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Kiewa Valley Historical Society
Hat Pin, circa 1940s to 1950s
Historically this item represents women's fashion in the 1920s to 1950s. As the material used in the construction is not of a high monetary value it can be assumed it was a day to day working woman apparel to keep the hat firmly fastened into the hair. It does indicate that fashion of the time was important within the regionThis item is a reflection of both the fashion mode of the 1920s to 1950s when long hair needed to be controlled by hair pins rather than later manufactured hair sprays. It is also an example of society's mores of tidiness and quasi religious beliefs of covering the hair and head when outdoorsThis hat pin has a shiny black ball head, probably plasticcostume female head ware accessories, hat pin -
Kiewa Valley Historical Society
Pin Hat, circa 1940s to 1950s
Historically this item represents women's fashion in the 1920s to 1950s. As the material used in the construction is not of a high monetary value it can be assumed it was a day to day working woman apparel to keep the hat firmly fastened into the hair. It does indicate that fashion of the time was important within the regionThis item is a reflection of both the fashion mode of the 1920s to 1950s when long hair needed to be controlled by hair pins rather than later manufactured hair sprays. It is also an example of society's mores of tidiness and quasi religious beliefs of covering the hair and head when outdoorsThis hat pin has the letter "J" as its head.costume female head ware accessories, hat pin -
Kiewa Valley Historical Society
Pin Hat
Historically this item represents women's fashion in the 1920s to 1950s. As the material used in the construction is not of a high monetary value it can be assumed it was a day to day working woman apparel to keep the hat firmly fastened into the hair. It does indicate that fashion of the time was important within the regionThis item is a reflection of both the fashion mode of the 1920s to 1950s when long hair needed to be controlled by hair pins rather than later manufactured hair sprays. It is also an example of society's mores of tidiness and quasi religious beliefs of covering the hair and head when outdoorsThis hat pin is adorned with a flat metal circular head. There are two circles of narrow patterns around the outer edge. The centre is decorated with three shiny black faceted shapes producing a spoke like appearancecostume female head ware accessories, hat pin -
Kiewa Valley Historical Society
Hat Pin, circa 1940s to 1950s
Historically this item represents women's fashion in the 1920s to 1950s. As the material used in the construction is not of a high monetary value it can be assumed it was a day to day working woman apparel to keep the hat firmly fastened into the hair. It does indicate that fashion of the time was important within the regionThis item is a reflection of both the fashion mode of the 1920s to 1950s when long hair needed to be controlled by hair pins rather than later manufactured hair sprays. It is also an example of society's mores of tidiness and quasi religious beliefs of covering the hair and head when outdoorsThis hat pin is adorned with a black shiny plastic "tear drop" shape head on a long shaft This is identical to KVHS 0366costume female head ware accessories, hat pin -
Kiewa Valley Historical Society
Pin Hat, circa 1940s to 1950s
Historically this item represents women's fashion in the 1920s to 1950s. As the material used in the construction is not of a high monetary value it can be assumed it was a day to day working woman apparel to keep the hat firmly fastened into the hair. It does indicate that fashion of the time was important within the regionThis item is a reflection of both the fashion mode of the 1920s to 1950s when long hair needed to be controlled by hair pins rather than later manufactured hair sprays. It is also an example of society's mores of tidiness and quasi religious beliefs of covering the hair and head when outdoorshis hat pin is adorned with a black shiny plastic "tear drop" shape head on a long shaft This is identical to KVHS 0365costume female head ware accessories, hat pin -
Cheese World Museum
Cigarette case
This cigarette case belonged to Allan Orr of Addington. In later years Mrs Doris Orr used the tin to store hair roller pins. The cigarette case was donated to the museum by their daughter.This cigarette case is useful as an example of smoking accessories during a time when smoking was common practice.Silver chromed metal rectangular tin with a hinged lid and raised lip at the front for opening the tin.Star (on either side of opening lip)allansford, tobacco, smoking accessories, orr, allan -
Orbost & District Historical Society
hat pin
A hatpin is a decorative pin for holding a hat to the head, usually by the hair. In Western culture, a hatpin is almost solely a female item and is often worn in a pair. The hatpin was invented to hold wimples and veils in place, and was hand-made.Long steel hat pin with black glass round ball head.hat-pin costume-accessories hat-accessories headwear-female -
Warrnambool and District Historical Society Inc.
Artefact, Comb, Early 20th century
This comb appears to be made of some sort of bone so would date from early in the 20th century. It has fairly coarse teeth and was probably used by a woman with long thick hair. The provenance of this item is unknown but it is of interest as an example of a woman’s hair comb from times past.This is a yellow bone hair comb with 37 tapering teeth.women’s accessories, warrnambool, history of warrnambool -
Warrnambool and District Historical Society Inc.
Accessory - Locket, Late 19th century
Nothing is known about the ownership of this locket which has been in the collection for many years. In the 19th and early 20th centuries it was a common practice to own a locket as a piece of jewellery. It was also common to include in a locket either a photograph or an image of a loved one or a piece of hair, especially the hair of a child who had died.This locket has no known local significance but is retained as a fine example of a locket from many years ago.This is a round gold locket, heavily patterned on both sides. Inside is a piece of light brown hair covered with plain glass. There is some slight damage on the outside near the opening catch. The clip to attach the locket to a chain is missing.warrnambool history, antique lockets -
Warrnambool and District Historical Society Inc.
Accessory - lady's accessories
These three items are common items which were used by women in early 20th century.These items are simple common items which would have been in many households.1 Needle case . Cylindrical metal case with a black and silver label. .2 a number of hair slides in a paper packet. .3 a silver spring clasp.1 Stamped on one end: best of English steel needles. Numbered from 4-8 around the top. lewis &Baylis Redditch England..2. Brunette Brown Hair Pins..3 THV alongside hallmarkneedlecase, glove clip, scarf clip, hairpins -
Tatura Irrigation & Wartime Camps Museum
Accessory - Doll's Wig, 1940's
... Hair accessory... hairdressers doll's wig Hair accessory ...Made from human hair for Helga Anderson's doll, by a hairdresser/wig maker in Camp 3Doll's wig made from brunette coloured human hair. Hair pulled back from front to form a plait at the back. Tied with an orange ribbon. Hair part of the wig is mounted and glued to material mounted on a cardboard shape.helga anderson, internment camp hairdressers, doll's wig, hair accessory -
Chiltern Athenaeum Trust
Accessory - Locket
This locket is from the museum's collection of objects relating to Wilfred Clarence Busse. Busse was born in Chiltern in 1898, completed his secondary education as Wesley College in the early twentieth century, and went on to study law at the University of Melbourne. As a lawyer, he spent time in the room of Supreme Court Judge Bernard Cussen (1859-1933). Judge Cussen was popular, known for being just and precise and for completing through statutory consolidation in his spare time. As well as working as a lawyer, Busse wrote historical fiction inspired by his life in Chiltern, these included The Blue Beyond; A Romance of the Early Days in South Eastern Australia" and "The Golden Plague: A Romance of the Early Fifties," which won the T.E.Role gold medal for the best historical novel in 1930 and went on to become a best seller. He was a member of the Chiltern Athenaeum until his death in 1960. The placing of hair in lockets was a common 19th and early 20th century, with Queen Victoria wearing a locket containing a piece of Albert’s hair after his death in 1861. Wearing a loved one’s hair or giving a lock of your hair to someone for wearing, could be a gesture of love and friendship, or of mourning. The tangibility and personal nature of hair made it a common keepsake, especially in cases of high mortality or where family members were separated by oceans without the possibility of air travel. The intention and origin of this locket is currently unknown, but it is likely it was a keepsake of love or mourning, either way, a emotional object. This object artistically significant as an example of late 19th/early 20th century jewellery, and social and spiritual sigifiicance as locket containing a piece of hair, which, regardless of exact intention, imbues it with a strong emotional aura. A small dark metal locket with a decorative leaf pattern on the exterior. The locket contains a small amount of reddish hair, supposedly from a loved one or family member of the original owner, and a degraded image that may have ocne represented a person. busse, w.c. busse, wilfred clarence busse, chiltern, chiltern athenaeum, "the blue beyond, a romance of the early days in south eastern australia”, "the golden plague: a romance of the early fifties.", "the golden plague”, wesley college, university of melbourne, sir leo finn bernard cussen, supreme court of victoria, locket, hair locket, hair jewellery, jewellery -
Stawell Historical Society Inc
Accessory - Costume and Accessories
... grampians Costume and Accessories Accessory Ornate Glass Ended Hair ...Ornate Glass Ended Hair Pin with flower and leaf design. 25cm Pin Length.stawell clothing material -
Kew Historical Society Inc
Headwear - Wool Felt & Jersey Hat, Ann Austin of Melbourne, 1960s
Ann Austin of Melbourne was the name of a Melbourne millinery house. Thelma Prentice was one of the partners in the house, and the chief designer/milliner. Very little information about the millinery house and the milliner are available online but there is an interesting article, published in the Brisbane Courier Mail on 8 October 1949 which describes the influence of French style on fashion and design in Australia. The article by Lucy Gough recounts the views of Thelma Prentice who had just returned from the Paris fashion shows. "Australian millinery toes line with Paris From LUCY GOUGH LONDON, October 7 (Special) Australian hats can compare very favourably with those designed in Paris, and are considerably cheaper, says Miss Thelma Prentice, partner in a well-known Melbourne millinery firm, who has just completed six months' visit to England and the Continent. An ordinary hat, Miss Prentice said, would cost at least £15 from any of the top Paris houses. Australia could achieve the same effect for a lot less money. Miss Prentice went to all the Important dress shows as well as the millinery houses in Paris, because she believes that millinery is an accessory to fashion and to obtain the best idea of new trends hats must be shown with frocks to get a complete follow-through and tie-up between the two. At their packed shows, with standing room only, Path and Dior were selling hats they designed, faster than many well known Paris millinery houses, Fath's favourite line was the becoming 'wing treatment,' which he achieved by a profile flattering side swing of material jutting out almost 10 inches from the face. This was completely different to the side drape already seen in Australia. Dior, as a direct contrast, was specialising in skull hats, which almost followed the hair line, to show very little hair at the back of the head. His cocktail hats were heavily sequinned and beaded. Every model was designed exclusively for short hair, and Miss Prentice, whose own hair is beautifully short cut by a Paris hairdresser, said that French mannequins' hair was so abbreviated at the back it was almost a semi-shingle. Hats generally she found were plain, with sharply angled self trimming, and black one of the most popular colours." The hat was donated by Kathleen Gervasoni, a resident of Kew, and during the 1970s a Mayoress of the former City of Kew. The Kew Historical Society’s fashion and design collection is comprised of costumes, hats, shoes and personal accessories. Many of these items were purchased or handmade in Victoria; some locally in Kew. The extensive hat collection comprises items dating from the 1860s to the 1970s. While most of the hats in the collection were created by milliners for women, there are a number of early and important men’s hats in the collection. The headwear collection is particularly significant in that it includes the work of notable Australian and international milliners.High crowned hat made of burgundy felt with decorative pink jersey turban folds attached to the side by clusters of pink beads. The hat was designed by Thelma Prentice of the ' Austin of Melbourne' millinery house. Label, inside centre crown, woven in black on white polyester: *ann austin / OF MELBOURNEmilliners, hats, ann austin of melbourne, thelma prentice, australian fashion - 1960s, kathleen gervasoni -
Kew Historical Society Inc
Headwear - Pale Green Silk & Gauze Floral Hat, Harbig, 1950s
The firm of Harbig was a Melbourne millinery company owned by Mr and Mrs Richard Ernest Harbig. In 1949, an article in the West Australian newspaper reported their return from the United States. It records that: 'FEATHERS SYDNEY, Sept. 14: Mr. and Mr. Richard Harbig, Melbourne milliners who reached Sydney by air tonight from America, gave these details of hat trends for next winter. Shapes: Head-hugging cloches to suit short hair, cut away at the back to clear high collars, and built up and out at the front to give height. Materals: Felts, velours, velvets, and a new long-haired fur fabric called flamond. Colours: Muted pastels, few jewel shades, and no vivid colours. Trimmings: Little veiling, "but feathers and feathers and feathers".'The Kew Historical Society’s fashion and design collection is comprised of costumes, hats, shoes and personal accessories. Many of these items were purchased or handmade in Victoria; some locally in Kew. The extensive hat collection comprises items dating from the 1860s to the 1970s. While most of the hats in the collection were created by milliners for women, there are a number of early and important men’s hats in the collection. The headwear collection is particularly significant in that it includes the work of notable Australian and international milliners.Pale green woman’s hat created by Harbig of Melbourne with a large border of flowers and leaves in shades of green. The crown of the hat is swathed with pale green silk gauze.Label: Harbig. Melbourne, New York, Parismilliners -- harbig, women's clothing -- hats, floral hats -
Kew Historical Society Inc
Headwear - Ivory Silk Floral Hat, Harbig, 1950s
The firm of Harbig was a Melbourne millinery company owned by Mr and Mrs Richard Ernest Harbig. In 1949, an article in the West Australian newspaper reported their return from the United States. It records that: 'FEATHERS SYDNEY, Sept. 14: Mr. and Mr. Richard Harbig, Melbourne milliners who reached Sydney by air tonight from America, gave these details of hat trends for next winter. Shapes: Head-hugging cloches to suit short hair, cut away at the back to clear high collars, and built up and out at the front to give height. Materals: Felts, velours, velvets, and a new long-haired fur fabric called flamond. Colours: Muted pastels, few jewel shades, and no vivid colours. Trimmings: Little veiling, "but feathers and feathers and feathers".'The Kew Historical Society’s fashion and design collection is comprised of costumes, hats, shoes and personal accessories. Many of these items were purchased or handmade in Victoria; some locally in Kew. The extensive hat collection comprises items dating from the 1860s to the 1970s. While most of the hats in the collection were created by milliners for women, there are a number of early and important men’s hats in the collection. The headwear collection is particularly significant in that it includes the work of notable Australian and international milliners.Rounded hat covered with ivory coloured silk, simulated flowers attached to a stiffened net. Label: Harbigmilliners -- melbourne (vic.) -- harbig, women's clothing -- hats, headwear -
Orbost & District Historical Society
smoking cap, late 19th century
Smoking Caps are caps worn by men while smoking to stop the hair from smelling of smoke. They also kept the head warm. They were popular in the period 1840-1880, usually worn by gentlemen in the privacy of their home. This beautiful velvet smoking cap was worn by James Stirling who was the first settler to occupy land in the Marlo township. James stirling arrived in Victoria from Scotland in 1842.He took over Corringle Station (Ewing's Marsh). His son James stirling later established theMarlo Hotel. (Read more in Mary Gilbert’s book)Smoking accessories like this cap were popular through the mid-to-late nineteenth century to prevent the smoker's hair from absorbing the smell of tobacco smoke and were often worn with smoking jackets. The design, with its elaborate embroidery shows an aspect of Victorian material culture and reflects the nineteenth-century love of 'Oriental' style. . A domed shaped smoking cap of blue velvet .It is lined with silk. The tops and sides are embroidered with tan coloured leaves. head-coverings stirling-james smoking-cap -
Warrnambool and District Historical Society Inc.
Household, Shaving mug & brush, Early 20th century
This shaving set was used, mostly by men, to lather the face prior to shaving. Ornamental mugs such as this one were often given as presents. Today most men use electric shavers. This shaving set has no known local provenance and is kept for display purposes.This is a shaving set with a white china mug in the shape of a fish with a mouth where the excess water and lather are ejected and it has a handle in the shape of a fish’s tail. The top open section that contains room for the lather and water has white ornamentation around the outer section and has three holes inside for drainage. There is evidence of some gilt decoration around the mouth and eye of the fish and the open top section but this is now mostly rubbed away. The brush has a wooden handle with cotton braiding and hair (probably horsehair). The brush is a little worn. bathroom accessories, history of warrnambool -
Bendigo Military Museum
Accessory - BRUSHES, 2) SA Brush Co, 1 c. 1960’s, .2) 1952
... goldfields BRUSHES Accessory .1) Clothes brush light brown varnished ...Peter Ball collection, refer Cat No 4704..1) Clothes brush light brown varnished wood, rectangular shape, rounded ends, off white colour bristles & stamped on one side. .2) Hair brush, light brown wood varnished with slight raised top, metal base with white bristles inserted, stamped on one side..1) stamped on one side, “D (arrow up) D”, in black pen, “P Ball”. .2) stamped on one side, “D (arrow up) D SA brush Co 1952”, one one end in black pen, “P Ball”.brushes, clothes, hair, accessory -
Bendigo Military Museum
Accessory - HAIR BRUSH, S.A. Brush Co, 1952
... goldfields HAIR BRUSH Accessory Hair brush, wood, slightly curved top ...Military issue as part of a soldiers kit and equipmentHair brush, wood, slightly curved top, brown colour, inset aluminium section into wood with off white bristles set in the aluminium, on top a label with instructions keeping "the brush in good order", on one side of the wood is details stamped in whitish colour.On side of brush, " D (arrow up) D SA Brush Co 1952"brushes, hair, accessory -
Arapiles Historical Society
Hair Clips
... of head ( nape of neck) hair clips hairdressing beauty accessory ...House hold item, clips for holding long hair at back of head ( nape of neck)hair clips, hairdressing, beauty, accessory -
Clunes Museum
Accessory - BROOCH, 1880 CIRCA
BROOCH BELONGED TO MRS. MATTHEWS OF FRASER STREET, CLUNES(GRANDMOTHER OF MRS. LENA WATTLEWORTH). MRS. MATTHEWS LOST THREE BABIES, INCLUDING TWINS. HAIR IN LOCKET BELIEVED TO BE THEIRS.BROOCH, OVAL, GOLD PLATED AND BLACK ENAMEL, CONTAINING PLAITED HAIRIN MEMORY OF IMPRINTED INTO THE METAL SURROUNDlocal history, costume accessories, jewellery, weickhardt, wattleworth -
Clunes Museum
Headwear - HAIR ACCESSORY, HAIR SLIDE
... HAIR ACCESSORY...COSTUME ACCESSORY - HAIR ACCESSORY... ACCESSORY Headwear HAIR SLIDE 1 HAIR SLIDE - BOW SHAPED WITH CLOSING ...1 HAIR SLIDE - BOW SHAPED WITH CLOSING PINlocal history, costume accessory - hair accessory -
Clunes Museum
Functional object - TORTOISE SHELL HAIR COMB
... SHELL HAIR COMB Functional object Tortoise Shell Hair Come ...Tortoise Shell Hair Come. shaped as a fan, with a four pronged comb hair comb, tortoise shell, accessories -
Mont De Lancey
Accessory - Brooch
A large ornate brass brooch with a highly decorated swirled surround, a glass cover which has displayed underneath it locks of hair on a white background. There is a pin on the back to attach it to clothing. It is stored in a cardboard brown and cream patterned box with cotton wool.Locks of hair are seen under the glass cover both front and back.jewellery, personal adornment, sentimental jewellery, brooches -
Mont De Lancey
Accessory - Locket, Unknown
An oval gold locket with 12 small pink coral stones mounted on a raised cross on the front. It has a black velvet ribbon to tie it around the neck. Inside are two tiny locks of hair mounted on a pale purple piece of cardboard with a plastic surround.sentimental jewellery, personal adornments, lockets, hinged jewellery -
Mont De Lancey
Functional object, Horse Collar, Unknown
The horse collar would have been used on draught horses to pull a wagon or plough on farms.A large vintage leather horse collar with leather straps and buckles at the bottom. It is padded possibly with straw and lined with felt, fur or animal hair. It was part of the horse harness used to distribute the load around the horse's neck and shoulders when pulling a plough or wagon. It often supports and pads a pair of curved wooden or metal hames to which the traces of the harness are attached.horse accessories, horses, agriculture, harnesses, horse tack -
Mont De Lancey
Functional object - Horse Clippers, A. Martin & Co, Unknown
Used in the 20h century.A pair of vintage hand horse clippers with two steel blades, a lower blade or comb and a moving blade or cutter that work together to cut the hair. It attached with screws to two steel handles with wooden grips attached by brass fitments.Imprinted on the metal joining the blades - 'A. Martin & Co. Manufacturers'horse accessories, horses, horse clippers -
Kew Historical Society Inc
Accessory - Assorted Hair Combs, 1880-1900
... Assorted Hair Combs Accessory Collection of four decorative hair ...This item formed part of a large collection of items collected by Dorothy Rogers, a notable local historian and founding member of the Kew Historical Society.Collection of four decorative hair combs owned by Dorothy Rogers.A note included with the donation in the handwriting of the historian Dorothy Rogers states: "Old family keepsakes. The large comb when given to me fifty odd years ago was honey coloured. The tortoise shell gradually darkened. Mrs Dorothy Rogers"fashion accessories, combs -
Wodonga & District Historical Society Inc
Decorative object - Ivory Sticks, c1900
... as decorative items to secure hair buns. They were owned by Alice ...These ivory sticks were used as decorative items to secure hair buns. They were owned by Alice Dinsmore nee Reardon who was born in 1860 in Castlemaine, Victoria and died 18 May 1936 in Albury, New South Wales. She married George Wesley Wadeson Dinsmore. Alice and George Dinsmore were grandparents of Mrs Jean Raper who donated these sticks and many assorted items of jewellery to the Wodonga & District Historical Society.This item is from the Raper Collection donated to the Wodonga Historical Society by Mrs. Jean Raper.2 small ivory sticks used for hair decorations. One has a brass cap on one end. The other stick has a notched shape on one end.fashion accessory, hair decorations, women's fashion