Sacred Heart Primary School, 1919. Back :Leo Cussen, Leo Kilmartin, Hillas Clarke, Harry Pascoe, Jack O'Brien, Tom Hogan, Andy O'Brien, Leo Cussen, Tom Colliver, Stan Cussen, Jack Kilbride, Neil Colliver, Second Row : Mary Mitchell, Kitty Beckwith, Annie Hogan, Kath Lockwood, Julie Brady, Kath Kilbride, Monica Nugent, Alice Kilmartin, Anne Hunter, Annie O'Brien, Tup Hunter, Grace Cussen, Girl Burls. Third Row: Leo Kilbride, Betty Brady, Annie Lockwood, Nell Brady, Francie Young, Girlie Colliver, Lucy Young, Kath Brady, Joan Kennedy, May Hogan, Liz Brady, Mary Brady, Gertie Baynham, Eileen Pascoe, Girl Burls, Bibbie Nugent, Eileen Beckwith, Mary Fenaughty. Second Front: Clem Mitchell, Leo Fenaughty, Martie Malone, Bill Hogan, Bill Lupton, Frank Brady, Bill Port, Paul O'Toole,Bill Hunter, Jim and Fred McMahon, Jack Cussen, King O'Brien, Vern Pascoe. Front Row: Tom Hunter, Tm Coonerty, Palmy Young, Mack Colliver, Bernie Cussen, Drohan O'Toole, Pat O'Toole, Frank Hunt, Charlie Brady, Harry Port, Vin (?) Brady, Alick Hogan, Vin (?) Brady, Tommy O'Reilly. In Front: Fr. Mick Brady and Chappie Kennedy.

Josh MUIR (1991-05 February 2022) Yorta Yorta/Gunditjmara/Barkinjl Born Ballarat, Victoria Muir's art draws on hip-hop and street art culture and often depicts the history of indigenous people and European settlers. He spent a lot of time in his teens researching and enjoying public art, especially graffiti. Inspired by the commitment of graffers he was inspired by the concepts they illustrate. He started expressing his own ideas with pen and pad and once the basic concept down and it was tangible and could be converted that to canvas or walls. Muir experimented with spray and stencil work a lot in his teens and later branched out into acrylic paints, paint pens, and digital forms of Art. In 2016 Josh Muir's work 'Still Here', projected onto the front wall of the National Gallery of Victoria was critically acclaimed. At that time he stated: "‘I am a proud Yorta Yorta/ Gunditjmara man, born and living in Ballarat, Victoria. I hold my culture strong to my heart – it gives me a voice and a great sense of my identity. When I look around, I see empires built on Aboriginal land. I cannot physically change or shift this, though I can make the most of my culture in a contemporary setting and use my art projects to address current issues of reconciliation." In 2016 Josh Muir was awarded the second recipient of HMS Trust’s Hutchinson Indigenous Fellowship at University of Melbourne, based at the Victorian College of the Arts (VCA). The Fellowship was created to enable Indigenous artists to undertake significant projects of their choice. He was also a Telstra National Indigenous and Torres Strait Islander Youth Art Award winner. The Koorie Heritage Trust, the National Gallery of Australia, the National Gallery of Victoria, the Art Gallery of the Northern Territory and Federation University Australia all own his work. Digital output on stretched canvas.josh muir, artist, artwork, aboriginal, hutchinson indigenous fellowship

A photographic essay and celebration of the artists, musicians and diverse characters who make Nillumbik so interesting. EDHS_07135 - School Crossing Supervisor, Jock Read on his horse Lofty supervising Eltham High School students crossing Main Road near Dalton Street, Eltham is reproduced in the bookartistic.portraits, diamond valley. nillumbik, photography, jock read

9th - Montsalvat 11th - Edendale Farm 12th - Alistair Knox Parksingle large double sided colour gloss print folded into DL size booklet of 16 pages2000, alistair samuel knox, edendale community farm, eltham festival, montsalvat, program

Digital file only - Digitised by EDHS from a scrapbook on loan from Beryl Bradbury (nee Stokes), daughter of Frank Stokes.1949 bushfire, beryl bradbury (nee stokes) collection, david johanson, strathewen primary school, strathewen tennis club

A pictorial book of the flora, fauna, rivers, waterfalls and rainforest in the Upper Yarra ValleyPaperback. Front cover has a main photograph of a creek running through a forest. There is also four smaller photographs. They are of a Red Coral Fungi, a Superb Lyrebird, a night time view looking upwards in a grove of trees and a view of a Soft tree fern. The back cover has a photograph of a Superb Lyrebird.yarra valley, upper yarra valley, flora, fauna, photography, rivers, waterfalls, rainforest, nature, donovan wilson

A pictorial book of the flora, fauna, rivers, waterfalls and rainforest in the Upper Yarra ValleyPaperback. Front cover has a main photograph of a creek running through a forest. There is also four smaller photographs. They are of a Red Coral Fungi, a Superb Lyrebird, a night time view looking upwards in a grove of trees and a view of a Soft tree fern. The back cover has a photograph of a Superb Lyrebird.yarra valley, upper yarra valley, flora, fauna, photography, rivers, waterfalls, rainforest, nature, donovan wilson

Ian Graham attended Ballarat College 1924 - 1930; member of Garbutt House; he married old collegian Gwen Griffiths (1935) Dark red leather bound book with gold lettering and ornamentation on spine; gold crest on front cover; bookplate in inside front cover; black and white illustrations;Book plate; Crest / Ballarat College / V A Form / SECOND Prize / Awarded to / I G GRAHAM / A Richardson BA / December 1929 Principalian graham, ballarat college

Lt Stephen De Araugo 14th Batt AIF was presented with this album. He was one of 3 who volunteered to go with Albert Jacka VC, MC when he won the Victoria Cross on Gallipoli. Refer Cat No 551P for his service details.Hard cardboard, cloth covered album with sepia tone photos attached brownish coloured paper with protective sheets between.Inside, “ To Lt De Araugo 14 AIF, We thank yo for your splendid service to your King and country and ask you to accept this token of our good wishes on leaving the 3rd London General Hospital (signed) H.E.Bruce Porter, Howard Williams”album, photography, london

.1) Hard cover, black buckram with gold print on front & spine. .2) Dust cover, white & yellow coloured print on front & spine. Black background with 4 coloued photos on front & 1 on back. 189 pages, cut, plain, glass white. Illustrated black / white & colour photos. Yellow coloured end papers & fly leaf. .3) Folded card, laminated beige colour. Copy of Food Ration Book cover used as a menu for the 70th Anniversary of the Rooty Hill RSL Branch 1937 - 2007..3) Printed in black: "On the occasion of the 70th Anniversary of the Rooty Hill RSL Branch 1937 - 2007. Date: 22nd September 2007"book, anniversary, rooty hill

Twenty eight page dark green covered book on Ballarat's Bridge Street, including information on the Gravel Pits, Main Road shops, floods, Chinese cerneval, Queen carneval, Yarrowee Bridge, Eureka Stockade, fire, Yarrowee Creek.non-fictionballarat, gravel pits, main road shops, floods, chinese cerneval, queen carneval, yarrowee bridge, eureka stockade, fire, yarrowee creek, bridge street

An information flyer regarding accommodation at Claire Keppel Cottage in Marysville.An information flyer regarding accommodation at Claire Keppel Cottage in Marysville.marysville, victoria, australia, claire keppel cottage, accommodation, information flyer

See document 1507Information for the brochure (http://www.artdes.monash.edu.au/globe/issue8/tbtitle.html) Construction in Process VI The Bridge, Melbourne Event: March 21-31 1998 Exhibition April 1-30 1998 During Construction in Process (CIP) III at Lodz, Poland in 1991, Emmett Williams and other participating artists initiated the idea of a biannual "performance" of their project in different cities and sites around the world. In the first instance, CIP was a response to the strictures of museum contained commodification of art practices and the dissolution of communism. And with this agenda in mind, their events affirm the active participation of international artists with local infrastructure and site specific materials. The organisation of the 1998 CIP in Melbourne, titled "The Bridge", took Richard Thomas, Katherine Armstrong, Gail Davidson and the legion of others over two years of dedication. And they brought off one of the most open-ended, logistically challenging conceptual events this metropolis has witnessed. The following photo essay provides a personal survey of the "The Bridge", as I saw it transpire around me. German artist Dagmar Udhe created several art installation in Swanson Dock and the Mission. This plaque was placed either in the dome or outside the dome. It may have been forgotten or left intentionally by the artist.PerformanceUltramarine ovoid shaped perspex plaque attached to the wall in the entrance of the Mission (Flinders Street).art installation, dagmar udhe, cultural events, artwork-paintings

Travellers bound for Victoria’s goldfields would stop at Farmers Arms Hotel, now known as the Greensborough Hotel, to put their feet up and enjoy a well-earned break. In this article, several Greensborough historical sites are discussed. Businesses occupying these sites today are identified.News article 2 page, black text, black and white images.farmers arms hotel, greensborough hotel, greensborough historical society

The Item is a pictorial time piece of the valley and usage, farms,industry,town area, vegetation and winter snow levels Historical and the social-economical development at circa 1995 of land usage and residential buildings style.Major social events e.g. Festival of the Bogong Moth and the Mt Beauty Mardi Gras. It is also a good historical record of tourism campaigns of the Alpine Shire and Mt Beauty Chamber of Commerce. Also see "KVHS 0125"Brochure folds out from a 20.5cm x 29.5cm to 82cm x 29.5cm poster type documentinside panoramic photo of snow tipped alpine mountain range incorporating the Mount Beauty township, farming area of the Kiewa Valley and relevant tourist orientated informationtourism mt beauty tawonga photographs, victorian alps

Warrandyte State Park proposal 1969

This book is part of a collection of books, photos and memorabilia donated from the Chatham-Holmes family collection. This little prayer book was owned by Edith Holmes and was presented to her as an enrolled member of the Jesuit Seminary Association.This small blue, leather bound book has the title and a cross printed in gold on the front cover and the title on the spine. There is a picture of Jesus on the title page and the printing in the book is black and some headings are printed in red. It is 125 pages but page 33/34 is missing (The attached red marker ribbon is at this spot). A small card has been taped into the front of the book showing that Mrs Edith Holmes had been enrolled as a member of the Jesuit Seminary Association on 4 January 1967. In the back of the book are taped two pieces of paper, one written in pen with the 23rd Psalm and the other with a typed copy of the Invalids Prayer.In pencil on flyleaf - 18/6 On card written in pen - Douglas Boyd chatham-holmes family collection, edith holmes, treasury of the sacred heart, jesuit seminary association

non-fictionDocumentation of the writing, music, and photography by staff at Woden Valley Hospital.annie bolitho, chrissie shaw, health and safety, art and working life committee

Index, bibliography, notes, ill, p.349.non-fictionSurprisingly, as we near the 100th anniversary of the legendary Gallipoli campaign, this is the first book solely dedicated to one of its key battles - that at Lone Pine, where Australian and Turkish soldiers fought an ultimately futile battle that claimed thousands of lives in incredibly close quarters. Seven Victoria Crosses were earned by Australia's Anzacs in the intense four days of fighting, in pursuit of a flawed strategy to distract Turkish forces from larger incursions, which themselves failed. David W. Cameron has pulled together first-hand accounts from the men and women involved (including from the Turkish army) to detail what transpired and to follow some of their personal stories throughout the ordeal. By including the stories of non-combatants, such as engineers, nurses, sappers, commanders and more, he not only gives due credit to those who labored in support of the troops, but provides a wider understanding of the mammoth undertaking of such warfare. Many Australians travel to the Lone Pine Memorial and Cemetery each year to commemorate Anzac Day and remember the fallen - this work of popular history highlights the fate of those who fought on the very ground where they gather. Most Australian have heard of Lone Pine. Too few know why. Over four days in August 1915, Australians and Turks were thrown into some of the fiercest fighting of the war, on a small plateau in Gallipoli known as Lone Pine. Thousands of lives were lost. Seven of Australia's nine Gallipoli VCs were earned during brutal hand-to-hand combat in dark tunnels and in trenches just metres apart, bombarded by terrifying volleys of grenades. The Battle for Lone Pine is the first book devoted to this cornerstone of the Anzac legend, drawing on unforgettable first-hand accounts scratched into diaries and letters home. The stories of the diggers, as well as the engineers, nurses, sappers, commanders and more, provide an invaluable record of the battle and serve as moving testimony to their courage in appalling conditions. Today, pine trees are planted in remembrance around Australia. In Gallipoli, the Lone Pine Cemetery and Memorial attracts large crowds to commemorate Anzac Day. David W. Cameron's absorbing history reveals the fate of those who fought on the ground where they gather. 'David Cameron not only leads the way for the battalions of books on Australia in World War I to come in the next six years, he sets a standard for authors to emulate'world war 1914-1918 - campaigns - gallipoli, gallipoli campaign - battles - lone pine

This oral history recounts the experiences of a minority tucked away within another minority - American women who went to Vietnam in the military or as volunteers or entertainers. 1961-1975 - women - interviews, vietnamese conflict, 1961-1975 - personal narratives - american, vietnam entertainers, american women

This highly significant and relevant volume focuses on Post Traumatic Stress Disorder, a devastating, but little understood would suffered by many American soldiers who served in the Vietnam Warpost-traumatic stress disorder, veterans - mental health - united states, vietnam war, 1961-1975 - psychological aspects

These poetic and moving spiritual reflections, born of the author's experience as an American chaplain in Vietnam and build on the themes of the ambivalent nature of war and the universal elements in the lives of people, Vietnamese and Americans, who live, fight, suffer and die there.veterans - united states - religious life, chaplains, military - united states, vietnam war, 1961-1975 - poetry

Purchased through the Horsham Art Gallery Trust Fund, 2014

The church was opened and dedicated on 7/12/1884, and completed in 1922. http://skhs.org.au/SKHSchurches/Sacred%20Heart%20Church.htmThe church is of architectural significance due to its Italian Renaissance Baroque Style, with red bricks, cement dressings and a slate roof. It indicated the abandonment of the Gothic Revival style favoured by Victoria's Roman Catholics and set the new style for subsequent Roman Catholic churches in Victoria. It was designed by Reed, Henderson & Smart. colour photographst kilda, churches, catholic churches, sacred heart

Written to accurately record the history of Toolamba. From early days of Hume and Hovell, agriculture, schools, churches, sport and recreation. Names on Roll of Teachers and Pupils.Brown hard cover. Title in gold writing. Cream dust jacket, green writing. Sketch of gum leaves surrounding a scene of bush log hut. Family with man cutting trees. From a wood carving by Nicholas Bartels. 2nd copy. L3458.toolamba