Two wire covered elements in steel mesh, oblong case with handle. Screws at each end undo to allow access to inside of cageMaker's plate: "Made by A.H.GRACE, Sydney Prim volts - 240 Sec volts - 116 Watts 600heat source, wire cage, electrical, coils

Regiments conducted Courses Camps to train RAAC crewmen.The 8th/13th Victorian Mounted Rifles was raised as a regiment of the Royal Australian Armoured Corps on 1 May 1948 with Headquarters in Melbourne and squadrons in Sale, Benalla/Wangaratta and Albury. In 1955 Regimental Headquarters moved to Wangaratta and a second squadron was located at Albury. The Sale squadron transferred to 4th/19th Prince of Wales’s Light Horse. In 1977 8/13 VMR Regiment was reduced to an independent squadron A Squadron 8th/13th Victorian Mounted Rifles and in 1991 was linked with 4th/19th Prince of Wales’s Light Horse forming the VMR Squadron of that regiment.Colour photograph of soldiers assembled on edge of parade ground." Courses Camp 1982 Puckapunyal. Sgt Schmidt waiting to move Tech Sgt and elements of Admin TP on to Parade."

Joy MacDuff was a greatly loved teacher at the Junior School where she worked from 1973-1987. She resigned to return to live in Scotland. This prize was established in 1990 in her honour, and awarded to the music student demonstrating enthusiasm, endeavour and enjoyment. The prize was awarded until 2010. Heavy wooden stand with gold plates to front and back; thick glass top with school crest, bars of music and decorative elements etched on front; Front plate: The Joy Macduff Encouragement Award / for Enthusiasm Endeavour & Enjoyment in Music Studies verso plate: 2002 KATHRYN DAY / 2003 KATHRYN DAY / 2004 CATHERINE CLARKE / 2005 CATHY JAMES / 2006 TOM PETTIT / 2007 FINIAN KELLY BRYAN COLLING / 2008 BRYAN COLLING / 2009 FRANCES JACKSON / 2010 MACEO WOODjoy macduff, music, trophy

A white protoype racquet with red plastic elements; composite matierals; no model or maker markings. Materials: Metal, Plastic, Adhesive tape, Plastic, Nylontennis

Sarah Coventry Pty. Ltd. was a North American jewellery company that was established in 1949 by the Stuart family as part of Emmons Jewelry, Inc. It began operations in England and Australia in 1968, and in Australia it moved from Carlton in Melbourne to Wodonga in 1969. The premises were originally on High St. in Wodonga, but a new warehouse was built in Melbourne Rd. later in 1969. It was a direct selling jewellery business using a party-plan model similar to Tupperware and Avon. The sales reps or 'Hostesses' were provided with jewellery samples in demonstration kits, which they displayed at jewellery parties in their homes. The designs for jewellery such as brooches, necklaces, earrings, chokers and bracelets were purchased from freelance designers and jewellery manufacturers rather than in-house designers. In 1979 Sarah Coventry Pty. Ltd. in Wodonga was bought by three Australian businessmen, including Wodonga local Jim Sawyer, and continued to sell jewellery under the name "Sargem Pty. Ltd”, for several more years in the 1980s. As part of the Sarah Coventry collection, the earrings have local significance with the decentralised commercial development of regional centres such as Wodonga in NE Victoria, as well as national and international significance from the perspective of social and economic developments for women after World War II. The direct selling party-plan business model Sarah Coventry was based on is also considered the first of its kind for jewellery.Two gold toned metal earrings with each earring consisting of a faux pearl and two leaf-shaped elements and the Sarah Coventry marks on the back of the clip."©SARAH COV / CANADA" on the back of one earring and "CANADA / ©SARAH COV" on the other. ©SARAH COV is thought to be first used in 1953.sarah coventry, jewellery, wodonga, costume jewellery, vintage fashion jewellery, earrings, gold earrings, faux pearls

4-page Urban Planning/Urban Design/Landscape Architecture guidelines for the design of street furniture, paving treatments and signage elements throughout the railway station precinct.Department of Transport. Aurecon & Grimshaw Architects.

The L1A1 SLR rifle was the first 'best friend' for infantry and other elements of the Australian Armed Forces; the rifle was the closest focus for troops during training and drill.The L1A1 SLR rifle was often the survival factor for troops in a combat situation hence it was treated reverently by the soldier and kept in best working order even in extreme circumstances.LiA1 SLR Rifle. Known as the L1A1 SLR (Self Loading Rifle) and is known for is straightforward fieldstripping and robust nature. The L1A1 is the British version of the Belgian FN FAL rifle. The L1A1 is a reliable, hard-hitting, gas-operated, magazine-fed semi-automatic rifle. The weapon was extensively used by the Australian Infantryman. The L1A1 SLR rifle was the initial general issue to infantrymen and other elements of the Armed Forces. L1A1 SLR (Self Loading Rifle) Type: Battle rifle Wars: Cold War, Vietnam War, Falklands War Designed: 1951 Manufacturer: Fabrique Nationale (FN) Number built: Over 1 million Weight: 4.0–4.96 kg (8.8–10.2 lb) Length: 1,090 mm (43 in) Barrel length: 533 mm (21 in) Cartridge: 7.62 mm NATO Rimless Calibre: 7.62 mm (.308 in) Action: Gas and return spring operated, tilting block Rate of fire: 20 rounds/min semi auto Muzzle velocity: 823 m/s (2,700 ft/s) Effective range: 600 m (656 yd) Feed system: 20-round detachable box magazine Sights: Aperture rear sight, hooded post front sight Accesaries bayonet, sling, grenade launcher, telescopic sights Serial No. AD8100176vietnam, vietnam war, diamond valley vietnam veterans sub branch

This item is from the ‘Pattison Collection’, a collection of books and records that was originally owned by the Warrnambool Mechanics’ Institute, which was founded in Warrnambool in 1853. By 1886 the Warrnambool Mechanics’ Institute (WMI) had grown to have a Library, Museum and Fine Arts Gallery, with a collection of “… choice productions of art, and valuable specimens in almost every branch and many wonderful national curiosities are now to be seen there, including historic relics of the town and district.” It later included a School of Design. Although it was very well patronised, the lack of financial support led the WMI in 1911 to ask the City Council to take it over. In 1935 Ralph Pattison was appointed as City Librarian to establish and organise the Warrnambool Library as it was then called. When the WMI building was pulled down in 1963 a new civic building was erected on the site and the new Warrnambool Library, on behalf of the City Council, took over all the holdings of the WMI. At this time some of the items were separated and identified as the ‘Pattison Collection’, named after Ralph Pattison. Eventually the components of the WMI were distributed from the Warrnambool Library to various places, including the Art Gallery, Historical Society and Flagstaff Hill. Later some were even distributed to other regional branches of Corangamite Regional Library and passed to and fro. It is difficult now to trace just where all of the items have ended up. The books at Flagstaff Hill Maritime Village generally display stamps and markings from Pattison as well as a variety of other institutions including the Mechanics’ Institute itself. RALPH ERIC PATTISON Ralph Eric Pattison was born in Rockhampton, Queensland, in 1891. He married Maude Swan from Warrnambool in 1920 and they set up home in Warrnambool. In 1935 Pattison accepted a position as City Librarian for the Warrnambool City Council. His huge challenge was to make a functional library within two rooms of the Mechanics’ Institute. He tirelessly cleaned, cleared and sorted a disarrayed collection of old books, jars of preserved specimens and other items reserved for exhibition in the city’s museum. He developed and updated the library with a wide variety of books for all tastes, including reference books for students; a difficult task to fulfil during the years following the Depression. He converted all of the lower area of the building into a library, reference room and reading room for members and the public. The books were sorted and stored using a cataloguing and card index system that he had developed himself. He also prepared the upper floor of the building and established the Art Gallery and later the Museum, a place to exhibit the many old relics that had been stored for years for this purpose. One of the treasures he found was a beautiful ancient clock, which he repaired, restored and enjoyed using in his office during the years of his service there. Ralph Pattison was described as “a meticulous gentleman whose punctuality, floorless courtesy and distinctive neat dress were hallmarks of his character, and ‘his’ clock controlled his daily routine, and his opening and closing of the library’s large heavy doors to the minute.” Pattison took leave during 1942 to 1942 to serve in the Royal Australian Navy, Volunteer Reserve as Lieutenant. A few years later he converted one of the Museum’s rooms into a Children’s Library, stocking it with suitable books for the younger generation. This was an instant success. In the 1950’s he had the honour of being appointed to the Victorian Library Board and received more inspiration from the monthly conferences in Melbourne. He was sadly retired in 1959 after over 23 years of service, due to the fact that he had gone over the working age of council officers. However he continued to take a very keen interest in the continual development of the Library until his death in 1969. The Pattison Collection, along with other items at Flagstaff Hill Maritime Village, was originally part of the Warrnambool Mechanics' Institute’s collection. The Warrnambool Mechanics’ Institute Collection is primarily significant in its totality, rather than for the individual objects it contains. Its contents are highly representative of the development of Mechanics' Institute libraries across Australia, particularly Victoria. A diversity of publications and themes has been amassed, and these provide clues to our understanding of the nature of and changes in the reading habits of Victorians from the 1850s to the middle of the 20th century. The collection also highlights the Warrnambool community’s commitment to the Mechanics’ Institute, reading, literacy and learning in the regions, and proves that access to knowledge was not impeded by distance. These items help to provide a more complete picture of our community’s ideals and aspirations. The Warrnambool Mechanics Institute book collection has historical and social significance for its strong association with the Mechanics Institute movement and the important role it played in the intellectual, cultural and social development of people throughout the latter part of the nineteenth century and the early twentieth century. The collection of books is a rare example of an early lending library and its significance is enhanced by the survival of an original collection of many volumes. The Warrnambool Mechanics' Institute’s publication collection is of both local and state significance. Manual of Minerology and Petrography containing The Elements of the Science od Minerals and Rocks. Eleventh Edition Author: James D Dana Publisher: John Wiley & Sons Date: 1891 Label on spine with typed text PAT 549 DAN Pastedown end page has sticker from Corangamite Regional Library Servicewarrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, shipwrecked-artefact, book, warrnambool mechanics’ institute, pattison collection, warrnambool library, ralph eric pattison, warrnambool city librarian, mechanics’ institute library, victorian library board, warrnambool books and records, warrnambool children’s library, manual of minerology and petrography, james d dana

A Wilson 'The Incredible Hulk' racquet with green grip tape, featuring graphic elements from 'The Incredible Hulk' by Marvel Comics. Materials: Graphite, Plastic, Nylon, Adhesive tapetennis

Ewen Ross was lecturing in Visual Art at Horsham TAFE when these works were undertaken. Various examples of artwork undertaken by TAFE student at Horsham. Many of them relate to exercises relating to the Elements and Principles of Design. .1) An exercise in the Elements and Principles of Design by David McGennesken .2) Banksia by Walsh .3) Portraits in Colour by Erica Hein .4) Scaling (Owl) by David McGennesken .5) Subjective Colour by David McGennesken .6) Texture by Michael Rudolph .7) An exercise in the Elements and Principles of Design by Michael Rudolph .8) Shape by Michael Rudolph .9) Shape by David McGennesken .10) Texture by David McGennesken .11) Design Value by David McGennesken .12) An exercise in the Elements and Principles of Design by Michael Rudolph .13) Texture by Erica Hein .14) Design by Erica Hein .15) Design by Erica Hein .16) Tonal .17) Cross Hatching by Erica Hein .18) An exercise in the Elements and Principles of Design .19) Shape by Kris Young .20) Tone by Michael Rudolph .21) Colour by Michael Rudolph .22) texture by Michael Gromm .23) Cross Hatching by Michael Gromm .24) Cross Hatching by Nicholas Stevens .25) Birds Eye .26) a and B Relief Print .27) Colour .28) Still life relief Printtafe, visual arts, alumni, horsham, wimmera campus, elements of design, principles of design, ewen ross, nicholas stevens, erica heim, michael gromm, michael rudolph, david mcgenneskin

The Queen Victoria Monument by Australian Sculptor Sir Bertam MacKennal has a granite plinth with 4 bronze picture plates and granite bowl. The work was once a drinking fountain with decorative bronze spouts and taps set into the columned granite base. Queen Victoria died 22 January 1901, this work was commissioned and gifted to the City of Ballarat by the Woman’s Christian Temperance Union. This work marked the end of her long reign on the English throne and as Empress of the British Empire including Australia. This magnificent statue commemorates the reign of Queen Victoria (1837 - 1901), and is located in Sturt Street, Ballarat, just outside the Town Hall. Listed on the Victorian Heritage Database (B7272), the Queen Victoria Monument is significant to the people of Victoria. The Queen Victoria Monument, Ballarat, is a key component of Sturt Street in Ballarat, a notable streetscape of the late Victorian era. It represents a pivotal element in the extensive series of public art forms erected during the late nineteenth century in the heyday of Ballarat and added to during the twentieth century. The Queen Victoria Monument is an over life size statue mounted on a freestone pedestal containing four bronze relief interpretive plaques. It is situated in front of the Ballarat Town Hall, a prominent position on the wide notable picturesque boulevard of Sturt Street. The presence of the monument in the notable Sturt Street gardens precinct together with other significant statues is of importance. The Queen Victoria Monument at Ballarat is historically significant as a fine example of a tribute to the reigning monarch, initiated by citizens, on the occasion of her Diamond Jubilee, prior to her death. It reflects the fervour of the citizens of the town that played an important role in the development of the State of Victoria during the latter half of the nineteenth century. The Monument is important for its aesthetic characteristics in that it displays a combination of excellent examples of the artistry and technical skills of the sculptor E.B. MacKennal. These elements are evident in design, carving, and in casting of relief modelling.Sicilian marble statue of Queen Victoria with hand outstretched holding the Sovereign's Orb with small gold angel figure. Includes granite plinth with 4 bronze elements and granite bowl. Victoria Dei Gratia Britt Regina Fid. Def. Ind. Imp. 1900. Incorporates four fine bronze scenes from her life; Accession to the Throne (1837), Coronation (1838), Diamond Jubilee (1897) and Signing of the Constitution of the Australian Commonwealth (1900).queen victoria

Royal Selangor high quality cast pewter consists of 92% to 97% tin, with a small proportion of copper and antimony added to strengthen the alloy – the highest international standard for pewter. It is heavier and stronger than spun pewter. When struck gently, it produces a resonant sound.Pewter Isthmus Tankard decorated with an exuberant foliate motif, this tankard carries design that symbolises the fusion of different cultures where decorative elements from the East and West meet. 0.5 pint. Best compliments from NUTP Malaysia.international visitors, international visits, souvenirs, gifts, tankard, nutp malaysia

Black and white photo showing a small portion of the Alexandra fountain in the left foreground and a shelter from the elements for cab drivers and tram staff. Man standing at the fence of the fountain on the south side.bendigo, streetscape, charing cross, alexandra fountain, shelter shed.

Set of four identical ceramic mugs each embossed with text 'TENNIS ANYONE?' and reliefs elements representing racquets and players. Stamped in to base of each is letter 'R'. Materials: Ceramic, Pigmenttennis

The first section of Studley House, now part of the preparatory school for Xavier College conducted by the Society of Jesus in Kew, was built in about 1857 for Parliamentarian John Hodgson, an early settler in the district, as a two-storey residence in the Classical Revival style. The name Studley House was first recorded in the Kew ratebooks in 1862, after the house was purchased in 1860 by James McEvoy, squatter. Alterations and an extension, designed by William J Ellis were undertaken in 1875. The house was again altered in 1919 during the ownership of John Wren, former bookmaker, ALP lobbyist, influential Irish-Catholic and millionaire. After 1969 the house was used by the school. (Victorian Heritage Database, 2023)This work forms part of the collection assembled by the historian Dorothy Rogers (1905-1973), donated to the Kew Historical Society by her son in 2015. The manuscripts, photographs, maps, and documents were sourced by her from both family and local collections or produced as references for her print publications. Many were directly used by Rogers in writing ‘Lovely Old Homes of Kew’ (1961) and 'A History of Kew' (1973), or the numerous articles on local history that she produced for suburban newspapers. Most of the photographs in the collection include detailed annotations in her hand. The Rogers Collection provides a comprehensive insight into the working habits of a historian from the 1960s to the 1970s. Original monochrome photograph of architectural elements used in the decorative scheme on the exterior of Studley House in Nolan Avenue, Kew. The POV is of the rendered and painted Doric columns supporting the first floor colonnade.dorothy rogers, studley house -- nolan avenue (kew), xavier preparatory school

The first section of Studley House, now part of the preparatory school for Xavier College conducted by the Society of Jesus in Kew, was built in about 1857 for Parliamentarian John Hodgson, an early settler in the district, as a two-storey residence in the Classical Revival style. The name Studley House was first recorded in the Kew ratebooks in 1862, after the house was purchased in 1860 by James McEvoy, squatter. Alterations and an extension, designed by William J Ellis were undertaken in 1875. The house was again altered in 1919 during the ownership of John Wren, former bookmaker, ALP lobbyist, influential Irish-Catholic and millionaire. After 1969 the house was used by the school. (Victorian Heritage Database, 2023)This work forms part of the collection assembled by the historian Dorothy Rogers (1905-1973), donated to the Kew Historical Society by her son in 2015. The manuscripts, photographs, maps, and documents were sourced by her from both family and local collections or produced as references for her print publications. Many were directly used by Rogers in writing ‘Lovely Old Homes of Kew’ (1961) and 'A History of Kew' (1973), or the numerous articles on local history that she produced for suburban newspapers. Most of the photographs in the collection include detailed annotations in her hand. The Rogers Collection provides a comprehensive insight into the working habits of a historian from the 1960s to the 1970s. Original monochrome photograph of architectural elements used in the decorative scheme on the exterior of Studley House in Nolan Avenue, Kew. The POV is of the rendered and painted Ionic columns forming the first floor colonnade.dorothy rogers, studley house -- nolan avenue (kew), xavier preparatory school

Pugh was one of many artists who brought an Australian experience to attention. This work reveals the colour, textures, harshness and inhabitants of the natural bush, with the angular forms found on the ‘black birds’ dominating the composition with dramatic effect. Shanahan, Albert Tucker, Frank Werther and Fred Williams have at one time settled and or work there. Untitled (Black Birds) from the Bodford Terrace Suite 1978, created by Clifton Pugh - a celebrated Australian artist known for his landscapes and portraiture as well as (three-time) winner of Australia’s Archibald Prize. This piece plays a significant role within the Nillumbik Shire Collection due to Pugh’s strong connection to the local land where he settled in Cottle’s Bridge in 1951, purchasing 15 acres and named it Dunmoochin. Artists, potters and others settled at Dunmoochin and formed the Dunmoochin Artists Co-operative in order to collectively protect the land. Numerous renowned artists worked or resided at Dunmoochin including: Rick Amor, Fred Williams, Albert Tucker, Frank Hodgkinson, Mirka Mora, John Olsen, John Percival and John Howley amongst others. Upon his death in 1990 he left an art collection and extensive properties at Dunmoochin to be appreciated and utilised by artists for years to come lithographic print on French Arches paper. Dynamic and expressive depiction of black birds in flight on far left of composition, cropped elements of Australian landscape in blue and red in the background (trees, shrubs, rocks). Inscribed lower right 'Clifton'; 1:1; 179/300clifton pugh, bodford suite, dunmoochin

Used for electrical experimentsBlack metal cage with curved mesh top. Three rows of ceramic resisters supporting wire elements. Two red terminals at one end. Red label - 30 OHMS, 4A A MAX on endMetal plate on top - "Leitz - Wetzlar 230 volts 7 amp"load resister, electrical, volts, ceramic resisters, wire elements, leitz-wetzlar, amperes, omhs

Bendigo Performance of Vic Arts Dance Company - ''Landscape'' - program of four different works modern dance by four choreographers with the two underlying elements of music and costume.. With two-paged Media Release. Date 1993.

The Kew Historical Society’s fashion and design collection is comprised of costumes, hats, shoes and personal accessories. Many of these items were purchased or handmade in Victoria; some locally in Kew. The extensive hat collection comprises items dating from the 1860s to the 1970s. While most of the hats in the collection were created by milliners for women, there are a number of early and important men’s hats in the collection. The headwear collection is particularly significant in that it includes the work of notable Australian and international milliners.A natural undyed straw woman’s hat with a rounded crown and a wide brim. At the base of the crown there are added decorative elements comprising silk rosebuds and leaves and a purple ribbon. A band of cream tulle surrounds the floral decoration.Nilwomen's clothing -- hats, sun hats, straw hats, headwear

The BSO logo was created in 2021, The icon is a stylised shape inspired by three key elements: - the movement of the hand, or baton of the conductor, - the shape of the stringed instruments, - and the five lines of a musical staff. This logo was designed by Kristen Beever.

Tallish glass bottle with a damaged label the label is faded but you can make out a man doing some kind of posePure Cider Vinegar This is a Genuine cider Vinegar and contains all the valuable elements of the fruit Made from Tasmanian Apples J.G.R _____ Food Products Pty. Ltd

Echelon area was a grouping of administrative and support elements of a squadron located behind forward elements. Usually contained fuel, water and ration vehicles, LAD and medical aid vehicle.Black and white photograph of 8/13Victorian Mounted Rifles soldiers at a hasty lunch point in an echelon area during Annual Camp, Puckapunyal, 1971." Cpl Frohling, Cfm Maddocks, Lt Shefford, Cfm Martin " Soldier at right not known.

A black and white photograph of - Elements of of 6 RAR/NZ in close contact with the NVA/VC forces near the wards at the K76A Hospital. The enemy fought hard as they extracted their wounded. (note text is missing from the bottom of the photograph)photograph, 6 rar/nz, nva/vc, k76a hospital, nui may tao mountain, operation marsden, gibbons collection catalogue

A black and white photograph of a Viet Cong patient captured, in one of the wards by elements of 6 RAR/NZ (ANZAC) during Operation marsden, explains the weapons and their significance to the Battalion Intelligence Officer in one of the many caves revealed by the prisonerphotograph, k76a hospital, nui may tao mountain, 6 rar/nz, gibbons collection catalogue, intelligence officers, vc prisoner

HardcoverFirst cover page, blue pen annotations on a periodic table: "Merrin James / Form 6", "Architecture I", "TRANSITION ELEMENTS" Pen underlining and annotations throughout bookchemistry, walsh st library