John Kendrick Blogg was born in Canada and migrated to Victoria in 1877. In 1884 he established a successful industrial chemistry business, which included extracting perfume from Australian native trees and plants.liquid ammonia for refrigeration, acetic acid, perfumes, shoe polish, baking powder and non-alcoholic drinks. Other products were He lived at 'Balmoral' in Albany Crescent, Surrey Hills; his woodwork was produced here. Family oral history has that he took up woodcarving after his 1st wife, Annie, died in 1893. His earliest known piece is a music cabinet of 1901; the latest is a panel of 1932 when Blogg was 81 years of age. He was a member of the Victorian Artists Society and exhibited there between 1920 and 1924. Much of his work incorporates motifs of Australian flora, particularly gum leaves. John and his family were members of St Stephen's Presbyterian Church, Surrey Hills. The present church building was dedicated in December 1910 and J K Blogg's contribution to the new building was the Hogg Memorial pulpit which is comprised of 13 panels. Blogg carved more than 300 pieces for churches, schools, royalty, family and friends. Many of J K Blogg's pieces remain with family members, but he is represented in municipal (City of Whitehorse), state and national collections. In addition to work in the St Stephen's Presbyterian Church within the Surrey Hills area his work was produced for Surrey Hills Primary School, Surrey Hills Bowling Club and Surrey Hills Methodist Church, however perhaps his most famous local work is the honour board at the Shrine in the Surrey Gardens. Blogg was also a poet. Ref: Legacy in Sculptured Wood - An appreciation of the work of John Kendrick Blogg, 1851-1936 by Marjorie Morgan, 1993.Black and white photo of an urn on a pedestal contianing stems of wattle with leaves and blooms.woodcarving, surrey hills shrine, monuments and memorials, john blogg, john kendrick blogg, r falconer

This doily is typical of items of household linen in popular use in the 19th and early-to-mid 20th centuries. It was a tradition for brides to have a 'glory box' containing linen and embroidered and crocheted articles to take to their new home. The chosen design of Kookaburra and wattle flowers and leaves reflects the creator's interest in Australian flora and fauna. In the Words of donor, Betty Stone, … “These crocheted and embroidered articles cover a period of three generations- ie. Sarah (nee Chamberlain) Lees, Ann (nee Lees) Dale, and Daisy Elvena (nee Dale) Welsh. All three were accomplished needlewomen; also, both Sarah Lees (born 1844) and her daughter, Ann (b 1865) crocheted a wide variety of articles for use in their homes. A few examples of these items have survived the years.” (NOTE: For additional information please refer to my book Pioneer and Places- A History of Three Warrnambool Pioneering Families ie. Chamberlain, Dale and Lees families) This item is associated with the Warrnambool pioneer families of Chamberlain, Dale and Lees. These families are listed in the Pioneers' Register for Warrnambool Township and Shire, 1835-1900, published by A.I.G.S. Warrnambool Branch. The item is a fine example of early 20th-century needlework. It is also significant for its reflection on the new Australian fauna and flora.Doily, round, white cotton. Embroidered Kookaburra on a branch, wattle flowers and leaves, and edged with brown crochet. From the Chamberlain Dale Lees Collectionflagstaff hill, warrnambool, flagstaff hill maritime museum and village, great ocean road, chamberlain family, dale family, lees family, betty stone, warrnambool pioneer, warrnambool genealogy, wangoom, chamberlain dale lees collection, glory box, doily, embroidery, needlework, crochet, handmade, craft, manchester, linen, haberdashery, kookaburra, wattle, australiana

Part of collection of "Thomas Edward Silk". Refer 9615.4 for details.White fold out postcard. Cream colour with green edges. Page two has a card stuck in with a picture of a ship leaving port. Flowers around edges and two hands in a handshake with a small poem at bottom. Page has 3 silver leaves coming out of a small bunch of flowers. Page 4 has the post card message.Front says "Everlasting Silver leaves from Sunny South Africa" Dated 18th Oct 1916. Written on front "Sent to Josephine Silk by her son Thomas Silk from 1st World War.ww1, postcard, south africa, thomas edward silk

Presented to graduating students.A limited number of these glasses would have been presented. Pair of clear glass water glasses, with gold rim.Printed in blue with 'Greensborough College' and emblem of gum leavesgreensborough college, commemorative glasses

Black cap with gold trim. Purchased as a souvenir.Nui Dat South Vietnam Floral leaves on peak

Album comprises heavy cardboard covers with brown Rexene covers, with inside papers of heavy dark grey photo album paper, 36 leaves of dark grey photo paper and two brass interscrews within black grommets. See Condition Details re damage to back cover. Album contains 32 photos - personal prints of Keith Kings. Title page has been hand written to Les Denmead, dated 6/7/1970, thanking Mr. Denmead for his assistance over the years. Photos divided into the three SEC Provincial Tramway cities, each with a typed name proceeding the set of photos. Two further photos of Geelong were at the rear of the album, but were not in position when catalogued. One of these photos may be Reg. Item 1874 - photo of Geelong scrubber tram. Each of the photographs have been separately registered, as shown in the table below. Scanned images made of front and back of the photos. Back has Keith Kings ID number, description, notes and date of photo. Conservation Notes prepared - within the cataloguing sheet - see related documents. Folio Reg. Notes Item No. 1 Handwritten note to Mr. L. J. Denmead from Keith Kings. 2 Title sheet – “BALLARAT” 3 1903 Small photo of SEC Monogram from Geelong No. 1 1904 Photo of SEC plaques etc at Wendouree office 4 1905 Photo of front of Wendouree Parade depot – 1957 - with trams 40 and 25 in photo. 5 1906 Photo of Ballarat 23 at depot 6 1907 Photo of Ballarat 29 in depot. 7 1908 Photo of Ballarat 17 in Wendouree Parade 8 1909 Photo of Ballarat 21 at depot. 9 1910 Photo of Ballarat 15 and 31 in Sturt St. 10 1911 Photo of Ballarat No. 40 Sturt St. 11 1912 Photo of Ballarat No. 38 – Wendouree Parade 12 1913 Photo of Scrubber car in depot. 13 Title sheet – “BENDIGO” 14 1914 Photo of Bendigo depot 15 1915 Photo of Bendigo No. 17, 1949. 16 1916 Photo of Bendigo 22 and 4 at Eaglehawk. 17 1917 Photo of Bendigo 12 at Golden Square. 18 1918 Photo of Bendigo 13 and 26 at Eaglehawk terminus. 19 1919 Photo of Bendigo 17 (bogie) at Quarry Hill terminus. 20 1920 Photo of Bendigo 18 at Charing Cross 21 1921 Photo of Bendigo Birneys 28 and 29 at Charing Cross 22 1922 Photo of original sprinkler and track cleaning car in Bendigo depot 23 1923 Photo of Bendigo 2nd track cleaning car 24. 1924 Photo of trams at Manchester Loop, 1958. 25. Title sheet – “GEELONG” 26 1925 Photo of Geelong 19 in front of the depot. 27 1926 Photo of Geelong depot 28 1927 Photo of Geelong No. 3 at East terminus 29 1928 Photo of Geelong No. 23 outside depot. 30 1929 Photo of Geelong No. 16 at Eastern Park terminus. 31 1930 Photo of Geelong No. 28 at depot 32 1931 Photo of Geelong Birney No. 14 at Eastern Park terminus. 33 1932 Photo of Geelong No. 32 at Moorabool St. 34 1933 Photo of Geelong No. 37 outside depot 35 1934 Photo of Geelong No. 39 at West terminus 36. No photo – marks of four corners remained. 37 – back cover No photo – marks of four corners remained. Photos not to be taken out of the album unless for photographic copying. Use image files. Photo Album - The Commercial Photo Album - No. 1 - 36 leaves. See hand written note from Keith Kings to Mr. L. J. Denmead. Dated 6/7/70.trams, tramways, ballarat, bendigo, geelong, photo album

History of St Helena Church to 1936 with addition note of 1957 destruction by bush fire and restoration[10] leaves ; 17 cmst helena church, beale, anthony, webster, graham

Tall bottle with leaves inscribed on itThis Bottle is the property of O.T.LTD

1 pamphlet: 6 leaves.aussie, bee, honey, recipe, beechworth honey, aussie, bee, honey, recipe, beechworth honey

1 Pamphlet: four leaves.publication, australian, honey, institute, true, story, beechworth honey, publication, australian, honey, institute, true, story, beechworth honey

The 50 Reichspfennig coin was minted by Nazi Germany between 1939 and 1944 during World War II. It is worth 1/2 or .50 of a Reichsmark. Made entirely of aluminium, the 50 Reichspfennig is an emergency issue type, similar to the zinc 1, 5, and 10 Reichspfennig coins from the same period.Obverse: Reichsadler with swastika. Lettering: Deutsches Reich 1940 Reverse: Denomination and two oak leaves. Mintmark below the denomination and between leaves. Lettering: 50 Reichspfennig Abeck, coin, currency, third reich

The zinc 1 Reichspfennig coin was minted by Nazi Germany between 1940 and 1945 during World War II, replacing the bronze version. It is worth 1/100 or .01 of a Reichsmark. Made entirely of zinc, the 1 Reichspfennig is an emergency issue type, similar to the zinc 5 and 10 Reichspfennigs, and the aluminium 50 Reichspfennig coins from the same period.Obverse: Reichsadler with swastika. Lettering: Deutsches Reich 1943 Reverse: Denomination and two oak leaves. Mintmark below the denomination and between leaves. Lettering: 1 Reichspfennig Abeck, coin, currency, third reich

HardcoverS. Simms. Poetry on leaves. Some annotations in pen throughout.poetry, walsh st library

Awarded for 2nd Fours at Creswick Demo 1935Part of Kyneton Fire Brigade trophy collection Straight sided spun base plant pot decorated with pressed pattern of trees. Creswick Demo 1935 2nd Fours Leaves pressed on sidekyneton fire brigade, trophy, fire brigade demonstrations, country fire authority

Slide. Bendigo Views. View of an agave type plant. The leaves are in a rosette form and the leaves have sharp serrations along the edges.slide, bendigo, bendigo views, bendigo views

92p.,3 leaves : ill. indexnon-fictionA short history of the City of Sandringhamsandringham, pioneers, early settlers

Made in dyeing class/workshop at Warnambool TAFE College.Wool dyed with sugar gum leaveshandicrafts, south west college of tafe - textiles department, dyeing

This object relates to Albury NEAL. He was born on 1/01/1893 in Ballarat, VIC. Albury served in the AIF (1885) enlisting on, 26/02/1916 in Ballarat, VIC before being discharged from duties with the 39 BATTN as a Army Non-Commissioned Private (PTE) on 11/03/1919. His next of kin is Albury NEAL. Gladys Neal was awarded the Australia Service Medal 1939-1946 and War Medal 1939-1945. Albury NEAL was not a prisoner of war.Embroidered with "L S" & laurel leavesuniforms, ballarat rsl, ballarat

Tom NESTOR Tom Nestor studied a Diploma of Fine Art at Ballarat College of Advanced Education (later Federation University) in 1980, 1981 and 1982 with the intending to be a secondary teacher. Instead, he opened his own ceramics studio in Bald Hills at his parents property near Creswick. He worked for potteries in Albury and Healesville as well as Old Ballarat Pottery as a production thrower. In 1985 he moved to Belgrave where he continued to work producing kitchenware and garden pots till mid 1986. Works may be marked with an impressed stamp as on this vase "Tom Nestor Bald Hills Handcrafted"Glazed vase with cobalt blue leaves.ceramics, australian studio pottery, tom nestor, bald hills pottery

Small cardboard box.powdered, senna, leaves

Inside are two light sources, which illuminate the object to be projected. Usually this object would be a postcard, photo, or other printed matter, but objects such as coins or leaves could also be projected. The light is reflected through the lens, and the image is projected onto a wall or screen. The light sources are burners. (http://museumvictoria.com.au/collections/items/721025/mirroscope-magic-lantern-projector-buckeye-stereopticon-co-1910) A lens sits at the front of a black metal box, with electricity lead. Inside two electric light bulbs illuminate the object to be projected (usually an image or printed matter), but objects such as coins or leaves could be projected. The light is reflected through the lens, and the image is projected onto a wall or screen. Focus is achieved by moving the telescoping lens tube in or out. The mirroscope includes an early electricity socket.projector, magic lantern, episcope, mirroscope, film, theatre, entertainment, movie

Sent by Cpl William Edward WENNERBOM Reg'n 2249, 3 October 1918. E. Coy, 12th Battn, Oct 1914, Discharged Dec 1919.Postcard - Cream cardboard, coloured thread embroidery, red, blue, white, green, yellow, purple.“To My Dear Father” French, British, American Flags, Flowers, Leaves.postcard, ww1

Lists stores and businesses in Cowes in about 1960. Most are in the main shopping area around Thompson Ave. Cowes is consistently spelt incorrectly as Cows.HistoricalBeige coloured cardboard strip with black lettering on both sides, advertising stores and businesses in Cowes.Use a Westfield Bookmark. The leaves request don't turn us downde la haye family, w. jenson dairy, a.g. morrison greengrocer, a. odlund electricals, j. harold smith real estate, j. white hairdresser, p.b. west draper

Gloria PETYARRE (c.1942 - 2021) Born: Mosquito Bore, Utopia, Northern Territory Language Group: Anmatyerre Community: Utopia, Northern Territory Gloria Petyarre's depiction of the Kurrajong bush medicine leaves with her layered, swirling brushstrokes is her iconic motif. In 1999 Gloria Petyarre became the first Indigenous Australian artist to win the 'Wynne Prize for Landscape' at the New South Wales Gallery. She is credited with being the creator of this popular style, which was adopted and adapted by several generations of her family members over Gloria's retirement in 2019. The artistic tradition in Utopia started in the Utopia Women's Silk Batik Group introduced in 1977. Gloria Petyarre and her aunt Emily Karne Kngwarrye were found members of this group. Gloria Petyarre started painting on canvas in 1988 with her brushstrokes and layered paint having foundations in the batik tradition. This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007.Utopian Art Movement‘Bush Medicine Dreaming’ depicts the leaves of a special plant that is used to aid in the healing process. The leaves are collected and then boiled to extract the resin. Following this, the resin is mixed with kangaroo fat collected from the kangaroo’s stomach. This creates a paste that can be stored for up to six months in bush conditions. This medicine is used to heal cuts, wounds, bites, rashes and as an insect repellent. The Dreaming that is the basis for Petyarre’s paintings comes from the important ceremonies and traditions held by the people of Atnwengerrp. art, artwork, gloria petyarre, aboriginal, utopia

When the Balinese King of West Lombok was defeated by the Dutch in November 1894, after nearly two and a half centuries of Balinese rule, a collection of beautifully illustrated lontar leaves was found, among other documents, in the palace library at Cakranegara, capital of the Balinese Kingdom in Lombok. This collection was published in a book called ‘Dampati Lalangon’ meaning “The delight of the spouses”. It is a rare example of a lontar, containing illustrations but no text. It is an allegorical story about a royal couple, the queen representing the godess of wisdom, Saraswati. The illustrations are of a mystical and erotic naturePaperback brown covered book containing eleven plates. Each plate covers 2 pages across and depicts 6 pages of illustrated lontar leaves. Lontar is a type of palm-leaf manuscript from Indonesia. The contents of this book show a rare example of a lontar, containing etched illustrations but no text. The title and preface of this book are in Dutch language.Front cover and title page have the insciptions: Koninklijk Bataviaasch Genootschap van Kunsten en Wetenschappen -Dampati Lalangon - 11 platen naar Balische lontar-illustraties. Tweede uitgave van het "Darmo Lelangon" (1912) There is a circular stamp with the words "Batavia's Genootschap" above a stylized tree and rural scene below which are the words "opgerrgt 24 priz 1778"