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matching green, john.
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Bendigo Historical Society Inc.Document - (Copy) HAMILTON COLLECTION: AUSTRAL LITERARY AND DEBATING SOCIETY, 1901 - 1903
... with illustrations of cherubs, maidens and flora in shades of pink and green... in shades of pink and green. Shakespearian Recitation Alexander John ...HAMILTON COLLECTION: Certificates awarded to Mr. A. J. Hamilton as prizes in various categories of the Austral Literary and Debating Society's Annual Musical, Elocutionary and Literary Competitions Bendigo in 1901. Printed in black on card with illustrations of cherubs, maidens and flora in shades of pink and green. Shakespearian Recitation Alexander John Hamilton (1874 - 1964) was a well known amateur performer,and teacher of elocution in Bendigo. As a young man he entered many compettions with great success.performing arts, elocution, awards -
Bendigo Historical Society Inc.Document - HAMILTON COLLECTION: AUSTRAL LITERARY AND DEBATING SOCIETY AWARDS - ALEXANDER JOHN HAMILTON, 1901 - 1903
... with illustrations of cherubs, maidens and flora in shades of pink and green... in shades of pink and green. Recitation Gents Alexander John ...HAMILTON COLLECTION: Certificates awarded to Mr. A. J. Hamilton as prizes in various categories of the Austral Literary and Debating Society's Annual Musical, Elocutionary and Literary Competitions Bendigo in 1901. Printed in black on card with illustrations of cherubs, maidens and flora in shades of pink and green. Recitation Gents Alexander John Hamilton (1874 - 1964) was a well known amateur performer,and teacher of elocution in Bendigo. As a young man he entered many compettions with great success.performing arts, elocution, awards -
Bendigo Historical Society Inc.Document - HAMILTON COLLECTION: AUSTRAL LITERARY AND DEBATING SOCIETY ALEXANDER JOHN HAMILTON, 1901 - 1903
... with illustrations of cherubs, maidens and flora in shades of pink and green... in shades of pink and green. Improvised Reading Alexander John ...HAMILTON COLLECTION: Certificates awarded to Mr. A. J. Hamilton as prizes in various categories of the Austral Literary and Debating Society's Annual Musical, Elocutionary and Literary Competitions Bendigo in 1903. Printed in black on card with illustrations of cherubs, maidens and flora in shades of pink and green. Improvised Reading Alexander John Hamilton (1874 - 1964) was a well known amateur performer,and teacher of elocution in Bendigo. As a young man he entered many compettions with great success.performing arts, elocution, awards -
Bendigo Historical Society Inc.Document - HAMILTON COLLECTION: AUSTRAL LITERARY AND DEBATING SOCIETY ALEXANDER JOHN HAMILTON, 1901 - 1903
... with illustrations of cherubs, maidens and flora in shades of pink and green... in shades of pink and green. Recitation Gentlemen Alexander John ...HAMILTON COLLECTION: Certificates awarded to Mr. A. J. Hamilton as prizes in various categories of the Austral Literary and Debating Society's Annual Musical, Elocutionary and Literary Competitions Bendigo in 1903. Printed in black on card with illustrations of cherubs, maidens and flora in shades of pink and green. Recitation Gentlemen Alexander John Hamilton (1874 - 1964) was a well known amateur performer,and teacher of elocution in Bendigo. As a young man he entered many compettions with great success.performing arts, elocution, awards -
Bendigo Historical Society Inc.Document - HAMILTON COLLECTION: AUSTRAL LITERARY AND DEBATING SOCIETY ALEXANDER JOHN HAMILTON, 1901 - 1903
... with illustrations of cherubs, maidens and flora in shades of pink and green... in shades of pink and green. Dictatorial Display Alexander John ...HAMILTON COLLECTION: Certificates awarded to Mr. A. J. Hamilton as prizes in various categories of the Austral Literary and Debating Society's Annual Musical, Elocutionary and Literary Competitions Bendigo in 1903. Printed in black on card with illustrations of cherubs, maidens and flora in shades of pink and green. Dictatorial Display Alexander John Hamilton (1874 - 1964) was a well known amateur performer,and teacher of elocution in Bendigo. As a young man he entered many compettions with great success.performing arts, elocution, awards -
Bendigo Historical Society Inc.Document - HAMILTON COLLECTION: AUSTRAL LITERARY AND DEBATING SOCIETY ALEXANDER JOHN HAMILTON, 1901 - 1903
... with illustrations of cherubs, maidens and flora in shades of pink and green... in shades of pink and green. Dictatorial Display Alexander John ...HAMILTON COLLECTION: Certificates awarded to Mr. A. J. Hamilton as prizes in various categories of the Austral Literary and Debating Society's Annual Musical, Elocutionary and Literary Competitions Bendigo in 1903. Printed in black on card with illustrations of cherubs, maidens and flora in shades of pink and green. Dictatorial Display Alexander John Hamilton (1874 - 1964) was a well known amateur performer,and teacher of elocution in Bendigo. As a young man he entered many compettions with great success.performing arts, elocution, awards -
Bendigo Historical Society Inc.Document - HAMILTON COLLECTION: AUSTRAL LITERARY AND DEBATING SOCIETY ALEXANDER JOHN HAMILTON, 1901 - 1903
... with illustrations of cherubs, maidens and flora in shades of pink and green... in shades of pink and green. Character Rectation Alexander John ...HAMILTON COLLECTION: Certificates awarded to Mr. A. J. Hamilton as prizes in various categories of the Austral Literary and Debating Society's Annual Musical, Elocutionary and Literary Competitions Bendigo in 1903. Printed in black on card with illustrations of cherubs, maidens and flora in shades of pink and green. Character Rectation Alexander John Hamilton (1874 - 1964) was a well known amateur performer,and teacher of elocution in Bendigo. As a young man he entered many compettions with great success.performing arts, elocution, awards -
Bendigo Historical Society Inc.Document - HAMILTON COLLECTION: AUSTRAL LITERARY AND DEBATING SOCIETY ALEXANDER JOHN HAMILTON, 1901 - 1903
... with illustrations of cherubs, maidens and flora in shades of pink and green... in shades of pink and green. Impromptu Reading Alexander John ...HAMILTON COLLECTION: Certificates awarded to Mr. A. J. Hamilton as prizes in various categories of the Austral Literary and Debating Society's Annual Musical, Elocutionary and Literary Competitions Bendigo in 1903. Printed in black on card with illustrations of cherubs, maidens and flora in shades of pink and green. Impromptu Reading Alexander John Hamilton (1874 - 1964) was a well known amateur performer,and teacher of elocution in Bendigo. As a young man he entered many compettions with great success.performing arts, elocution, awards -
Bendigo Historical Society Inc.Document - HAMILTON COLLECTION: AUSTRAL LITERARY AND DEBATING SOCIETY ALEXANDER JOHN HAMILTON, 1901 - 1903
... with illustrations of cherubs, maidens and flora in shades of pink and green... in shades of pink and green. Champion Elocution Alexander John ...HAMILTON COLLECTION: Certificates awarded to Mr. A. J. Hamilton as prizes in various categories of the Austral Literary and Debating Society's Annual Musical, Elocutionary and Literary Competitions Bendigo in 1903. Printed in black on card with illustrations of cherubs, maidens and flora in shades of pink and green. Champion Elocution Alexander John Hamilton (1874 - 1964) was a well known amateur performer,and teacher of elocution in Bendigo. As a young man he entered many compettions with great success.performing arts, elocution, awards -
Bendigo Historical Society Inc.Document - HAMILTON COLLECTION: AUSTRAL LITERARY AND DEBATING SOCIETY ALEXANDER JOHN HAMILTON, 1901 - 1903
... with illustrations of cherubs, maidens and flora in shades of pink and green... in shades of pink and green. Shakespearian Recitation Alexander John ...HAMILTON COLLECTION: Certificates awarded to Mr. A. J. Hamilton as prizes in various categories of the Austral Literary and Debating Society's Annual Musical, Elocutionary and Literary Competitions Bendigo in 1903. Printed in black on card with illustrations of cherubs, maidens and flora in shades of pink and green. Shakespearian Recitation Alexander John Hamilton (1874 - 1964) was a well known amateur performer,and teacher of elocution in Bendigo. As a young man he entered many compettions with great success.performing arts, elocution, awards -
Bendigo Historical Society Inc.Document - HAMILTON COLLECTION: AUSTRAL LITERARY AND DEBATING SOCIETY ALEXANDER JOHN HAMILTON, 1901 - 1903
... with illustrations of cherubs, maidens and flora in shades of pink and green... in shades of pink and green. Prepared Reading Alexander John ...HAMILTON COLLECTION: Certificates awarded to Mr. A. J. Hamilton as prizes in various categories of the Austral Literary and Debating Society's Annual Musical, Elocutionary and Literary Competitions Bendigo in 1903. Printed in black on card with illustrations of cherubs, maidens and flora in shades of pink and green. Prepared Reading Alexander John Hamilton (1874 - 1964) was a well known amateur performer,and teacher of elocution in Bendigo. As a young man he entered many compettions with great success.performing arts, elocution, awards -
Bendigo Historical Society Inc.Document - HAMILTON COLLECTION: AUSTRAL LITERARY AND DEBATING SOCIETY ALEXANDER JOHN HAMILTON, 1901 - 1903
... with illustrations of cherubs, maidens and flora in shades of pink and green... in shades of pink and green. Comic Recitation Alexander John ...HAMILTON COLLECTION: Certificates awarded to Mr. A. J. Hamilton as prizes in various categories of the Austral Literary and Debating Society's Annual Musical, Elocutionary and Literary Competitions Bendigo in 1903. Printed in black on card with illustrations of cherubs, maidens and flora in shades of pink and green. Comic Recitation Alexander John Hamilton (1874 - 1964) was a well known amateur performer,and teacher of elocution in Bendigo. As a young man he entered many compettions with great success.performing arts, elocution, awards -
Bendigo Historical Society Inc.Document - NEW MOON MINE RESOURCES AND FUTURE PROSPECTS REPORT
... of directors: Joseph LanFranchi, W.B. Walker, Daniel Murdoch, John..., Daniel Murdoch, John Green, Alexander Hay and Edward Bright ...Copy of extract from the Bendigo Advertiser, 22nd November, 1906 spiral bound with plastic cover. On front: 'New Moon Mine Site, its resources and future prospects'. Document contains financial reports, gold extracted, shareholders, battery manager's report, map of leases held by New Moon Co and photos, see below. Photo of Managers of New Moon Co., H.E. Jones Mining Manager, J.C. McCoy Engineer, R.A. Dewar Battery Manager. Photo of directors: Joseph LanFranchi, W.B. Walker, Daniel Murdoch, John Green, Alexander Hay and Edward Bright. Photos include view from base of poppet legs showing tramway and crushing machine, battery and mine, miners at the 1045 level.bendigo, mining, new moon co. nl -
Bendigo Military MuseumBook - BOOK, MEMORIAL, The All-Australia Memorial Book (Vic Ed.), 1917
... Gallipoli. Buried Shell Green Gully 2.8.1915. John Herman Muller... Gallipoli. Buried Shell Green Gully 2.8.1915. John Herman Muller ...Pictorial book contains the names of Victorians K.I.A 1914 - 1916 and those who enlisted during the same period. Also stories and a list of bravery awards. Each book has a place for a photo inside The MULLER Brothers. Two of the three boys photos are in the book, Albert & Edgar. They All came from Nhill Victoria. Albert Herbert Muller No 448 enlisted in the 4th L.H.Regt C Sqd on 19.8.1914 age 21 years 7 months. Embarked for Egypt 19.10.14 and then to Gallipoli on 20.5.15, KIA by a sniper on 1.8.1915 at Gaba Tepe Gallipoli. Buried Shell Green Gully 2.8.1915. John Herman Muller No 1102 enlisted in 8th reinforcements 8th L.H Regt on 2.7.15 age 22 years, embarked for Gallipoli 20.8.1915, hospital with Mumps 25.10.15, return to unit 17.11.1915, embark for Alexandria 25.12.1915, hospital 16.9.1916 with Tonsilitis, WIA 19.4.1917 GSW to chest, left leg & arm, hospital 28.11.1917 with Diarrheoa, hospital 1.9.1918 (unclear), promoted T/Sgt 13.3.1919, discharged from the AIF 9.12.1919. Edgar Percy Muller No 3227 enlisted in 26th reinforcements 8th L.H.Regt on 9.11.1916 age 18 years 7 months. Attended Signal School 10.11.1916 to 14.2.1917, embarked for Egypt 20.2.1917, hospital 26.6.1917 with Debility, return to unit, WIA 1.12.1917 GSW to Chest, return to unit 9.1.1918, hospital 4.6.1918 with Malaria, return to unit 31.7.1918, hospital again 9.8.1918 (appears to be Malaria severe), return to unit 29.10.1918, discharged from the AIF 20.10.1919.Memorial Book Australia's Roll of Honour 1914 - 1916. History, Heroes and Helpers. Includes illustrations, photos, drawings, maps, portraits, personal records. Includes fold out pictures inside front cover. Photo and details of A. H. MULLER pasted onto first page. Gilt edged pages. Leather bound cover.books - military - reference, memorials -
Ballarat Tramway MuseumPhotograph - Colour Print/s - set of 10, Carolyn Dean and Gavin Young, 8/03/2004 12:00:00 AM
... to right - Simon Green, Alastair Reither, John Shaw, Len Millar... to right - Simon Green, Alastair Reither, John Shaw, Len Millar ...Set of ten photographs taken or arranged by Carolyn Dean during the 2004 Begonia Festival. On Kodak paper. Nos. 1, 5 and 6 taken on 6/3/2004, remainder 8/3/2004. .1 - Scrubber tram No. 8 showing progress on repainting to MMTB style. .2 - John Phillips photographing John Shaw in front of No. 27, with the destination "Alstom" on depot fan. .3 - John Shaw standing in front of No. 27 .4 - John Shaw attending to the trolley rope of No. 27 .5 - Six BTM standings in front or on No. 27 - John Shaw, Roger Salen, Simon Green, Carolyn Dean, Alastair Reither and John Phillips. .6 - ditto .7 - Wearing their Alstom tops and caps, BTM Crew with 661 and 671 in the background: = left to right - Simon Green, Alastair Reither, John Shaw, Len Millar, Roger Salen , Carolyn Dean, John Phillips, Alan Snowball, Peter Winspur, Stephen Butler and Sam Boon on Monday 8/3/2004. .8 - ditto .9 - as for .3 .10 - as for .1On rear of each photo in ink, date and who took the photograph.btm, begonia festival, alstom, wendouree parade, tram 8, tram 27, tram 661, tram 671 -
Eltham District Historical Society IncDocument - Folder, McLean, 1984-1999
... married Louisa Frances Green 1922 (Vic BDM) - Hector John McLean... married Louisa Frances Green 1922 (Vic BDM) - Hector John McLean ...References to McLean family, Hector John McLean and Louisa Frances (nee Green) and six daughters who lived in Eltham during the period 1930 to 1934 inclusive. Lived in the former Evelyn Hotel at the time it was destroyed by fire and being part of the Centenary Parade in 1934 where the family won the Group Section for their entry “Pioneers of Eltham” Reminiscences provided by Edith Jones (nee M1934 flood, ballroom, baptism, barber shop, bittern, boy scouts, bremner's flat, burgoyne's shop, cable tram, cemetery road, centenary celebrations, centenary parade, christening, coach house, collis grocery, dalton street, depression, dole, dorothy jean mclean, edith jones (nee mclean), eltham fire brigade, eltham high school, eltham higher elementary school, eltham lower park, eltham railway station, eltham state school no. 209, evelyn hotel, fire damage - buildings, flinders naval depot, fordham, gladys evelyn mclean, gold mining, gwenneth mae mclean, gwladys evelyn mclean, headmistress, hector john mclean, isherwood house and shop, louisa frances mclean (nee green), metery road, methodist church, miss finnin, miss grant cottage, motor bike races, mrs barrett, mrs bremner, mrs hurley, olive isabel mclean, parade, phoebe lillian mclean, picnic, pioneers of eltham, pitt street, research fire brigade, rev. r.g. arthur, shed, shops, st margarets church hall, st margaret's church, stables, state savings bank of victoria, susso books, todaro, vinnie willet, warrandyte bridge, warrandyte, wingrove park, yarra river -
Bendigo Historical Society Inc.Photograph - FAMILY LIVING IN LARGE TREE TRUNK
... on the left is their neighbour, Mr. John Green. The Photograph... on the left is their neighbour, Mr. John Green. The Photograph ...Sepia image (copy) picture shows family gathered at base of large tree trunk with door opening. Two small children in doorway, woman holding younger child inside tree, two men either side of image. Both men are wearing suit coats, vests and wearing hats. Straw broom and pots fixed to tree trunk. Man on RH side has an axe to his right. PLEASE NOTE: Letter with photo inquiring about the people in photo, states that the image is that of Peter Tyson, younger brother of James, his wife Margaret Sheil, and their twin daughters, Alice and Harriet. Diary is of accounts with limited text of a written diary on RH wide of sheets. Bookkeeper was Robert Primrose, whose name appears frequently in the book. Further research by Murray Poustie discovered that the photograph may actually be of Nicholas Penny, his wife Eva and their children Charlie, May, George and Nicholas. Also in the photograph on the left is their neighbour, Mr. John Green. The Photograph was taken by Max Lowenhardt when the Penny family was living in the tree at Fumina in 1906-07 following devastating bushfires. Fumina is in timber country at the foot of the Baw Baw Mountains and the area was frequently affected by major bushfires. The photograph was featured on the cover of the Gippsland Heritage Journal No.19, 1996 and is also extensively noted as ''The Penny family's tree home at Fumina'' in other publications including Vision & Realisation.person, receipts -
University of Melbourne, Burnley Campus Archives
Album - Black and white and colour prints, Staff Photographs, c. 1990
... . (40) Richard Green, Darryl Gibbs. (41) John Rayner, Karen... Connellan. (40) Richard Green, Darryl Gibbs. (41) John Rayner, Karen ...Collection of 110 photographs and some negatives, mostly colour. Some ID photographs, some at functions or taking classses. Identified by Ala Shtrauser, Ross Payne, Andrew Smith. Found in James Pearson's former office 2015 by Ross Payne. (1) Peter McSweeney, Kevin Blaze, Ross Payne, Ed Smart, Phil Kenyon, Paula Cave, John Delpratt, Peter May, Ian Winstone. (2) Geoff Olive, Ian Winstone, John Brereton, John Delpratt, Ross Hall. (3) Peter McSweeney, Nick Bailey, Phil Kenyon, Brian Shields, Geoff Olive, Ian Winstone, John Brereton, John Delpratt, Ross Hall, James Hitchmough, David Aldous. (4) Geoff Connelan, Jamie Pearson, Ross Payne, Ed Smart, Peter May, James Hitchmough, Nick Bailey, Ross Hall, Catherine Jaggs. (5) James Will, Bata Thomas. (6) John Delpratt, John Rayner. (7) Phil Mayle, James MacIntyre (student), James Will, Jayne Lindholm. (8,19) David Aldous, Eric Littlejohn. (9) John Rayner. (10) Nick Bailey. (11) Alex Campbell. (12,13) Ala Hires (Shtrauser). (14) Michael Green. (15) Ross Hall, Peter McSweeney, James Hitchmough, Kevin Blaze. (16,44) Brian Shields. (17,18) Kylie Cannon, Karen Geyeregger, Nick Osborne, Jim Pleasance. (20) John Delpratt. (21) Ian Winstone and student working on Student Gardens. (22) Geoff Olive, Ed Smart. (23) Robina Duggan, Michèle Adler. (24) Catherine Jaggs, Peter May. (25,26) Mark MacNamara, Kelvin McKenzie, Ruth Beilin, Ed Smart. (27) Rosemary McConell, Elizabeth Hill. (28) Fred Taylor, Mike Nechwatal. (29) Claire Scott, Nick Bailey, Ross Hall. (30,66) John Brereton. (31) Rosemary McConell, Mark MacNamara. (32) Mike Nechwatel, Bata Thomas, Graham Sterry. (33) Geoff Olive, Phil Tulk. (34) Ed Smart, Ruth Beilin, Ian Winstone. (35) James Will with students. (36,37) Peter McSweeney. (38) Alex Campbell, Jamie Pearson, Ross Payne. (39) Geoff Connellan. (40) Richard Green, Darryl Gibbs. (41) John Rayner, Karen Geyeregger. (442) Ross Payne. (43) Jamie Pearson, Jim Pleasance. (45-49) Claire Scott. (50-54) Ian Winstone. (55) Michelle Dall, Kylie Cannon, James Will, Catherine Jaggs, Nick Bailey, Jamie Pearson, John Brereton, Peter May, Rosemary McConell, Ed Smart, Greg Moore, Ian Winstone, David Aldous, Brian Shields "Sept 1990". (56) Brian Shields, Peter May, Kelvin McKenzie, Fred Taylor, Phil Tulk, Richard Green, Graham Sterry, Ross Payne "Sept 1990". (57,58) James Will, Jill Kellow 1987/88 on Grampians excursion with Associate Diploma students staying in Shearers' quarters. (59,60) James Will, John Delpratt. (61,62) Denise Johnstone. (63-65) Michèle Adler, Ian Winstone, Greg Moore, Jenny Leereveld, Geoff Connellan, Catherine Jaggs, Rod McMillan, Peter Esdale, Peter Sheppard, Nick Bailey, James Hitchmough, Rosemary McConnell, David Aldous, Ruth Beilin, Clive Sorrell, Tony Westmore, Peter May, Ivo Dean, Kevin Blaze, James Will, Ross Hall, Peter McSweeney, Ed Smart, Phil Kenyon, John Delpratt, John Brereton, Geoff Olive, Darryl Gibbs. (67) David Aldous, Greg Moore, Brian Shields, Peter May. (68,69) Preparing Landscape Shed 1990's. (70) Building Quad 6. (71) Leigh Stone. (72) Pruning Day. (73,74) Staff Group , Jim Davis, Principal. (75) Peter Esdale. (76) Tess Hernan. (77) Ruth Beilin. (78) Alex Campbell. (79) Ala Hires (Shtrauser). (80) Karen Geyeregger. (81) Catherine Jaggs. (82) Mark MacNamara. (83) Peter McSweeney. (84) David Aldous. (85) Cassandra McLean. (86) Barry Dimelow. (87) Phil Tulk. (88) Corinne Leadbeatter. (89) Cinnamon Evans. (90) Martin Stevens. (91) Ian Winstone. (92) Tony Westmore. (93) Robyn Middleton. (94) Alan Shanks. (95) Robin Haylett. (96) Mike Wilson. (97) Gail Murphy. (98) Tanuja Ali. (100) Julie Cocksedge. (101) Sheh-Mae Ho,. (102) Kerry Pantzopolous. (103) Michele Dall. (104-107) James Pearson. (108) Ross Payne. (109) Robina Duggan. (110) Meg Probin, Michèle Adler, Graham Sterry. Found in Jamie Pearson's former office 2015.functions, classses, ala shtrauser, ross payne, andrew smith, james pearson, peter mcsweeney, kevin blaze, ross payne, ed smart, phil kenyon, paula cave, john delpratt, peter may, ian winstone, geoff olive, ian winstone, john brereton, john delpratt, ross hall, nick bailey, phil kenyon, brian shields, james hitchmough, david aldous, geoff connelan, catherine jaggs, james will, bata thomas, john rayner, phil mayle, james macintyre, jayne lindholm, eric littlejohn, alex campbell, ala hires, michael green, peter mcsweeney, kylie cannon, karen geyeregger, nick osborne, jim pleasance, students, robina duggan, michèle adler, mark macnamara, kelvin mckenzie, ruth beilin, rosemary mcconell, elizabeth hill, fred taylor, mike nechwatal, claire scott, graham sterry, geoff connellan, richard green, darryl gibbs, michelle dall, catherine jaggs, greg moore -
The Beechworth Burke MuseumAnimal specimen - Turquoise Parrot, Trustees of the Australian Museum, Taxidermy Turquoise Parrot, 1860-1880
This specimen is part of a collection of almost 200 animal specimens that were originally acquired as skins from various institutions across Australia, including the Australian Museum in Sydney and the National Museum of Victoria (known as Museums Victoria since 1983), as well as individuals such as amateur anthropologist Reynell Eveleigh Johns between 1860-1880. These skins were then mounted by members of the Burke Museum Committee and put-on display in the formal space of the Museum’s original exhibition hall where they continue to be on display. This display of taxidermy mounts initially served to instruct visitors to the Burke Museum of the natural world around them, today it serves as an insight into the collecting habits of the 19th century. The male Turquoise Parrot is bright green above, with a turquoise blue crown and face. A brilliant two-tone blue band around the bend of the wing contrasts with a dark, brick-red shoulder patch. Its underparts and tail edges are a rich yellow. The female is similar, but not as bright, with a whitish facial mask, no red on the wing, and a pale wing stripe. Old birds of both sexes may have orange underparts. Once common throughout many parts of eastern Australia, the Turquoise Parrot was formerly recorded from near Mackay in Queensland south to Melbourne until the 1880s, when its population suddenly crashed. It was even considered to be extinct by 1915, but populations recovered spectacularly over the next 20 years or so, and by the 1930s they were again recorded through much of their former range. Now the species can once more be seen in many parts of eastern and south-eastern Australia, though not quite as extensively as before. These birds are vulnerable in NSWThis specimen is part of a significant and rare taxidermy mount collection in the Burke Museum. This collection is scientifically and culturally important for reminding us of how science continues to shape our understanding of the modern world. They demonstrate a capacity to hold evidence of how Australia’s fauna history existed in the past and are potentially important for future environmental research. This collection continues to be on display in the Museum and has become a key part to interpreting the collecting habits of the 19th century. This Turquoise Parrot is bright green above, with a turquoise blue crown and face. A brilliant two-tone blue band around the bend of the wing contrasts with a dark, brick-red shoulder patch. Its underparts and tail edges are a rich yellow. Old birds of both sexes may have orange underparts. This particular specimen is faded with some missing feathers. It is mounted on a wooden stand with a tag wrapped around its leg.Label: 80a. / Chesnutt-shouldered Grass Parakeet / See Catalogue, page 22.taxidermy, parrot, turquoise parrot, taxidermy bird, australian bird, burke museum, trustees of australia -
The Beechworth Burke MuseumAnimal specimen - King Parrot, Trustees of the Australian Museum, 1860-1880
This specimen is part of a collection of almost 200 animal specimens that were originally acquired as skins from various institutions across Australia, including the Australian Museum in Sydney and the National Museum of Victoria (known as Museums Victoria since 1983), as well as individuals such as amateur anthropologist Reynell Eveleigh Johns between 1860-1880. These skins were then mounted by members of the Burke Museum Committee and put-on display in the formal space of the Museum’s original exhibition hall where they continue to be on display. This display of taxidermy mounts initially served to instruct visitors to the Burke Museum of the natural world around them, today it serves as an insight into the collecting habits of the 19th century. The red-and green Australian King-Parrot is seldom seen flying above the tree tops of the dense forests which it inhabits — it prefers to fly below tree level, weaving in and out through the tree trunks instead. When they are disturbed by a person, they usually fly off with a harsh screech, and often do not land until they are lost to view. Their flight is swift and strong, characterised by deep, rhythmic wing-beats and regularly punctuated with rapid twists and turns.This specimen is part of a significant and rare taxidermy mount collection in the Burke Museum. This collection is scientifically and culturally important for reminding us of how science continues to shape our understanding of the modern world. They demonstrate a capacity to hold evidence of how Australia’s fauna history existed in the past and are potentially important for future environmental research. This collection continues to be on display in the Museum and has become a key part to interpreting the collecting habits of the 19th century. Male Australian King-Parrots are the only Australian parrots with a completely red head. Females are similar to males except that they have a completely green head and breast. Both sexes have a red belly and a green back, with green wings and a long green tail. King parrots are normally encountered in pairs or family groups. This particular specimen has duller colour and appears more orange with a misshapen head Label: National Museum Victoria / King Parrot / Aprosmietus W5435 / Gris (recht) Mount: APPOSMICTUS / SCAPULARIS / King Parrottaxidermy, parrot, bird, king parrot -
The Beechworth Burke MuseumAnimal specimen - Eastern Rosella, Trustees of the Australian Museum, 1860-1880
Eastern Rosellas are multi-coloured medium-sized Australian parrots with distinctive white cheek patches. The Eastern Rosella is found throughout south-eastern Australia, from Queensland to Victoria, south-eastern South Australia, and eastern Tasmania. Despite their vibrant colours, Rosellas camouflage well into their surroundings when perching or when on the ground. The Eastern Rosella is found in open woodlands, grasslands, farmlands and remnant bushland. These birds are often found in urban habitats such as parks, gardens and golf courses. Early European settlers encountered the Eastern Rosella at Rose Hill, New South Wales, now Parramatta, and so they called it the Rosehill parakeet which became "Rosehiller", and eventually shortened to "rosella". This specimen is part of a collection of almost 200 animal specimens that were originally acquired as skins from various institutions across Australia, including the Australian Museum in Sydney and the National Museum of Victoria (known as Museums Victoria since 1983), as well as individuals such as amateur anthropologist Reynell Eveleigh Johns between 1860-1880. These skins were then mounted by members of the Burke Museum Committee and put-on display in the formal space of the Museum’s original exhibition hall where they continue to be on display. This display of taxidermy mounts initially served to instruct visitors to the Burke Museum of the natural world around them, today it serves as an insight into the collecting habits of the 19th century.This specimen is part of a significant and rare taxidermy mount collection in the Burke Museum. This collection is scientifically and culturally important for reminding us of how science continues to shape our understanding of the modern world. They demonstrate a capacity to hold evidence of how Australia’s fauna history existed in the past and are potentially important for future environmental research. This collection continues to be on display in the Museum and has become a key part to interpreting the collecting habits of the 19th century. This mature Eastern Rosella has a red head and breast, with a light green belly and distinctive white cheeks. The back is yellow-green with black mottling, the yellow-green turning green then to blue across the wings. The tail feathers are blue/black, with a red base on the underside. This specimen stands upon a wooden platform and has an identification tag tied around its leg.Label: 79/ Rose-hill Parakeet / See catalogue, page 22 taxidermy mount, taxidermy, animalia, burke museum, beechworth, australian museum, skin, reynell eveleigh johns, bird, australian birds, rosella, eastern rosella, rosehill parakeet, rose-hill parakeet -
The Beechworth Burke MuseumAnimal specimen - Budgie, Trustees of the Australian Museum, 1860-1880
The budgie is a very social bird, found in large groups in the wild. They primarily live across mainland Australia. They are often found near water. Budgies are very popular pets globally (called parakeets in other countries). They eat grasses and seeds. They nest in hollowed trees. Budgies in the wild are often right green with a yellow face. This specimen is a good example because it has the common colouring of wild budgies and has not got signs of wear/use. This specimen is part of a collection of almost 200 animal specimens that were originally acquired as skins from various institutions across Australia, including the Australian Museum in Sydney and the National Museum of Victoria (known as Museums Victoria since 1983), as well as individuals such as amateur anthropologist Reynell Eveleigh Johns between 1860-1880. These skins were then mounted by members of the Burke Museum Committee and put-on display in the formal space of the Museum’s original exhibition hall where they continue to be on display. This display of taxidermy mounts initially served to instruct visitors to the Burke Museum of the natural world around them, today it serves as an insight into the collecting habits of the 19th century.This specimen is part of a significant and rare taxidermy mount collection in the Burke Museum. This collection is scientifically and culturally important for reminding us of how science continues to shape our understanding of the modern world. They demonstrate a capacity to hold evidence of how Australia’s fauna history existed in the past and are potentially important for future environmental research. This collection continues to be on display in the Museum and has become a key part to interpreting the collecting habits of the 19th century. This male budgie is perched with its wings partially opened and looking to the left. It has a yellow head with black stripes on the back, indicating the specimen was quite aged before it was killed. It has a blue nose, indicating it is male. Its body is light green. Its wings are green-yellow with black lines. Its tail is a blue-green. It has some minor pest damage around its eyes.no markings or identification tags -
The Beechworth Burke MuseumAnimal specimen - Rainbow Bee-Eater, Trustees of the Australian Museum, 1860-1880
The Rainbow Bee-Eater is native to Australia, living across the mainland, except in desert areas. Male and female birds are both brightly coloured, the primary difference being the length of their tail streamers. Male Bee-Eaters have longer streamers than the females. They are insectivores and use techniques to remove threats to themselves; eg. they will remove wasp's stingers to avoid the poison. They nest in sand and dig a long tunnel, at the end is a 'chamber' where they lay the eggs. This specimen is part of a collection of almost 200 animal specimens that were originally acquired as skins from various institutions across Australia, including the Australian Museum in Sydney and the National Museum of Victoria (known as Museums Victoria since 1983), as well as individuals such as amateur anthropologist Reynell Eveleigh Johns between 1860-1880. These skins were then mounted by members of the Burke Museum Committee and put-on display in the formal space of the Museum’s original exhibition hall where they continue to be on display. This display of taxidermy mounts initially served to instruct visitors to the Burke Museum of the natural world around them, today it serves as an insight into the collecting habits of the 19th century.This specimen is part of a significant and rare taxidermy mount collection in the Burke Museum. This collection is scientifically and culturally important for reminding us of how science continues to shape our understanding of the modern world. They demonstrate a capacity to hold evidence of how Australia’s fauna history existed in the past and are potentially important for future environmental research. This collection continues to be on display in the Museum and has become a key part to interpreting the collecting habits of the 19th century. The Rainbow Bee-Eater is a uniquely beautiful species of bird with strikingly bright colouring. The plumage is green, blue, chestnut and yellow. The build of this specimen is small and graceful and the bill is slender and curved. This Bee-Eater has two distinct streamers that extend from the base of the tail. The glass eyes provided to this specimen are dark black in colour; however, in life, this specimen has red eyes which contrast with the black stripe of colour that is located from the base of the bill to the ears. Below the black stripe, is a smaller pale blue colour. The throat is orange-yellow and the breast is green. The tail is black with a blue tinge to the plumage closer to the rear of the torso. The colouring on this particular specimen has faded significantly, but it provides a good example of what this specimen looked like while alive.Label: 5a / Australian Bee-Eater / See catalogue page 7 / taxidermy mount, taxidermy, animalia, burke museum, beechworth, australian museum, skin, reynell eveleigh johns, bird, rainbow bee-eater -
The Beechworth Burke MuseumAnimal specimen - White-Throated Needletail, Trustees of the Australian Museum, 1860-1880
The White-Throated Needletail is a highly sociable bird commonly seen in large flocks containing a hundred plus birds. This species is also known to mingle with birds of different species. They have a distinctive white throat and undertail. This species is mainly airborne, however they are known to reside in trees when on land. They can mainly be spotted along the north and east parts of Australia. This species is listed as vulnerable and threatened in the Australian Capital Territory, Queensland and Victoria. Since this is a taxidermy mount, it is not an accurate depiction of the White-Throated Needletail. The species should have a predominantly grey-brown plumage, with the exception of the throat and undertail which are white. There should also be a green tint to the species feathers. This specimen is part of a collection of almost 200 animal specimens that were originally acquired as skins from various institutions across Australia, including the Australian Museum in Sydney and the National Museum of Victoria (known as Museums Victoria since 1983), as well as individuals such as amateur anthropologist Reynell Eveleigh Johns between 1860-1880. These skins were then mounted by members of the Burke Museum Committee and put-on display in the formal space of the Museum’s original exhibition hall where they continue to be on display. This display of taxidermy mounts initially served to instruct visitors to the Burke Museum of the natural world around them, today it serves as an insight into the collecting habits of the 19th century.This specimen is part of a significant and rare taxidermy mount collection in the Burke Museum. This collection is scientifically and culturally important for reminding us of how science continues to shape our understanding of the modern world. They demonstrate a capacity to hold evidence of how Australia’s fauna history existed in the past and are potentially important for future environmental research. This collection continues to be on display in the Museum and has become a key part to interpreting the collecting habits of the 19th century.This White-Throated Needletail had grey-brown feathers. It has distinctive white patches on its throat and under the tail. The back of the bird is a light brown with a white patch in the center of the back. This specimen stands upon a wooden mount and has an identification tag tied around its leg. The bill is short and the wings are long and pointed. The bird's tail is short and square in shape with protruding feather shafts which give a spiky appearance.2a / Spine-Tailed Swift / See catalogue, page 7taxidermy mount, taxidermy, burke museum, beechworth, australian museum, skin, reynell eveleigh johns, bird, white-throated needletail, australian birds -
The Beechworth Burke MuseumAnimal specimen - Eastern Whipbird, Trustees of the Australian Museum, 1860-1880
The Eastern Whipbird isusually be found in pairs. They have a distinct white stripe on either side of the beak which helps to identify this bird. This species generally resides in wet habitats such as wetlands and rainforests, where there is dense vegetation. The Eastern Whipbird can be commonly found along the east coast of Australia. Since this is a taxidermy mount, there are a few inconsistencies. The main inconsistency is the colour of the specimen, the plumage should be an olive-green colour. This particular colouring has likely faded due to the taxidermy process and also the age of the specimen. There should also be black plume on top of the head which is missing from this specimen. This specimen is part of a collection of almost 200 animal specimens that were originally acquired as skins from various institutions across Australia, including the Australian Museum in Sydney and the National Museum of Victoria (known as Museums Victoria since 1983), as well as individuals such as amateur anthropologist Reynell Eveleigh Johns between 1860-1880. These skins were then mounted by members of the Burke Museum Committee and put-on display in the formal space of the Museum’s original exhibition hall where they continue to be on display. This display of taxidermy mounts initially served to instruct visitors to the Burke Museum of the natural world around them, today it serves as an insight into the collecting habits of the 19th century.This specimen is part of a significant and rare taxidermy mount collection in the Burke Museum. This collection is scientifically and culturally important for reminding us of how science continues to shape our understanding of the modern world. They demonstrate a capacity to hold evidence of how Australia’s fauna history existed in the past and are potentially important for future environmental research. This collection continues to be on display in the Museum and has become a key part to interpreting the collecting habits of the 19th century.This Eastern Whipbird is a small species of bird which has a dramatic stripe of white colouring on either side of the small bill and the crest is black. The belly and throat are black while the back, wings and tail are dark brown. This specimen stands upon a wooden perch and has an identification tag tied around its leg.25a / Thickhead / catalogue page 11taxidermy mount, taxidermy, animalia, burke museum, beechworth, australian museum, skin, reynell eveleigh johns, bird, eastern whipbird, australian birds -
The Beechworth Burke MuseumAnimal specimen - Olive-Backed Oriole, Trustees of the Australian Museum, 1860-1880
The Olive-Backed Oriole are very common birds for northern and eastern Australia, as well as New Guinea. Similar to the Yellow Oriole, this species is more versatile yet less distinctive in colouring. The streaked underparts and red bill and eyes are easy identification features of this bird. Both sexes look very similar, with female colouring being slightly duller than males. This species frequents open forests and woodlands, and can tolerate dry climates. Most of this species breeds from September to January during the tropical wet season in northern Australia, but some are known to migrate south to breed in the summer. This species eats mainly native fruit, berries, and insects. This specimen is a good example of this species, but the colouring is very dull compared to living birds. This specimen has one red eye, which is a good example of a distinctive feature of this species. This specimen is part of a collection of almost 200 animal specimens that were originally acquired as skins from various institutions across Australia, including the Australian Museum in Sydney and the National Museum of Victoria (known as Museums Victoria since 1983), as well as individuals such as amateur anthropologist Reynell Eveleigh Johns between 1860-1880. These skins were then mounted by members of the Burke Museum Committee and put-on display in the formal space of the Museum’s original exhibition hall where they continue to be on display. This display of taxidermy mounts initially served to instruct visitors to the Burke Museum of the natural world around them, today it serves as an insight into the collecting habits of the 19th century.This specimen is part of a significant and rare taxidermy mount collection in the Burke Museum. This collection is scientifically and culturally important for reminding us of how science continues to shape our understanding of the modern world. They demonstrate a capacity to hold evidence of how Australia’s fauna history existed in the past and are potentially important for future environmental research. This collection continues to be on display in the Museum and has become a key part to interpreting the collecting habits of the 19th century.This Olive-Backed Oriole has a faint olive-green head and back, and a faint red-tinged beak. Its body is cream coloured with brown streaks. It has one red eye. This specimen appears to be immature and/or female, as it has a pale pill and a duller-olive green back, with streaks quite high up on it's chin, which is indicative of an immature female of this species. This specimen stands upon a wooden platform and has an identification tag tied around its leg.Swing-tag: 52a / Australian Oriole / See catalogue page 17. taxidermy mount, taxidermy, animalia, burke museum, beechworth, australian museum, skin, reynell eveleigh johns, bird, oriole, olive-backed oriole, yellow oriole, australian birds -
The Beechworth Burke MuseumAnimal specimen - Dollarbird, Trustees of the Australian Museum, 1860-1880
The Dollarbird is so-named because of the coin-shaped patches on the tips of their wings, which is clear when in flight. They have distinctive blue-green colouring on their backs and wings, and a bright blue throat. This species migrates to northern and eastern Australia for breeding, between the months of September and April. These birds migrate to New Guinea and nearby islands in the Winter, but can be found in Japan and India also. This species resides in open wooded areas, preferring hollow-bearing trees for nesting. They can be found spending most of their time perched on high branches in search of insects, and will often 'hawk' at dusk above the tree-tops, hovering on the wing for lengthy periods. This specimen is a good example of this species, however the distinctive coin-patches on the tips of the wings are partially hidden by the tuck of the wing. This specimen is part of a collection of almost 200 animal specimens that were originally acquired as skins from various institutions across Australia, including the Australian Museum in Sydney and the National Museum of Victoria (known as Museums Victoria since 1983), as well as individuals such as amateur anthropologist Reynell Eveleigh Johns between 1860-1880. These skins were then mounted by members of the Burke Museum Committee and put-on display in the formal space of the Museum’s original exhibition hall where they continue to be on display. This display of taxidermy mounts initially served to instruct visitors to the Burke Museum of the natural world around them, today it serves as an insight into the collecting habits of the 19th century.This specimen is part of a significant and rare taxidermy mount collection in the Burke Museum. This collection is scientifically and culturally important for reminding us of how science continues to shape our understanding of the modern world. They demonstrate a capacity to hold evidence of how Australia’s fauna history existed in the past and are potentially important for future environmental research. This collection continues to be on display in the Museum and has become a key part to interpreting the collecting habits of the 19th century.This adult Dollarbird has a brown body and head, blue-green back and wings. It has a distinctive bright blue or purple plumage around its throat. The tips of the wings are brown. The pale-blue coin shaped patches on the tips of the wings are just visible. This specimen stands upon a wooden platform and has an identification tag tied around its leg.Swing-tag: 96a / Australian Roller / Catalogue, page, 25. taxidermy mount, taxidermy, animalia, burke museum, beechworth, australian museum, skin, reynell eveleigh johns, bird, dollarbird, australian birds, broad-billed roller -
The Beechworth Burke MuseumAnimal specimen - Common Starling, Trustees of the Australian Museum, 1860-1880
The Common Starling is an introduced species to Australia (as well as widely throughout the world), and is considered a pest due to its attacks on fruits and seedlings, as well as competing with the native bird population. It was introduced to Victoria in 1861, and has since become abundant, whose sheer numbers cause many problems. These birds are a social species, which can mass in very large flocks (murmations), and show spectacular synchronised aerobatic displays. This species has a distinctive plumage, with glossy black bodies, white spots on their backs and wings, and a purple and green tinge to their underparts and wings. This species, when moving across the ground, has a distinctive 'walk' or 'run' rather than the traditional hopping of many other bird species. This bird is a noisy species, often becoming a nuisance to people. Starlings prefer to nest in holes in trees or buildings, yet there are at least two recorded cases of this species nesting on the backs of living sheep. This specimen is a good and intact example of this species. As the white spots are large and visible, as well as the purple and green shine, this specimen likely died close to Autumn and the breeding season, when these birds get their new bright plumage. This specimen is part of a collection of almost 200 animal specimens that were originally acquired as skins from various institutions across Australia, including the Australian Museum in Sydney and the National Museum of Victoria (known as Museums Victoria since 1983), as well as individuals such as amateur anthropologist Reynell Eveleigh Johns between 1860-1880. These skins were then mounted by members of the Burke Museum Committee and put-on display in the formal space of the Museum’s original exhibition hall where they continue to be on display. This display of taxidermy mounts initially served to instruct visitors to the Burke Museum of the natural world around them, today it serves as an insight into the collecting habits of the 19th century. This specimen is part of a significant and rare taxidermy mount collection in the Burke Museum. This collection is scientifically and culturally important for reminding us of how science continues to shape our understanding of the modern world. They demonstrate a capacity to hold evidence of how Australia’s fauna history existed in the past and are potentially important for future environmental research. This collection continues to be on display in the Museum and has become a key part to interpreting the collecting habits of the 19th century.This adult Common Starling has glossy-black plumage with a metallic sheen, and white speckles throughout. The plumage has a purple and green shine. The irises are white. Its beak is black and pointed. This specimen appears to be male, with less white spots on its underparts. This specimen stands upon a wooden platform and has an identification tag tied around its leg, and a metal tag tied around its foot.Swing-tag: 139a. / Starling / Catalogue Page, 59 / Metal-tag: 1250 (?)taxidermy mount, taxidermy, animalia, burke museum, beechworth, australian museum, skin, reynell eveleigh johns, bird, sheep, common starling, starling, murmations, pest, australian bird -
The Beechworth Burke MuseumAnimal specimen - Grey-headed Woodpecker, Trustees of the Australian Museum, 1860-1880
The Grey-headed Woodpecker is a medium-sized woodpecker of the Picidae family, that is sometimes mistaken for the similar-looking Green Woodpecker. The species is known to have a grey face, neck, and underparts, with green wings and back, and underwing feathers that are a dark brown to dark grey-black with white dots. Although this can vary depending on location, with European and Northeast Asian birds having overall paler colours, to mainland Asian birds being darker overall. The species has a distinctive black mustache-like stripe on both sides of the face and the mature males have a red patch on the top of the head. These tree-clinging woodpeckers usually feast on ants, insects, and berries. This specimen differs in appearance from the common Grey-headed Woodpecker as its back feathers appear a dark grey, where in the wild these birds have sometimes quite vibrant green feathers. The eyes of the grey-headed woodpecker are also usually red with black iris, not white with black iris as in this specimen. The beak is also a pale yellowish colour on this bird, whereas commonly the species has a grey upper beak and pale yellow lower beak. This specimen is part of a collection of almost 200 animal specimens that were originally acquired as skins from various institutions across Australia, including the Australian Museum in Sydney and the National Museum of Victoria (known as Museums Victoria since 1983), as well as individuals such as amateur anthropologist Reynell Eveleigh Johns between 1860-1880. These skins were then mounted by members of the Burke Museum Committee and put-on display in the formal space of the Museum’s original exhibition hall where they continue to be on display. This display of taxidermy mounts initially served to instruct visitors to the Burke Museum of the natural world around them, today it serves as an insight into the collecting habits of the 19th century.This specimen is part of a significant and rare taxidermy mount collection in the Burke Museum. This collection is scientifically and culturally important for reminding us of how science continues to shape our understanding of the modern world. They demonstrate a capacity to hold evidence of how Australia’s fauna history existed in the past and are potentially important for future environmental research. This collection continues to be on display in the Museum and has become a key part to interpreting the collecting habits of the 19th century.This male Grey-headed Woodpecker has a bright red head patch and distinctive black mustache-like stripes on both sides of the face, with additional black stripes running from the pale yellowish beak to the inner corner of the eye. The underbelly is a light grey and the back is a slightly darker grey. The underwing feathers are a light rufous-brown with white dots. The specimen is mounted on a sloping vertical wooden cylindrical stick attached to a mount. There are also two paper swing tags, one of which is torn in half.149a. / Unnamed / Catalogue page 60 /taxidermy mount, taxidermy, animalia, burke museum, beechworth, australian museum, skin, reynell eveleigh johns, bird, woodpecker, grey-headed woodpecker, gray-headed woodpecker -
The Beechworth Burke MuseumAnimal specimen - Green Woodpecker, Trustees of the Australian Museum, 1860-1880
... johns bird woodpecker green woodpecker eurasian green woodpecker ...This fairly large woodpecker of the Picadae family is widely distributed across most parts of Europe and the UK, with some occurrence in Western Asia. Preferring semi-open habitats such as woodlands, heathlands and gardens, the species is unique amongst woodpeckers as it prefers to hunt and feed on the ground for its ant prey. This species has a distinctive bright red crown, black moustasche-like stripes, mostly green back plumage and a paler green to yellow breast. This is a female of the species as the male has a red centre to the moustache stripe at the side of the beak. This specimen is a fairly accurate depiction of a Green Woodpecker. This specimen is part of a collection of almost 200 animal specimens that were originally acquired as skins from various institutions across Australia, including the Australian Museum in Sydney and the National Museum of Victoria (known as Museums Victoria since 1983), as well as individuals such as amateur anthropologist Reynell Eveleigh Johns between 1860-1880. These skins were then mounted by members of the Burke Museum Committee and put-on display in the formal space of the Museum’s original exhibition hall where they continue to be on display. This display of taxidermy mounts initially served to instruct visitors to the Burke Museum of the natural world around them, today it serves as an insight into the collecting habits of the 19th century.This specimen is part of a significant and rare taxidermy mount collection in the Burke Museum. This collection is scientifically and culturally important for reminding us of how science continues to shape our understanding of the modern world. They demonstrate a capacity to hold evidence of how Australia’s fauna history existed in the past and are potentially important for future environmental research. This collection continues to be on display in the Museum and has become a key part to interpreting the collecting habits of the 19th century.This Green Woodpecker has a distinctive red crown on its head that appears patchy. It has a black face, a black moustache-like stripe on each side of the beak, pale eyes and long light yellow-orange beak. The back of the bird is green, and its flank and breast is a pale cream-yellow colour. It has slightly visible distinct white-dotted brown feathers folded into its wings. The specimen is mounted on a wooden perch, with a metal tag tied around its right leg and a paper tag around each leg.Swing tag: 1e. / Green Woodpecker / Catalogue page 66 / Metal tag: 4308 /taxidermy mount, taxidermy, burke museum, beechworth, australian museum, reynell eveleigh johns, bird, woodpecker, green woodpecker, eurasian green woodpecker
