupil of Rimsky - Korsakov at St. Petersburg, . . . Advertising Hesse Bros. Electrical Sales Pty. Ltd. Edgar's Authorised Newsagency. Allan's Music.Bolton Bros. Print., Bendigoprogram, music, music advancement society bendigo, astra string orchestra, city hall, bendigo, 4th april 1967. music advancement society of bendigo first concert 1967 series. conductor: john glickman. leader: jean lehmann. soloists: sybil copeland - violin, margot prior - oboe. photo of john glickman. president: e beilharz. joint hon. secs. madge edgar, emily bright. programme ten cents. variationstheme tchaikowsky arensky russian composer, anton arensky a pupil of rimsky - korsakov at st. petersburg, . . . advertising: hesse bros. electrical sales pty. ltd. edgar's authorised newsagency. allan's music.

The Strand Musical Magazine, Volume IV, July to December 1896. The inside front cover has a certificate outlining it was presented to Blanche Hoskins, at Gravel Hill State School No.1566, for School Choir: First Prize, Astral Competitions, Bendigo May 1897. The book has a grey hardcover with black, red, blue inscriptions and pictures on the cover. The spine has gold and black inscriptions and pictures, and the back cover is blank. There is a stamp on the title page - "E. W. Cole, Music Department & Library, Book Arcade". The book includes pictures and articles on musical instruments, composers, musicians and sheet music for various pieces.sheet music, music, gravel hill school, books

This is a programme for a 1913 Clara Butt and Kennerley Rumford concert in the Warrnambool Town Hall. Clara Butt (1872-1936) was an English contralto recitalist and concert performer, well-known for her powerful and deep voice. Her three months’ tuition in Paris was sponsored by Queen Victoria. She was married to Kennerley Rumford in 1900 and they had three children. Robert Henry Kennerley Rumford (1870-1957) was an English baritone singer known initially for his performance of oratorio. Clara Butt and Kennerley Rumford were called ‘the greatest classical Valentines’. Other performers listed in this concert programme were Mowat Carter, a Melbourne-born violinist and William Murdoch, a pianist, composer and author, born in Bendigo.This programme is of considerable significance as it records the visit to Warrnambool of the famous English singer, Clara Butt. It is an original programme and it is probably a rare one. This is an eight-page programme, consisting of two sheets of cream paper folded in half. The programme was stapled but the staples have been removed. The front cover has blue printing and the back cover has an advertisement in blue print. The print on the inside pages is in black. Two inscriptions are handwritten in blue ink.‘1913’ ‘N.J.Absalom’clara butt, kennerley rumford, warrnambool town hall, history of warrnambool

This is a programme of 16 pages. The cover has a colour image of a seascape and a ship and black printing. The pages contain printed text, black and white sketches and photographs and advertisements. The pages have been stapled but the staples have been removed.non-fictionThis is a programme of the opera performance of the Wreck of the Loch Ard wreck of the loch ard, warrnambool theatre company

A black speckled self textured covered Methodist Hymn book with tunes. It has a ribbon bookmark attached. The title is printed in gold lettering at the top of the front cover and spine. On the endpapers at the front is The Lord's Prayer printed inside a red ornate frame and opposite is the hymn, Gloria with music similarly framed. The back endpapers have the hymn music for Dorology and the prayer, Benedictions - both are framed in red lines. The edges of the pages are in gilt. At the back of the book there is an Index of tunes alphabetically arranged, a metrical index of tunes, composers and sources of tunes and hymns with tunes and metres, plus a list of ancient hymns and canticles. On page vi at the front is a note stating it is an Australasian Edition prepared for and copyrighted in the Australian Commonwealth and New Zealand. 948p.non-fictionA Methodist Hymn Book which is a lineal descendent after a lapse of 125 years of the volume known as Wesley's Hymns for which John Wesley wrote a celebrated preface in 1779. It has the words and music for all the hymns included. It is an Australasian Edition specially prepared for and copyrighted in the Australian Commonwealth and New Zealand.religious books, hymns

This is a programme of a concert called ‘Grand Symphonic Concert and Irish Ballad Night’ staged by the Warrnambool Orchestral Society at the Warrnambool Town Hall on July 10th 1902. The conductor was Louis Bayer (1857-1907). Born in Germany, Bayer came to Warrnambool in 1891 and, with his wife, Eleanor, taught piano. violin, orchestration and singing and established the Warrnambool Orchestral Society. In 1896-7 Bayer was the musical director of the Warrnambool Industrial and Art exhibition, composing the Cantata for the opening ceremony and directing over 60 musical performances, including 22 operas and many concerts. Bayer was a composer and wrote several operas, including one called ‘Federation’. Bayer’s wife was an accompaniste at this symphonic concert and two of his sons played the horn and the drums. The soloists at this symphonic concert included Minnie Sloane, Lucy Meares and J. Robertson. This programme is of great significance as it features a concert conducted by Louis Bayer, one of the most important musicians in Warrnambool’s history. This is a yellow-coloured piece of paper folded in two to make four pages. The pages have details of the concert programme, a list of members of the orchestra, one advertisement and a front page with the concert headings in a fancy border. The pages are somewhat torn at the folds and there is heavy staining, especially on the back page. warrnambool orchestral society, louis bayer, history of warrnambool

This is the original manuscript for the song ‘Back to Warrnambool’, composed for the ‘Back To’ celebrations in Warrnambool in 1930 and reprinted for the ‘Back To’ celebrations in 1934. The song, described as a ‘souvenir foxtrot’ was written by Reginald Stoneham, a professional musician who was engaged to write the song. Reginald Stoneham (1879-1942) was a composer who was Australia’s leading exponent of jazz and ragtime piano styles in the first decades of the 20th century. He composed many tunes for anniversaries and celebrations in country towns and cities in Victoria. The original ‘Back to Warrnambool’ music was given to Henri Worland, the Town Clerk of Warrnambool in 1930 and handed over to the Warrnambool and District Historical Society by Keith Arnel, the Town Clerk in 1973. Note that the original song was ‘Respectfully dedicated to the Pioneers of Warrnambool’. This dedication, for some reason, was not printed on the music issued in the ‘Back To’ programs of either 1930 or 1934. This is a significant item as the song ‘Back to Warrnambool’ has great historical significance as it was popular in Warrnambool in the 1930s and 40s and is still played and sung occasionally today. It is one of the two local songs about Warrnambool composed by Reginald Stoneham. The other is the Warrnambool Waltz Song. It is of interest to historians and researchers to have the original music.This is the original handwritten manuscript of the song, ‘Back to Warrnambool’. There are two pages of pre-ruled music score papers, filled in on both sides of the paper. The paper is marked ‘Boomerang Brand No2’. The musical notes and the words of the song are in black ink. The name of the song is outlined in red ink. The first page has the heading ‘Souvenir Foxtrot Song, Back to Warrnambool, Words and Music composed by Reginald Stoneham, 1930, Respectfully dedicated to the Pioneers of Warrnambool’. The last page has the signature of Reginald Stoneham. The first page has the signature of Henri Worland. warrnambool, reginald stoneham, back to warrnambool

Dorian Le Gallienne (1915-1963) was born in Melbourne and studied music at Melbourne University Conservatorium and at the Royal College of Music, London. In 1951 he won a Commonwealth Jubilee Music Scholarship and studies in London for a further two years. Le Gallienne was recognized as one of Australia’s foremost composers. He was also well known as a music critic for Melbourne newspapers. On the local scene he wrote the music for Tim Burstall’s 1958 film “The Prize”; set in Eltham. From 1949 until his death, he lived with his friend Dick Downing in Yarra Braes Road. Their modest mudbrick “weekender” grew in stages to become one of the notable houses of the area. Bicentennial/Heritage Week Display, "The Eltham Tradition", Eltham Shire Office, 17-22 April 1988 Colour photographactivities, eltham shire office, heritage display, heritage week, dorian le gallienne, nora heysen, portrait

This is a programme of a concert called ‘The All Nations Night’ staged by the Warrnambool Orchestral Society and held in the Warrnambool Town Hall on Show Night, November 13th 1902. The conductor was Louis Bayer (1857-1907). Born in Germany, Bayer came to Warrnambool in 1891 and with his wife taught piano, violin, orchestration and singing and established the Warrnambool Orchestral Society. In 1896-7 Louis Bayer was the musical director at the Warrnambool Industrial and Art Exhibition, writing the Cantata for the opening ceremony and directing over 60 performances, including 22 operas and many concerts. Bayer was a composer and wrote several operas including one called ‘Federation’. Bayer’s wife was an accompaniste at this ‘All Nations Night’ concert and his son, Otto was the horn player. The concert featured the soloists, Nellie McClelland, Lucy Meares, W.D. Thomson and D. Williams. The concert may have been sponsored by Youngers Stores. This large department store was established in 1888 and closed in the 1980s. This programme is of great significance as it featured a 1902 concert conducted by Louis Bayer, one of the most important musical identities in Warrnambool’s history. These are two sheets of green-coloured paper folded in two to make eight pages. The printed material is in black type. The pages include the concert programme, a list of members of the orchestra and several advertisements for Youngers Stores. The front page has the concert title (‘The All Nations Night’) in a text box bordered by a floral pattern. The pages are a little torn at the edges. younger & co, warrnambool, history of warrnambool, louis bayer