Showing 71 items matching dance -- australia -- history

Bendigo Historical Society Inc.
Newspaper - Emu Creek Bush Band Collection: Old Time Dance Guide

BHS CollectionNewspaper articles from pages 63 and 65 of 'The Weekly Times' on October 15, 1997 with a description of the Dinki Di Bush Ball recently held at the Eaglehawk Town Hall. The article on page 63 describes the ball and features a photograph of Alan Russ and John Williams. The article on page 65 includes the lyrics to a song 'The Old Bush Dance' and six photographs from the event.emu creek bush band, australian colonial dance, eaglehawk town hall, dinki di bush ball
Bendigo Historical Society Inc.
Drawing - Emu Creek Bush Band Collection

BHS CollectionA series of 75 black ink pen drawings on white paper of various sizes showing dance positions for a variety of bush dances. The drawings are detailed, some showing hand positions. There are no artist signature or dates.emu creek bush band, australian colonial dance, bush dance steps, bush dance sequences
Bendigo Historical Society Inc.
Textile - Polo Shirt

The celebrated EMU CREEK BUSH BAND is a social group, which fosters junior members, has the promotion of authentic Australian Traditional Music as its aim. This is played on acoustic instruments featuring the 'squeezeboxes' i.e. the German system concertinas and button accordions along with fiddle, mandolin or banjo mandolin and whistles. Piano, banjos, guitars, double bass, washboard or lagerphone and drums play rhythm. Based in Central Vitoria. https://www.bendigobushdance.org.au/layout.php?p=1White polo shirt with the logo "The Celebrated Emu Creek Bush Band" printed centre front in blue and yellow. In the centre of the logo is d drawing of the head of an emu with one eye open and one eye closed. Clothing label identifies the manufacturer - Centavic Clothing, For Embroidery and Screen Printing. Includes Phone and Fax numbers. Size XXL.colonial dance, bush dance, old time dance, emu creek bush band, peter ellis collection
Bendigo Historical Society Inc.
Textile - Windcheater

The celebrated EMU CREEK BUSH BAND is a social group, which fosters junior members, has the promotion of authentic Australian Traditional Music as its aim. This is played on acoustic instruments featuring the 'squeezeboxes' i.e. the German system concertinas and button accordions along with fiddle, mandolin or banjo mandolin and whistles. Piano, banjos, guitars, double bass, washboard or lagerphone and drums play rhythm. Based in Central Vitoria. https://www.bendigobushdance.org.au/layout.php?p=1Sky blue windcheater with the logo "The Celebrated Emu Creek Bush Band" printed centre front. The Band's symbol of the head of an emu is in a circle enclosed by the Band's name in blue and yellow lettering. Clothing label identifies the manufacturer - "L. Baker,". Includes Phone number. Reverse of label gives care instructions and "Made in Australia".colonial dance, bush dance, old time dance, emu creek bush band, peter ellis collection.
Kew Historical Society Inc
Journal, The Kewriosity Sheet Vol.3 No.1 : July 1981
Fete [Kew Elder Citizens] / p1. Televising the service of worship [Uniting Church East Kew] / p1. Desperately needed [7th Kew Cub Pack] / p1. For sale ... The Artists of Kew [Elizabeth Mackie; Kew Historical Society] / p1. Art exhibition [Australian art] / p1. Afternoon movie [Missionary Sisters of St Peter Claver] / p1. Movement and dance in Special education [Caritas Centre] / p3. Day Care Centre [Caritas Centre] / p3. What is a blitz? [Yarra Bend Pakr; South African Boneweed]/ p3. The David Allen Memorial Scholarship [Concert; Old Presbyterian Church, Kew; Ian Frederick Lowe, Kaye Allen, Miriam Leuba] / p4. Kew Garden Club / p4. Child development and play - Eastern Region / p4. Caregivers needed [Family Day Care Centre] / p4.
The Kewriosity Sheet (1979-83) was first published in the City of Kew (Victoria) in June 1979 as a two-sided 'community newssheet'. It aimed to: 'share news about Kew happenings and Kew people, and to exchange ideas about living in Kew'. Later issues gradually evolved into a 4-page, quarto sized publication. The Kewriosity Sheet was superseded by the Kew Council publication 'Kewriosity' (1983-1994).non-fictionFete [Kew Elder Citizens] / p1. Televising the service of worship [Uniting Church East Kew] / p1. Desperately needed [7th Kew Cub Pack] / p1. For sale ... The Artists of Kew [Elizabeth Mackie; Kew Historical Society] / p1. Art exhibition [Australian art] / p1. Afternoon movie [Missionary Sisters of St Peter Claver] / p1. Movement and dance in Special education [Caritas Centre] / p3. Day Care Centre [Caritas Centre] / p3. What is a blitz? [Yarra Bend Pakr; South African Boneweed]/ p3. The David Allen Memorial Scholarship [Concert; Old Presbyterian Church, Kew; Ian Frederick Lowe, Kaye Allen, Miriam Leuba] / p4. Kew Garden Club / p4. Child development and play - Eastern Region / p4. Caregivers needed [Family Day Care Centre] / p4. community publications --- kew (vic.), the kewriosity sheet, newsletters - kew (vic.)
Vision Australia
Audio - Sound recording, A Tribute to Stan Hedger by the Blind Workers Union of Victoria, 1975?

Norm Rees, Jim Smith, Charlie Bradley, Reuben Ryan and Ethel and Dick Sutcliffe reflect upon the work that Stan Hedger, late superintendent of the RVIB, undertook during his tenure and how this affected the students at the school. In their testimonies they discuss how he began improving domestic and school conditions upon arrival, to helping establish the Trojan club, introducing dancing, physical conditioning and socialising to the children, being available to oversee the resolving of complaints and changing the nature from an asylum to an institution.1 audio recording of recollections on Stan Hedgerroyal victorian institute for the blind, oral history, jim smith, norm rees, charlie bradley, reuben ryan, ethel sutcliffe, dick sutcliffe, s.w. hedger, radio shows
Vision Australia
Document - Text, A History of the Guiding Light Square Dance Club, 1995

Brief history of the Guiding Light Square Dancing club, which began in April 1974 by Colin and Margaret Fox. Practice sessions were originally held in the Fox house but were soon moved to Kooyong and continued for 21 years. Social activities, such as pie nights, picnics and outings together, were held in between demonstrations, practice sessions and trips to other square dance clubs. A4 page typewritten on both sidesnon-fictionassociation for the blind, elizabeth maxwell, neil maxwell, guiding light square dance club
Federation University Art Collection
Ceramic - Artwork - Ceramics, Kurt Webb, [Whimsical Vessel] by Kurt Webb, 1988

Kurt WEBB United States of America Lives Chicago Webb draws his driving force in life and artistic vision from consequential discoveries he makes, while deliberately preferring less ordinary paths to his destinations. Inspirational methodologies in art history including the Dance of Death, Four Horsemen of the Apocalypse, Ship of Fools and Woodcut Novels are cornerstones of his artwork. In 1988, during a visit to Australia, while viewing a small porcelain woodfired bowl and teapot by Australian artist Gwyn Hanssen Pigott, Kurt Webb decided to abandon his desire to make functional pottery. He realized that Piggott’s clay work was beyond comparison or emulation and was impossibly inimitable. In 2015, inspired by using impeccably made, functional commercial tea ware, Webb decided to give pottery making a second chance. As a result, Webb’s new functional work acknowledges traditional influences while he pursues individuality through eclectic subject matter, meticulous construction, and decoratively glazed surfaces–all produced within a contemporary context. A tall vessel with a house and figures at the top.kurt webb, jan feder memorial ceramics collection, ceramics, gippsland campus, sculpture
Bendigo Trades Hall Council & Literary Institute Inc.
Book - Soft bound book, Melissa Reeves, The Spook
It's 1965 and the South Bendigo branch of the Communist Party is in a rut. The Tribune isn't selling, membership is down and the Maoists are gaining ground. So young Martin Porter is a welcome new recruit. His mother doesn't understand why he has thrown his values out the window and grown his hair. But all is not what it seems. Martin is an ASIO mole about to discover that spying on communists isn't all dark glasses, sexy Cossack dancing and vodka shots. When his new-found friends draw him into their family he finds that doing his bit for his country is more complicated than he'd imagined. Inspired by a true story from country Victoria, Melissa Reeves exposes the Australian political obsessions of the 1960s with much humour and an astuteness that gives the play contemporary bite. The play includes an introduction by Stuart Macintyre, Ernest Scott Professor of History at the University of Melbourne. 2 acts, 6 males, 6 female.
Black covered book with red text and image on cover. 87 PagesfictionIt's 1965 and the South Bendigo branch of the Communist Party is in a rut. The Tribune isn't selling, membership is down and the Maoists are gaining ground. So young Martin Porter is a welcome new recruit. His mother doesn't understand why he has thrown his values out the window and grown his hair. But all is not what it seems. Martin is an ASIO mole about to discover that spying on communists isn't all dark glasses, sexy Cossack dancing and vodka shots. When his new-found friends draw him into their family he finds that doing his bit for his country is more complicated than he'd imagined. Inspired by a true story from country Victoria, Melissa Reeves exposes the Australian political obsessions of the 1960s with much humour and an astuteness that gives the play contemporary bite. The play includes an introduction by Stuart Macintyre, Ernest Scott Professor of History at the University of Melbourne. 2 acts, 6 males, 6 female.bendigo, play, theatre, communist party, asio, melissa reeves
The Celtic Club
Book, Adam Purcell, Music and friendship : the people of Melbourne Comhaltas, 1984
A collection of personal stories from 32 past and present members of the Melbourne branch of the worldwide Irish cultural organisation, Comhaltas Ceoltoiri Éireann, produced to mark the 50th anniversary of Melbourne Comhaltas.The stories, collected by oral history interview, are accompanied by photographic portraits of each subject. The stories explore themes of immigration, culture and heritage, and feature, among others, prominent members of the Melbourne Irish scene, such as:-Accordion legend Paddy Fitzgerald-Set dancing teacher Marie Brouder-Prolific musician Tony O'Neill-Leader of the Melbourne Comhaltas band, Joan Mundy. Among the people interviewed are Irish expats, second- and third-generation Australians, and people from Scotland, Japan and the Ukraine.The book includes forewords from Irish Ambassador to Australia, Breandán Ó Caollai - Director-General of Comhaltas Ceoltoiri Éireann, Dr. Labhrás Ó Murchú· and Melbourne Comhaltas President, Mary McBride.
Ill, p.95.A collection of personal stories from 32 past and present members of the Melbourne branch of the worldwide Irish cultural organisation, Comhaltas Ceoltoiri Éireann, produced to mark the 50th anniversary of Melbourne Comhaltas.The stories, collected by oral history interview, are accompanied by photographic portraits of each subject. The stories explore themes of immigration, culture and heritage, and feature, among others, prominent members of the Melbourne Irish scene, such as:-Accordion legend Paddy Fitzgerald-Set dancing teacher Marie Brouder-Prolific musician Tony O'Neill-Leader of the Melbourne Comhaltas band, Joan Mundy. Among the people interviewed are Irish expats, second- and third-generation Australians, and people from Scotland, Japan and the Ukraine.The book includes forewords from Irish Ambassador to Australia, Breandán Ó Caollai - Director-General of Comhaltas Ceoltoiri Éireann, Dr. Labhrás Ó Murchú· and Melbourne Comhaltas President, Mary McBride.cultural societies - irish - melbourne, irish music and dancing
Merri-bek City Council
Lithograph, John Wolseley, After the Fire - Leaf Surge, 2003

British born artist John Wolseley relocated to Australia in 1976, where he travelled extensively through the outback mainly recording the natural history of remote north Australia in large, minutely detailed paintings. Since 2009, he has travelled to Darwin annually to continue his exploration of the Top End, visiting Arnhem Land and Daly River to work with Indigenous artists to research and capture the detail and essence of particular landscapes. His works reflect how landscape can be thought of as fields of energy in which plant forms move or dance with rhythmic life. After The Fire - Leaf Surge represents the vibrant regrowth of new foliage emerging from a landscape recently ravaged by fire.