The Grinton Collection. The Soldier is Sergeant Major William John Durward No 262 38th Bn. Refer - Cat No 1280 for Jack Grintons service details. Photograph framed. Photograph - black and white photograph on paper depicting an informal full length portrait of a soldier with his hand resting on a chair back. Background - building wall. Frame - timber, light varnish finish, Perspex front, cardboard backing."Group 4: Portraiture and Remembrance". "F. Company Sergeant Major William John Durward". framed accessories, camera on the somme, ww1, 38th bn, grinton, william john durward

The Grinton Collection. The grave of Cyril Edward Andrew DUNN No 3058, 7th Reinforcements C Coy 38th Bn, enlisted 1916, KIA 31.8.1918 Refer - Cat No. 1280 for Jack Grintons service details. Photograph - framed. Photograph - black and white photograph on paper depicts a field grave with cross, tin helmet, kit bag and rifle with bayonet in the ground. Frame - timber, light varnish finish, Perspex front, cardboard backing."Group 4: Portraiture and Remembrance." "1. Field grave of a 38th Battalion soldier - Pte Dunn".framed accessories, camera on the somme, ww1, 38th bn, grinton, dunn

The Grinton Collection. Bread being delivered to Huts. Refer Cat No, 1280 for Jack Grintons service details.Photograph - framed. Photograph - black and white photograph on paper depicts the rear view of a large four-wheel cart with horses. Rear view of soldier and loaf of bread. Small painted insignia on backboard with inscription "40th/A.S.C." Background - roadway and buildings. Frame - timber, light varnish finish, Perspex front, cardboard backing."Group 1: Living behind the Lines". "A. Bread delivery".framed accessories, camera on the somme, ww1, 38th bn, grinton

The Grinton Collection. Jack Grinton in his hut England. Refer Cat No. 1280 for Jacks service details. Photograph - framed. Photograph - black and white photograph on paper depicts a soldier (Jack Grinton) sitting in his barracks with various possessions nearby on the floor. Frame - timber, light varnish finish, Perspex front, cardboard backing."Group 1: Living behind the lines." "B. Jack Grinton."framed accessories, camera on the somme, ww1, 38th bn, grinton

The Grinton Collection. Bomb damaged buildings. Refer Cat No. 1280 for Jack Grintons service details.Photograph - framed. Photograph - black and white photograph on paper depicts a street scene of bomb damaged timber and brick houses. Frame - timber, light varnish finish, Perspex front, cardboard backing."Group 2: Burden of War". "D. Bombed houses".framed accessories, camera on the somme, ww1, 38th bn, grinton

The Grinton Collection. War Cemetery in Annoeullin France Refer Cat No. 1280 for Jack Grintons service details. Photograph - framed. Photograph - black and white photograph on paper depicts a war cemetery with many graves marked with a cross. Snow on the ground. Background - trees. Frame - timber, light varnish finish, Perspex front, cardboard backing."Group 2: Burden of War". "I. War cemetery in Annoeullin".framed accessories, camera on the somme, ww1, 38th bn, grinton, france

The Grinton Collection. Captured German guns at the “Place de la Concorde” France Refer Cat No 1280 for Jack Grintons service details. Photograph - framed. Photograph - black and white photograph on paper depicts a collection of at least ten guns (German) in a plaza, one soldier in the foreground and buildings in background. Frame - timber, light varnish finish, Perspex front, cardboard backing."Group 3: Trip of a Lifetime". "E. Captured German guns at the Place de la Concorde".framed accessories, camera on the somme, ww1, 38th bn, grinton, france

The Grinton collection. Photograph taken in Scotland Refer Cat No. 1280 for Jack Grintons service details.Photograph - framed. Photograph - black and white photograph on paper depicts a sidewalk scene with two seated female fishmongers with a number of standing patrons. Background - brick buildings and timber fence. Frame - timber, light varnish finish, Perspex front, cardboard backing."Group 3: Trip of a lifetime". "I. Fishmongers - Scotland".framed accessories, camera on the somme, ww1, 38th bn, grinton

The Grinton Collection. The soldiers are unknown at this point. Jack Grinton. Refer Cat No. 1280 for his service history.Photograph - framed. Photograph - black and white photograph on paper depicts a group portrait of nine soldiers, five standing and four seated in front. Background - stone wall. Frame - timber, light varnish finish, Perspex front, cardboard backing."Group 4: Portraiture and Remembrance" "A. 38th Battalion Lads."framed accessories, camera on the somme, ww1, 38th bn, grinton

The Grinton Collection. Jack Grinton. Refer Cat No. 1280 for his service history.Photograph - framed. Photograph - black and white photograph on paper depicts a large informal group of soldiers walking along a timber pier with ships moored alongside. Frame - timber, light varnish finish, Perspex front, cardboard backing."Group 5: Quota 45 - Journey Home." "L. On the pier".framed accessories, camera on the somme, ww1, 38th bn, grinton, hmat karmala

The Grinton Collection. On board ship in a kitchen area. Jack Grinton. Refer Cat No. 1280 for his service history.Photograph - framed. Photograph - black and white photograph on paper depicts - interior scene with a large number of loaves of bread stacked on a shelf. Background - storage racks, soup ladles and timber containers. Frame - timber, light varnish finish, Perspex front, cardboard backing."Group 5: Quota 45 - Journey home". "C. Bread for the soldiers".framed accessories, camera on the somme, ww1, 38th bn, grinton, hmat karmala

The Grinton Collection. The other soldiers are unknown at this point. "G. Lifeboat drill". (left in hat) Jack Grinton - "Jack Grinton No. 1038" Refer Cat No. 1280 for his service history.Photograph - framed. Photograph - black and white photograph on paper depicts a group of men wearing life jackets preparing for a life-boat drill. Frame - timber, light varnish finish, Perspex front, cardboard backing."Group 5: Quota 45 - Journey". "G. Life-boat drill".framed accessories, camera on the somme, ww1, 38th bn, grinton, hmat karmala

The Grinton Collection. The lady is believed to be a Grinton relative. Jack Grinton. Refer Cat No. 1280 for his service history.Photograph - framed. Photograph - black and white photograph on paper depicts an informal half portrait of an elderly woman. Background exterior wall of a timber building. Frame - timber, light varnish finish, Perspex front, cardboard backing."Group 6: Life after 1919". "I. Grinton relative". framed accessories, camera on the somme, ww1, 38th bn, grinton

The Grinton Collection. Photo taken at a 38th Bn reunion at Bert Grintons Farm Myers Flat near Bendigo. Left to Right in photo; Jack Grinton, Fred Lehmann "MM", Dick Verso, Bert Grinton "DCM" , ..........Poppin. "Jack Grinton No. 1038," 38th Battalion - Refer Cat No. 1280 for his service history. "Bert Grinton DCM, No. 5024" - Refer Cat No. 1320 for his service history. Photograph - framed. Photograph - black and white photograph on paper depicts an informal group, full length portrait of six men. Background - wall of stone and timber building. Frame - timber, light varnish finish, Perspex front, cardboard backing."Single photos Group 2 (end of show): 38th Battalion Reunion".framed accessories, camera on the somme, ww1, 38th bn, grinton

The Grinton Collection. Taken at the opening of the Macorna War Memorial on 5.3.1920. refer Cat No 5890P for more details. Jack Grinton. Refer Cat No. 1280 for his service history.Photograph - framed. Photograph - black and white photograph on paper depicts the "Macorna War Memorial" - globe upon a column with a square base. Foreground - table and chairs, background timber buildings and trees. Frame - Timber. light varnish finish, Perspex front, cardboard backing."Single Photos Group 2 (end of show): Opening of Macorna War Memorial".framed accessories, camera on the somme, ww1, 38th bn, grinton

The Grinton Collection. "Single Photos Group 1 (Start of Show): Jack Grinton. "Jack Grinton No. 1038" 38th Bn, refer Cat No. 1280 for his service history.Photograph - framed. Photograph - black and white photograph on paper depicts an informal seated portrait of a soldier (Jack Grinton). Background of handwritten numbers and letters ("E BAKER/ BRIET") on wall board. Frame - timber, light varnish finish, Perspex front, cardboard backing."Single Photos Group 1 (Start of show): Jack Grinton".framed accessories, camera on the somme, ww1, 38th bn, grinton

The Grinton Collection. Refer Cat No. 1280 for Jack Grintons service history. "Single Photo Group 1 (Start of show): Bert Grinton" "BERT GRINTON DCM No. 5024 38th Bn" - Refer Cat No. 1320P, for his service History.Photograph - framed. Photograph - black and white photograph on paper depicts an informal full-length portrait of a soldier - "Bert Grinton" - standing in grass with water and trees in the background. Frame - timber, light varnish finish, Perspex front, cardboard backing."Single Photos Group 1 (start of show): Bert Grinton"framed accessories, camera on the somme, ww1, 38th bn, grinton

The Grinton Collection. Unknown 38th Bn soldiers at this point. Refer Cat No. 1280 for Jack Grintons service history.Photograph - framed. Photograph - black and white photograph on paper depicts three men (soldiers) seated at a table, playing cards, inside a timber barracks. Frame - timber, light varnish finish, Perspex front, cardboard backing."Group 1: Living behind the lines". :1. Game of Cards".framed accessories, camera on the somme, ww1, 38th bn, grinton

The Grinton Collection. Unknown French Family. Refer Cat No. 1280 for Jack Grintons service history.Photograph - framed. Photograph - black and white photograph on paper depicts a group portrait of five civilians, two women standing and boy, women and man seated in front. Background exterior building wall and window. Frame - timber, light varnish finish, Perspex front, cardboard backing."Group 2: Burden of War". "K. Group portrait of five French civilians."framed accessories, camera on the somme, ww1, 38th bn, 'grinton

The Grinton Collection. Photo taken on leave in Scotland. JACK GRINTON. Refer Cat No. 1280 for his service history. "M. Bert with two family friends" "BERT GRINTON No. 5024". 38th Bn. Refer Cat No. 1320P for his Service history.Photograph - framed. Photograph - black and white photograph on paper depicts a family group of two women and one man (Bert Grinton) standing together in the corner of a brick building. Frame - timber, light varnish finish, Perspex front, cardboard backing."Group 3: Trip of a Lifetime" "M. Bert with two family friends". framed accessories, camera on the somme, ww1, 38th bn, grinton.

Photo taken at the Grinton home at Tragowel near Kerang in 1919. JACK GRINTON. Refer Cat No. 1280 for his service history. BERT GRINTON No. 5024 38th Bn - Refer to Cat No. 1320P for service history.Photograph - framed. Photograph - black and white photograph on paper depicts an informal group portrait of two men and four women; two women seated. 3rd left, Bert Grinton. Background - verandah of timber house with a "WELCOME" banner suspended from verandah posts. Frame - timber, light varnish finish, Perspex front, cardboard backing."Group 6: Life after 1919". "C. Welcome Home". framed accessories, camera on the somme, ww1, 38th bn, grinton

This carving represents the eels and eel trap which was discovered by Cam in the Yarra below Killeavey and has been established to be ore European settlement. The Wurundjeri built the eel trap in an area where the eels gathered and has proven to still be highly effective today Heriitage Excursion - Kileavey Walk and TalkBorn Digitalactivities, eltham district historical society, heritage excursion, kileavey, parks victoria, laughing waters road, eltham, wurundjeri

Soft cover, thin cardboard photo of 2 soldiers on cover 295 pages with index and photo section in middle orange spine,On fist page in pen "Angeles Eeles 9/5/4 Br/KH " Mn May Hall"books, military history

Royal Doulton as part of the Minton Miniature series produced this stork model in 2001. A limited edition of 1,793 pieces were made, and this stork is number 118. The stork is a scaled down model of the original life-size piece first produced by John Henk, c. 1870, as a walking stick and umbrella stand. A rare miniature stork demonstrates the artistry and skill required to produce Majolica ware during the 19th century and the present.A miniature white stork standing on one leg atop a rocky mound, an eel clasped in its beak, a frog beneath its foot, the stand formed by tall bullrushes & water-lily pads.Inscribed at the base Minton founded 1793, artist mark: 6, made in Englandminton & co., majolica, miniature model, flagstaff hill maritime museum, stoke upon trent, john henk, staffordshire

Viewed from the Warrandyte side opposite the Eel trap at Killeaveyfay bridge collection, 2016-06, laughing waters, yarra river

Documents, Bert Graham Collection, Bendigo East Swimming Pool, from Morris & Nova Austin of EEL Fabrication DLI Welding submitting a quotation for supply and fit 1 pair of gates at Eastern Park, their price for this work is $1,700.00.bendigo, clubs, bendigo east swimming pool

Documentary evidence records that in 1888 Henry Eeles, stationer, was the first owner and occupier of this two-storey mansion. At that date the building was given an N.A.V.of £275 and Eeles was recorded as the owner of the house until at least 1910, when the thirteen-roomed mansion attracted an N.A.V. of £190. The house is quite typical of time, and it bears a remarkable resemblance to 3 Molesworth Street, the architect of which has not been established. (Kew Conservation Study, 1988)Colour photographic positive of one of 'La Verna' (formerly 'Heathfield'). The house is two storeyed and clad in render. It is ltaIianate in styling and is dominated by a two storeyed loggia that spans two facades. At ground floor level it has rounded arches supponed on cast iron colonettes, and above, has colonettes that support stilted segmental arches. (Kew Conservation Study, 1988)heathfield -- sackville street --- kew (vic), la verna -- sackville street -- kew (vic.)

"The breeze going through the eel trap gives a feeling of water flowing through the vessel with the feathers softly waiving as the water flows. My grandfather Nicholas Couzens and my uncles made eel traps to fish the Hopkins River - this is how my mother learnt the techniques which she passed on to me."Bronwyn RAZEM Gunditjmara/Kirrae Whurrong Bronwyn Razem is an Indigenous Australian basket weaver and painter. She is a Gunditjmara woman of the Kirrae Whurrong clan of western Warrnambool on the Victorian coastline. Bronwyn’s practice involves an exploration of her Indigenous heritage and identity, and she creates symbolic representations of places and events that are meaningful to her family. She integrates ochres, sand and other materials into her paintings, and her works also draw on the possum skin cloak traditions of her ancestors. In 2008, Bronwyn was chosen by the Australia Council for the Arts to be part of a delegation of Indigenous artists to attend the 10th Pacific Arts Festival in Western Samoa. Bronwyn’s mother, Aunty Zelda Couzens, was a well-respected basket weaver and elder who taught Bronwyn basket-making techniques. Bronwyn now regularly conducts basket weaving workshops with Victorian Indigenous communities in order to facilitate the revival of cultural traditions. She has a Bachelor of Arts with Honours at Deakin University, and in 2008 she was enrolled in a Master by Research degree at Deakin Institute of Koorie Education, Geelong, and was living in Ballarat. (https://www.daao.org.au/bio/bronwyn-razem/biography/, accessed 18 April 2016) This item is part of the Federation University Art Collection. The Art Collection features over 1000 works and was listed as a 'Ballarat Treasure' in 2007.Bronwyn RAZEM (1953- ) Gunditjmara/Kirraw Wurrong A woven New Zealand flax eel trap with emu feathers. This work won the University of Ballarat Acquisitive Award for work reflecting Victoria's Western District. The judges were impressed by Bronwyn Razem's translation of the traditional eel trap into a sculptural form evocative of the flow of water and possible the passage of time. The design and technical knowhow which Razem inherited from her mother, uncles, and grandfather connects this work to the family;s life and traditions. She then enhances the simplicity of this very functional object by the addition of delicate emu feathers, creating a work that creatively and symbolically transcends its original form. art, artwork, bronwyn razem, razem, eel trap, aboriginal, indigenous, available