Showing 217 items
matching home manufacture
-
Kiewa Valley Historical Society
Mincer Meat, early to mid 1900's
This cast iron kitchen appliance was made in England in the early 1900's and shipped to the "colony" Australia. This was before World War II and the "growing up" of a colony to an independent member of "the British Commonwealth". It was a period when most appliances (be they household) where manufactured in England and shipped to Australian ports. It was not until the late 1960's that the Asian manufacturing giant woke up and started to dominate the market palce.This domestic kitchen appliance is very significant to the Kiewa Valley because it highlights the "made at home" period when food processing was made "in house" due to inability to source food from specialised shops e.g. the butcher or slaughter houses. It was a period before mass food processing factories were established and roads constructed up to the standard for distribution to semi remote regions such as Kiewa Valley was in the beginning of the 1900's.This cast iron (malleable iron) mincer for meat products has a large "funnel" to direct "chunks" of meat to the grinding "wheels". These "star" shaped wheels with "teeth" of three different cutting surfaces (fine, medium and coarse) provide for texture types of the final meat product. The meat is placed into the "loading" funnel and push downwards(gravity feed) through the mincing chamber and out through the front side. There is a long "screw worm" which is rotated by turning the handle. The appliance is table mounted by a vice "G" screw on clamp (hand operated). "BEATRICE No. 3" and "MADE IN ENGLAND", "P 3181"household cast iron appliances, food processors -
Kiewa Valley Historical Society
Box Starch, Pre decimal currency date(14th February 1966)
This brand of starch was first manufactured before 1966 and covered the period when Australian made was the preferred clothing due to limited imports from England. This was a period when the demand for "home grown" produce was at its peak. This was in a time when by necessity and ease of supply and not by the "Buy Australian" campaign (of later years), was the major factor for the demand of these type of laundry goods. It was in a time when starch was used in formal clothing to put a "crisp" or fresh new appearance for clothes. This product was in the era and importantly the social more of "clothes make the person" in which starched shirts and dresses was the fashion vogue. Formality of dress was a strictly British "class" up-man-ship which from the 1950's onwards became less and less visible. The Australian "Ocker" or fair "dink'm" bloke became more entrenched after World War II. The national identity was slowly developing.This box of starch is very relevant to the Kiewa Valley because this box highlights the differences ,in this period, between city and rural social standards. Rural areas were deeply entrenched into colonial and the pioneer family structure viz- a-vie social and dress fashion standards. British values and norms lingered on well beyond the changes happening in city fashion. Tradition and English "ties" were the backbone of early colonies and it was only after World War II that these "ties" were becoming irrelevant. Early traditions lingered well past the independence sought by Federation, colony to statehood and trade with other nations eg. USA and Asia. The idea that a change in "status" would automatically change the social mores of Australians, especially in rural ares, was not fully grasped by the "law makers" and those wanting change.This box (capacity 12 ozs) has white(aged into cream) and blue printing and a "white star" on five sides, the sixth side has a laundry scene with two ladies, in early 1900's fashion. The package is made from 200 gsm thick cardboard. As manufacture was made before and during the two World Wars 1914 to 1945 the promotion was heavily focused on Australian made and Australian grown maize. One side of the box has instructions of use and all the other sides are promotional, detailing "the best in the world and won't stick to the iron""SILVER STAR", "THE BEST IN THE WORLD", "WON'T STICK TO THE IRON", "REQUIRES NO BOILING", INSTRUCTIONS FOR USE", "ROBERT HARPER AND COMPANY LIMITED", "INCORPORATED IN VICTORIA, AUSTRALIA", "NET WEIGHT 12 OUNCES", "LARGE BOX 12 OZS"domestic laundry essentials, cotton clothing preparations, household starch "crisp and neat appearances. -
Kiewa Valley Historical Society
Box Sample Dandy Starch, circa mid to late 1900's
This brand of starch was first manufactured in 1914, during the First World War, and continued to cover the other wars and military conflicts that followed. It was a time when Australian made was important due to the limited supplies coming from England and Europe. This was a period when the demand for "home grown" produce was at its peak. This was in a time when by necessity not by the "Buy Australian" campaign (of later years) which was the major factor for the demand of goods. It was in a time when starch was used in formal clothing to put a "crisp" or fresh new appearance for clothes. The important social more of "clothes make the person" was in vogue. This is a sample box provided by the manufacturer as an advertising and promotional method of prospective customers becoming aware of the product. This type of promotional avenue brought results and ensured that this type of advertising and inducement by manufacturers would be ingrained as a lasting avenue through to the 2nd Millennium This box which once contained starch powder is very significant to a rural semi isolated region because it clearly demonstrates that the social mores of the city were also entrenched into the rural population. The fashion of the day, even in remote areas, especially rural, were still a requirement to be maintained on certain special occasions. Cleanliness and stiff "upper lip" persona were just as important in the rural sector as in city and Government circles. Institutions such as hospitals, Government Offices and the legal personnel were bound by the fashion of the starch appearance (no dirt sticks to a personage with the "starch" look). Appearances, especially the first ones, were the judgmental image that remained in the uppermost regions of the viewer.This box with white writing and a "formally clad" man on a navy blue background held Australian grown maize based starch powder(1 LB gross). The package is made from 200 gsm thick cardboard. As production was made during the two World Wars 1914 to 1945 the promotion was heavily focused on Australian made and Australian grown maize.The front(has "Sample" on top) the rest inscriptions are the same on each cover both and back, "DANDY" below this a figure outlined in white on a navy blue background "hat and tails" outfit. Next to the sketch in smaller lettering" STRONGER THAN OTHER STARCHES. LESS REQUIRED". Below the figure "GLOSS" and below this in larger print "STARCH". Below this and in smaller print "CONTENTS. NETT WEIGHT 14 1/2 ozs" Below this and in smaller print "MANUFACTURED BY MAIZE PRODUCTS PTY LTD FOOTSCRAY VICTORIA" On one side of the box and in large white print on royal blue background"PURITY, STRENGTH AND UNIFORMITY." On the other side are the manufacturers directions. On the left side "FOR RAW STARCH" Underneath and in smaller print,"Dissolve in warm water a quantity to give the required thickness. Add bluing if required Stir before each using. On the right side "FOR BOILING STARCH" underneath this in small print"Mix well in small quantity of cold water to creamy consistency. Add boiling water, and stir constantly while cooking. Allow to cool, and add blueing if required. Underneath these two sets of instructions is "Make your consistency thinner than if using another kind of Starch"household starch, household cleaning, domestic laundering. -
Kiewa Valley Historical Society
Typewriter Case Olivetti, Circa 1950
This typewriter case allowed the Olivetti typewriter to be securely and free from contaminants to be totally mobile. The Olivetti typewriter company was founded in Italy in 1908 and became a leader in portable dependable typewriters.This particular typewriter contained is a Olivetti Lettera 22, oblique front stroke and portable manufactured after 1950. During the 1950s and 1960s was a time when British and European manufactured goods were still purchased by many Australian consumers. After the 1970s however, there was a shift, mainly in the cities, to Japanese made goods. The invasion of Japanese manufactured goods was relatively slower, especially in rural areas. The demand for long lasting and dependable merchandise was in the rural area still the most important criteria. The ease of setting up this typewriter and its compact mobility was its major benefit to trades people and travelling professionals, e.g. rural doctors, other medical professionals, accountants, lawyers and educators. This item(carrying case) facilitated the growing numbers of professional nomads requiring a relatively light office stationery package e.g. travelling novelist, writer, businessman and academics. This typewriter needed no electrical or battery power to operate it therefore the inside compartment did not require additional storage pockets . Outback Australia, where at this point in time, good available electrical power reticulation and battery power, was a scarce and therefore could not be totally measured as a highly efficient office environment. The protective carrying bag provided the only mobile way to operate in some business and home locations.Although this typewriter cover and its typewriter was purchased from a business in Penrith, Sydney, N.S.W., it is significant that it travelled easily to the Kiewa Valley, demonstrating the mobility of certain sections of the community. This typewriter cover protected the expensive typewriter it contained which was designed by an Italian industrial designer, Marcello Nizzoli, in line with the art deco style of the 1930s and the colour and flexibility of the vibrant 1950s. The underlying theme of manufacturing in the 1950s was to produce equipment that was more efficient than what was inherited from the earlier period of 20th century. Improvements were made to this Olivetti typewriter by Giuseppe Beccio by reducing the number of parts made from 3,000 to 2,000. Protection of such a typewriter was of an utmost necessity. The need for mobile expensive typewriters waned as less expensive typewriters became available. This was the major principle of the Japanese manufacturing juggernauts of the post World War II. Efficiency and low cost material was becoming prime factors in the success of rural industries from the 1960s. Competition from overseas producers was starting to affect rural industries and the removal of the large range of tariff protection, especially rural products, required not only a shift of farm management but a more efficient cost savings modus operandi.This is a semi hard cover (cloth over cardboard on inside, plastic over cardboard on outside), camel coloured outside and tartan cloth covered pattern inside the typewriter case. the case can be opened up by "unzipping" the top from the bottom halves of the case. For carrying purposes the case has two plastic covering metal handles with brass fittings. There are two stitched on brown reinforcement straps encompassing both sides of the case. The two reinforcing straps are brown in colour and a securing strap with a press button at one end to allow an extra securing tongue to keep the cover secure. The top inside of the case has a three quarters long paper compartment (flap style). See KVHS 0455 for Olivetti Lettera typewriter.commercial, protective carry bags/cases for mobile office equipment, mechanical typewriter -
Kiewa Valley Historical Society
Pot Melting, circa mid to late 1900's
Before 1908 the words "melting pot" was a term relating to a "crucible" with a meaning of "a pot in which metals and other substances are melted (fused) to provide metal items of varying shapes and uses. From the mid 1900's this term changed and became more related to the "mixing" of social and ethnically diverse populations. The description used here is that of pre 1908. This melting pot was used in the early to late 1900's when produce and hardware shops were too far away from the Kiewa Valley and time was at the essence. The ability to manufacture as many "crucial " items at the home property was the difference between running a successful rural business or not. The isolation of the Kiewa Valley (before the 1950's), hindered the "time down" of machinery and important "widget" replacements. The ability of self sufficiency on properties is still a boon to rural properties as time lost is never really recovered.This melting pot is highly significant to the Kiewa Valley as it provides evidence that the graziers and cattle stations required to be self sufficient in all aspects of day to day maintenance and replenishment of worn materials requiring to be "manufactured " at the property and lack of replacements from commercially shelved products. This aspect of "survival" in the "bush" can be seen in the "huts" built on the Bogong High Plains to accommodate the seasonal grazing of cattle from the Kiewa Valley.This black melting pot is made of cast iron. The lid is missing. The top rim of the pot has three lips for poring accuracy. The formation of these lips are in a "triangle" formation. The top section of the body has a curve inwards reducing the pot diameter from 270mm at the base to 135mm.at the top. The handle is made from heavy gauge wire which is fastened to the body through two lugs (welded onto the top section of the pot) and fasten through a hole at the top of each lug. The handle has a "U" shape as it goes through the lug hole, ensuring no accidental fixture to any side thus allowing free swiveling from one side to the other . "BH" indented within a diamond shape. Opposite "No 3"camp fire cooking utensils, hot plate, cast iron cooking appliance, drovers kitchen -
Kiewa Valley Historical Society
Sewing Machine Attachment - Buttonhole
... . "For Light Manufacturing and Home Use" on green 'cloud' on side... 'cloud' on side of box. "For Light Manufacturing and Home Use ...This sewing machine was bought by Alex Craig's dad in 1942 for his wife whom he married in 1943. Alex's grandmother used it in 1942 to make button holes.Historical: Type of machine used by S.E.C.V. wives living in Mt Beauty in the 1940's, 1950's and 1960's. Ladies made the family's clothes and sewed for the Annual Church and chook fetes e.g.. children's clothes and dolls clothes. They bought dozens of dolls and made 'fairy' dresses for them using coloured netting.Green & white box containing black & silver metal with 4 parts for attaching to Singer sewing machine for sewing button holes."Singer Buttonhole Attachment" on green 'cloud' top of box. "The Singer manufacturing Company" on green 'cloud' on side of box. "For Light Manufacturing and Home Use" on green 'cloud' on side of box. "Made in Great Britain" on white top half of end of box & teen 'cloud' below end of box is "Singer / Buttonhole Attachment / No. 86662 / For Singer Lock Stitch/ Family Sewing Machines.singer manufacturing co.. clothes. fetes. domestic. sewing. -
Kiewa Valley Historical Society
Sewing Machine
... manufacturing co.. sewing. fetes. home duties. ...This sewing machine would have been used by some ladies to mend and make clothes for the family as shops were some distance away and to sew items for Church and School fetes.Used in the Kiewa Valley.Black metal Singer sewing machine with gold decoration and writing on its body and platform. It sits on a wooden tray which is hollow under the body with a separate space on the right hand side. The body of the machine can be lifted by hinges attached at the back. This would enable items to be stored in the hollow part of the box. Similarly the hollow section on the right hand side, which hasn't got a lid. The body has the needle and cotton attachments on the left and a handle for working the machine on the right. There is a metal rod at the top for the cotton reel. The body is attached to the platform at each side forming an arch. The top of the box has metal along its perimeter. At each end of the top of the box there is a plate with a small hollow rectangle in the middle enabling an attachment such as a board to be inserted for an extended bench.Front & back of body: "Singer". and at front on an oval brass plate: "The Singer Manfc. Co." Inside of body on left: "This machine contains / some substitute / parts and accessories" On metal platform on right: "Y3071189" Along top of body: "The Singer Manufacturing Co." On Wood right hand side: "Godfreys Ltd / 57 Gawler Place / Phone 460261 / No. 7063 singer manufacturing co.. sewing. fetes. home duties. -
Cheese World Museum
Butter printer, J Bartram & Son, c1900
The Percy Uebergang family lived at Tooram Park, Allansford from 1912 until 1992. Percy and Myrtle Uebergang's children were twins, Ray and Joyce born in 1926 who lived at Tooram Park until their deaths, Ray in 1986 and Joyce in 1992. Neither Ray nor Joyce married and following the death of her brother Joyce set up the Ray and Joyce Uebergang Foundation which supports the local community. This butter cutter is part of the collection of items given into the care of the Cheese World Museum. It was in the early 1900s for hand-use in home dairies or small factories. An example of an early butter packaging machine.Wooden Eureka brand butter printer and weigher with dovetailed corners on the bulk butter box, wooden rollers for moving butter along once cut and wire cutter.Eureka/J Bartram & Son/sole makers Uebergang No. U027butter cutters, uebergang, allansford, dairy manufacture -
Orbost & District Historical Society
meat grinder, Late 19th century
This is one of many models of the Enterprise Tinned Meat Chopper No5This domestic kitchen appliance is typical of the period when food processing was done at home. It would have been before the time of mass food processing factoriesSmall black metal meat grinder with screw down grip for use on bench tops and tables. Still in working order. Carved wooden handle.Enterprise MFG.Co. PH'A, U.S.A. on clamp. Pat.Jan.30.83.June.5.88 on other side. Enterprise-Tinned-Meat-Chopper on barrel.grinder domestic food-preparation enterprise-mfc -
Orbost & District Historical Society
raisin stoner, late 19th century
This domestic kitchen appliance is typical of the period when food processing was done at home. It would have been before the time of mass food processing factoriesA cast iron raisin stoner with a clamp. It has a wooden handle on a turning arm.On arm-PAT.APP. Aug 20.95 Oct 5-97 On one side- WET THE RAISINS On other side-ENTERPRISE M.F.C. PHILADELPHIA. P.A. U.S.A. On chute- No. 38raisin-stoner food-preparation -
Red Cliffs Military Museum
Mess kit, 1939 (exact)
This is part of a collection donated by Mrs Margaret McKenzie that belonged to her husband and was issued to him during the Second World War, the mess tins were marked with names of places, ships and battle locations. Other items include a postcard sent home in August 1941 and a photo of Australian troops on parade at Wewak in August 1945Aluminium Mess tin set, 2 rectangular tins one smaller to fit into larger. Inscriptions engraved on 4 sides containing locations of training, ships and battle areas. Additional markings include year of manufacture and company along with Department of Defence broad arrow. Item is stamped metal with wire handle on the large tin. Wire carry handle missing on smaller tin. "Inscription on base of mess tin large. 'DARLEY ALBANY/ SYDNEY/ PERTH/ TRINCOMALEE:CEYLON/ PORT TUFIC/ SUEZ CANAL/ EL CANTARA/ GAZA/ JERUSALEM/ HIFA TELAVIV/ BETHALEM/ BAYROUTA/ JUDEDES FIAKE/darwin, world war two, pan set messing, mess tins, aluminium, 2nd aif, 8th battalion, vx52576, pte, mckenzie, c mckenzie, 1939, c b ltd, 1941 1945, 19th australian infantry training battalion, b company, 21st august 1941, finchaven, wandecla, cairns, brisbane -
Emerald Museum & Nobelius Heritage Park
Kitchen boiler, Copper Kitchen boiler, Approx 1900
Joseph Fowler (1888-1972), businessman and municipal councillor, was born on 28 February 1888 at Bagworth, Leicestershire, England, one of thirteen children of John Fowler, groom, and his wife Mary, née Ash. With his brother Sydney, in the early 1900s Joseph worked in a fruit-preserving business run by an uncle at Maidstone, Kent, and continued with the firm after 1908 when it was relocated at Reading. At St Andrew's parish church, Leicester, on 7 September 1910 he married a nurse, Elizabeth Harris (d.1965); they emigrated in 1913 and settled at Camberwell, Melbourne. Encouraged by his commercial experience, and by the variety and quality of fruit in Australia, Fowler set up a fruit-bottling business in the rear of his small house in Burke Road. Trading as J. Fowler & Co., by 1915 the company had begun producing home-bottling kits which contained a sterilizer, bottles, lids, rings and a thermometer. To acquire the capital to establish a factory, Fowler travelled the district, selling his kits door-to-door from the back of a cart. In 1920 he bought a shop at the corner of Power Street and Burwood Road, Hawthorn, and registered his business as a private company. During the Depression his kits became a household name. In 1934 Fowlers Vacola Manufacturing Co. Ltd was registered as a public company. Housewives, nationwide, were urged to bottle their own fruits and jams by 'Mrs B Thrifty', the dainty cartoon character who graced the firm's advertisements. Numerous recipes and instruction books, such as From Orchard to Bottle the Fowlers Way, advertised the necessary preserving equipment, extending to jelly bags and juice extractors. Australian-made glass and imported steel and rubber were used in the production of Fowlers Vacola Bottling Outfits. Determined to put something back into the community which had supported him so well, in 1933-60 Fowler represented Yarra Ward on the Hawthorn City Council (mayor 1938-39 and 1945-46). He served as vice-president of Swinburne Technical College (1942) and of the Hawthorn branch of the Australian Defence League (1943); he was also a Rotarian, and a warden and vestryman of St John's Anglican Church, Camberwell. Changed demands in World War II encouraged Fowlers Vacola to diversify their product. Canned goods were manufactured for allied troops in the South Pacific. In 1953 new buildings and plant, including a giant pressure-cooker, were installed to increase productivity: from that time Fowlers Vacola sold canned and bottled food throughout Australia and abroad. By 1960 the factory occupied more than 122,000 sq. ft (11,330 m²) and further expansion was to occur when the firm moved to Nunawading. Fowler retired in 1961, but remained chairman of directors; his son Ronald succeeded him as managing director. Variously described as a generous, jovial man with a sense of humour, and as a strict and astute manager whose company was his life, Fowler was renowned for his straight business dealings and his 'no-nonsense' attitude. Survived by his son and daughter, he died on 24 April 1972 at Camberwell and was cremated. His estate was sworn for probate at $204,424. On Ronald Fowler's death in 1978, the company was bought out by the Sydney firm, Hooper Baillie Industries Ltd; it in turn sold to Sabco Ltd of South Australia; in 1994, when Sabco went into receivership, Australian Resource Recovery Technologies re-established Fowlers Vacola Australia Pty Ltd's headquarters in Melbourne. Copper boiling pot for home preserves, handles, lid and removable thermometer, also acc ompany instruction booklet. "Fowlers Method of Bottling Fruits and Vegetables"Fowler's "Vacola" Reg. No. 68081 Sterilizer -
Eltham District Historical Society Inc
Photograph, Hat making equipment, Heritage Week at 728 Main Road, Eltham, 1990
Colour photograph of hat making equipment,for Heritage Week display at the Local History Centre (former Courthouse), 728 Main Rod Eltham. (Home of Eltham District Historical Society) The equipment was used at the Hat Factory in Eltham which started in the 1940s. The equipment shown includes a mould for making felt hats, stud press, looping machine for berets and hand sewing machine for straw hats. Sign accompanying the display is hand written and reads: "Eltham has not generally been known for manufacturing industry. One factory which started in the 1940s was "the hat factory" in Sherbourne Rd. The equipment displayed here includes moulds for making felt hats, stud press, looping machines for berets, hand sewing machine for straw hats."heritage week, eltham, courthouse, hat factory, hat mould, activities -
Warrnambool and District Historical Society Inc.
Medals, Stokes Melbourne, Industrial & Art Exhibition 1886-7, 1896
These are souvenir medals of the Warrnambool Industrial and Art Exhibition of 1896-7. This exhibition organised by a local committee under the chairmanship of the Mayor, Walter Hickford was one of the most important events in Warrnambool's history. It ran for three months and was said to have attracted 70000 visitors. It was held in Liebig Street and utilised both the civic centre buildings and temporary buildings erected for the event. It had several exhibition courts featuring art worksand business exhibition stands, competitions,entertainments and visiting experts in various fields. These medals were made at the exhibition at the stand of Stokes and Son. Visitors to the exhibition were able to get a gold silver or bronze medal made while they watched and the medal was then perforated ready to put on a watch chain or pendant. Thomas Stokes came to Australia in the 1850's and established a successful business in Melbourne manufacturing buttons, medals and tokens. The business was called Stokes and Son following a fire in 1893.These medals are of great significance as a memento of an important event in Warrnambool -The Warrnambool Industrial and Art Exhibition of 1896-7. Medals such as these would have been in the homes of many residents of Warrnambool and district and beyond after 1896..1 This silver circular medal has text around the outer rim and an image of Queen Victoria on the reverse. On the obverse is text and an image of the Warrnambool Exhibition building erected for the occasion. The medal is secured by a red thread , button and clear tape to a piece of card. On the card is a hand drawn sketch the Warrnambool Exhibition building and a hand drawn sketch of a profile of Queen Victoria . .2This silver circular medal has text around the rim and an image Warrnambool Exhibition building on the reverse and on the obverse a stylised coat of arms topped by the rising sun . Inside the field is a sailing ship, a pick and shovel , a sheep and sheaf of wheat .1 on the Reverse : around the rim, Struck at the Exhibition mint. On the obverse : Industrial exhibition 1896 Warrnambool. .2 On the obverse : Industrial exhibition 1896 Warrnambool.warrnambool, great exhibition of warrnambool, 1896 exhibition warrnambool, warrnambool exhibition medal -
Warrnambool and District Historical Society Inc.
Mugs, Newlyne Mfg. Co Pty Ltd, Warrnambool Fabric Blankets, Mid 20th century
These mugs are souvenirs of the Warrnambool Woollen Mill. They were either sold as souvenirs or given to clients of the mill. The Warrnambool Woollen Mill in South Warrnambool was opened in 1910 with the first manager being John Bennett, an Englishman who recruited skilled weavers and bought mill equipment from his home country. At the height of production the mill was employing up to 700 people. In 1958 the mill became the first in Australia to manufacture electric blankets. In 1968 the mill was sold to the Dunlop company and in the ensuing years various companies owned the plant. In the year 2000 the mill was closed and the equipment was sold. The buildings were sold to a private developer and the first residents moved into the new housing estate in 2009. These mugs are of interest as mementoes of the Warrnambool Woollen Mill, a key industry in the development of Warrnambool and one that operated for 90 years. .1 This is an insulated plastic mug with a mottled orange-coloured body and a white rim on the top opening and a white handle. On the side of the mug is a printed name with gold lettering on a brown background. The maker’s name is etched into the base of the mug. .2 This is an insulated plastic mug with a purple and black mottled body and a white rim on the top opening and a white handle. On the side of the mug is a printed name on a brown background with gold lettering. The maker’s name is etched into the base of the mug. .1 & .2 Warrnambool Fabrics Blankets Steditemp Insulated Ware Made in Australia by Newlyne MFG Co Pty Ltd Division of J. Glaser & Co Melbourne warrnambool woollen mill -
Warrnambool and District Historical Society Inc.
Functional object - Portable lamp, Lucas Industries, c 1900
This portable lamp was manufactured by the Lucas Industries, a company in Birmingham, England that first produced lamps after 1875. It could have domestic use or be attached to cars or bicycles early in the 20th Century to provide light at night. The lighting fluid was oil. This object is an interesting example of lighting for cars and bicycles and in the home in the late 19th and early 20th Centuries.This is a brass lantern with a circular glass piece in the middle front, and a top metal mechanism with a handle. Inside the circular opening is a domed jet with holes for lighting the lamp. On the sides there are various mechanisms for turning the light up and down, opening the front glass and opening the bottom to allow filling of the lighting fluid. The item is corroded on the exterior. The top has air vents to permit the vapours to escape. On the side is the maker's name LUCAS No. 722 KING OF THE ROAD JOS. LUCAS LTD. vintage lighting, lucas industries -
Port of Echuca
Colour Photograph, Approx. 1979
Formerly the home of Henry Hopwood. Apsley House, No. 1 Echuca. This was purchased for the Bridgine nuns to establish a catholic co-education school in Echuca. Extensions were made to the original structure (to the south of this building) with outbuildings and brick stables converted to school rooms during the late 1886 and opened as St Joseph's in 1887. The front section of the school was built in 1888. At the time of this photograph the upper floor of the building was the boarding house. The school building holds historical, social and spiritual significance to Echuca being the former home of Echuca's founder, Henry Hopwood. The diocese purchased the original building for 1,000 pounds. The school opened as a co-educational school on 22/3/1886 with 16 boys and 7 girls. It's first enrolment was a non-Catholic boy. By the end of 1886 there were 30 pupils. The boarding school opened on 4/5/1886 with 6 students. The chapel (to the north of this building) was built in 1889. For 60 years the school provided both primary and secondary schooling but in 1960's it changed to secondary schooling. The boarding house closed around 1986 and the school continued as a co-educational catholic college.Colour photograph (post-card size) of Bridgine Convent, Echuca (St.Joseph's College), showing arched facade over the verandah and the upper louvred windows of the boarding house.On front above the entrance "Brigidine Convent A.D. 1886.. Printed on the reverse:" this paper manufactured by Kodak"echuca- secondary schools, st joseph's college, echuca, brigidine convent, echuca -
Sunshine and District Historical Society Incorporated
WUNDERLICH TILE, Wunderlich Limited, Circa 1965
In the Sunshine Advocate of 21/03/1925 it is reported that Wunderlich Ltd decided to establish works in Sunshine for the manufacture of terra cotta and faience for the facing of city buildings. The product was intended to imitate granite, which would give a brighter appearance to concrete walls. A stone surface finish to the terra cotta could be achieved by applying a variety of colour combinations of glazes with a special 'spackle' gun. A building that is still standing and has the imitation granite finish terra cotta is the Nicholas Building at 21 - 47 Swanston Street, Melbourne. The Nicholas Building was designed by Harry Norris for Alfred Nicholas (Aspro fame), and was built during 1925 - 1926. The building is classified by the National Trust (B4079) and has the Victorian Heritage Register (H2119). During my employment in the factory from 1964 to 1969 the tiles were generally faced with single colour glazes. For some small jobs a light coloured mottled finish was achieved by spattering a white glaze over a cream coloured background or vice versa. There were no imitation granite jobs done, probably because of changing attitudes to the intended appearance of buildings. The green coloured tile in our collection is an unfinished (untrimmed) retain tile typical of the green coloured tiles that were made for the two stages of the Commonwealth Centre Building (colloquially known as the Green Latrine), that was once located on the corner of Spring and Victoria Streets in Melbourne. Similar coloured tiles were also used on some shop fronts. The Commonwealth Centre Building no longer exists, however the Century Building at 125 - 133 Swanston Street, Melbourne is covered with single coloured tiles (white). The Century Building was built in 1939, with the architect being Marcus Barlow. The Building is classified by the National Trust (B4045). Our tile along with several others were headed for dumping among the asbestos waste at the rear of the two Wunderlich factories (Circa 1968). With permission from the Factory Superintendent of the Terra Cotta factory they were saved and taken home. Several are still in use as pavers around a barbecue in Melton from where our tile was obtained. It should be noted that the Wunderlich Architectural Terra Cotta factory in Sunshine did not manufacture terra cotta roofing tiles, as reported in the Brimbank City Council Post-contact Heritage Study HO 073 former Wunderlich now West End Market. Wunderlich terra cotta roofing tiles were manufactured at their factory in Mitcham Road, Vermont. Document HO 073 contains at least 3 errors. Other References: (1). http://nla.gov.au/nla.news-article74726224. (2). Armstrong, J. 'Investigating the historic and current use, manufacture and conservation of architectural terra cotta and faience USA & UK'. This tile is an example of the type of facing that was applied to city buildings for over 40 years from the mid 1920's. As building techniques changed the need for this type of facing diminished, and so the factory was eventually sold and demolished. A free standing tall chimney stack which serviced two of the kilns was a significant feature of the North Sunshine skyline. A part of the history of Sunshine disappeared with the demolition of the factory and the chimney stack. Only the façade of the finishing section of the factory where tiles were trimmed and stored remains. Off-white/beige architectural terra cotta tile with green coloured vitreous glaze on the face of tile. The rear of tile is ribbed. wunderlich limited, terra cotta, architectural, commonwealth centre, spring street, sunshine, mcintyre, victoria street, faience, faence, imitation granite, nicholas building, century building -
8th/13th Victorian Mounted Rifles Regimental Collection
Equipment - holster, 1917
This object was donated to the collection by a Trooper Russell Wells 8/13th Victorian Mounted Rifles. It was brought home by his father who was serving in the BEF. He later migrated to Australia.Leather Luger pistol holster with strap securing flap was manufactured by Leder-ZweeisungsAmt-Abteilung (LZA), or leather supply office to the German war department at a factory in Cologne. It was brought to Australia as a souvenir by a British soldier who migrated after the war."LZA J Coln" inscribed on back of holster; "1917" stamped om inside of flap.lza, holster -
Stawell Historical Society Inc
Functional object - Realia, New National Treadle Sewing Machine
Treadle home Sewing machine - pre-electric. Rusted partsBlack "pre-electric treadle sewing machine with "fly wheel" "New national"Gold leaf floral design on machine and flat greyhound trademark inside floral circle, fastened to wooden lid of tableclothing manufacture -
Vision Australia
Administrative record - Text, Royal Blind Society of N.S.W. : Annual Report 1984, 1984
Articles in the annual report include: opening two field offices in Riverina and North Coast, C.L.D. Mears awarded in awarded Companion of Order of Australia, Technical Aids for the Disabled provided switchboard simulators for vocational training programs, review of Lighthouse and Community Cottages is required, Roselands Nursing Home cared for 104 residents, installation of computerised book and circulation system, the workshop area began trading as Mitchell Manufacturing, and the creation of a biennial Royal Blind Society National Sculpture award sponsored by James Hardie and the Visual Arts Board. Please note: page 21 is not scanned. Titled 'Extra curricular involvement of staff' the Braille on the reverse side impacted upon the visibility of the text.1 volume of text and imagesroyal blind society of new south wales, corporation records -
Vision Australia
Administrative record - Text, Royal Blind Society of N.S.W. : Annual Report 1988, 1988
Articles in the annual report include: retirement of Graham Lawrence and appointment of Jon Isaacs, death of Dr Sandy Robertson, pilot Traineeship Access Course for school leavers was developed, library involved in organising IFLA Specialist section meeting, introduction of face to face proofreading for talking books, Dr Max Lang donated his personal collection of optometry books, Maths Braille Code revised with input from Betty Smith and RBS staffers, increase of braille produced through microbraille program, Paul Cullen Centre opened on October 28, 1987 with two levels of care via Burgess Hostel and Roselands Nursing Home, closure of Lighthouse Hostel in Burwood and small cottage style hostels in Enfield and Strathfield, introduction of new lines in manufacturing (skirthanger, Miyata bicycle), Variety Club of Australia continue their support for a national children book collection, 3M Australia sponsored upgrade of studios and Talking Book of the Year award, Jillian Hallam won Sports Girl - for all Women in Sport award and Inge King's 'Awakening' won the Bicentennial RBS Sculpture award.1 volume of text and imagesroyal blind society of new south wales, corporation records -
Vision Australia
Administrative record - Text, Royal Blind Society of N.S.W. : Annual Report 1989, 1989
Articles in the annual report include: the building of a new library section at Enfield, transfer of Mitchell Manufacturing to Australian Foundation for Disabled, establishment of Orana regional office in Dubbo, talking local newspaper project launched with Talking Daily Liberal (Dubbo) and Talking Wentworth Courier (Sydney) piloted, four graduates of Rehabilitation Teachers course were funded by the Florence Cecily Singer Trust, one studio equipped with second generation voice indexer in conjunction with Canadian inventor, from 1990 all Braille production will be done in-house, tactile Christmas cards produced for the first time in 1989, financial decision made to consolidate accommodation services (Roselands Nursing Home and Burgess House) on the one site, two new donors clubs established (Cassette Club and Talking Book Club), and formation of Junior Black & White Committee.1 volume of text and imagesroyal blind society of new south wales, corporation records -
National Wool Museum
Carpet Samples, Godfrey Hirst and CO. Pty Ltd, c.1990
Carpet samples created by Godfrey Hirst, a carpet mill whose history spans back to 1865 when the Victorian Woollen and Cloth Manufacturing Company began operations in Geelong and was purchased in the 1890s by the man Godfrey Hirst. Godfrey Hirst’s entrepreneurial skills and knowledge of the industry led to the great success which saw the company expand in multiple forms over the next century and a half. Today, thousands of metres of carpet are produced by Godfrey Hirst every day, and their flooring can be found in millions of homes. These 6 carpet samples date from the early 1990s and each have a unique colour pattern and design.Each carpet sample is made with a pile fibre that is 100% wool. The primary backing of the carpet is a woven polypropylene with a secondary backing a woven jute. Carpet 8102.1's colour name is Slate. It has a dark grey background with a red and blue diagonal stripe. The pattern repeats in a 10cm x 11.5cm block. Carpet 8102.2’s colour name is Terracotta. It is a mostly block pink colour with no repeating pattern. It has occasional flicks of grey. Carpet 8102.3’s colour name is Arctic Night. It has white, light blue and grey colours repeating one after another in a diagonal line. Carpet 8102.4’s colour name is Ivory. It has a brown background with a cream colour diamond. The pattern repeats in a 15cm x 15cm block. Carpet 8102.5’s colour name is Glenwood. It has a thin darker green and lighter green horizontal stripe spanning its entire width. These stripes repeat the height of the carpet. Carpet 8105.6’s colour name is also Ivory. It has a brown background with a cream colour leaf pattern. The pattern repeats in a 92cm x 92cm block.Wording on rear: Numerous. See Media.godfrey hirst, carpet, textile manufacture -
National Wool Museum
Textile - Blanket, Eagley Mill, 1955-59
This blanket was owned by the Rosenberg family from the late 1950s onwards. It was the donor Denise’s blanket. Born May 1958, her late mother Elfie kept it safe for many decades after Denise had outgrown it. Elfie returned the blanket to Denise 20 years ago, in its current near new condition. Jacques Rosenberg and Elfie née Naparstek, Denise’s parents, met in Melbourne in the Summer of 1950. They both survived being young and Jewish in Europe during the Second World War. Jacques grew up in France and Elfie in Germany, she was a child of the Kindertransport. They married in 1952 and by 1958 had a son and two daughters. Denise, the youngest daughter, donated the blanket on behalf of the Rosenberg family to the National Wool Museum in 2021. The Kindertransport was a program designed to facilitate the immigration of Jewish children from Nazi Germany before the outbreak of the Second World War. The United Kingdom took in nearly 10,000 predominantly Jewish children from Germany, Austria, Czechoslovakia and Poland. The children were placed in British foster homes, hostels, schools and farms. Tragically, these children were often the only members of their families to survive the tragedies that were to unfold in Europe. Fortunately, Elfie’s parents did survive World War Two by sneaking out of Germany and into the south of France. After Elfie and her sister Serry were Kindertransported, they met up with Salma and Risla Naparstek in Paris in 1947 before migrating to Australia. This blanket originates from the Eagley Mill. They manufactured woollen, worsted and knitwear products from their mill located in Collingwood. Part of Foy & Gibson, the mill had frontages measuring almost two miles within the area bounded by Little Oxford, Wellington, Stanley and Peel Streets in Collingwood. This was the largest manufacturing plant for wool in the Southern Hemisphere at the time. It was also one of the oldest. The first machines for knitting men’s socks were installed in 1896. The site ultimately went into receivership while under new ownership in 1968 and is now high-end real estate. More information about the Mill can be read via Unimelb digitised collection. https://digitised-collections.unimelb.edu.au/bitstream/handle/11343/21262/269411_UDS2010852-85.pdf?sequence=18&isAllowed=y 38”x45” (965 x 1145mm) cream wool blanket. The blanket has white stitching around its edge. Embroidered in the centre of the blanket is a koala eating leaves with accompanying flowers on either side of the marsupial. In the bottom right corner of the blanket a small square label from the Eagley Mills is stitched. This label includes the images of a Sphinx head, a pyramid and a baby’s crib.Eagley / ALL / WOOL / 38”x45” / AWARDED THE CERTIFICATE OF / THE ROYAL INSTITUTE OF / PUBLIC HEALTH & HYGIENE LONDONkindertransport, eagley mill, blanket -
National Wool Museum
Program, Retsol Welcome Home
Program for a 'Welcome Home' held by the RSS Mill on Friday, 21 June, 1946, to welcome back their ex-employees who had enlisted in the Second World War. The program includes a list of employees who served, where they fought and a list of those who were killed.Program to welcome home the RSS Mill employees who enlisted in World War II.RETSOL / WELCOME / HOME / Friday, 21st June, 1946 / With the Compliments of the Directorate of the / Returned Sailors' & Soldiers' Woollen & Worsted / Co-operative Manufacturing Coy. Ltd. - - Geelongworld war ii, textile mills, returned soldiers and sailors mill -
National Wool Museum
Program, Retsol Welcome Home
Program for a 'Welcome Home' held by the RSS Mill on Friday, 21 June, 1946, to welcome back their ex-employees who had enlisted in the Second World War. The program includes a list of employees who served, where they fought and a list of those who were killed.Program to welcome home the RSS Mill employees who enlisted in World War II. First page of a program to welcome home the RSS Mill employees who enlisted in World War II. Second page of a program to welcome home the RSS Mill employees who enlisted in World War II. Third page of a program to welcome home the RSS Mill employees who enlisted in World War II. Last page of a program to welcome home the RSS Mill employees who enlisted in World War II (lists those who were killed).RETSOL / WELCOME / HOME / Friday, 21st June, 1946 / With the Compliments of the Directorate of the / Returned Sailors' & Soldiers' Woollen & Worsted / Co-operative Manufacturing Coy. Ltd. - - Geelongworld war ii, textile mills, textile mills staff, returned soldiers and sailors mill, textile mills - staff -
Hume City Civic Collection
Domestic object - Electric Iron
This electric iron was manufactured by Hecla, Australia and possibly manufactured in the 1940's-1950's. The iron was used mainly by housewives to iron items of clothing and various items of linen used in the home. Some items were sprinkled with water to make them damp and therefore help to make the ironing easier. Later steam irons were produced.A heavy black handle electric iron with frayed cord attached.Hecla/Australiadomestic appliance, domestic items, irons, ironing, hecla australia -
Hume City Civic Collection
Functional object - Electric Jug
Although electric jugs were initially developed in England for quick tea-making, the fear of electrocution delayed their production in that country. Australia during the 1930s Depression went ahead and produced fancy ceramic electric jugs, which became status symbol in Australian homes. This jug is one of the earliest designs manufactured in the 1930sThe design of this jug is in contrast to later electric jugs which either gradually sloped up from the base to the neck and/or had curved sidesA dark cream ceramic electric jug with a black bakelite lid. The lower part of the jug is cylindrical with the upper part sloping to the spout. The bakelite lid opens with a hinge. household containers, electric jug, domestic food and drink -
Lake Bolac & District Historical Society
Photograph - Black and white photograph, Josiah Park's Home built in 1890, c1960's
Bluestone home of Josiah and Mary Park built in 1890 by English stonemason James Murray. Josiah had the blacksmith business next door and built the house and stables to house his family of 12. The laundry and bathroom were detached and water was pumped from a large underground tank by a windmill manufactured in the blacksmith shop. The verandah was added in 1920 and this photo was taken in 1974.black and white photographjosiah park, mary park, james murray