Denis Gibbons (1937 – 2011) Trained with the Australian Army, before travelling to Vietnam in January 1966, Denis stayed with the 1st Australian Task Force in Nui Dat working as a photographer. For almost five years Gibbons toured with nine Australian infantry battalions, posting compelling war images from within many combat zones before being flown out in late November 1970 after sustaining injuries. The images held within the National Vietnam Veterans Museum make up the Gibbons Collection. A black and white photograph of one of the cooks in the kitchen at the 1st Australian Field Hospital, Vung Tau, South Vietnam, preparing some fish patties for deep frying. The kitchen staff had to provide a wide variety of meals for sick and wounded diggers, as well as for the unit members.photograph, 1st australian field hospital, vung tau, gibbons collection catalogue, cooks, photographer, vietnam war, denis gibbons, kitchen, diggers

This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007.Incised black and white drawing. If you can provide information on this artist or artwork please leave a message in the comment box below.Signature and date lower right corner "K. McCuthan '90"art, artwork, mccutchan, drawing, fish

Denis Gibbons (1937 – 2011) Trained with the Australian Army, before travelling to Vietnam in January 1966, Denis stayed with the 1st Australian Task Force in Nui Dat working as a photographer. For almost five years Gibbons toured with nine Australian infantry battalions, posting compelling war images from within many combat zones before being flown out in late November 1970 after sustaining injuries. The images held within the National Vietnam Veterans Museum make up the Gibbons Collection. A black and white phototgraph of a photocopy of a newspaper article about the An Thoi village market in the Mekong Delta, where Co-Pilot F/Lt Blue MAudio, CDonnel watches as The Pilot F/LT Nick Watling tries a piece of dried fish, an evil smelling part of Vietnamese diet.photograph, newspaper, an thoi, market, mekong delta, f/lt blue maudio, cdonnel, f/lt nick walting, gibbons collection catalogue, denis gibbons

Dimitrios Sofianos is in his his fish and chip shop at 391 Camberwell Road, Hartwell which he ran with his wife, Kalypso Sofianos. The wire basket which he is holding was used to strain the fat from the chips before they were wrapped in the white greaseproof paper for the customer. Many of the Ithacans who settled in Melbourne between the two World Wars ran retail food businesses such as fish and chip shops, fruit shops and milk bars. Some were located within the CBD area while others were to be found dotted around the suburbs. A black and white photograph of a shop keeper holding a large strainer while standing in front of a curtained window in his shop beside a large stainless steel vat used to strain the fat out of the chip basket. He is wearing a white jacket and a potted plant is behind him.

The play was directed by George Ogilvie.Paper program; program contains brief biographies and photographs of the cast. The production toured to Perth and Sydney.russell street theatre, program, dusa, fish, stas and vi, george ogilvie

john garner collection, ballarat botanical gardens, gaedens, ballarat, fish, hatcheries

Department of Fisheries Additions to The Fish-Fauna of New South Wales Author: David G Stead, Naturalist to the Board of fisheries of New South Wales Publisher: Government Printer Sydney Date: August 1907 One of 9 booklets in a homemade brown cardboard folder that has a cotton tape ties and a typed sticker with RAS 597.09944 STEFront endpaper has a sticker from Warrnambool Mechanics Institutewarrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, shipwrecked-artefact, book, warrnambool mechanics’ institute, department of fisheries additions to the fish-fauna of new south wales, david g stead

Miss Olive Codling was a Foundation Member and a Life Member of the Wodonga Historical Society. Many of her prize-winning photos are held in the Society Collection. She also held a range of roles and committee positions in a wide range of Wodonga community organisations. These included the Horticultural Society, the Wodonga Arts Council, the Wodonga Camera Club and the Wodonga Lapidary Club. This photo collection is significant as it documents how the businesses and buildings in Wodonga have evolved and contributed to community throughout the 20th century.Businesses located in High Street. Wodonga north of the recently developed Mann Central. Malibu Ice Cream was at one time McSwiney’s Chemist, and is now High X-Posure Lingerie. For a short time it was also the premises of Pauls Ski Shop, now located in Thomas Mitchell Drive, Wodonga. Crystal's Pizza was at one time Dempster's Café and is now Junction Pizza. In 2021 Wodonga Fish Shop is the location of Greg's Takeaway which was established in 1988.wodonga businesses, high st wodonga, malibu ice cream, crystals pizza, wodonga fish shop

non-fictionA history of the development of the management of the Fish River Water Supply Scheme in Central NSW. The scheme extends across the local government areas of the Shire of Oberon, the City of Lithgow and the City of the Blue Mountains.water nsw, fish river region nsw, oberon dam, water resources development nsw australia

Mrs Vic Fish (Myrtle)Black and white photograph of view from top of Myers St. hill looking west towards North Arm and Cunninghame Arm at Lakes Entrance Victoriawaterways, township

Park owned by Rex and Marie FishAdvertisement for Waters Edge Caravan Park in first page of brown covered photograph album with 60 photographs of building and early days of Waters Edge Camp Park Lakes Entrance Victoriabusinesses, camping, tourism

Jack Allen in rowing boat The Killer boxing fish for icing at Harbecks Jetty, Eastern Wharf. Lakes Entrance Victoria.. Fish transported to Melbourne market by truckBlack and white photograph of fisherman Jack Allen in rowing boat The Killer boxing fish for icing at Harbecks Jetty, Eastern Wharf. Lakes Entrance Victoria.fishing industry, boats and boating, fish, waterways, peope

Black and white photograph, heavy machinery clearing the site of Pecks fish processing factory on Bullock Island, showing piles of broken concrete ready for removal. Lakes Entrance Victoriaislands, historic site

Book - 10 pages + 13 drawings sheets of rail cross sections contained within separate printed covers (colour fleck), titled "British Standard - Tramway Rails and Fish Plates - Standard Sections and Specification - July 1903". Side stapled and then bound with a green tape on left hand side. Gives details of the standards of the materials, rolling, payment, conformity, testing, marking holes for both rails and fishplates. Drawings for 13 different weight rails, straight and curves, 90lb/yard to 116 and a drawing of the BS tyre profile for tram car wheels and how it interfaces with a rail. On rear cover, both sides gives a list of standards and foreign translations up to March 1919.On top of first sheet in black ink "Ballarat Tramway Preservation Society Catalogue No 8."trams, tramways, british standards, standards, rails, fishplates

Black and white photograph of Bullock Island. It shows the site of Peck's fish processing factory being cleared. Cunninghame Arm of lake in foreground, Kalimna Heights escarpment in background. Lakes Entrance Victoriaislands, historic site

Colour photograph of Rex Fish, Hope Ault and Bill Whelan on the occasion of 80th Birthday Party of Maisie Byrne nee Ault at Toorloo Arm Hall Lake Tyers Beach Road Victoriacelebrations, birthdays, halls

Cudgewa Line -The Cudgewa railway line opened in stages between 1889 and 1921. The first section from Wodonga to Huon opened on 10 September 1889. It was extended to Bolga on 18 July 1890, Tallangatta on 24 July 1891, Shelley on 13 June 1916 (the highest station in Victoria), Beetomba on 10 April 1919 and Cudgewa on 5 May 1921. The line had 1 in 30 grades and trestle bridges that have been heritage listed. In 1919, the line was used to carry materials for the construction of Hume Weir, and three years later a spur line connecting Ebden to the weir was opened. In the 1960s, Cudgewa became the railhead of materials for the Snowy Mountains Scheme. The last passenger service from Wodonga to Tallangatta ran on 30 September 1961. The turntable and passenger platform at Cudgewa were abolished in 1976. This fish plate came from the rails of the Cudgewa Line at Gordon Roy's hut which was situated behind Perry's Stump Hotel outside Wodonga. The hut was used as an office with the points lever outside to switch trucks to different tracks on the Bandiana and Cudgewa lines.This item is significant as it was part of the railway line to Cudgewa which played an important role in North east Victoria carrying freight during the construction of the Hume Weir and the Snowy Mountains Scheme.A section of flat plate. These plates were used in pairs to connect the ends of adjacent rails in railway track. victorian railways, cudgewa rail line, railway components

Black and white photograph showing heavy machinery clearing the site of Pecks fish processing factory on Bullock Island, photo also shows dumped sand on island and Kalimna Heights in background. Lakes Entrance Victoriaislands, topography, machinery

Black and white photograph of the site of Peck's fish processing factory on Bullock Island. It shows a heavy machine in background, broken concrete and rubbish skip in foreground, site cleared for TAFE education complex. Lakes Entrance Victoriaislands, education

Neil Douglas artist painting a scene towards the entrance of Lakes Bunga Victoria. Marie Fish took the photograph after asking Neil Douglas to open the Lakes Entrance art Group ExhibitionColour photograph of Neil Douglas artist painting a scene towards the entrance of Lakes Bunga Victoria arts, events, beaches

Elaine Mann was married to David Mann, a successful Wodonga businessman and community leader who passed away in Wodonga in June 2012. David was a member of the Mann family who began their business in Wodonga in 1920. Elaine was a teacher in Wodonga for many years and an active member of the community.This photo collection is of significance as it documents how the businesses and buildings in Wodonga have evolved and contributed to community throughout the late 20th century.These businesses were located just north of the railway crossing between Melbourne Road and Bond Street. The railway signals can be seen in the background above Peter’s Fish Café. These buildings have all been demolished and the area is now part of Junction place. Jim Matthews was selling Radiola car radios. He also sold used furniture and had a bike repair business at this location, before later expanding his bike business on the south of the railway crossing, Peters Cafe was at 103 High Street. It was operated by the Bouteris family in the early 1970s. It later became the Chao Thai Restaurant. Vee Jay Radio was operated by Mr. Albert Eddie Branwhite. He moved to Wodonga in 1946 and started selling radio repairs door to door. He then set up his store in 105 High Street. This site had previously been a barber’s shop. The business involved electrical repairs and appliance sales. In the late 1950s Mr. Branwhite established the Wodonga Express. He set the type and printed from the back of this shop until relocating to the Lincoln Causeway. He was actively involved in the community, including many years on the Wodonga Hospital Board of Management which was recognised with a life governorship. Mr. Branwhite passed away in 2001, wodonga businesses, high st wodonga, vee jay radio, jim matthews, peter’s fish café, mr. albert eddie branwhite

Date made 18 January 1977.Colour photograph of Rex Fish standing beside the boiler which provided steam power to drive the winch to transfer rock from the tram, trucks to the barge at North Arm. This rock quarried at Mississippi Creek was used to stabilise the entrance piers, and build rock groynes around the lakes. Lakes Entrance Victoria waterways, historic sites, public works, machinery

Frances Burke: Designer of Modern Textiles Australia’s most influential and celebrated textile designer of the mid-20th century, Frances Burke (1904-1994), employed Australian native flora, garden flowers, marine subjects, Indigenous culture and increasingly, abstract motifs in her stunning modern fabrics. A confident, determined designer and businesswoman; Burke made the shift from fine art to design in 1937. While she began by designing dress fabrics for Melbourne’s fashionable Georges Department store, printing them on linen using lino blocks, she was an early adopter of the screen-printing process and during the war years began printing on cotton. Burke’s furnishing fabrics took their place in influential modern buildings Australia-wide through collaborations with leading architects and interior designers. They included Robin Boyd’s 1949 House of Tomorrow, Roy Grounds’ Quamby flats, Guilford Bell’s Royal Hayman Island Resort for Ansett Airlines, and Yuncken, Freeman Brothers, Griffiths and Simpson’s Canberra Civic Centre Theatre. In the post-war period, Burke made regular trips to the United States and Europe, on her return advising homeowners and manufacturers on the latest trends in products, colours and home design in lectures and interviews. At New Design her fabric showroom and interior design consultancy Burke introduced furniture by emerging designers Clement Meadmore and Grant Featherston in the early 1950s and presented local and imported homewares, mostly from the United States. She was enthusiastic about the convenient and comfortable lifestyle experienced by ordinary American women. Her fabrics and advice were regularly featured in Australian Home Beautiful, Australian House and Garden and the newspapers of the day. Some of Burke’s designs had remarkable longevity. Tiger Stripe (1938) for example, continued to be produced in a wide range of colours until 1970 and Crete (1946) remained a popular choice for interiors into the 1960s. Drawing from a rich variety of sources including Indigenous culture in Goanna (c.1954) and Pacific Island tapa cloth designs in Bird and Tree (1940), Burke also looked to Japan in designs such as Plum Blossom (1948) and Zen (1965). She loved exploring the potential of native flora, seen in designs including Waratah (1955) and Flannel Flower (1955), while garden flowers were the source for many other designs including Belladonna (1940), Periwinkle (n.d.) and Rose (1947). Burke’s clever interplay of a single striking printed colour with lively gestural lines revealing the white base fabric, gave her designs a vibrancy that characterised the optimistic post-war era. This can be seen in Burke’s fabrics for Hayman Island including Angel Fish and Seapiece (both 1949) which expressed the freshness and excitement of the luxurious new tropical resort and led to further commissions. Burke’s three decades in business (1937-1970) were an unparalleled success in the story of Australian design. Her fabrics have been collected by the NGA, the Powerhouse Museum, NGV, RMIT Design Archives and Sydney Living Museums in addition to Ararat Gallery TAMA. Written by Nanette Carter and Robyn Oswald-Jacobs.

Thick impasto painting depicting six figures; two indigenous males catching a fish in a landscape.Signed (L.r) 'Eric L. Stewart'. On Reverse: 'Legend of Wur-run-nah's walkabout by Katherine Stow (later Mrs. k.L. Parker). Wurrunnah when in a strange country, saw little round men who live in water. They made a coolomon of bark to keep the fig flies from him. Caught fish which were thrown up by the little water men'.eric stewart, painting, landscape, indigenous male, fish

Angel featured as part of the exhibition Anatomy Lessons, shown at the National Wool Museum in 2024. The exhibition featured meticulously-sculpted, life size skeletons, making visitors question their place in this web of the living and the dead. From a towering giraffe stretching 4.4 metres in height, to an army of over 50 delicately rendered frogs, this exhibition was enthralling in scale. Each sculpture is an accurate portrayal of a real animal and is carefully measured, drawn, and moulded from steel, wire, and foam. The frame is then intricately knitted over to create these thought-provoking pieces. Each sculpture tells a story, one of the collection of animals by museums and collectors, of Western safari hunters, of human encroachment, and of the often-sad role of the animals in our lives. These underlying concepts are explored and reflected by the materials used. Wool, that speaks of warmth, of comfort, of care, meets the size, grace, and sheer breathtaking beauty of the pieces, clashing with the hard and complex stories beneath. The smallest of Beevors’ knitted pieces was made while reflecting on the global tropical fish trade. At the time, press reports predicted that the imminent release of the film ‘Finding Dory’ would increase demand for pet tropical fish. People enjoy a good fish story, but studies have revealed that widespread reports of the ‘Nemo Effect’ following the debut of the film’s predecessor, ‘Finding Nemo’, were exaggerated. Data collected to assess people’s interest in blue tang, the species of the title character in ‘Finding Dory’, revealed an increase in online searches for “blue tang”, but no evidence of an increase in their trade or visits to public aquariums to observe them. When discussing the action and attitude effects of pop culture depictions of animals, it is necessary to investigate evidence-based material. Pop culture, wildlife documentaries, web videos, blogs, and news stories: there is a great ocean of content to consume, but the mechanisms by which witnessing these representations of animals and nature leads to tangible behaviour change, positive or bad, individual and social, remains poorly understood. In a world inundated with messaging and content, could a simple phrase like “fish are friends, not food” influence attitudes? Originally from Australia, Michele Beevors has been practicing in New Zealand for the last 20 years. She is Head of Sculpture at Dunedin School of Art, Otago Polytechnic, New Zealand’s oldest, and one of its most prestigious, art schools. Beevors has exhibited in galleries, museums, and exhibition spaces in across New Zealand, Australia and Vienna with art that is defiant, unconventional, and moving.Knitted white woollen fish skeleton, with black pupil.knitting, art, conservation, sculpture, skeletons, anatomy lessons, michele beevors, fish, angel fish

Guide to fishing in Victoria - includes ruler for measuring fish, and a list of fish, minimum sizes and legal limits.Fish length ruler. Black and aqua text on white card.fishing

Clear descriptions of fish with a coloured photos for identification.Colour photographs, b&w illustrationsfish, australian fish

sourced from local resident of Kiewa Valley Mr David Barton. As theses shoes are from Turkey and from the period of the early 1900s they may have been bought back from that country as a souvenir after WWI. Members of the Barton family went to WWI . Manufacture of slippers circa 1920s and represents early Turkish style .These slippers are considered rare due to the intricate workmanship in leather. They have historical and good Provence significance due to being donated by a local man who possibly bought them back from WWI . Two brown slippers, left and right foot. Leather soles and gold patterned (circle and fish like) embroidered uppers. A long, 13cm leather strip upward curled, extension fastened at tip of sole. Back of heel extended to a pointPatterned front toe,side arch and heel. Markings may represent water ,four fish and fish traps

An advertising brochure for the Marysville Trout Farm in Victoria.An advertising brochure for the Marysville Trout Farm in Victoria.marysville, victoria, marysville trout farm, trout, fishing