Purchased, 1996Wood, Paper, Inkgippsland, artwork, permanent collection

Acquired, 2000Monotype print on papergippsland, artwork, permanent collection

Purchased, 1996Linocut print on papergippsland, artwork, permanent collection

Purchased with the assistance of the Gippsland Art Gallery Society, 2015Linocut print on papergippsland, artwork, permanent collection

Purchased, 2000Gouache, watercolour and coloured pencil on papergippsland, artwork, permanent collection

Purchased, 2017Etching on papergippsland, artwork, permanent collection

Black and white photograph. Female students and Staff seated on benches and standing on the lawn under a Pinus canariensis in 1927 or 1928. 2 copies.On reverse, "From left to rt. Back Row..., Olive Matthews, Mary Stickland, Grace Campbell. See paper catalogue for list of names.olive matthews, mary stickland, grace campbell, group students and staff 1927-1928, pinus canariensis, canary island pine, publicity

fictionBasic training at Puckapunyal: Victimization. Bastardisation. He keeps a diary of the mishaps and misdeeds of an Army which loathes its men.vietnam war, 1961-1975 - fiction, peter turner, michael frazer, australian national serviceman

fictionBasic training at Puckapunyal: Victimization. Bastardisation. He keeps a diary of the mishaps and misdeeds of an Army which loathes its men.vietnam war, 1961-1975 - fiction, michael frazer, australian national serviceman

Photographs show X1 461 when new and men boarding or leaving the tramcar to illustrate the step height. The photos show a driver in position and the MMTB 2B Truck. The tram has the destination of depot. The tram entered service early Sept. 1926. Photographed at Hanna St South Melbourne depot. Note also the Driver's uniform of the day. See item 7401 for an internal photograph.Yields information about the X1 class tramcar when new.Set of tthree Black and White photographsOn the rear has the stamp of G J Fraser of 154 Little Collins Street Melbourne.tramcars, x1 class, tram 461, new tramcars, mmtb, hanna st depot, south melbourne, unifoms, trams

tramway, sandringham, black rock, mayor, mayoress, cr. b champion, transport, railway, official opening, c.j. fraser

Harold Frazer’s “Alkoomi” cherry orchard, Oban Rd Nth Ringwood. Lyndsay Frazer disc harrowing on 1954 TEA20 Ferguson tractor, c1967-

Album contains photos of the Elliott and Dibb wool sorting and blending operations; also six photos showing operations inside the Oriental Scouring Mills, Geelong. There were yellow sticky notes (non-contemporary, written by Gerald Van Rompaey) containing information on each photo scattered throughout the album. These have been removed for conservation reasons and their details transcribed here. The first note stated: "Michael's mother (the donor's mother, Mrs Elliott) said this album was got up as a promotional tool for an expensive overseas trip by Harold E. (her brother in law in 1950)". The 1st photo shows the skirtings in the reclass bins in the former Australian Estates Collins Street show floor. The 2nd photo is similar to the first; the 3rd photo shows the fleeces being reclassed. The 4th photo shows the wool sorters at work (Harold Elliott can be seen in the double breasted suit). The 5th photo is of more reclassing, and the 6th is similar. The 7th photo shows Harold Elliott with the sorters and the 8th photo is similar. The 9th photo shows the first and second pieces of the skirtings being sorted. The 10th photo is a general shot of full bales and the reclass bins. The 11th photo shows a double dumping press at work, compressing the already full bales for shipment. The 12th photo shows scouring operations at Oriental Scouring Mills in Geelong (the scouring has been contracted out by Elliott and Dibb). The 13th, 14th and 15th photos shows more scouring at the Oriental Scouring Mills. The 16th photo shows two men (Keith Dibb on the right) viewing the scoured wool. The 17th photo shows the scoured wool being pressed at the Oriental Scouring Mills, Geelong. The final six photos (the photos of the Oriental Scouring Mills operations) are all stamped on the verso with a photographer's stamp (Frazer Studios, Melbourne), suggesting that Elliott and Dibb commissioned a photographer to go to Geelong to take the photos. (a note from Gerald Van Rompaey identifying five photos has been found and is now located in supp. file 1417. It does not seem to identify photos in this album; the photos he identifies may turn up at a later stage.)Photograph from album compiled by Elliott and Dibb, wool merchants, 1950. This photo shows the skirtings in the reclass bins in the former Australian Estates Collins St show floor. Photograph from album compiled by Elliott and Dibb, wool merchants, 1950. This photo shows the skirtings in the reclass bins in the former Australian Estates Collins St show floor. Photograph from album compiled by Elliott and Dibb, wool merchants, 1950. This photo shows fleeces being reclassed. Photograph from album compiled by Elliott and Dibb, wool merchants, 1950. This photo shows the wool sorters at work (Harold Elliott can be seen in the double breasted suit). Photograph from album compiled by Elliott and Dibb, wool merchants, 1950. This photo shows wool being reclassed. Photograph from album compiled by Elliott and Dibb, wool merchants, 1950. This photo shows wool being reclassed. Photograph from album compiled by Elliott and Dibb, wool merchants, 1950. This photo shows Harold Elliott (double breasted suit) with the wool sorters. Photograph from album compiled by Elliott and Dibb, wool merchants, 1950. This photo shows Harold Elliott (double breasted suit) with the wool sorters. Photograph from album compiled by Elliott and Dibb, wool merchants, 1950. This photo shows the first and second pieces of the skirtings being sorted. Photograph from album compiled by Elliott and Dibb, wool merchants, 1950. This photo shows the full bales and the reclass bins. Photograph from album compiled by Elliott and Dibb, wool merchants, 1950. This photo shows a double dump wool press at work, compressing the already full bales of wool even smaller for shipment overseas. Photograph from album compiled by Elliott and Dibb, wool merchants, in 1950. This photo shows the scouring operations at the Oriental Scouring Mills in Geelong (the scouring had been contracted out by Elliott and Dibb). Photograph from album compiled by Elliott and Dibb, wool merchants, in 1950. This photo shows the scouring operations at the Oriental Scouring Mills in Geelong (the scouring had been contracted out by Elliott and Dibb). Photograph from album compiled by Elliott and Dibb, wool merchants, in 1950. This photo shows the scouring operations at the Oriental Scouring Mills in Geelong (the scouring had been contracted out by Elliott and Dibb). Photograph from album compiled by Elliott and Dibb, wool merchants, in 1950. This photo shows the scouring operations at the Oriental Scouring Mills in Geelong (the scouring had been contracted out by Elliott and Dibb). Photograph from album compiled by Elliott and Dibb, wool merchants, in 1950. This photo shows two men (Keith Dibb on the right) viewing the scoured wool at the Oriental Scouring Mills in Geelong (the scouring had been contracted out by Elliott and Dibb). Photograph from album compiled by Elliott and Dibb, wool merchants, in 1950. This photo shows the scoured wool being pressed at the Oriental Scouring Mills in Geelong (the scouring had been contracted out by Elliott and Dibb). Photograph album front cover. Album compiled by Elliott and Dibb, wool merchants, 1950.Frazer Studios / (C.J. FRAZER) / 165 BOURKE STREET / MELBOURNE, C.1 / CENT. 4358woolclassing, wool processing, elliott and dibb oriental scouring mills, scouring, wool press, wool press - double dump

Photographed in the early 1900s, this black and white photograph depicts 25 members of the Mayday Hills Hospital Staff. Five men sit in front of the group, upon the ground and behind them, in bright white clothing, sit eight female nurses upon a long bench (one of these nurses is identified on the rear as Miss A.J. Ross). Behind these women stand 12 men. The men are all wearing dark clothing and several have 'Kepi' style hats. The staff photograph was captured by Frazer and Vallance Photographers Melbourne. This image was originally combined with 1997.2490 but these images have since been torn apart and catalogued separately. Beechworth's Mayday Hills was chosen as the site of Victoria's newest asylum, at the time, due to the landscape and altitude. The hilltop atmosphere and the native fauna, it was argued, would assist in the cure of the patients kept at the hospital (Wood 1985, 122). The positioning of the hospital had a beneficial effect on the rural town. A pamphlet published by James Ingram and Son (1849) reveal that famous landmarks in Beechworth which included the Post Office, Gaol, Courthouse and Asylum "demonstrate the appreciation of Beechworth by the Government not only as as important district center, but also as a site unrivaled as a sanitarium". There were other locations in contention at the time, but ultimately Beechworth was chosen (Craig 2000, 33). Prior to the creation of the Asylum in Beechworth, those charged with having mental illnesses or, as it was termed, "insanity" were unable to be properly cared for in the Gaol (which is where they were often sent). John Buckley Castieau wrote, in 1861 for the Ovens and Murray Advertiser, that the Gaol was unable to properly care for those classified then as "insane" but that they would endeavor to treat them above the other inmates (which he notes is not always the case in other establishments). Castieau wrote this in favour of supporting the building of the Mayday Hills Hospital in Beechworth. It was stated that at the time the Mayday Hills Hospital was built, there were 83 prisoners kept in the Gaol who were to be rehoused to the Hospital on the grounds of "insanity". The classification as someone as "insane", in this period of time is a reflection on the inability to cure and understand illnesses of the mind during the mid to late 1800s. Opening on the 24th of October 1867, the Mayday Hills Hospital was originally named the "Ovens Lunatic Asylum", a title which is very much a product of its time. Whilst controversial, changes to the name is part of the history of the Hospital and can provide much insight into the understanding of mental illness throughout history and the use/disuse of this term provides information into the reception/changing opinions of mental illness in society. The Hospital would later become known as the "Mayday Hills Asylum" and/or "Mayday Hills Hospital" with the latter being the most commonly used title. An article in the Ovens and Murray Advertiser notes that on the 7th of March 1865, the foundation stone of the Hospital was laid (it would officially open in 1867) and that it was such a moment of accomplishment and joy for Beechworth that a letter to the editor even suggested that there should be a holiday dedicated to the day the foundation stone as laid. This reveals an extent to which the townspeople of early Beechworth valued the construction of the Hospital in their town. It provided the town with a sense of prestige and honour.At first glance, the remains of the Mayday Hills Hospital in Beechworth, Victoria, inspire tragedy, trauma and beauty. The buildings themselves, with their Italianate style Renaissance architecture designed by J.J. Clark (Craig 2000, 49 & Smith 2016, 203) reflect a bygone period of European and Australian history. The gardens provide a sense of tranquility and beauty. The experience of those within these walls remains a valuable area of study to provide a more complete understanding. This particular hospital is considered the fourth of its like and one of three identified as the largest of their kind. The Mayday Hills Hospital is a sister to the Kew and Ararat Asylums in Melbourne which are both located in relative proximity. Understanding the role of the Mayday Hills Hospital in Beechworth history is integral to understanding the development of the goldfields town, but also for providing important information as to the history of caring for, and the reception of, mental illnesses in Australian and wider European history. Mayday Hills provides a case study which can be researched through oral history, an analysis of the grounds/buildings and through images like this postcard which portray the structure in a highly deliberate manner. Images like this depict the strong façade of the Hospital and provide a glimpse into the tranquility of the gardens. This has been done deliberately to provide a sense of comfort and healing about the building to those looking from the outside. Further research into the importance of the Hospital in Beechworth and it's connection to the town will be supported through images like these kept in the Mayday Hills photo album in the collection of the Burke Museum.Black and white rectangular photograph printed on photographic paper mounted on cardFrazer & Vallance Photographers Melbournemental asylum, beechworth

Container used for the sale of axle grease Ca 1900as imported and sold by Holden and FrostTapered wooden bucket with wooden handle with paper label with instructions on frontFrazer Axle greaseaxle grease, container

The 1986 photo is in a review of Byard's book, "Having Fun with God", reviewed by Warren Clarnette.Colour photograph of Rev. Trevor Byard with Fred Harman and Malcolm Frazer at a Devonport Men's Breakfast; C&N identificationbyard, trevor, uniting church minister, fred harman, malcolm frazer

One of the plans referred to in the application by Eastland Shopping Centre, a wholly owned subsidiary of the Myer Emporium Limited.|Upper floor plan and lower level traffic plan. Application No 3, Ringwood Planning Scheme 1960.|Architects: Tompkins, Shaw & Evans|Traffic Engineers: Len T Frazer and AssociatesTwo copies of plans for the Ringwood Shopping Centre, comprising; 1. Upper floor plan; 2. Lower level traffic level; Buff coloured heavy paper with black printing. Application No 3, Ringwood Planning Scheme. Shopping Centre at Ringwood design for developmetn submitted by EASTLAND SHOPPING CENTRE PTY.LTD a wholly owned subsidiary of THE MYER EMPORIUM LIMITED Architects: Tomkins, Shaw and Evans Taffic Engineers: Len T. Frazer & Assocs

Updated Information from Bruce Frazer: This is Frazer's (not "Fraser") orchard, sold to A.V. Jennings Co. For housing development c1970. Address was "Alkoomi", Oban Rd. North Ringwood. State School 4120 was enclosed on its north & east sides by the orchard. Owned by Harold & Sylvia Frazer, 12 acres, growing mainly cherries plus plums & lemons. Photo was taken from neighbouring apple orchard (Williams) & shows street construction in the middle distance.Written on back of photograph, "Looking across remains of Fraser's orchard to state school, 1972".

Updated Information from Bruce Frazer: This is Frazer's (not "Fraser") orchard, sold to A.V. Jennings Co. For housing development c1970. Address was "Alkoomi", Oban Rd. North Ringwood. State School 4120 was enclosed on its north & east sides by the orchard. Owned by Harold & Sylvia Frazer, 12 acres, growing mainly cherries plus plums & lemons. Photo was taken from neighbouring apple orchard (Williams) & shows street construction in the middle distance.Written on back of photograph, "Remains of [Fraser's] orchard. State school on left".

Port of Portland Authority archivesFront: (no inscriptions) Back: (no inscriptions)port of portland

Port of Portland Authority archivesFront: (no inscriptions) Back: (no inscriptions)port of portland archives, cargo, cars, auto, transport

small sheet of film 1854 BEAGLEY E TO FRAZER M birth, family, register

Axle oil with applicator used a 1900 for lubrication of axles and other moving items. Imported and sold by Holden and Frost Ca1900 Yellow painted rectangular shaped can with round lid and tubular pouring nozzle Frazer Axle oil Best in the Worldoil, axle, lubricating

North Ringwood Tennis Club, Warrandyte Rd North Ringwood. Group of ladies; social players circa mid-1960s. Sylvia Frazer 2nd from right.-

Harold Frazer’s “Alkoomi” orchard farm house, Oban Rd Nth Ringwood, undergoing demolition after land was sold to A.V. Jennings for housing development. Circa 1971

Estimated to be taken in the early 1900s, this photograph was likely taken in the federal Hall, Loch Street, Beechworth at a ball-like event. Depicted are 89 attendees dressed in formal evening wear, positioned in tiers and in front of the stage. This photograph provides insight into the lives and activities of residents of Beechworth during the early 1900s. Black and white rectangular photograph printed on matt photographic paper, mounted on card. Obverse: Frazer & Vallance PHOTOGRAPHERS Melbourne Reverse: A02487 / 1997.2952 entertainment album, beechworth, burke museum, regency house, ball, debutante ball, black and white photography

Employees Norma and Grace Lane with all Beehive employees in front of the entrance, circa 1935/36. Photo donated by son of Norma Lane, Ian Frazer. With the original there is also a photocopy.bendigo, business, beehive

Ladies marked with numbers are identified as follows (others unknown). 1. Sylvia Frazer 2. Marybelle Flentje 3. Marjorie Reid 4. Jean Hubbard 5. Rainey McAlpin 6. Seraine Moore