Showing 82 items
matching entrance drawings
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Lakes Entrance Regional Historical Society (operating as Lakes Entrance History Centre & Museum)
Photograph, J Whadcoat, 2001
see page 16 Lakes Post Newspaper 25 April 2001Colour photograph group people, Brian and Ann Clegg with interstate visitors drawing RSPCA raffle outside RSPCA shop in Centrepoint Arcade. Lakes Entrance Victoriacommunications, broadcasting -
Lakes Entrance Regional Historical Society (operating as Lakes Entrance History Centre & Museum)
Photograph, 1999
Other number 02895.1Colour photograph Showing Uncle Les Cooper leading a group of pre school children through a chalk drawing experience for NAIDOC week, Lakes Entrance Victoriaeducation -
Lakes Entrance Regional Historical Society (operating as Lakes Entrance History Centre & Museum)
Photograph, Lakes Post Newspaper, 2000
number in album 03600.02Colour photograph David Peterson Golf Club Manager with Gordon Whelan of Home Hardware drawing a prize winner for Home Hardware Garden Week Competition. Lakes Entrance Victoriagolf club, sports -
Bendigo Historical Society Inc.
Document - FORTUNA COLLECTION: VILLA FORTUNA ACTION GROUP
... photo on the back page is a proposed drawing of the Entrance... page is a proposed drawing of the Entrance Hall. Document ...Blue tri-fold pamphlet titled 'Villa Fortuna Action Group' which has a photo of Fortuna and the lake on the front with Fortuna 1908 under the photo and Working for Community Use of Fortuna. On the inside is a brief history of Fortuna, What the Action Group plans to do and Potential Activities. There is also a photo of the Billiard Room, criteria 1908 and another of the exterior of the building. There is also a space to fill in for a Joining Fee and Annual Membership Fee of $10 each. On a lighter photo on the back page is a proposed drawing of the Entrance Hall.bendigo, clubs, villa fortuna action group, fortuna, army survey regiment, theodore ballerstedt, vahland, getzschmann, 180 mine, george lansell, roman bath, pompeii fountain, department of defence, the villa fortuna action group, bendigo historical society inc. -
Bendigo Historical Society Inc.
Document - MARKS COLLECTION: DRAWING ENTRANCE DOOR FOR G. LANSELL
... MARKS COLLECTION: DRAWING ENTRANCE DOOR FOR G. LANSELL... Drawing of part of entrance door for G. Lansell, Esq' Plan shows... Drawing of part of entrance door for G. Lansell, Esq' Plan shows ...Plan drawn on waxed paper. Written on plan 'Full size Drawing of part of entrance door for G. Lansell, Esq' Plan shows line drawings of side elevations of Frame, Stile, Pelmet, Stile, Frame. On bottom of plan purple ink stamp 'Vahland & Getzschmann, Architects, Sandhurst'.Vahland & Getzschmann, Architects, Sandhurst.bendigo, house, fortuna villa -
Kew Historical Society Inc
Work on paper - Entrance to the Kew Cemetery, Caroline Bell, c.1892
Boroondara General Cemetery, often referred to as Kew cemetery, is one of the oldest cemeteries in Victoria, Australia, created in the tradition of the Victorian garden cemetery. The cemetery, located in Kew, a suburb of Melbourne, is listed as a heritage place on the Victorian Heritage Register. Framed pastel drawing, donated to the Kew Historical Society in 1965 of the entrance to Boroondara General (Kew) Cemetery, believed to be drawn by the sister of the artist George Bell. The drawing shows one of the entrances to the Cemetery before the construction of the high brick wall in 1895. This would be consistent with the life of Caroline Bell (1872-1947). The artist's perspective is estimated to be near the west end of the cemetery, perhaps in Victoria Park.caroline ethel bell (1872-1947), boroondara general (kew) cemetery, victoria park -
Kew Historical Society Inc
Drawing, AK Lines, Macfarlane & Marshall, Kew Civic Centre, c.1970
The Kew Civic Centre (A K Lines, MacFarlane & Marshall, 1972) was built next to the Kew Civic Hall (A C Leith & Bartlett, 1960) on the site of the former mansion Ordsall (later renamed South Esk). Whereas the entrance to the Civic Hall was positioned off Civic Drive, the main entrance to the Civic Centre faced Cotham Road, as shown in the undated perspective drawing of the proposed building. The Civic Hall was used for public functions and performances, while the Civic Centre was used for civic offices. It also contained the Council Chamber. The building opened in 1972, following the relocation of the councillors and council officers from the former Town Hall in Walpole Street (now a Woolworth's supermarket). Following the amalgamation of the former City of Kew into the City of Boroondara in 1994, the Civic Centre was sold to Trinity Grammar School. The exterior of the Centre has been modified by Trinity Grammar.A report for Heritage Victoria (date) describes how two architectural firms dominated the designs for new civic buildings in Victoria during the post war period. The report claims that: "An interesting sub-theme in the erection of post-war municipal offices in Victoria is that a considerable proportion were designed by the same three or four Melbourne-based architectural firms, who established themselves as the leading specialists in this type of work. The two most prolific firms in this regard were A K Lines, MacFarlane & Marshall, and A C Leith & Bartlett; both, in fact, had made names for themselves as designers of local government offices prior to the Second World War. Lines' office, for example had designed the Eltham Shire Offices in 1941, while Leith's firm had been responsible for the celebrated Heidelberg Town Hall in 1937). Both practices parleyed this early experience into a lucrative post-war career, designing numerous municipals offices well into the 1970s." (Survey of Post-War Built Heritage in Victoria, Built Heritage Pty Ltd, 2010.) The perspective drawing importantly captures the original design and function of the exterior of the building and its public entrance.Hand-coloured perspective sketch of the new Kew Civic Centre, completed in 1972 to designs by A K Lines, MacFarlane & Marshall; and located on the corner of Charles Street and Cotham Road, Kew. The sketch represents the front elevation of the building and its relation to the preexisting Kew Civic Hall at right. The three storey building features strong vertical concrete buttresses that extend across the three levels. KEW CIVIC CENTRE / A K LINES, MACFARLANE & MARSHALLkew civic centre, a.k. lines, macfarlane & marshall, architectural drawings, civic buildings -- kew (vic.), town hall -- kew (vic) -
Port Fairy Historical Society Museum and Archives
Postcard - Pencil Drawing
John J. Huntly appears to have been the only licensee of the Royal Oak Hotel, built in 1858. He was a Councillor of the Municipality of Belfast at the time and later became the Secretary of the newly formed Minhamite Shire in 1872. By 1861 D. Smith appears as the licensee of the now named Commercial Hotel. In 1877 it was offered for sale—the building described as follows “Built of bluestone with slate roof, having a frontage to Bank street of 106 feet, 6 inches. Accommodation consists of twelve bedrooms, eight sitting rooms, bathroom, bar and cellar and detached kitchen also of bluestones, with outside offices. Around this time beside its usual business the hotel had various rooms for visiting doctors and a dentist. Dr. Berncastle, who was associated with the Sydney Eye Infirmary, performed several operations there on those suffering from cataracts. It was the meeting place for the Port Fairy Freemasons, before their Lodge was built in James street, and all the local sporting clubs, at one time or another. The veranda was added in 1900. The name Royal Oak was restored this century, but the name Commercial Hotel can still be seen in the leadlight window over the front entrance. The hotel still continues serving patrons with beverages and meals but no beds these days. There is also an addition to the building, as seen in the bottom illustration— a bottle shopBlack and white sketch photographed Line drawing of the Commercial hotelhotel, building, commercial, oak and anchor, inn, pub, d.smith -
University of Melbourne, Burnley Campus Archives
Plan, Proposed Sign for Entrance to Burnley, 1931
(1) Correspondence between Mr Zevan (Government Cool Stores), the Agricultural Superintendent, R. Crowe (Exports Superintendent) and A.W. Jessep re design for new entrance gates at Burnley Gardens, between 31.03.1931 and 09.07.1931. Invoice from signwriter. (2) Pencil sketch of proposed design with anotations. (3) Coloured drawing to scale.On verso of drawing: "Gate sign & Watering plans" and "File State Public Works"mr zevan, cool stores, r. crowe, exports, a.w. jessep, burnley gardens -
University of Melbourne, Burnley Campus Archives
Plan, Concept for Swan Street Entrance. VCAH Burnley - Plant Research Institute, 1988-1998
(1) Concept and Drawing by Steve Mullany, Lec turer V.C.A.H. Burnley 9 Dec 1988. Handdrawn. 1 coloured, 2 copies and 4 tracing paper sketches. (2) Landscape Plan by Steve Mullany 3 Feb 1989. Handdrawn. Includes Plant Plan. 2 copies on tracing paper. 3 copies original on paper with some additional notation. (30 Project Eden, Swan Street, Richmond - Landscape Plan LA2 Project No 682 by Mark McWha Pty Ltd Nov 1997. Photocopy. Includes Irrigation and Plant Schedule. (4) Swan St Frontage Planting Scheme by P. Tulk for AMRAD. Coloured. 19/2/1998. -
University of Melbourne, Burnley Campus Archives
Plan, Swan Street Entrance. Also see B15.0352, 1988-1998
(1) 1 coloured and 2 copies, hand drawn , and 4 tracing paper sketches. Concept and Drawing by Steve Mullany, Lecturer V.C.A.H. Burnley, 09.12.1988. (2) 2 copies on tracing paper, original on paper with some additional notation and 3 copies of Landscape Plan by Steve Mullany 3 Feb 1989. (3) Photocopy of Project Eden, Swan Street, Richmond - Landscape Plan LA2 Project No 682 by Mark Mc Wha Pty. Ltd. Nov 1997. Includes Irrigation and Plant Schedule. (4) Coloured, Swan St Frontage Planting Scheme by P. Tulk for AMRAD 19.2.1998. -
University of Melbourne, Burnley Campus Archives
Plan, Student Amenity Building (Citriodora) Courtyard, 1988-2000
Various plans for what is now known as the "Citriodora Courtyard." I copy tracing paper, 1 coloured original, 4 copies with additional notation 6 smaller copies with additional notation. (1) Planting Plan Plant Science Area V.C.A.H. Burnley designed by J. Hitchmough, drawn by S. Mullany 3 October 1988. (2) Student Amenity Quad Sketch Proposal by M. Green May '95. (3) Rough pencil design, New Design related to Horticultural pursuits of Burnley College. (4) Coloured, Proposed Citriodora Court Redevelopment. (5) 2 copies Citriodora Courtyard Presentation Concept Plan by Adrian Bonifacio. November 2000. (6) Landscape Graphics II Assoc. Diploma in Horticulture (Amenity) Assignment 2 - Planting Plan May 1988. (7) Laminated, Preliminary Plan 2 of 4 Citriodora Lawn Burnley by Kate Szmal B.A.S.H. (8) Laminated, Preliminary Plan Student Amenity Building Courtyard V.C.A.H. Burnley by Caroline Lodge. (9) 1 tracing paper and 1 paper copy University of Melbourne Burnley College Student Amenity Building Courtyard 19.8.99. (10) Setout Plan, Planting Plan & Surface Finishes, Details Courtyard & Entrance, ACM Landscape Architecture: Concrete Paving Topsoil, Mulch - notes. "Phil Tulk," handwritten on reverse. (11) Laminated, V.C.A.H. Preliminary Plan p3 of 5 Project No 1 Student Amenity Building Courtyard by K. Watson 15-8-95. (12) Citriodora Courtyard Redevelopment Concept Plan by Judy Brookes November 2000. 2 copies of Drawing 1 of 2, 1 copy Drawing 2 of 2. (13) Proposed Outdoor Eating Area Student Amenities Block: Scheme 1 pp 2-5 of 5, 16.10.96. Scheme 2 pp 3-5 of 5, 16.10.96. Scheme 8 3 copies p1 of 2, 2 copies p2 of 2, 23.6.97, Paving Types p1 of 1, 30.9.99, handwritten on reverse,"to Phil from Nicki." (14) 2 copies Entry from Rear Car Park Paving Plan. (15) Plan by Margaret Kitching 8.8.90. citriodora courtyard, vcah -
University of Melbourne, Burnley Campus Archives
Administrative record, Proposed Entrance Sign for the Burnley School of Horticulture & Primary Agriculture, 2018
... . Includes handdrawn coloured drawing of an entrance sign... coloured drawing of an entrance sign by the Chief Architect, Percy ...administration, t h kneen, principal, superintendent of agricultural education, sign, entrance, administration building, drawing of sign, percy everett, chief architect -
Friends of Ballarat Botanical Gardens History Group
Work on paper - Carolus Clusius, 16th century scientific horticulturist, Wikipedia, 22/06/2009
Clusius's early work relates to some of the plants in the Ballarat Botanical Gardens today, for example, tulips. Carolus Clusius was a pioneering botanist and one of the most influential 16th century scientific horticulturists.2 pages with a photograph labelled Charles de l'Ecluse on the left of p.1 and a drawing of a Nymphaea on the lefthand side of the page. p.2 has a list of the works of Charles de l'Ecluse, bottom half of the page. Nonedoctor john garner, john garner, ballarat botanical gardens, friends of ballarat botanical gardens, 16th century, carolus clusius, charles de lecluse, l'escluse, pioneering botanist, scientific hoticulturist, tulips, alpine plants, genus clusia, european flora, john garner collection, gardens, ballarat -
Friends of Ballarat Botanical Gardens History Group
Plan - Timber Fernery at Botanical Gardens, Architectural drawing
History of Ballarat Botanical Gardens, Technical drawingWhite paper; photocopy showing black line drawings of planned Fernery; Ballarat Botanical Gardens 1925L.H. Finch. Assoc. M. Inst. C. E. City Engineer 1 July, 1925fernery, architectural drawing -
Friends of Ballarat Botanical Gardens History Group
Work on paper - Listing of Wetland Plants, Ballarat Botanical Gardens Wetland Plants, Unknown
While there are drawings of wetlands' plants and the classification of each plant, it is not clear as to how many of these plants are to be found in the Ballarat Botanical Gardens, at this time.As the Wetlands, in the northern section of the Ballarat Botanical Gardens are an important and unique section of the Gardens today, it is important to know something of the flora in that area.3 double sheets with black and white drawings of plants on the left hand side of each half page with the classification for each plant.Joan Garner is written in blue biro on the back of the first sheet.john garner, doctor, john garner collection, ballarat botanic gardens, north garden reserve, wetlands, wetlands' plants, drawings of wetlands plants, classification of wetland plants -
Friends of Ballarat Botanical Gardens History Group
Work on paper - Ballarat Botanical Gardens Master Plan, Final Draft 1995, 1995
This is the "Final Draft" of the Ballarat Botanical Gardens Masterplan in 1995.This document gives some insight into how the Ballarat Botanical Gardens have developed since 1995.There are 6 pages of print and 5 mapsThe City of Ballarat logo is in the centre of p.1.doctor john garner, john garner, john garner collection, friends of ballarat botanical gardens, ballarat botanical gardens, masterplan, gardens, ballarat, drawings -
Melbourne Tram Museum
Drawing, VR Sandringham Tram Depot, 1921
Set of 8 drawings, prints from original VR drawings of the Victorian Railways Sandringham Railway station, tram depot, bus depot and alterations between 1921 and 1958.\ .1 - VR Sandringham to Black Rock, Electric Street Railway – Car shed at Sandringham – Locality Plan – shows car depot layout, substation, track location for both the railway and tramway, including the platform, goods shed and coal stage. Not dated. Consists of two sheets of paper joined in the middle – 420H x 1210W. Minor creases at end of rolled sheet. .2 - Drawing 1907.21 - Sandringham car shed proposed extension – with note “Not carried out” – dated 2-8-21 Second copy has stamp – Drawer 2, Folio 1, plan 2 in bottom left hand corner. 480H x 630W .3 - Sandringham Station – station layout showing proposed extension to passenger platforms for both 7 and 10 car trains, buildings shops as the southern end of the yard, rail and tramway tracks, streets, dated 12.2.1923. Drawing 582.22. 420H x 590W. .4 - Locker Room for Bus Drivers – plan 264-46, dated 2-5-1946, 295H x 420W. .5 - Shower for Bus Drivers, Plan No. 815-50, dated 15/12/1950, 295H x 420W. Has a note on the drawing – “not carried out”. .6 - Tramcar shed – Site Plan – Entrance Gates – shows conversion arrangements of the depot from trams to buses, including entrance way gates. Plan 456-56. 295H x 420W. .7 - Conversion of sub-station into New Amenities Block - plan number 51-57, dated 22.2.1957 - Detail architectural drawings for the above work. 295H x 420W .8 - Conversion of sub-station into New Amenities Block - plan number 51-57, dated 22.2.1957 - Detail architectural drawings for the above work. 295H x 420W. .9 - Proposed Improvements to Bus Depot - Plan No. 455-52 - not dated. 420H x 595Wtrams, tramways, vr, sandringham, tramways, buses, railways, black rock -
Melbourne Tram Museum
Drawing, Melbourne & Metropolitan Tramways Board (MMTB), "MMTB Underground Tram Routes", c1962
Set of three drawings from a set of 8 showing proposals for undergrounding tramways in the central part of the city - c1970. Models and other drawings have featured in the MMTB Annual Reports of the time. .1 - Figure 6 - Circular tunnel 16ft internal dia with Australian Railways Ultimate Maximum Rolling Stock Outline, 1963. Shows profiles of a Harris Blue Train, Class M, and a class W4 tram. Two copies held. .2 - Figure 7 - as for figure 6 but with a MMTB rear entrance Leyland Double deck bus body shown. .3 - Figure 8 - Underground tram routes - proposed basic arrangement at street intersection, typical cross sections - two copies held, one copy has been trimmed width wise. See also Reg Item 3069 and 409 for other references.In the top right hand corner of each drawing is "Graeme Breydon, 204 Carlisle St, Balaclava 3183 Tel 94 2886"trams, tramways, mmtb, melbourne, swanston st, bourke st, underground tramways, w4 class -
Melbourne Tram Museum
Document - Folder, Public Transport Corporation (PTC), "MMTB Electric Tramways", c2000
Set of 41 A4 sheets, photocopied with the title "MMTB Electric Tramways", providing GA drawings of the following: R1146 – General Data of Tramcars – 24-9-1924 PMTT 160 - PMTT Bogie closed car (O class) PMTT 161 - PMTT Combination car PMTT 162 – Summer car (old type) – F class PMTT 163 - PMTT Bogie car PMTT 164 – Summer car – G class PMTT – 700 – Bogie Car with dropped centre compartment and longitudinal rattan saloon seats R2461 – class W – W class converted to W2 R2460 – class W1 R2459 – class W2 R2462 – class X R2464 – class Y R2463 – class X1 R2465 - class Y1 R3071 - class W3 R3076 - class A R3077 - class G R8617 - class Sw6 and W6 R3078 - Class C R3080 – Class X2 R3093A - Class T R3812 - class W4 R4382 - class T - arrangement for one man operation R4646 - class Sw2 R4678B - class W5 R4771A - Class SW6 R5818 - class SW5 R5963 - class A - One man Coburg type R6928 - PCC Car - double end operation (based on a USA drawing) R7416 - class L R8332 - PCC Type car (980) R8999 - Class A tramcar Coburg type original R9601 - class CW5 R9529 - class W7 R9622 - Proposed SW6 car with front entrance R9980 - Freight car 17 R10-129 - class VR R11-333 - Class Z1 and Z2 trams R11-387 - class Z 0 outside dimensions R11-580 - class Z3 tram R12-052 - class W5 sliding door conversion R12-062 - class A tram Articulated tram - class B2trams, tramways, drawings, tramcars, tramcar design, preston workshops, mmtb -
Williamstown Botanic Gardens- Hobsons Bay City Council
Postcard - Postcard – Williamstown Botanic Gardens, The Crown Studios, Sydney, c1900-1910
The cast iron gates (manufactured in Glasgow) introduced at the North West entrance in 1907. The gates were purchased from ‘Fairlie” corner of Acland and Anderson Streets, South Yarra at the cost of 72 pounds and cost 60 pounds to install. They had originally cost the owners of ‘Fairlie’ 1200 pounds. Lee Heap Furniture Warehouse of Williamstown used the postcards to advertise. The postcards are evidence of the interest the gardens held as a subject for postcard publishers. The text and images provide a snapshot into fashions, social interests and concerns of the time. The professionally produced images provide a pictorial history of Gardens including changing planting styles, various structures and features of the Gardens eg the aviary, cannons, the fountain, the second Curator’s Lodge and gates. The images offer an opportunity to compare garden vistas with the present day. The image in this postcard shows the gates intact and as installed in 1907. The current layout of this area still reflects the change of design, which followed the 1907 removal of the first gardener's residence and the subsequent re-organisation of this quarter of the gardens. This postcard is evidence of the placement of one of the cannons relocated from Fort Gellibrand in 1906. They were removed from the Gardens in the 1960s. These same cannons remain a feature on the Williamstown waterfront in 2013. Black and white image of main entrance gates which are open. Through the gates can be seen a man in waistcoat standing in front of a cannon. The gates are cast iron, double carriage gates with single pedestrian gates on either side and supported by four cast iron posts with ornamental finials. Front: ‘The Entrance Gates, Williamstown Gardens. Vic.’ ‘0457/2’ ‘THE CROWN STUDIOS, SYDNEY’. Reverse: Centre top ‘POST CARD’ with a logo in the middle of the words. Left top corner a drawing of an artist’s board and brushes with a camera in the centre. Left side ‘MESSAGE ONLY.’ Right side ‘ADDRESS ONLY.’ Top right corner inside a dotted rectangle ‘STAMP HERE’. Bottom on card ‘BY THE CROWN STUDIOS, SYNDEY.’ Under the vertical line down the middle line ‘Neither the Address not the Message must cross this line’. In ink ‘With Compliments / from’. An oval stamp with scalloped rim ‘LEE HEAP FURNITURE MANUFACTURER’ inside inner oval ‘FURNITURE WAREHOUSE, / WILLIAMSTOWN’.postcard, gardens, post-card, williamstown-botanic-gardens, hobsons-bay-city-council, entrance gates, entrance-gates, cast iron, finials, cannon, crown studios, lee heap furniture warehouse -
Flagstaff Hill Maritime Museum and Village
Book - Religious Book, The Holy Bible, 1836
This Holy Bible is entitled "The Holy Bible containing the Old and New Testaments, translated out of the original tongues: and with former translations diligently compared and revised by His Majesty's Spiritual Command." It was printed by Sir D. Hunter Blair and M.T. Bruce in Edinburgh, 1836, printers to the King's most Excellent Majesty, H.B.S." The Bible belonged to David and Alice Ellis, a young couple married in Dublin in 1855. It has been handed down in the Ellis family until it was donated, together with other personal effects, in 2004 by David and Alice’s granddaughter, daughter of David Ellis Junior. Alice treated the Bible as an important posession. On 6th October 1855 newlyweds David and Alice Ellis set sail for Australia in the brand new Schomberg, considered the most perfect clipper ship. She was built as an emigrant ship in Aberdeen and set sail from Liverpool on her maiden voyage, bound for Melbourne, Australia. She was loaded with 430 passengers plus cargo that included iron rails and equipment intended for building the Geelong Railway and a bridge over the Yarra from Melbourne to Hawthorn. On 27th December 1855, only one day from her Melbourne destination, the Schomberg was grounded on a sand-spit on the Victorian coast near Peterborough. The passengers and crew were all safely rescued by a passing small steamer, the SS Queen, which traded between Melbourne and Warrnambool, and taken to Melbourne. The passengers had been told, when leaving the sinking Schomberg, that all they could take with them was a small basket or handbag. A newspaper article later mentioned that one of the things Alice made space for in her basket was her Bible. (It is unclear whether Alice took any possessions with her onto the SS Queen, but a note accompanying the donation of the Bible and basket states that the items were “left on deck and salvaged as Schomberg went down”.) Another steamer was despatched from Melbourne to retrieve the passengers’ luggage from the Schomberg and Alice was reunited with all of her boxes of belongings. Other steamers helped unload the cargo until the change in weather made it too difficult. Although the Schomberg was wrecked there were no lives lost. At that time David was 23 years old (born in Wales, 1832) and his new bride Alice was 26 (born in Dublin, 1829). They had been given letters of introduction to people in Tasmania so they travelled there from Melbourne. However the couple only stayed on that island for about a year before they returned to the Western District of Victoria. David worked for Mr Neil Black as a gardener for a while then, when the land in the area was made available by the Victorian government, David and Alice claimed a selection of land on Noorat Road in the Terang district. They settled there for the remainder of their lives, expanding their property “Allambah” as opportunities arose. A document accompanying the donation lists the names of six children; William, Grace (c. 1859-1946), Thomas (c. 1866 – 1939), David (c. 1962 – 1953), James and Victor. David died on 13th April 1911, aged 79, at their property. Alice passed away the following year, November 1912, aged 83. Alice’s obituary described her as “a very homely, kindly-natured woman, who was highly esteemed by a large circle of friends; and she was also a firm adherent of the Presbyterian Church”. At the time of Alice’s death she left behind three sons and one daughter. Her daughter Grace Ellis was also a very active member of the Terang Presbyterian Church and a member of the PWMU (Presbyterian Women’s Missionary Union). She was also involved in the Red Cross and other charities. Grace passed away in 1946, aged 87. David and Alice Ellis were amongst the very earlies pioneers of the Terang district of Western Victoria. Their donated possessions are a sample of the personal effects of emigrants to Australia. The donated items are a sample of the personal goods carried aboard a significant migrant ship in 1855. They are also significant for their association with the Schomberg. The Schomberg, which is on the Victorian Heritage Register (VHR S612), has great historical significance as a rare example of a large, fast clipper ship on the England to Australia run, carrying emigrants at the time of the Victorian gold rush. She represents the technical advances made to break sailing records between Europe and Australia. Flagstaff Hill’s collection of artefacts from the Schomberg is significant for its association with the shipwreck, The collection is primarily significant because of the relationship between the objects, as together they have a high potential to interpret the story of the Schomberg. It is archaeologically significant as the remains of an international passenger Ship. It is historically significant for representing aspects of Victoria’s shipping history and for its association with the shipwreck and the ship, which was designed to be fastest and most luxurious of its day Bible, known as the Ellis - Schomberg Bible, with patterned brown leather cover. Printed by Sir D. Hunter Blair and M.T. Bruce, Edinburgh 1836. Bookmark of card placed within Bible’s pages is from Keswick Book Depot, Melbourne. Bible has hand written inscriptions inside front and back covers and has been well used. Bible was amongst the possessions of David and Alice Ellis, passengers on the Schomberg when wrecked in 1855.Scripture references and notes are hand written in pencil on front and back inner pages. Bookmark card has printed inscription; on front “BOOK MARK / KESWICK / BOOK / DEPOT / EVERYTHING / EVANGELISTIC / 315 COLLINS ST / MELBOURNE / CENT. 3013”, on back is line drawing of a stem of iris flowers above the verse “The entrance of Thy / words giveth light; it / giveth understanding / unto the Simple. Ps. 119-30” flagstaff hill, warrnambool, shipwrecked coast, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, schomberg, holy bible, schomberg bible, d hunter blair and m t bruce, 1836 bible, 1855 shipwreck, peterborough shipwreck, ss queen, david ellis, alice ellis, allambah terang, dublin emigrants, terang presbyterian church, western district victoria