These pieces of canvas are from a German plane brought down by an allied fighter. The pilot was shot through the head. It was given to Mary Gilbert by Alex P. Cameron to be donated to the museum.This item is a reminder of the personal stories of WW1.Two small pieces of canvas from a German plane brought down by another fighter. It is part of a black cross on the plane. There is hand-written information written on the back of both pieces.souvenir ww1

Taken during World War I from the forecastle of a navy ship, the photograph depicts an eruption of water and smoke as a result of an underwater submarine being bombed from above.The naval war of World War I was a conflict unlike any previous one with the exception of the brief Russo-Japanese War (1904-1905), with naval warfare in World War I being mainly between the German forces and the Great Britain forces. The naval war of World War I proved largely a disappointment to officials on both sides as it did not produce the decisive fleet actions envisioned in the pre-war years. Nevertheless, the war at sea was a crucial part of World War I overall. The German use of the submarine against commerce not only threatened the Allied war effort, but also drew the United States into the conflict. In addition, the British economic blockade of Germany afforded by the Royal Navy’s command of the sea inflicted great damage on the war effort of Germany. Finally, the naval war held great ramifications for the future since many practices employed in the First World War were those pursued in the Second World War.Black and white rectangular reproduced photograph on matte photographic paperReverse: 6527/ (Crown copyright notice from the Imperial War Museum)/ Naval 23/ 23/ A99/ burke museum, world war 1, world war i, ww1, wwi, submarine, submarine warfare, navy, naval vessels

Taken in c. 1918, this photograph depicts the ruins of the French village Villers-Bretonneux. In the foreground of the image are rows of shell damaged houses and buildings. In the background of the image stands a tower of the ruined church.On 24 April, Villers-Bretonneux was captured by the Germans as they advanced towards the regional city of Amiens. If they achieved their goal and drove onto the French coast, splitting the British and French armies, the Allied cause might have been lost. The fate of Amiens hung in the balance as two Australian brigades were given the task of retaking Villers-Bretonneux through a swift night-time counter attack. One brigade would assault from the south, while another would attack from the north. The assault began at 10pm on 24 April. The 13th Brigade in the south were held up by German machine guns, before the Australians linked up east of the village. After dawn on 25 April Australian and British troops were involved in fierce fighting to clear the Germans from the village. Some Germans escaped Villers-Bretonneux through nearby woods. Later on the morning of 25 April, three years to the day after the Anzacs landings at Gallipoli, French and Australian flags were raised over Villers-Bretonneux.Black and white rectangular reproduced photograph printed on matte photographic paperReverse: (A copyright and reproduction notice from the Australian War Museum, printed upside-down in blue ink) Church x Ruins/ Villers Bretonneux/ (in pencil) burke museum, world war 1, ww1, wwi, france, australia, villers-bretonneux, ruins, military album

Taken on the 5 November 1917 by James Francis Hurley, this photograph depicts the a war damaged Ypres. The shell damaged wall of the Cloth Hall is featured in the centre of the photograph, with an army vehicle and personal are located on the street beneath the ruined wall.First Battle of Ypres, (October 19–November 22, 1914), first of three costly World War I battles centred on the city of Ypres (now Ieper) in western Flanders. Attempted flank attacks by both the Allies and the Germans failed to achieve significant breakthroughs, and both sides settled into the trench warfare that would characterize the remainder of the war on the Western Front.Black and white rectangular reproduced photograph printed on mate photographic paperReverse: 6525/ (A copyright and reproduction notice from the Australian War Museum, printed upside-down in blue ink)military album, burke museum, world war one, world war 1, ww1, ypres, belguim, ruins, first battle of ypres, james francis hurley

This photograph depicts a soldier, credited on the reverse as Fred Foster. The young man is dressed in military attire and is standing tall with a gun beside him. He is located in the Australian bush and the date of the photograph is unknown. Frederick “Fred” Arthur Foster was nephew to famous Bushranger Edward “Ned” Kelly. He was born on the 15th of March 1889 in Forbes, New South Wales. He was the eldest son of Catherine “Kate” Kelly and William Henry “Bricky” Foster. After the death of his mother in October of 1898 from apparent drowning, Foster (then aged 9) was raised by his grandmother Ellen Kelly (née Quinn) at Eleven Mile Creek in Victoria. On the 29th of June 1915, 26 year old Foster travelled to Melbourne, Victoria and enlisted in the Australian Army. He was a Private in the 17th Infantry Battalion (originally C.Company, 47th battalion). He previously was attached to the 55th Battalion but transferred in 1916. Prior to enlisting in the army, Foster worked as a Bee Keeper and served in the 16th Light Horse regiment at Benalla. Foster had blue eyes, brown hair and was of Presbyterian faith. On the 28th of February 1917, Foster travelled to France aboard SS “Golden Eagle”. He was killed in action in Lagnicourt, France on the 15th of April 1917 at 28 years old. The Battle in Lagnicourt France, on the Western Front, occurred from the 1st of March to the 30th of April of 1917 and was the location of fierce fighting between Germany and the British Empire. Germany became aware of a weakness they had along the Hindenburg Line, one of these weaknesses was located in Lagnicourt which is a small village in Northern France. Therefore, the Germans decided to launch a counter-attack in this area on the 15th of April at dawn. During this fight, German forces captured several batteries of the 1st Australian Division’s artillery but the Australians led a strong counter-attack by four of their battalions and recaptured the village and most of the guns from the German forces. German forces were forced into a premature withdrawal. This battle was not undertaken in typical WW1 “trench” style warfare. Instead, the battle was up on the ground in what was described as “old open style warfare”. In this battle, slightly more than 1000 casualties were Australian, with 300 of these prisoners of war. German forces suffered a loss of over 2300 casualties with 360 taken captive. Foster was one of 43 in his regiment who died, 87 were wounded and 51 reported missing. Foster was buried at location in Lagnicourt and whilst the grave was initially marked, it is now unknown. Foster’s service, alongside those who fell at Lagnicourt, is commemorated at the Australian National Memorial in Villers-Bretonneux, France along with other national Australian memorial sites.Photography played an important part in World War 1. Photographs of men in their military uniforms served as propaganda during the Great War to reassure civilians back at home of the military prowess of their nation and the bravery of their men. It did this while hiding the true horrors which faced the men in battle. These photographs, which includes those taken at home prior to embarking overseas like Fred Foster’s, act as censored memory for those who have lost a loved one at war. It enables families to remember their relatives in their youth and standing proudly rather than having to face the actual danger and horror which faced these men at the front line. The battle of Lagnicourt France was a victory for the European Empire and therefore, men who lost their lives protecting their countries became heroes and were awarded posthumous medals for their service. Photos of soldiers in their uniforms, were undertaken by men like Foster, so their families would be able to retain their memories and likeness before they embarked for war. Many men were killed or horribly wounded so these images were important for reminding families about their sons/ husbands/ brothers/ cousins and friends. This photo is a part of the Burke Museum Kelly album which includes numerous photographs relating to the Kelly Gang. As the son of Kate Kelly and William “Bricky” Foster, Fred Foster is an important part of the Kelly story after the execution of Edward “Ned” Kelly which has information it can impart relating to the history of the family after 1880. Whilst an important element of the Kelly Album, Foster’s photograph is also historically important in its own right for its connection to the Great War and the experiences of a soldier at the Western Front.Original sepia rectangular photograph developed on matte photographic paper, unmounted.Reverse: (Top right corner of reverse:) FRED FOSTER/ (Top centre of reverse:) Kate Kelly's son.kelly album, fred foster, kate kelly, photograph, australian soldier, the kelly gang, australian bush, burke museum, sepia photo, gum trees, family of the kelly gang, world war i, langnicourt, france, great war, 1917, ned kelly, frederick foster, william "bricky" foster, ellen kelly, military history, australian military

Bugle, Brass and white metal,1915, Prussian, with leather shoulder strap, marked F.SCHEDIWY, LUDWIGSBURG. With Embossed Imperial Eagle on bell. Taken from a German Soldier by John. E. Palethorpe, in WW1.

From front cover- "THE BATTLEFIELDS OF THE FIRST WORLD WAR". "The Unseen Panoramas of the Western front".Box with hard cover book, dust cover and two CD's. 1. Cover - cardboard, with adhered buckram, red colour, white print on spine. Dust cover - paper, with red, black and white print, front, spine and back. Illustrated, black and white photographs. Front cover - "German prisoners and wounded Canadians crossing the battlefield, Passchendaele 1917". Back cover - "Canadian soldiers carrying trench mats. Passchendaele". 376 pages, cut plain, white paper. Illustrated black and white, sepia and colour photographs, maps and diagrams. 2. Box for book - Cardboard, duplicate of print and photographs as per dust cover. Box is open one end. 3. & 4. CD's. - two, plastic CD's in clear plastic storage envelopes adhered to back and paper cardboard cover.books, ww1, pictorial

Frame 9. Photo 1. Jack Grinton on leave in Paris, early 1919 with captured German guns. The place is the 'Arc de Triomphe' . Photo 2. Jack Grinton on the right. From Jack's writing the other soldier is a Private Knight. The first building in the rear is the "Don View Bar" suggesting that this is Scotland when on leave. Photo 3. Coming home, Jack on the deck of the "Karmala". They left Plymouth Harbour on 1/7/1919. Photo 4. Ships in Plymouth Harbour. Refer Cat No. 5880P for exhibition details. Refer Cat No. 1280 for Jack GRINTON Service Records.Photographs - black and white on paper. 4 photographs, top to bottom. 1. Soldier with German guns in Paris. 2. Two soldiers with buildings in the background. 3. Soldier on deck of a ship. 4. Ships in harbour. Frame - timber with black colour paint. Glass front. Mount - black colour cardboard. Backing cardboard - with handwritten notation. Backing cardboard - handwritten in blue felt tip pen "9."framed photographs, grinton collection, ww1, 38th

The Grinton Collection. Jack Grinton on the verandah of his home at Tragowel, he is holding a captured German Luger plus a shot gun. Refer Cat No. 1280 for Jacks service details. Photograph framed. Photograph - black and white photograph on paper depicting an informal full-length portrait of a soldier in uniform displaying three guns. Background timber building. Frame - timber, light varnish finish, Perspex front, cardboard backing."Group 6: Life after 1919". "B. Jack Grinton (with German Guns)".framed accessories, camera on the somme, ww1, 38th bn, grinton

The Grinton Collection. Captured German guns at the “Place de la Concorde” France Refer Cat No 1280 for Jack Grintons service details. Photograph - framed. Photograph - black and white photograph on paper depicts a collection of at least ten guns (German) in a plaza, one soldier in the foreground and buildings in background. Frame - timber, light varnish finish, Perspex front, cardboard backing."Group 3: Trip of a Lifetime". "E. Captured German guns at the Place de la Concorde".framed accessories, camera on the somme, ww1, 38th bn, grinton, france

Refer Cat No. 1280 "Jack GRINTON No 1038", 38th Bn - Refer Cat No. 1280 for his service history.Story Board - framed. Storyboard - black print on white and pale blue background on synthetic paper adhered to backing board. Illustrated - three black and white photographs, one colour photograph and copy of - handwritten letter on yellow paper. Frame - metal with wood backing board."A CAMERA ON THE SOMME" "Trip of a Lifetime" Photographs; Top left: in colour "Postcard sent by Jack Grinton to his family, Cape Town, 5 July 1916" Top right: "Paris Opera, France 1919". Middle right: " La Madeline Church, Paris 1919" . Bottom right: " Jack Grinton with captured German Artillery, Paris 1919". Handwritten letter: "From Jack".framed accessories, camera on the somme, ww1, 38th bn, grinton

Medal presented for their service to their country and local district to returning local servicemen from the Great War (First World War) by the Shire of Eltham Welcome Home Committee. This medal was presented to W.H. Orford. Spr. W.H. Orford From Eltham We Honour You Great War 1914 - 1919 Whilst the war ended in 1918, many servicemen did not return home till 1919. ORFORD William Henry - Munitions Worker Number 542 William Henry Orford enlisted 1 Feb 1916 and embarked for France 25 May 1916. He was a Tunneler and was part of an operation of a group of British miners (known as "Claykickers" or “Manchester Moles”) recruited during World War I to tunnel underneath no man's land and set bombs below the German front at the Battle of Messines in June 1917. 10,000 German soldiers were killed instantly after the detonation of explosives beneath their lines. The story was depicted in the film "The War Below". Doug Orford, William's nephew recalls William saying they could hear the Germans as they tunnelled below them within metres. A month later He was wounded in action with a gun shot wound to the scalp and face in July 1917. He disembarked back in Melbourne on September 5, 1919.ww1, 1919, aif, battle of messine, great war, medal, shire of eltham, tunneler, welcome home committee, william henry orford

WW1 Served in Gallipoli & France WW2 Militia The 1914 Star This bronze medal award was authorized by King George V in April 1917 for those who had served in France or Belgium between 5th August 1914 to midnight on 22nd November 1914 inclusive. The reverse is plain with the recipient's service number, rank, name and unit impressed on it. It should be remembered that recipients of this medal were responsible for assisting the French to hold back the German army while new recruits could be trained and equipped. Collectively, they fully deserve a great deal of honour for their part in the first sixteen weeks of the Great War. There were approximately 378,000 1914 Stars issued. The British War Medal, 1914-18 The silver or bronze medal was awarded to officers and men of the British and Imperial Forces who either entered a theatre of war or entered service overseas between 5th August 1914 and 11th November 1918 inclusive Approximately 6.5 million British War Medals were issued. Approximately 6.4 million of these were the silver versions of this medal. The recipient's service number, rank, name and unit was impressed on the rim. The Allied Victory Medal Approximately 5.7 million victory medals were issued. The recipient's service number, rank, name and unit was impressed on the rim. The 1939-45 Star Awarded for service as follows: • Army - awarded for six months service in an operational command during the period 3 September 1939 to 2 September 1945. The War Medal 1939-45 Awarded to members who served full-time in operational or non-operational service between 3 September 1939 and 2 September 1945. Clarke SN 1703 8 Btn AIF

Belt Buckle - German 1916 - Owner Unknownuniform, ww1, army

The WWI Death Plaque (Dead Man's Penny) was issued to the next of kin of servicemen/women who had fallen in the Great War between 1914 and 1918.Edward S Holgate entered Ballarat College in 1894. On leaving school he became on auctioneer with the family firm S Holgate & Son, Ballarat. Before enlistment he was secretary of the Ballarat College Old Collegians Society. 'Ted' was killed at Villers-Bretonneux on 27 April 1918 two dats after his commendation in military dispatches for 'gallantry in the field on 24-25 April 1918'. Edward's brother Harry Spencer Holgate also enlisted and was killed at Zonnebeke on 11 October 1917. Of the 305 Ballarat College old collegians who enlisted in WW1 65 gave their lives for their country. This 'death penny' is representative of the incredible sacrifice given by this huge percentage of the school's community. Round disk cast in bronze gunmetal, which incorporates the following; an image of Britannia holding an oak spray with leaves and acorns, an imperial lion, two dolphins representing Britain's sea power, the emblem of Imperial Germany's eagle being torn to pieces by another lion. The medallion is incased in a heavy card envelopeInscribed around face of medallion: He died for freedom and honour A rectangular tablet cast on front of medallion inscribed: Edward Spencer Holgate.edward-spencer-holgate, ballarat-college, world-war-one, death-penny,

The WWI Death Plaque (Dead Man's Penny) was issued to the next of kin of servicemen/women who had fallen in the Great War between 1914 and 1918.This plaque was given to honour the service of Ballarat College old collegian Harry Spencer Holgate who entered the school in 1894. On leaving school he became an auctioneer at Muswellbrook and Scone. He enlisted on 24 May 1916 and was awarded the Military Medal at Polygon Wood in September 1917. He was killed at Zonnebeke on 11 October 1917. His brother Edward Spencer Holgate was also killed while serving his country during World War 1. Of the 305 Ballarat College old collegians who enlisted in WW1 65 gave their lives for their country. This 'death penny' is representative of the incredible sacrifice given by this huge percentage of the school's community. Round disk cast in bronze gunmetal, which incorporates the following; an image of Britannia holding an oak spray with leaves and acorns, an imperial lion, two dolphins representing Britain's sea power, the emblem of Imperial Germany's eagle being torn to pieces by another lion. The medallion is packaged in a heavy card envelope.Inscribed around face of medallion: He died for freedom and honour. A rectangular tablet cast on front of medallion inscribed 'Harry Edward Spencer'. harry-spencer-holgate, ballarat-college, world-war-one, death-penny,

The WWI Death Plaque (Dead Man's Penny) was issued to the next of kin of servicemen/women who had fallen in the Great War between 1914 and 1918. John Mercer Walker entered ballarat College in 1902 and was Dux of the school in 1904. He enlisted as a Private in the 3rd Light Horse Field Ambulance and served on Gallipoli. He transferred to 21st Squadron AFC in November 1917 and served in Palestine. He was killed a 22 August 1918 and buried at the Ramleh War Cemetery. Of the 305 Ballarat College old collegians who enlisted in WW1 65 gave their lives for their country. This 'death penny' is representative of the incredible sacrifice given by this huge percentage of the school's community. Round disk cast in bronze gunmetal, which incorporates the following; an image of Britannia holding an oak spray with leaves and acorns, an imperial lion, two dolphins representing Britain's sea power, the emblem of Imperial Germany's eagle being torn to pieces by another lion. The medallion is incased in a heavy card envelope. The medallion is accompanied with Walker's wings RFC and RAAF,Inscribed around face of medallion: He died for freedom and honour A rectangular tablet cast on front of medallion inscribed: John Mercer Walkerjohn-mercer-walker, death-penny, ballarat-college, w-w-1, world-war-one,

Turkish Model 1893 Mauser Rifle, based on the German Gewehr 98 infantry rifle. Stamped on receiver is Turkish crest / AS.FA / ANKARA / 1935 (ASFA is basically Turkish Arms Factory). Various Turkish and importer markings may be found scattered over the rifle. Many Imported by Century Arms International and so marked on the barrel muzzle on this example. Internal staggered box magazine, 5 rounds, 7.92 x 57 mm (8mm) Mauser caliber. Used by the Turkish Army in World War One.Turkish Mauser Rifle mounted on a wooden display board.No 556 on the bolt No 16344 on the breach. Also AF.SA Ankara 1935. The sights are numbered from 1-20rifles,guns,ww1,turkish army rifle,lara r.s.l.

HMAS Sydney was a Chatham-class light cruiser of the Royal Australian Navy. Laid down in 1911 and launched in 1912, the cruiser was commissioned into the RAN in 1913. During the early stages of World War I, Sydney was involved in supporting the Australian Naval and Military Expeditionary Force, and escorting the first ANZAC convoy. On 9 November 1914, the cruiser defeated the German cruiser SMS Emden at the Battle of Cocos. During 1915 and 1916, Sydney operated on the North America and West Indies Station, before joining the 2nd Light Cruiser Squadron at Greenock, Scotland in November 1916. On 4 May 1917, the cruiser was involved in an inconclusive action against the German zeppelin L43; neither was damaged. During late 1917, Sydney became the first Australian warship to launch an aircraft, and the first warship to do so from a rotatable platform.Rectangular shaped mounted Print of HMAS SYDNEY 1918HMAS SYDNEY 1918,launching a Sopwith aeroplane from a flying-off platform atop her 6 inch gun turret. ROYAL AUSTRALIAN NAVY 75TH ANNIVERSARYww1, hmas sydney,lara r.s.l. australian naval ships, light cruisers.

The Battle of Amiens, also known as the Third Battle of Picardy (French: 3ème Bataille de Picardie), was the opening phase of the Allied offensive which began on 8 August 1918, later known as the Hundred Days Offensive, that ultimately led to the end of the First World War.By the end of August 8—dubbed “the black day of the German army” by Ludendorff—the Allies had penetrated German lines around the Somme with a gap some 15 miles long. Of the 27, 000 German casualties on August 8, an unprecedented proportion—12,000—had surrendered to the enemy. Though the Allies at Amiens failed to continue their impressive success in the days following August 8, the damage had been done.Rectangular shaped black and white photograph.The battle of Amiens,France,8thAug.1918.Lt R Downes MC.addressing his Platoon from B Coy.29 BN.during a rest near the village of Warfusee before the advance on to Harbonnieres.Pte Charles Olive of Lara is 3rd,from the left carrying the Lewis Gun. He was killed in action three weeks later charging a German machine gun post. Earlier in the day, he had successfully taken two machine gun posts. Photo from Australian War Memorial, Canberra.ww1, battle of amiens, australian army, lara r.s.l. pte charles olive., awm accession no e2790

Bapaume was a large German-held town almost within sight of the Australians’ trench lines throughout the winter months on the Somme. Suddenly, from 24 February 1917 it became evident that the enemy was retiring. The British advanced after them, and by the morning of 17 March Australian troops reached the outskirts of Bapaume. The soldiers’ heightened spirits were exemplified by the band of the 5th Australian Brigade playing amid the burning ruins as they marched into the old town square on the 19th. However booby traps and time bombs had been left behind; one exploded in the town hall a week later burying men and killing twenty-five.On the Western Front, Bapaume was a coveted position between the two strategically-important areas of Artois and Somme. The Germans occupied the town in 1914 and in the final eighteen months of the war it changed hands three times.Rectangular shaped Sepia photograph with an added note underneath.Bapaume was occupied by Australian troops on the 30th Mar 1917. An Australian mounted patrol moving through the wrecked streets of the town. Note the French helmet on the forward rider.ww1, bapaume, french battlefields, lara r.s.l.world war one, australian army.

Keighley War Hospital at Morton Banks was originally The Morton Banks Fever Hospital and after local funds were raised, extra wards were built to turn it into a War Hospital. It opened in time to take some of the first casualties from the Battle of the Somme in July 1916 and continued until the end of the war. The War Hospital Register archived at Keighley Library contains 13,214 names of servicemen who were treated there. It also contains the names of German prisoners of war who were being held locally and required treatment from time to time, notably from the influenza epidemic. Morton Banks had 746 beds. The book records the details of the hospital between 1916-19 including staff, hospital layout and departments, the Auxiliary Hospitals, Discipline, Recreation, Education, Comforts Committee and Affiliated Associations.Document of Military Hospital in Keighley, U.K. during WW1. Contains significant information on staff and different departments at the hospital.Carboard and paper booklet of 48 pages. The cover is beige with green border with black and red writing. Silverfish have eaten top right corner of cover.On front cover is publisher Wadsworth & Company, Russell Street, Keighley, (also known as Rydal Press) title and cost of Sixpence. Inside first blank page is written 'With kind regards from Willie To Jack'. 'Jack' refers to J.L.McIntyreworld war 1, ww1, military hospital, army hospital, keighley war hospital, morton banks, morton banks fever hospital, keighley

Between 31 August and 2 September 1918, Australia's Second Division attacked and captured the German stronghold of Mont St Quentin, the key to the strategic town of Péronne on the Somme River. Tired and under strength, units such as the 21st Battalion skilfully drove the enemy from their well-established positions,This photograph shows the aftermath of fighting in Peronne.Rectangular shaped Sepia Photograph.Peronne France 2 Sept. 1918. The ruined town,seen from across the Somme Canal.Immediately above the centre of town shrapnel may be observed bursting over the old historic church.ww1, peronne france, lara r.s.l. australian 2nd division, mont st quentin.

The owner was John Conrad Brown NR 706 of the 38 Bn. He was severely wounded in action (GSW to face and left arm). He returned to Australia and was pensioned off. The owner had this artwork in his house at Goornong until a storm blew the roof off. It was important to him.This is a large black and white print depicting a scene in the Amiens battle. It shows Australian and German men fighting. A small stone bridge is near the centre of the work. High explosive blasts are depicted in the picture. It is finely detailed i.e. buttons on uniforms and dovetail joints in the ammunition box. It is set in a thick card mat. Under the image is the caption. The frame is a simple heavy timber type. The rear has a paper cover but is broken away.The artist was F. Matania. (Fortunino Matania)ww1, amiens, 9 brigade, framed print

Souvenir postcards 1914-19151. postcard - sepia. 2. Postcard - sepia. 3. postcard - sepia. 4. Postcard - sepia.1. Guerre 1914-1915 Doullens (Somme) Passage des "Uhlans" September 1914. 2. Guerre 1914-1915 Saint Michel pres Saint-Die 'church bombarded by the German's' . 3. Doullens - Citadelle - Les Remparts. 4. Fletre - Rue de Bailleul.passchendaele barracks trust, postcards, ww1, france, souvenir

Part of photo collection donated with SQNLDR VMK James.This is a faded Black & White photo of a unit of German soldiers with about eight Turkish soldiers in the group. There are trees and a tent in background. It has a centre fold mark.ww1, germany, turkish soldiers

"THE WOLF' How one German raider terrorised Australia and the Southern Oceans in the First World War.Soft cover book. Soft cover - cardboard, red and black print on front, spine and back. Cover - colour illustrated - front - top German symbol, bottom, ship at sea. Back - sepia photograph - sailor and girl. 366 pages - cut, plain, off white paper. Illustrated black and white photographs and maps.Nilbook, ww1, naval operations

"FIRST VICTORY 1914 - HMAS SYDNEY'S HUNT FOR THE GERMAN RAIDER EMDEN."Hardcover Book with Dust cover. Hardcover - cardboard, red buckram, silver print on spine. Dust cover - paper: Red gold and white print on front, spine and back. Dust cover, colour illustrations - front copy of painting of HMAS Sydney in battle with SMS Emden by the late Phil BELBIN. 467 pages, cut, plain, off white paper, illustrated - black and white, sepia and colour photographs, paintings, diagrams and maps. End papers and flyleaf - front and back - coloured green.books, naval operations, ww1, australia, germany