Photo of Will Rees Watercolour (1905) Looking East from Stoney CreekColour photo of reduced water colour. Halls Gap, Grampians Mountains, Victoria; looking east from Stoney Creek. Painted 1905. From the estate of Mrs Jean Hughes.stawell

Booklet - listing all the Melbourne tram routes including cable trams and buses, times of the first and last cars providing a street by street for each tram or bus route passes including a description of the route. Has pasted in slips of paper for routes 40 changes and route 62. Based on the cable trams and the route changes dated to 1938. Compiled by Charles Taylor with the authority of the MMTB.Demonstrates compilation of a route description bookletBooklet - 40 pages + blue coloured light card paper with a stippled finish, centre stapledtramways, trams, buses, cable trams, tram routes, melbourne

Newsletter article from Brooksy's Briefing about Mill Park Drive and the history of horse racing in the Mill Park area.Newsletter article text with colour imagemill park, colin brooks, mill park drive, the stables mill park

Set of 8 pamphlets from a series of 10 Yarra trams passenger cards regarding behaviour, tickets and security on trams. See also Reg Items 2417, 2436, 3528, 5437. The first is photocopied, all others printed on light card. 0 of 10 - Ticket inspection, security with Inspector Tracker on the back 1 of 10 - be at your tram stop before the tram arrives 2 of 10 - plain clothes ticket inspectors 3 of 10 - antisocial behaviour 4 of 10 - re hailing a tram 5 of 10 - eating of food and leaving rubbish behind 6 of 10 - validation of tickets 7 of 10 - please hold on when standing 8 of 10 - tram priority on roads 9 of 10 - travelling by tram means less cars on the road. 10 of 10 - new best friend - TramTracker. Items are not formally numbered. Not dated.Some have number notes and notes written inside about changes or errors in ink. See History.trams, tramways, yarra trams, ticket inspectors, behaviour, passengers

Advertising Poster for use in Tramcars printed on heavy cardboard advertising The Herald, Melbourne, newspaper and its world news coverage and on the rear, "Do a good turn today" with a happy face on a yellow back. Image file is a small version of the large pdf file, on file as hte5562i.pdf. Image i1 shows the rear of the poster with the words - "Do a good turn today"trams, tramways, posters, the herald, advertisements, behaviour

'Does she know the Revolution is coming?' is a multi-channel digital video work where Groom performs an extended conversation between herself and the wife of a former Prime Minister in a stately Manhattan home. Based upon an actual conversation, the work seeks to expand upon the language of ownership and authority surrounding western perceptions of Aboriginal art and culture, unveiling the indistinct nuances of interpretation and the potentially shocking hidden truths that language can possess. Reimagining the conversation and the behaviours of both parties, Groom unpacks what was said, what was imagined to be said, and what it could have really meant. As a bookend to the conversation, the first solo exhibitions of this work featured paintings by the very subject of the conversation, Anmatyerre artist, Emily Kame Kngwarreye. Artist Bio Amala Groom is a Wiradyuri conceptual artist who employs a Wiradyuri based ontology and embodied research-based methodology that considers traditional cultural practice and academia with formal research as a whole of person approach as both inquiry and investigation in the actual and literal sense. Her practice, as a collaboration with her Ancestors is driven by the philosophies of Yindyamarra, Kanyini and Dadirri which lay the foundations for a feeling centred approach in the delicate balancing act that lies between the physical and spiritual worlds. Groom lives and works on Wiradyuri Country in Kelso, NSW. Her practice, as the performance of her cultural sovereignty, is informed and driven by First Nations epistemologies, ontologies and methodologies. Her work, a form of passionate activism, presents acute and incisive commentary on contemporary socio-political issues. Articulated across diverse media, Groom’s work often subverts and unsettles western iconographies to enunciate Aboriginal stories, experiences and histories, and to interrogate and undermine the legacy of colonialism. Informed by extensive archival, legislative and first-person research, Groom’s work is socially engaged, speaking truth to take a stand against hypocrisy, prejudice, violence and injustice. Across her practice, Groom proactively seeks to dismantle the Colonial Project by asserting the argument that colonialism is not just disadvantageous for First Peoples but is, in fact, antithetical to the human experience. On a deeper note, Groom intends to make work that speaks to the union of all peoples and to the indivisibility of the human experience that traverses identity, culture, race, class, gender and religious worship. Groom is a solo practitioner who works with her family, community and extensive economic, cultural, political, legal and social networks to both inform, lead and drive her practice. Groom works collaboratively with individuals and groups on a project by project basis.

non-fictionThe story of Edward Fairnie and his familyedward john wynne fairnie, convicts van diemens land

This publication introduces marketing to museums and gallery staff and volunteers who would like to know more about it and assistance in ensuring that marketing is used to its full advantage.This publication introduces marketing to museums and gallery staff and volunteers who would like to know more about it and assistance in ensuring that marketing is used to its full advantage.museums - australia, exhibitions, marketing, (dr.) (ms) sharron dickman

Raisins are first dampened.'Boss' raisin seeder, hand-cranked with a wooden know on the handle."Mf'rd by A.C. Williams Ravenna O." "The Boss Raisin Seeder Pat. Pdg."food processing equipment

Image of a megaphone and two placards reading 'Equal love' and 'Love knows no gender'. Additional text: "1 pm Sat 24 November State Library cnr Latrobe & Swanston. Endorsed by Victorian Trades Hall Council, National Union of Students."marriage, marriage equality

Postcard with photo of small dog in doorway. Just to let you know At Maryborough.

Do You Know booklet of approximately 90 pages of useful information and facts with illustrations.books, technical, scouts

A dowel is a cylindrical rod, usually made of wood. In its original manufactured form, a dowel is called a dowel rod. Dowel rods are often cut into short lengths called dowel pins.These are commonly used as structural reinforcements in cabinet making and in joining large timbers together. To make a dowel, a piece of wood is split or whittled to a size slightly bigger than desired and to place the stock into a vice then rotate past a fixed knife, or alternatively, to rotate the knife around the stock such as the subject tool was used. Machines based on this principle emerged in the 19th century. Frequently, these are small bench-mounted tools, prior to this time dowels had to be cut by hand. The tool is an example of early to late 19th century hand tool used to make timber dowels. It is not associated with an historical event, person or place, makers provenance is unable to be determined at this time. Many small American and British tool manufactures were taken over by Stanley tools after 1843 when the company was established and this item could have been made by one of these. However the subject item appears to be rare and would be regarded as a collector's item.An adjustable woodworking tool know as a Moot, used for making Trunnels or Treenails (Dowels) for fastening joints in timber. Noneflagstaff hill, warrnambool, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, moot, trunnels, treenails, circular, dowels, woodworking tool

Used by mounted riders to encourage their mounts forward.Manufactured and sold by Holden and Frost Ca 1900Tapered shaft with 60mm loop on end. Other end has a leather know on with metal cap on bottomequestrian crop, whip

This item commemorates the war in Vietnam. It was clipped from the Melbourne morning paper and posted to National Serviceman Cpl GC Owens by his mother during his service in the Royal Australian Army Ordnance Corps, Headquarters, Australian Force Vietnam (Army Component), 30 Jul 1968 - 30 Jul 1969.Original newspaper clipping from Herald Sun of three Australian soldiers in t-shirts and shorts showing Vietnamese soldiers how to hold an Aussie rules football.Did you know this was being taken for the Heraldafl football, capt bill mcmahon, cpl graeme owens, lt. ray harvey, vietnam war, ordnance