'Earth Blanket' is a quilt made by Pamela Farmer of Shoreham, Victoria in 2000. It is made from a wool blanket with merino and alpaca felt. The techniques used to make it include: felting, applique, quilting, machine and hand embroidery and it has been dyed with eucalyptus leaves. This quilt was an entrant in "Expressions 2000: the wool quilt prize"; an acquisitive exhibition held by the National Wool Museum from 16 Sept. 2000 to 3 Dec. 2000 (extended until 2 Feb. 2001) for contemporary art quilts, with the first prize winning $2000. 'Earth Blanket' was selected as the winner of this exhibition and was purchased for $2000. It was catalogue entry no. 5.Quilt, woollen felt with appliqued, quilted, dyed and embroidered surface. This quilt is mostly in brown and brown tones.P.F.quilting handicrafts, masters of technique: creators on cloth - exhibition (15/06/2001 - 22/07/2001) expressions 2000: the wool quilt prize - exhibition (16/09/2000 - 04/02/2001) highlights of the national wool museum: from waggas to the wool quilt prize - exhibition (22/09/2001 - 02/12/2001), farmer, ms pamela, quilting, handicrafts

Beige linen tea cloth with brown drawn thread centre and brown stitched box thread hem.domestic items, sewing, handcrafts, embroidery

Used by Mrs Jean Ashcroft (nee Broad) and probably worked by her. She came from Galashiels ScotlandIvory rectangular tray cloth with a knitted lace edge and drawn thread work and embroidery in ivory of four circles of flowersnonemanchester, table linen

From the estate of Jenny Lang, Pearcedale Road, NunawadingBeige linen cloth has, across the centre, a spray of embroidered stylised flowers in pinks,oranges,mauves and yellows and is surrounded by stylised leaves and dots in browns and greens. The style is needle painting in short and long stitchhandcrafts, embroidery

Embroidered by donor (Richardson Pat) at Primary School in Grade 6 in 1948A rectangular tray cloth embroidered with a Faun and two Rabbits, Flowers and edged with yellow thread.Meal Mat by Semco No 1handcrafts, embroidery, domestic items, infants

Donated by donor and belonged to late husband's grandmotherFine Cotton Supper Cloth 98 cm sq.Drawn threadwork, and white embroidery. Flower design of three petal flowers, long leaves in four corners, and 10cm crochet lace border around the edge. Design is of diamond shaped lozenges with zig-zag edge. Drawn threadwork squared in corners intersect embroidered stems. Drawn threadwork rectangular shape in centre has round needlework medallions in corners.MM in black inkmanchester, table linen, handcrafts, embroidery, crocheting or crochet work

Tray cloth was purchased in Assissi, Italy in August (approximately) 1958, outside a Church.Pale green tray cloth with white hand embroidery around edges and in each corner. Corner design features small birds outlined in black, within white cross stitch triangles. Triangles are outlined in black. tray cloth, embroidery

White cotton supper cloth with white embroidered with a wide band of drawthread with needle embroidery at corners. Embroidery has raise pattern,handcrafts, needlework, manchester, table linen

White tray cloth with white embroidery and draw thread inner border.handcrafts, needlework, manchester, table linen

White linen supper cloth with deep edging of fine cotton crochet lace. White mount mellick embroidery in flower and leaf pattern with lover's knot pattern in corner.manchester, table linen, handcrafts, needlework

Linen square with embroidery of Boronia in baskets. Boronia represented by various shades of very small brown beads surrounded by green embroidered leaves.manchester, bath linen, handcrafts, needlework

This piece was used by Doris Mattingly as a wall hanging in her home - 2 Leons Court Blackburn. The wooden rod is in the Supplementary envelope filed in .09.17.19 - map drawer marked 'signage for outdoor display'.Ecru linen drawn thread with acorn shape and leaf embroidery. An example of Russian Drawn Ground Embroidery.manchester, table linen, handcrafts, embroidery

Cloth patch with embroidery of UK and Australian flags and yellow emu. Centre of badge has background of a blue sky and yellow sand with an 'atomic' explosion in red with a white 'mushroom' cloud above it.Embroidery in gold around the badge is "AUTOMIC EX-SERVICEMAN'S ASSN."

Cloth, embroideredsouvenirs, ballarat rsl, ballarat, embroidery, wwii, world war 2, second world war, world war two, egypt, pyramids

Cloth shoulder epaulette with Crown embroidery

1 Mesh Grounded Bobbin Style Tape Lace Clothwork Table Cloth or Doily.manchester, table linen, lace tablecloth centrepiece/doily, https://www.lynxlace.com/kindsoflace.html

The Fashion & Design collection of Kew Historical Society includes examples of textiles dating from the 18th, 19th and 20th centuries. Some of the textiles, were used as items of clothing, others as items of household decoration, or simply as travel souvenirs. These textiles were created both domestically and internationally. Predictably with the growth of an ethnically and culturally more diverse community in Kew after the Second World War, textiles, clothing and objects in the collection inevitably reflected this diversity. Large black silk fringed shawl (aka piano shawl) that incorporates large areas of pink embroidery. table cloths, table covers, manton de manilas - piano shawls

A cloth bag with envelope flap and button. Cream coloured material with red and pink embroidery on one side. Lace with red trim around edges.Schlate wohl' embroidered on top flap.handcrafts, embroidery, pillow, case, lace, needlework, german

This skirt belonged to Olga Black, a long-time Brighton resident. The linen used for the skirt were woven by Olga's great-grandmother Efstathia in the late-nineteenth century with flax grown on the island of Ithaca. In the 1950s, Olga made the fabric into a skirt, embellishing it with hand embroidery. Olga Maria Black was born in Melbourne in 1930, the daughter of Ithacan migrants Constantine and Toula Mavrokefalos. Constantine first emigrated to Australia in 1902, returning to Greece circa 1912-13 to serve his home country in the Balkan Wars. Toula's family had left Ithaca for Romania when she was only six months old, but she happened to be visiting the island at the very time that Constantine arrived, fresh from the war. Within three weeks they were married, and when Constantine returned to Melbourne in 1914 his new bride came with him. Constantine had trained as an accountant, but his qualifications were not recognised in Australia. Changing his surname to the Anglicised "Black", he started off working in his older brother Dionysios's cafés before going into business on his own. In 1917 he opened the Paris Residential Café at 54-56 Swanston Street, which offered both dining and accommodation. The business saw some years of success, but did not survive the Great Depression. Constantine died in 1944. Olga's mother Toula learned to sew as a child, while growing up in the Romanian village of Brila. She developed her skills making lace and embroidering items for her trousseau. Some of the linen she embroidered had been woven from flax on Ithaca by her own grandmother, Efstathia. During the Depression, when money was scarce, Toula embroidered at home, doing work for a factory in Flinders Lane. Using a cotton reel, a threepence and a sixpence she created and embroidered designs on hundreds of blouses. Olga spent her preschool days sitting at the table where her mother worked. Toula would involve Olga by allowing her to help choose the colour combinations. Toula lived with Olga in Brighton until her death in 1976. Olga inherited her mother's sewing skills. She re-invented some of Toula’s trousseau nightdresses and skilfully altered other clothing, making dresses which she wore around Brighton for many years.Ankle-length full cream linen skirt with multi-coloured cross stitch embroidery featuring mountains, birds and trees. Fullness is pleated into wide waist band. Left side opening. The fabric widths have been whipped together by hand probably at the time the cloth was woven in the late-nineteenth century. The skirt is machine stitched.skirt, linen, hand woven, embroidery, ithaca, migration, greek diaspora, olga black

Hugh Jeffrey attended the Melbourne Conservatorium of Music at Melbourne University, graduating in 1940. This cloth patch would have formed the breast pocket of Mr Jeffrey's university blazer. The Melbourne University blazer is traditionally black with blue stripes, and organisations such as the Boat Club, Cricket Club or, in this case, the Student Union, would have their particular logo or badge embroidered on the pocket. The logo on this patch is a version of the University of Melbourne coat of arms - with the angel Victory embroidered in white on a black background, offering her laurel wreath. Unlike the official coat-of-arms, the stars of the Southern Cross are not included, nor is the Latin motto. 1 coloured cloth path with embroideryhugh jeffrey, university of melbourne

1960Square, cream linen supper cloth with a multi-coloured, floral embroidery, cross stitch and drawn thread pattern stretching across the entire cloth. It has drawn thread and embroidered edging all around the cloth. There are 6 matching serviettes each with a floral, embroidered pattern in one corner and drawn thread and embroidered edging all around.table linen., household textiles

Cream, hand-embroidered, linen tray cloth with orange, apricot, blue and green floral design and a scalloped, crocheted edging. Three cream, linen doilies, one with a scalloped edging and cream hand embroidery and one with two blue hand-embroidered baskets of pink flowers and with a crocheted edging. The third doily has a floral, hand-embroidered design, with a pink crocheted edging.table linen., table ware.

Brown grosgrain straw boater hatband with Gold stitched embroidery badge of BHC surrounded by bunch of grapes, the whole surrounded by wreath of leaves in gold colour. B.H.C.hatband, student boater hat, boater, cloth, burnley hat, uniform

Stan Grossman sent this silk embroidery to his cousin Doris Grossman. Private Stanley GROSSMAN 246 from North Wangaratta enlisted on 15/7/1915 aged 19 years. He embarked on 10/11/1915 and served with the Camel Corp , 29th Battalion and 14th Light Horse.Ornate gold coloured plastic frame with cream mount containing a square pink cloth embossed in yellow and white thread and edged in yellow fringe. Embroided - Happy Christmas Australian Commonwealth Military Forces Plaque -A Christmas Gift from Cairo World War 1 1916 stanley grossman 246, ww1, 29th battalion

This altar cloth is representative of ecclesiastical linen in use in the early to mid-20th century. It is decorated with the Mariner's Cross symbol, connecting it to the history of the early Christian church. The cover for the cloth shows the respect the maker had for the cloth and what it stands for. The Mariner's Cross symbol also makes it appropriate as an altar cloth for the St Nicholas Seamen's Church at Flagstaff Hill Maritime Village. MARINER'S CROSS symbol: - The symbol of an anchor that also looks like a cross is called the Mariner’s Cross (also called the Anchored Cross or Cross of Hope). It looks like a ‘plus’ sign with anchor flukes at the base and a ring at the top. The anchor is one of the earliest symbols used in Christianity and represents faith, hope and salvation in times of trial. The Mariner’s Cross is linked to the scripture in Hebrews 6:19, which says, “Which hope we have as an anchor of the soul, both sure and steadfast, and which entereth into that within the veil”. This particular Mariner’s Cross also has the letter ‘X’ under the post of the anchor. In Greek, the language of the New Testament, the word for Christ is ‘Christos’, which begins with the Greek letter ‘X’ or ‘Chi’. Together, the elements on this Mariner’s Cross - anchor, cross and ‘X’ - symbolise to the Christian that Jesus Christ the Saviour gives security and safety, hope and salvation. Many church organisations still use various forms of the Mariner’s Cross. THE MISSIONS TO SEAMEN (Brief History): - The Missions to Seamen was an Anglican charity that has served seafarers of the world since 1856 in Great Britain. Its symbol is a Flying Angel, inspired by a Bible verse. Today, there are centres in over 200 ports worldwide where seamen of all backgrounds are offered a warm welcome and provided with a wide range of facilities. In Victoria, the organisation began in Williamstown in 1857 as a Sailors’ Church, also known as ‘Bethel’ or the ‘Floating Church’ in an old hulk floating in Hobson’s Bay, Port of Melbourne. It soon became part of the Missions to Seamen, Victoria. In the year 2000, the organisation, now named Mission to Seafarers, still operated locally in Melbourne, Portland, Geelong and Hastings. The Ladies’ Harbour Lights Guild was formed in 1906 to support the Missions to Seamen in Melbourne and other centres, such as Williamstown. Two of the most significant ladies of the Guild were founder Ethel Augusta Godfrey and foundation member Alice Sibthorpe Tracy (who established a branch of the Guild in Warrnambool in 1920). The Guild continued its work until the 1960s. In 1943, a former Williamstown bank was purchased for the Missions to Seaman Club. The chapel was named St Nicholas’ Seamen’s Church and was supported by the Ladies’ Harbour Lights Guild, the Williamstown Lightkeepers’ Auxiliary and the League of Soldiers’ and Sailors’ Friends. It ceased operation in 1966. A Missions to Seamen Chapel and Recreation Room was a significant feature of ports during the late 1800s and into the 1900s. It seemed appropriate for Flagstaff Hill to include such a representation within the new Maritime Village, so the Melbourne Board of Management of Missions to Seamen Victoria gave its permission on 21st May 1979 for the entire furnishings of the Williamstown chapel to be transferred to Flagstaff Hill. The St Nicholas Seamen’s Church was officially opened on October 11, 1981, and closely resembles the Williamstown chapel. The altar cloth is representative of the ecclesiastical linen in use in the early to mid-20th century, when the original St Nicholas Seamen's Church was opened in Williamstown, Victoria. The Mariner's Cross embroidered onto the altar cloth gives it a connection with the early Christian church and with the Missions to Seamen. The fine hand stitching and embroidery are examples of traditional handcraft skills used over the centuries and continuing in use today.Altar cloth, white linen, with custom-made white cotton cover. The long rectangular cloth has the symbol of a Mariner's Cross (anchor and cross) embroidered with white silk thread on each short end. The wide hems are hand-stitched. The cover has two white tape ties and embroidered text in blue silk thread. This cloth and cover is part of the St. Nicholas Seamen's Church Collection. On cloth: symbol of (anchor with an 'X' stitched behind the centre of it). On cover, text "FLAGSTAFF/ HILL" flagstaff hill, warrnambool, shipwrecked coast, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, religion, religious service, st nicholas seamen’s church flagstaff hill, altar cloth, church linen, ecclesiastical linen, mariner’s cross, anchor cross, cross of hope, symbol of christianity, anchored cross, flagstaff hill maritime museum and village, maritime village, religious worship, worship service, st nicholas seamen’s church, williamstown, missions to seamen victoria, mission to seafarers, st nicholas missions to seamen’s church williamstown, missions to seamen, st nicholas missions to seamen’s church flagstaff hill, 139 nelson place williamstown, anglican church

Shirt - Khaki colour cotton/polyester, short sleeves, collar, shoulder epaulettes, two front pockets with button down flap. Plastic buttons, white cotton fabric, manufacturers label, back below collar. Right and left sleeves - Rank Insignia cloth patch - Australian Coat of Arms with wattle embroidery - Warrant Officer Class One. Left sleeve - fabric shoulder patch. Rising Sun Badge with Queen's Crown and lettering embroidery, "THE AUSTRALIAN ARMY". Right sleeve - GOLD COLOUR EMBROIDERY - crossed hammer & pincers - Australian Army Artificer RAEME qualification patch.Manufacturers information - black ink print. "ADI P/?/ 1990/ ^/ SIZE 44/ 8405.66.133.5959"/ SERVICE NO/ NAME/ DO NOT BOIL OR WRING/ MACHINE WASHABLE/ DRIP DRY, IRON LIGHTLY/ WITH WARM IRON".passchendaele barracks trust, uniforms, army service dress, shirt

Uniform, Sqd Leader Shane Wright. For his Service History refer Cat No. 7877.61. Jacket - dark blue wool/polyester fabric. Battle dress style. Collar, shoulder epaulettes with Sqn Leader rank slides - 3 rank stripes, black and blue ribbons and 'AUSTRALIA" . Left sleeve insignia patch - white embroidery Eagle wings over "AIR FORCE" . Two patch pockets with concealed button flap. Right pocket - metal RAAF Badge, above pocket metal name badge. Left pocket - above service ribbons, blue and yellow ribbon with three rosettes - Long service. Black, red and white ribbon - Defence medal. Stretch ribbing waistband to jacket with plastic and metal zipper closer. Dark blue colour polyester lining with concealed pocket Dark blue plastic buttons with shank, raised emblem crown and wings RAAF. White cotton manufacturers label. 2. Cap - dark blue wool/polyester fabric. Utility cap style with Officers Insignia patch - gold embroidery - Queen's crown with red insert, wings and laurel leaves. Dark blue colour polyester fabric lining. White cotton manufacturers label inside on lining.Manufacturers information - black ink print. 1. "ADA/VIC 2002/ ^/ NSN: 8405 66 146 8842/ SIZE: 105r/ SERVICE NO:/ NAME: / LAUNDRY INSTRUCTIONS/ 50% WOOL 50% POLY/ DRY CLEAN ONLY/ REPRESS WITH DAMP CLOTH/ WARM IRON/ DO NOT SIRO SET/ MADE IN AUSTRALIA" 2. "ADA/ 4500 107475/ JULY 02/ NSN 8405 66 146 6323/ SIZE 62/ SERVICE NO:/ NAME: / DRY CLEAN ONLY/ 50% WOOL 50% POLYESTER/ MADE IN AUSTRALIA" 1. & 2. Handwritten - black ink pen "S.WRIGHT".uniform, raaf, battle jacket, cap, s. wright