In 1895 artist Gordon Coutts was commissioned by Elizabeth Harding (Mrs. Silas Harding), a wealthy pastoralist, to paint this portrait of Prince Albert. The portrait was completed by 1896 and is a copy of an original by German artist Franz Xaver Winterhalter (1805-1873). In 1843 Winterhalter was commissioned to paint matching portraits of Queen Victoria and Albert, the Prince Consort. These originals hang in the Garter Throne Room at Windsor Castle and are part of the UK Royal Collection. Queen Victoria’s appreciation of Winterhalter began after she saw portraits by him of other European monarchs. Accordingly, between 1842 and 1861 he made fifteen visits to England and painted over 100 portraits of Her Majesty, the royal family and other friends and dignitaries. There are a number of notable differences in the original Winterhalter work and this painting. The local artist Coutts has changed the colour of the Prince’s cloak from deep blue/black to red (perhaps as a result of working from a black and white photograph). Other differences include extra satin shoulder ribbons, a simplification of the furnishings, notably the floor, and an inexact representation of the medallions worn; collars of the Order of the Garter, Bath, and the Golden Fleece. The painting is framed to match the official copy portrait of Queen Victoria, with the coat of arms of Prince Albert of Saxe-Coburg and Gotha, fixed atop the frame in place of the royal crown.Framed portrait, oil on cotton, of Prince Albert. The Prince Consort wears the robes of the Order of the Garter, holds a Field-Marshal’s baton, and is posed in front of a curtain and colonnade. Timber frame with a layer of gesso and decorative composition ornaments. There are rose, scotch thistle, clover leaf and Acanthus ornaments. The coat of arms that sits on top of the frame is a combination of carved timber and composition elements.Signed lower right corner in red brushpoint: ‘after Winterhalter / By Gordon Coutts / 1896’.albert, prince consort of victoria, queen of great britain, 1819-1861, winterhalter, franz xaver, 1805-1873, coutts, gordon (1865-1938)

This item is from the ‘Pattison Collection’, a collection of books and records that was originally owned by the Warrnambool Mechanics’ Institute, which was founded in Warrnambool in 1853. By 1886 the Warrnambool Mechanics’ Institute (WMI) had grown to have a Library, Museum and Fine Arts Gallery, with a collection of “… choice productions of art, and valuable specimens in almost every branch and many wonderful national curiosities are now to be seen there, including historic relics of the town and district.” It later included a School of Design. Although it was very well patronised, the lack of financial support led the WMI in 1911 to ask the City Council to take it over. In 1935 Ralph Pattison was appointed as City Librarian to establish and organise the Warrnambool Library as it was then called. When the WMI building was pulled down in 1963 a new civic building was erected on the site and the new Warrnambool Library, on behalf of the City Council, took over all the holdings of the WMI. At this time some of the items were separated and identified as the ‘Pattison Collection’, named after Ralph Pattison. Eventually the components of the WMI were distributed from the Warrnambool Library to various places, including the Art Gallery, Historical Society and Flagstaff Hill. Later some were even distributed to other regional branches of Corangamite Regional Library and passed to and fro. It is difficult now to trace just where all of the items have ended up. The books at Flagstaff Hill Maritime Village generally display stamps and markings from Pattison as well as a variety of other institutions including the Mechanics’ Institute itself. RALPH ERIC PATTISON Ralph Eric Pattison was born in Rockhampton, Queensland, in 1891. He married Maude Swan from Warrnambool in 1920 and they set up home in Warrnambool. In 1935 Pattison accepted a position as City Librarian for the Warrnambool City Council. His huge challenge was to make a functional library within two rooms of the Mechanics’ Institute. He tirelessly cleaned, cleared and sorted a disarrayed collection of old books, jars of preserved specimens and other items reserved for exhibition in the city’s museum. He developed and updated the library with a wide variety of books for all tastes, including reference books for students; a difficult task to fulfil during the years following the Depression. He converted all of the lower area of the building into a library, reference room and reading room for members and the public. The books were sorted and stored using a cataloguing and card index system that he had developed himself. He also prepared the upper floor of the building and established the Art Gallery and later the Museum, a place to exhibit the many old relics that had been stored for years for this purpose. One of the treasures he found was a beautiful ancient clock, which he repaired, restored and enjoyed using in his office during the years of his service there. Ralph Pattison was described as “a meticulous gentleman whose punctuality, floorless courtesy and distinctive neat dress were hallmarks of his character, and ‘his’ clock controlled his daily routine, and his opening and closing of the library’s large heavy doors to the minute.” Pattison took leave during 1942 to 1945 to serve in the Royal Australian Navy, Volunteer Reserve as Lieutenant. A few years later he converted one of the Museum’s rooms into a Children’s Library, stocking it with suitable books for the younger generation. This was an instant success. In the 1950’s he had the honour of being appointed to the Victorian Library Board and received more inspiration from the monthly conferences in Melbourne. He was sadly retired in 1959 after over 23 years of service, due to the fact that he had gone over the working age of council officers. However he continued to take a very keen interest in the continual development of the Library until his death in 1969. The Pattison Collection, along with other items at Flagstaff Hill Maritime Village, was originally part of the Warrnambool Mechanics' Institute’s collection. The Warrnambool Mechanics’ Institute Collection is primarily significant in its totality, rather than for the individual objects it contains. Its contents are highly representative of the development of Mechanics' Institute libraries across Australia, particularly Victoria. A diversity of publications and themes has been amassed, and these provide clues to our understanding of the nature of and changes in the reading habits of Victorians from the 1850s to the middle of the 20th century. The collection also highlights the Warrnambool community’s commitment to the Mechanics’ Institute, reading, literacy and learning in the regions, and proves that access to knowledge was not impeded by distance. These items help to provide a more complete picture of our community’s ideals and aspirations. The Warrnambool Mechanics Institute book collection has historical and social significance for its strong association with the Mechanics Institute movement and the important role it played in the intellectual, cultural and social development of people throughout the latter part of the nineteenth century and the early twentieth century. The collection of books is a rare example of an early lending library and its significance is enhanced by the survival of an original collection of many volumes. The Warrnambool Mechanics' Institute’s publication collection is of both local and state significance. Poems of Adam Lindsay Gordon Edited by Frank Maldon Robb Publisher: Oxford University Press Date: 1950Label on spine cover with typed text PAT 819.91 GOR Pastedown front endpaper has sticker from Warrnambool Public Library covered by a sticker from Corangamite Regional Library Service Front loose endpaper has sticker from Warrnambool Public Library Front loose endpaper has a stamp from Corangamite Regional Library Service warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, shipwrecked-artefact, book, pattison collection, warrnambool library, warrnambool mechanics’ institute, ralph eric pattison, corangamite regional library service, warrnambool city librarian, mechanics’ institute library, victorian library board, warrnambool books and records, warrnambool children’s library, great ocean road, poems of adam lindsay gordon, adam lindsay gordon, frank maldon robb

During the late 1920s Edwin Rash, father of Keith Edwin Rash, toured moving pictures around central Victoria under the name 'Gem Pictures'. Two receipts from Gordon Mechanics' Institute and Free Library. Payment received from Mr E. Rashgordon mechanics' institute and free library, keith edwin rash

In 1896 Ada Bersey, a daughter of William Thomas and Sarah Bersey (née Godden) married George Garnsworthy Bennett, a son of William Garnsworthy and Susan Bennett (née Williams). They had three sons, Gordon, born 1897, Harold, born 1902 and Stan, born 1904. George Bennett initially worked for his father W G Bennett, but around the time he married he bought Fraser's butchery shop in Sussex Street (next to the bakery) and established his own butchery business.Sepia photograph of a gentleman wearing three-piece suit with fob watch and lapel emblem, with right hand resting on lap, seated behind a child wearing dress with large white collar sitting on balustrade, his left arm held by woman wearing long sleeved long outfit, white blouse, seated in chair beside him. George and Ada Bennett (nee Bersey), and their son Gordon."Geo Bennett Ada Bennett and myself".george bennett, ada bennett, ada bersey, gordon bennett

CEMA Art Collection. Part of "A Community View" 150 years in Portland Screenprint Exhibition. Part of Angela Gee Residency 1983 and 1984.Laminated screenprint of Bentinck Street from foreshore with a female face and top of vehicle in the foreground. The female has red hair and lips, yellow face and blue clothing. The vehicle is red and blue. An extensive patch of grass separates the woman and vehicle from Bentinck Street. The buildings have patches of green, yellow, white and red added. Behind the buildings is a clear light blue sky.Front: 10/14 Kingsley, Gordon & Catherine signature '83 Back: 44

The bronze statue of a horse commemorates poet and horseman Adam Lindsay Gordon and the horses and mules killed during WWI. The statue depicts a horse going into battle known as a 'charger' mounted on a base of Warrenheip granite. During World War II the artist, Raymond Ewers was made an official war artist with the rank of lieutenant. Funds were raised from visitors to the Adam Lindsay Gordon cottage for the artwork which was unveiled on the centenary of the poet's arrival in Ballarat. Adam Lindsay Gordon the English born Australian poet spent some time in Ballarat, at one stage owning and running Craig's Stables in the city. He was not a very good businessman and his ventures left him in financial ruin. However his ballads and poems were recognized around the world as strong lines that told the story of the Australian bush. He is the only Australian Poet to be memorialized in Westminster Abbey, UK. The Queen quoted his work in 1992 Queens message..."Kindness in another's trouble, courage in one's own.."The artwork is of historic and aesthetic significance to the people of BallaratBronze horse on granite plinthERECTED BY/ THE ADAM LINDSAY GORDON SOCIETY/ TO MARK THE CENTENARY OF/ THE POET'S LIVING IN BALLAARAT,/ ALSO AS A MEMORIAL TO THE 958,600 HORSES AND MULES/ KILLED IN THE FIRST WORLD WAR/ INCLUDING 196,000/ THAT LEFT THESE SHORES NEVR TO RETURN./ "THE LAY OF THE LAST CHARGER"/ FORWARD, THE TRUMPETS WERE SOUNDING THE CHARGE./ THE ROLL OF THE KETTLEDRUM RAPIDLY RAN/ THAT MUSIC, LIKE WILDFIRE SPREADING AT LARGE/ MADDEN'D THE WAR HORSE AS WELL AS THE MAN./ WHERE ARE THEY? THE WAR-STEEDS WHO SHARED IN OUR GLORY/ THE "LANERCOST" COLT AND THE "ACROBAT" MARE,/ AND THE IRISH DIVISION "KATE KEARNEY" AND "RORY" AND RUSHING "ROSCOMMON" AND EAGER "KILDARE"./ WE TOO, SPRUNG FROM THE LOINS OF ISHMAELITE STALLIONS,/ THE RENDERING OF BLACKTHORNS AND RATTLE OF RAILS./ AND WHAT THEN? THE COLOURS REVERSED, THE DRUMS, MUFFLED/ THE BACK NODDING PLUMES, THE DEAD MARCH AND THE PALL/ THE STERN FACES, SOLDIER-LIKE SILENT UNRUFFLED,/ THE SLOW SACRED MUSIC THAT FLOATS OVER ALL/ BY A.L. GORDON/ UNVEILED BY/ HIS WORSHIP THE MAYOR OF BALLAARAT,/ CR. M.J.BROWN/ 1969/ PRESIDENT CR.W.E.ROOF C.B.E. SECRETARY P. ABSOY. ESQ.horse statue, adam lindsay gordon horse statue

John Griffin’s wool classing exercise books from 1941-1943 when he was a student at the Gordon Institute in Geelong. John and his father John Henry Griffin owned a farm in Dunkeld and bred fine merino wool. One year they topped the wool sales figures for the area, in the late 1940s. There are four books in total. One book is on the topic of Veterinary Science and is from 1941. It contains information on topics such as birth and early lamb life, bone structure and other internal organisms of a sheep, such as the heart. Another book is on Wool Classing with topics such as wool scouring, dipping, shearing and micron counts. The third book is on general shearing shed knowledge. This includes a diagram for rolling a fleece, correct method for stamping a wool bale and branding abbreviations. The final book is on the History the Merino Sheep. It is a long form essay answer booklet. The Gordon institute and wool are synonymous with one another, the first class in wool sorting was offered at the Gordon in 1891. With much of the wool clip sent directly to England at this time, The Gordon's focus soon shifted to wool classing and marketing. By the 1930s, The Gordon's wool school was renowned as the state's wool industry training centre. Early specialist short courses were offered around Victoria to assist wool growers in preparing their clip for market, with modules on sheep breeding and pasture development included in the programs. Anne Griffin’s, John’s daughter, donated the exercise books to the National Wool Museum in 2021. Book 1 is predominately blue circular cover with cream background. Middle of book has pink highlighter mark. Reverse of book has an Arithmetical Table and a Multiplication Table in a blue ink on cream paper. It also has four black ink markings Book 2 is predominately blue circular cover with cream background. Book has red tape across the spine. Reverse of book has an Arithmetical Table and a Multiplication Table in a blue ink on cream paper. Book 3 is predominately blue plaid cover with cream background. Middle of book has pink highlighter handwriting which has been crossed with the same colour, leaving the text unreadable. Reverse of book has an Arithmetical Table and a Multiplication Table in a blue ink on cream paper. Book 4 is predominately blue diagonal striped book with cream background. Middle of book has small picture of Australia. Reverse of book has an Arithmetical Table and a Multiplication Table in a blue ink on cream paper. Book 1. Front cover: “All Schools” / EXERCISE BOOK / NAME Jack Griffin Grade Gordon Institute School of Technology(?) / Approved by the / Education Department Back cover. Reverse. ARTHMETICAL TABLES / (Numerous, see media) Book 2. Front cover: 2nd & 3rd / “All Schools” / EXERCISE BOOK / Name Jack Griffin / Grade 2 / School the Gordon / Approved by the / Education Department Back cover. Reverse. ARTHMETICAL TABLES / (Numerous, see media) Book 3. Front cover: Embassy / EXERCUSE BOOK / Name John Griffin / Grade 1 / School (?) / APPROVED BY THE EDUCATION DEPARTMENT / Back cover. Reverse. ARTHMETICAL TABLES / (Numerous, see media) Book 4. Front cover: EXERCISE / APPROVED BY EDUCATION DEPT. / BOOK / NAME Jack Griffin / GRADE 3 / SCHOOL Gordon Back cover. Reverse. ARTHMETICAL TABLES / (Numerous, see media) gordon institute geelong, wool classing, 1940s sheep farming, note book, study, student

Photograph of Susan Gordon-Brown & the story of "Behind the Wire" photographic exhibition.photographic exhibition, behind the wire

Black & white photograph of Gordon Phillip Harris, Councillor, East Central Ward, City of Nunawading, from August 1979 to August 1982.harris gordon phillip, city of nunawading

A postcard in a series produced by the Rose Stereograph Company in Victoria, Australia as a souvenir of Marysville.An early postcard of Cathedral Mount and the Cathedral Range from Mount Gordon near Marysville in Victoria.POST CARD The "Rose" Series/ De Luxe A Real Photograph/ Produced in Australia Published by the Rose Stereograph Co./ Armadale, Victoria.mount cathedral, cathedral range, victoria, mount gordon, p.2291, postcard, souvenir, rose series postcard

Adam Lindsay Gordon and His Friends in England and Australia Author: Edith Humphris & Douglas Sladen Publisher: Constable & Co Ltd Date: 1912Label on spine cover with reads R.S. 920 GOR Pastedown front endpaper has sticker from Warrnambool Mechanics Institute and Free Library Front loose endpaper has a stamp from Warrnambool Public Musuem warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, shipwrecked-artefact, great ocean road, book, warrnambool library, warrnambool mechanics’ institute, mechanics’ institute library, victorian library board, warrnambool books and records, warrnambool children’s library, adam lindsay gordon, edith humphris, douglas sladen

A Leather bond Bible presented to the Gordon Lodge at it's Foundation 1886 by the first Worshipful Master of the Lodge - MW Bro William Farquarson Lamonby

Photograph and interviews by Susan Gordon-Brown with Veterans incl. some from the NVVM.A collection of photographs os military personal who fought in Vietnamvietnam war, 1961-1975 - exhibitions, vietnam war, 1961-1975 - personal narratives, australian, national vietnam veterans museum

Robert GORDON Robert 'Andy' Gordon is a potter supplying ceramic wares to stores across Australia as well as exporting to Canada, the U.S.A. and New Zealand. to China. Robert and his wife Barbara started making pottery in 1979 in a tin shed at Gembrook in the Dandenongs, Victoria, which they called the Pack Track Pottery, selling their wares at the St Kilda markets. In 1987, they expanded to purpose-build premises in nearby Pakenham where they are still based today. Wares made at Pack Track Pottery are painted 'Robert Gordon' or 'Gordon' in oxide. Wares made at the Robert Gordon Pottery are stamped 'Robert Gordon Pottery Australia', 'Robert Gordon Pottery Australian Made' or 'Robert Gordon Australia'. Glazed jug with cork stopperrobert gordon, australia studio pottery, ceramics, pack tack pottery, jug

Robert GORDON Robert 'Andy' Gordon is a potter supplying ceramic wares to stores across Australia as well as exporting to Canada, the U.S.A. and New Zealand. to China. Robert and his wife Barbara started making pottery in 1979 in a tin shed at Gembrook in the Dandenongs, Victoria, which they called the Pack Track Pottery, selling their wares at the St Kilda markets. In 1987, they expanded to purpose-build premises in nearby Pakenham where they are still based today. Wares made at Pack Track Pottery are painted 'Robert Gordon' or 'Gordon' in oxide. Wares made at the Robert Gordon Pottery are stamped 'Robert Gordon Pottery Australia', 'Robert Gordon Pottery Australian Made' or 'Robert Gordon Australia'. Glazed jugrobert gordon, australia studio pottery, ceramics, pack tack pottery, jug

Sepia postcard entitled 'The Crescent, Blackburn'.ow Gordon Crescent, Blackburn. Picture shows Victorian and Edwardian homes.|Probably these homes were part of the land boom of the 1890s.hooke, janet emily, albert arthur, the crescent, blackburn, gordon crescent

A short article about Gordon Hickson and his service in World War 1. Gordon Hickson was born in Janefield/Yan Yean.One page, text and colour images.world war 1 project, gordon hickson

Gordon Spittle was the youngest of Three brothers. He grew up in Creswick and attended Creswick Grammar School. Gordon purchased 'Mt Cavern' in 1912. It had 4 years of a 10 year lease to run. His mother and father took delivery of it on 1 April 1916. They lived there and farmed it until Gordon returned from active service in May 1919. S. Gordon Spittle married Violet Holmes and both lived at "Mt Cavern" until their deaths. Gordon died in 1942 aged 51. Violet Holmes-Spittle died in 1949 aged 56. Handwritten lower front 'Do we look down hearted?' Handwritten verso 'Egypt, March 23rd 1916. Dear Mrs Troup. Your very fine and interesting letter dated Feb 15th came to hand to-day and needless to add was delighted to receive it, and can promise you that I'll answer it at my earliest opportunity. We are now having a better time since we came to this part, as we are able to enjoy a little of city life, although we have a good deal more work to do, & which is mostly carting goods to & from the ships & railway stations etc, all of which is interesting & quite a change from our life on the Desert. Hope this card finds you in good health. I will now have to say au revoir for the present with kindest regards to Mr Troup, self and family. From your very sincere friends, A. Gordon Spittle."Two uniformed Australian soldiers pose for a photograph during World War One.chatham family archive, chatham, holmes, world war, world war 1, world war i, world war one, france, spittle, gordon spittle

A digital copy of a newspaper article regarding the need for the government of the time to make improvements on roads and to infrastructure at tourist sites in the Marysville area.A digital copy of a newspaper article regarding the need for the government of the time to make improvements on roads and to infrastructure at tourist sites in the Marysville area.Souvenir/ written by/ GORDON/ WILLIAMS/ and/ PERCY/ TAYLOR/ Photography/ by/ JACK/ LAWRENCEmarysville, victoria, newspaper article, the argus, jack lawrence, gordon williams, percy taylor, marysville tourist and progress association, lake mountain, steavenson falls, talbot drive, keppel falls, taggerty river

Adam Lindsay Gordon in a South Australian Police uniform. A lump is visible on Gordon's left temple reputedly gained from riding accidents.costume, adam lindsay gordon, south australian police

Black and white photo of Game Family Home, 18 Gordon Crescent, Blackburn C.1909.game, gladys, tom, kate

Maconachie. Gordon 1877stawell

Photographs show Gordon Spittle's property. .1 Looking towards Mount Cameron. The trees and roof of Gordon's house can be seen in the distance. Photograph taken from outside "Sauchieburn" stable.A farm with a hill in the backgroundchatham-holmes collection, sauchieburn, gordon spittle, mount cameron, farm, agriculture