Slide. Bendigo Views. Ferns and trees in the Fernery in Rosalind Park. There is a gravel path between the ferns.slide, bendigo, bendigo views, bendigo views

Puffing Billy Preservation Society 50th Anniversary sign This is the large poster board that was erected at Lakeside to celebrate the 50th Anniversary of the Puffing Billy Preservation Society in 2005. Established in 1955, the Puffing Billy Preservation Society was formed to operate the narrow gauge trains between Upper Fern Tree Gully and Belgrave following the successful Young Sun specials. With the conversion of the Upper Fern Tree Gully to Belgrave line to broad gauge track, the Puffing Billy Preservation Society was the instigator of restoring the Puffing Billy Railway from Belgrave to Menzies Creek in 1962, Menzies Creek to Emerald in 1965 and Emerald to Lakeside in 1975 and in association with the Emerald Tourist Railway Board, Lakeside to Gembrook in 1998. Historic - Puffing Billy Preservation Society - Station Sign - for the 50th Anniversary of the Preservation SocietyPuffing Billy Preservation Society 50th Anniversary sign Large rectangle metal sign - off white back ground with black lettering Puffing Billy Preservation Society 1955 - 50th Anniversary - 2005 1900 . Line opened by Victorian Railways 1953 . Landslide - Line closed by V.R 1955 . Society established 1962 . Re-opened by Society Today still predominantly volunteer - operated puffing billy, preservation society, station sign, 50th anniversary, lakeside station

Nicholas Caire was born on Guernsey in the Channel Islands in 1837. He arrived in Adelaide with his parents in about 1860. In 1867, following photographic journeys in Gippsland, he opened a studio in Adelaide. From 1870 to 1876 he lived and worked in Talbot in Central Victoria. In 1876 he purchased T. F. Chuck's studios in the Royal Arcade Melbourne. In 1885, following the introduction of dry plate photography, he began a series of landscape series, which were commercially successful. As a photographer, he travelled extensively through Victoria, photographing places few of his contemporaries had previously seen. He died in 1918. Reference: Jack Cato, 'Caire, Nicholas John (1837–1918)', Australian Dictionary of Biography.An original, rare photograph from the series 'Views of Victoria: General Series' by the photographer, Nicholas Caire (1837-1918). The series of 60 photographs that comprise the series was issued c. 1876 and reinforced a neo-Romantic view of the Australian landscape to which a growing nationalist movement would respond. Nicholas Caire was active as a photographer in Australia from 1858 until his death in 1918. His vision of the Australian bush and pioneer life had a counterpart in the works of Henry Lawson and other nationalist poets, authors and painters.Albumen silver photograph mounted on boardprinted in ink on support l.c.: GIANT FERN TREES: SPLITTERS' TRACK, BLACK SPUR. / COPYRIGHT REGISTERED. printed in ink (vertically) on support reverse u.c.l.: J.W. FORBES, Agent, printed in ink (vertically) on support reverse c.l.: ANGLO-AUSTRALASIAN PHOTOGRAPHIC COMPANY, MELBOURNE. printed in ink (vertically) on support reverse c.: VIEWS OF VICTORIA. / (GENERAL SERIES.) / No. 8. / GIANT FERN TREES: SPLITTERS' TRACK, BLACK SPUR. / The scene which this illustration represents is situated on Morley's Creek, at the foot of the Black Spur, and is / about a mile and a half from the Township of Fernshawe. The Fern Trees in this locality are of gigantic growth, / measuring 50 feet in height, the fronds of which are from 12 to 15 feet long. This excessive growth is attributable / to the great number of springs flowing into the creek, thereby causing the surrounding soil to be in a continual / state of moisture. printed in ink (vertically) on support reverse l.c.l.: 10 Temple Court, Collins Street West.landscape photography, nicholas caire, black spur - victoria

Black and white photograph. View of ferns and trees. Possibly an excursion. Photographs B91.409 to B91.417 appear to have come from the same photograph album.ferns, trees, excursion, victorian rainforest

The Crescent Bridge crossing Sassafras Creek on 'The Crescent' at Sassafras. View of water and ferns. c1912Black and white copy of a post card a bridge with a bush and tree fern background.On front: Crescent Bridge Sassafrassassafras, crescent bridge, the crescent, tree ferns, bridge

Lyre Bird Gully and Lyre Bird Gully Track run alongside the Olinda Falls. The area has been a popular walking track in the from the 1920s onwards. The photograph is from the album of Ivy Child. Ivy May Child (1910 – 1989) was the daughter of Arthur Edward (Ted) Child (1878 – 1964) and Ethel May Madden (1888 – 1970). Ted Child was the son of Matthew Francis Child (1839 – 1933) and Martha Jeeves (1857 – 1926). He was the grandson of one of the early pioneers Francis Child. Ivy grew up on the family property on Childs Road and took many photographs. Most of these are glued into her photo album. The album covered the years from c1927 – 1932. Ivy married Henry William Burgess (1906 – 1968) in 1944. The photographs remain in their original state in the album with individual copies made. Black and white photograph showing a row of tree ferns in the foreground with bush behind.Written below photograph in album: OLINDA FALLS AND LYRE BIRD GULLYolinda falls, falls, lyrebird, lyrebird gully, lyrebird track

Black and white photocopy of fountain and ferns in Lower Camp Reserve Sandhurst. It shows a garden with ferns, trees, fences an urn at right and a fountain at left. Copy of photograph held by state library. On front at top ' State Library of Victoria - pictoria image. Database '/759353/ ' Fountain and ferns in Lower Camp Reserve, Sandhurst. 'Handwritten ' LTA 38/H39358/76' Rudd Photograph.Ruddplace, landscape view, lower camp reserve sandhurst, photographs, sandhurst, garden, reserve, bendigo, photography, fountains, ferns

This photograph is from the album of Ivy Child. It shows her parents Ethel and Ted Child (rhs) standing on Childs Road with another couple and their two young boys. Ivy May Child (1910 – 1989) was the daughter of Arthur Edward (Ted) Child (1878 – 1964) and Ethel May Madden (1888 – 1970). Ted Child was the son of Matthew Francis Child (1839 – 1933) and Martha Jeeves (1857 – 1926). He was the grandson of one of the early pioneers Francis Child. Ivy grew up on the family property on Childs Road and took many photographs. Most of these are glued into her photo album. The album covered the years from c1927 – 1932. Ivy married Henry William Burgess (1906 – 1968) in 1944. The photographs remain in their original state in the album with individual copies made. Sepia photograph showing two men, two women and two young boys standing in the centre of an unmade rad. Ferns and trees are growing up to the edges of the road.Handwritten below the photograph in album: Child's Roadted child, ethel child, childs road, bush

Nicholas Caire was born on Guernsey in the Channel Islands in 1837. He arrived in Adelaide with his parents in about 1860. In 1867, following photographic journeys in Gippsland, he opened a studio in Adelaide. From 1870 to 1876 he lived and worked in Talbot in Central Victoria. In 1876 he purchased T. F. Chuck's studios in the Royal Arcade Melbourne. In 1885, following the introduction of dry plate photography, he began a series of landscape series, which were commercially successful. As a photographer, he travelled extensively through Victoria, photographing places few of his contemporaries had previously seen. He died in 1918. Reference: Jack Cato, 'Caire, Nicholas John (1837–1918)', Australian Dictionary of Biography, National Centre of Biography, Australian National UniversityAn original, rare photograph from the series 'Views of Victoria: General Series' by the photographer, Nicholas Caire (1837-1918). The series of 60 photographs that comprise the series was issued c. 1876 and reinforced a neo-Romantic view of the Australian landscape to which a growing nationalist movement would respond. Nicholas Caire was active as a photographer in Australia from 1858 until his death in 1918. His vision of the Australian bush and pioneer life had a counterpart in the works of Henry Lawson and other nationalist poets, authors and painters.Albumen silver photograph mounted on board‘The subject of this illustration is situated in one of the wildest and most romantic places in the Gipps Land ranges, about midway between Mount Munday and Mount Juliet. The foliage in this locality is very luxuriant, comprising mostly Fern Trees which are interwoven with various descriptions of grasses and stunted Fern leaves. Beneath this mass of vegetation flows a branch of the Contentment Creek.’landscape photography - victoria, nicholas caire, ferngrove - victoria

Postcard format with old tree fern in foreground and Range View Nursery, Olinda on hill in background.Stamped on back of card in purple ink: E. Woolrich "Range View" Olinda Handwritten in pen: Olindarange view nursery, ted woolrich

Slide. Bendigo Views. Trees and ferns in the Fernery, Rosalind Park,slide, bendigo, bendigo views, bendigo views

Slide. Bendigo Views. Ferns growing in the gardens. Two tree ferns behind some smaller ones.slide, bendigo, bendigo views, bendigo views

Number 4 in commercial series.Small photograph, number 4 in Olinda series, showing ferns and fallen trees in natural bush scene.olinda, lyre bird gully, lyre bird, bush

Nicholas Caire was born on Guernsey in the Channel Islands in 1837. He arrived in Adelaide with his parents in about 1860. In 1867, following photographic journeys in Gippsland, he opened a studio in Adelaide. From 1870 to 1876 he lived and worked in Talbot in Central Victoria. In 1876 he purchased T. F. Chuck's studios in the Royal Arcade Melbourne. In 1885, following the introduction of dry plate photography, he began a series of landscape series, which were commercially successful. As a photographer, he travelled extensively through Victoria, photographing places few of his contemporaries had previously seen. He died in 1918. Reference: Jack Cato, 'Caire, Nicholas John (1837–1918)', Australian Dictionary of Biography.An original, rare photograph from the series 'Views of Victoria: General Series' by the photographer, Nicholas Caire (1837-1918). The series of 60 photographs that comprise the series was issued c. 1876 and reinforced a neo-Romantic view of the Australian landscape to which a growing nationalist movement would respond. Nicholas Caire was active as a photographer in Australia from 1858 until his death in 1918. His vision of the Australian bush and pioneer life had a counterpart in the works of Henry Lawson and other nationalist poets, authors and painters.Views of Victoria (General Series) No.28 / ‘Scene near Dandenong, Moon’s Range’ / Albumen silver photograph mounted on boardOn Reverse: 'Moon’s Range is situated to the right of the portion of the Dandenong Range of Mountains called “Fern Tree Gully.” This Range is notable for its almost impenetrable forest of trees, the majority of them being of gigantic growth. Numerous splitters and wood-cutters obtain lucrative employment in the production of laths and firewood. Near the summit of the range are several summer residences belonging to Melbourne merchants.’nicholas caire (1837-1918), australia - landscape photography

Fern gully in Sherbrooke Forest. A bridge with long log sides crosses a creek. Tree ferns edge the track.

Copy of Rose Series postcard #385 showing the new Mt Dandenong Tourist Road with wooden railing fence on low side of road. Surface not yet made. This photograph has a detailed inscription on the back handwritten by John Lundy-Clarke in 1974.View downhill from the Windy Bend showing the site of the 1972 landslide. In this picture the road is running along the top edge of the wall 900’ thick of Kalorama Docite that plunges thousands of feet deep down into the earth below the Ranges and extends to Fern Tree Gully. It was once a horizontal terrace nearly ten miles square and tipped over to the left when the mountain subsided into its volcanic cauldron.mt dandenong road, rose series, windy bend, landslide

The tourist track running alongside the creek from Sassafras Mechanics’ Hall to Emerald. In the early 1900s the track started at Rostrevor Guest House.Black and white Rose Series postcard P. 4832 showing a section of the Tourist Track in Sassafras surrounded by tree ferns and bush.On Reverse POST CARD A Real Photograph. Produced in Australia.sassafras, rose series, postcard, track

The photograph is from the album of Ivy May Child and the roof visible may be that of the Child Family Homestead. Ivy May Child (1910 – 1989) was the daughter of Arthur Edward (Ted) Child (1878 – 1964) and Ethel May Madden (1888 – 1970). Ted Child was the son of Matthew Francis Child (1839 – 1933) and Martha Jeeves (1857 – 1926). He was the grandson of one of the early pioneers Francis Child. Ivy grew up on the family property on Childs Road and took many photographs. Most of these are glued into her photo album. The album covered the years from c1927 – 1932. Ivy married Henry William Burgess (1906 – 1968) in 1944. The photographs remain in their original state in the album with individual copies made. Black and white photograph of a bush setting. Tree ferns are in the foreground and general bush trees beyond. The roof of a house is visible to the left.bush, tree ferns, child family, ivy child

Number 3 in commercial series.Small photograph, number 3 in Olinda series, showing footbridge over Olinda Creek surrounded by tree ferns. Late 1930s.olinda creek, footbridge, bridge, olinda, creek, tree ferns, ferns, bush

Nicholas Caire was born on Guernsey in the Channel Islands in 1837. He arrived in Adelaide with his parents in about 1860. In 1867, following photographic journeys in Gippsland, he opened a studio in Adelaide. From 1870 to 1876 he lived and worked in Talbot in Central Victoria. In 1876 he purchased T. F. Chuck's studios in the Royal Arcade Melbourne. In 1885, following the introduction of dry plate photography, he began a series of landscape series, which were commercially successful. As a photographer, he travelled extensively through Victoria, photographing places few of his contemporaries had previously seen. He died in 1918. Reference: Jack Cato, 'Caire, Nicholas John (1837–1918)', Australian Dictionary of Biography.An original, rare photograph from the series 'Views of Victoria: General Series' by the photographer, Nicholas Caire (1837-1918). The series of 60 photographs that comprise the series was issued c. 1876 and reinforced a neo-Romantic view of the Australian landscape to which a growing nationalist movement would respond. Nicholas Caire was active as a photographer in Australia from 1858 until his death in 1918. His vision of the Australian bush and pioneer life had a counterpart in the works of Henry Lawson and other nationalist poets, authors and painters.Views of Victoria (General Series), No.22 / ‘Fern Bridge Gully, Black Spur’ / Albumen silver photograph mounted on boardInscription on reverse: 'Fern Bridge Gully is situated near the summit of the Black Spur, about two miles from Fernshawe. Here the foliage is exceedingly dense, so much so as to exclude daylight in many places. This stream has derived its name from the fact of the Bridge having been constructed of large massive fern tree. The stream which flows beneath the Bridge is one of the sources of the River Watt.’nicholas caire (1837-1918), australia - landscape photography

A postcard in a series produced by the Rose Stereograph Company in Victoria, Australia as a souvenir of Marysville.Lady Talbot Drive (Talbot Drive) is a 24 kilometer scenic rainforest car journey which passes a number of walks and waterfalls in the Yarra Ranges National Park. Lady Talbot Drive is named after Lady Sarah Elizabeth, the wife of Sir Reginald Talbot, who was the Governor of Victoria from 25th April, 1904 to 6th July 1908. This road was originally constructed as a corduroy road (or log road) is a type of road or timber trackway made by placing logs, perpendicular to the direction of the road over a low or swampy area. The result is an improvement over impassable mud or dirt roads, yet rough in the best of conditions and a hazard to horses due to shifting loose logs.POST CARD REAL PHOTO THE "ROSE" SERIES DE LUXE PRODUCED IN AUSTRALIA PUBLISHED BY "THE ROSE STEREOGRAPHS"/ Armadale, Victoria.talbot drive, lady talbot drive, lady talbot forest drive, sir reginald talbot, lady sarah elizabeth talbot, rainforest, marysville, victoria, rose stereograph company, p. 2340, postcard, souvenir, corduroy road

Sepia image mounted on board: image shows large tree ferns, wooden seat beside gravel pathway. Rosalind Park Fernery.bendigo, parks and gardens, fernery, rosalind park, fernery, rosalind park, bendigo, sandhurst

The tourist track running alongside the creek from Sassafras Mechanics’ Hall to Emerald. In the early 1900s the track started at Rostrevor Guest House.Black & White postcard P1501 from the Rose Series. Shows a log bridge along a tree fern lined section of the Tourist Track.On reverse - POST CARD A Real Photograph. Produced in Australia.rose series, sassafras, track, postcard, mechanics' hall

The tourist track running alongside the creek from Sassafras Mechanics’ Hall to Emerald. In the early 1900s the track started at Rostrevor Guest House.Black and white photograph. Rose Series P. 4825 postcard showing a footbridge along a Tourist rack surrounded by bush and tree ferns.rose series, rostrevor, mechanics' hall, sassafras, track

Rose Series post card # P. 90. Sassafras Creek near The Crescent Bridge. View of water and ferns. Post 1920.Rose Series sepia coloured post card showing a small creek running through the centre of the photo edged by rocks and tree ferns.On front: The Rose Series, P. 90. SASSAFRAS CREEK NEAR CRESCENT BRIDGE. VICTORIA.sassafras creek, crescent bridge, creek, bridge, tree ferns, rose series, post card

Typical of promotional photos taken by Forestry Commission VictoriaMan facing away from camera, on walking track, looking at large fallen tree trunk. He is surrounded by very tall tree ferns.Forests Commission, Victoria and picture logo printed in R/H white border LC.32 written on backscenery, walkers

Photograph is from the album of Ivy Child. 'The Old Homestead' refers to either the Kalorama homestead of Ivy's parents, Ted and Ethel Child or her grandfather, Matthew Francis Child. Ivy May Child (1910 – 1989) was the daughter of Arthur Edward (Ted) Child (1878 – 1964) and Ethel May Madden (1888 – 1970). Ted Child was the son of Matthew Francis Child (1839 – 1933) and Martha Jeeves (1857 – 1926). He was the grandson of one of the early pioneers Francis Child. Ivy grew up on the family property on Childs Road and took many photographs. Most of these are glued into her photo album. The album covered the years from c1927 – 1932. Ivy married Henry William Burgess (1906 – 1968) in 1944. The photographs remain in their original state in the album with individual copies made. Black and white photograph of a homestead with three tall tree ferns in the foreground of an established garden. Several buildings are to the right with a man standing beside them.Handwritten below the photograph in the album: The Old Homestead.ivy child, homestead, kalorama