Taken in approximately 1900, this glass slide captures an image of two Mayday Hills Mental Asylum nurses. Also known as the Beechworth Lunatic Asylum, Mayday Hills was officially opened on the twenty-fourth of October 1867 and was commissioned following lobbying from Beechworth Municipal Council concerning a need for better living conditions for certain individuals confined to the town's gaol. These individuals, as well as many others who were brought from surrounding institutions, exhibited behaviours that were deemed to be unfit for mainstream society. At its peak, the asylum consisted of sixty-seven buildings and housed over twelve-hundred patients and five-hundred staff. At the time of Australian Federation in 1901 - just a year after this photograph was taken - the patient population numbered six-hundred and seventy-four. The designated site of the institution was chosen due to its scenery and altitude. It was argued that these picturesque surroundings would assist in curing the hospital's patients of their ailments. The asylum was officially closed in 1996. It is listed on the Victorian Heritage Register as being architecturally significant. The extensive complex of buildings are examples of Italianate-style, which is strongly associated with asylums of the 1860s - the period in which construction of this particular asylum began. Today the asylum offers tours to visitors: both daytime history tours and night-time ghost tours. Lantern slides, sometimes called 'magic lantern' slides, are glass plates on which an image has been secured for the purpose of projection. Glass slides were etched or hand-painted for this purpose from the Eighteenth Century but the process became more popular and accessible to the public with the development of photographic-emulsion slides used with a 'Magic Lantern' device in the mid-Nineteenth Century. Photographic lantern slides comprise a double-negative emulsion layer (forming a positive image) between thin glass plates that are bound together. A number of processes existed to form and bind the emulsion layer to the base plate, including the albumen, wet plate collodion, gelatine dry plate and woodburytype techniques. Lantern slides and magic lantern technologies are seen as foundational precursors to the development of modern photography and film-making techniques.This glass slide is socially and historically significant as it is representative of the lives of the nurses who worked at Beechworth's Mayday Hills Asylum in the early twentieth century.Thin translucent sheet of glass with a portrait image printed on the front. It is held together by metal strips to secure the edges of the slide.burke museum, beechworth, lantern slide, slide, glass slide, plate, burke museum collection, photograph, monochrome, 1900 mayday hills, mayday hills, beechworth mental hospital, beechworth mental asylum, beechworth asylum nurses, psychiatric nurses, psychiatric care, victorian heritage register, italianate style, 19th century asylums, asylums victoria

This image shows the gorge adjacent to Beechworth in approximately 1900. Although the exact location of the photograph is yet to be determined, the present-day Beechworth Gorge Walk includes views of the Cascades at the point at which Spring Creek flows into the valley on the level below. Gold-sluicing techniques in use in the town during periods of active gold extraction may have altered the landscape since the photograph was taken, however. In the 1850s a mill was built at the top of the Spring Creek falls by Russian-born Louis Chevalier, brother of artist Nicholas Chevalier. The mill supplied the town with lumber that supported the town's initial construction boom. Lantern slides, sometimes called 'magic lantern' slides, are glass plates on which an image has been secured for the purpose of projection. Glass slides were etched or hand-painted for this purpose from the Eighteenth Century but the process became more popular and accessible to the public with the development of photographic-emulsion slides used with a 'Magic Lantern' device in the mid-Nineteenth Century. Photographic lantern slides comprise a double-negative emulsion layer (forming a positive image) between thin glass plates that are bound together. A number of processes existed to form and bind the emulsion layer to the base plate, including the albumen, wet plate collodion, gelatine dry plate and woodburytype techniques. Lantern slides and magic lantern technologies are seen as foundational precursors to the development of modern photography and film-making techniques.This glass slide is significant because it provides insight into Beechworth's built environment and natural landscape in the early Twentieth Century, around the time of Australia's Federation. It is also an example of an early photographic and film-making technology in use in regional Victoria in the time period.Thin translucent sheet of glass with a square image printed on the front and framed in a black backing. It is held together by metals strips to secure the edges of the slide.burke museum, beechworth, lantern slide, slide, glass slide, plate, burke museum collection, photograph, monochrome, beechworth gorge, indigo shire, landscapes, mill, sluicing, gold mining, north-east victoria, spring creek, louis chevalier, cascades

Miners from Snake Valley lobbied the Victorian Government in 1855 to make land available for sale for farming purposes as an alternative occupation and income for people who wished to stay in the region but move away from gold mining. A secondary motivation was to increase the supply of fresh produce and decrease prices of items that otherwise needed to be transported from Melbourne or other regions. Forty-three country lots were initially offered in the Three Mile area, ranging in size from two to ninety acres and costing from £1 to £3 per acre. An additional eighty-five country lots were auctioned later in the year, in addition to many smaller suburban lots. More lots were offered than sold, initially, but this represented conditions of sale requiring the total purchase cost up front which many people interested in purchasing could not afford, especially as land purchased for farming would accrue substantial additional costs for clearing and labour before becoming productive. Further lobbying activities and the election of parliamentary members sympathetic to the cause took place through the 1850s. Ovens Parliamentary Member, Daniel Cameron, was re-elected in 1856 on a platform of surveying the land for public selection with deferred payment options. Land reform remained an issue in the area through the 1850s and early 1860s, impacting broader decisions in the new State of Victoria relating to voting rights, use of Crown land and the farming of land that wasn't always suitable for the purpose. This photograph depicts Beechworth in approximately 1900, after several waves of land sales resulted in increasingly levels of development. Lantern slides, sometimes called 'magic lantern' slides, are glass plates on which an image has been secured for the purpose of projection. Glass slides were etched or hand-painted for this purpose from the Eighteenth Century but the process became more popular and accessible to the public with the development of photographic-emulsion slides used with a 'Magic Lantern' device in the mid-Nineteenth Century. Photographic lantern slides comprise a double-negative emulsion layer (forming a positive image) between thin glass plates that are bound together. A number of processes existed to form and bind the emulsion layer to the base plate, including the albumen, wet plate collodion, gelatine dry plate and woodburytype techniques. Lantern slides and magic lantern technologies are seen as foundational precursors to the development of modern photography and film-making techniques.This glass slide is significant because it provides insight into Beechworth's built environment and infrastructure in the early Twentieth Century, around the time of Australia's Federation. It is also an example of an early photographic and film-making technology in use in regional Victoria in the time period.Thin translucent sheet of glass with a square-edged image printed on the front and framed in a black backing. It is held together by metal strips to secure the edges of the slide.burke museum, beechworth, lantern slide, slide, glass slide, plate, burke museum collection, photograph, monochrome, indigo shire, north-east victoria, farming, squatters, miners, agriculture, land-clearing, land reform, daniel cameron, land sales, three mile, snake valley, tarrawingee

This specimen is a copper-carbonate malachite mineral. It is often found as crystalline aggregates or crusts, which have a banded agate-like appearance while also commonly found as botryoidal clusters of radiating crystals. Malachite is often bright green in colour, with dark green and blackish blooms or stripes/bands throughout the mineral. This particular specimen was recovered from the Burra Burra Copper Mine located Burra, South Australia. By the 1860's, South Australia was known as the "Copper Kingdom" due to its large amount of copper mines and huge success in the copper mining industry. Burra Burra was no exception to this phenomena, as this mining company was greatly famous and successful, being nicknamed the "Monster Mine". It was first established in 1848 and was the largest metal mine in Australia up until 1860. This specimen is significant as it highlights the historic use and value of malachite and the rarity of the mineral. Malachite is a rare gemstone which has been used in various ways historically. It has been cut and sculpted into beads for jewellery use as its rich colour and distinct yet unique patterns have made it a well sought after gemstone. Its' continued use over time only heightens the value and significance of this mineral.A hand-sized solid copper-carbonate hydroxide mineral specimen in shades of blue, green and copper tones throughout.MALACHITE / (Copper carbonite) / Locality: Burra, South Aust. | Malachite / Burra Burra / South Australia / (good specimen) / needs a wash / BBburke museum, burke museum collection, beechworth museum, beechworth, geological specimen, geological, mineral, mineraology, copper carbonate, malachite, burra burra mine, copper mining

Stamp cases/holders began being produced in the late 19th century, commonly made of gold, wood, and silver. In this case, the item is made of sterling silver and has patterns and details etched into the metal sheets that make up the case. Sterling silver is the standard alloy used in jewellery and detailed metalworks with its physical properties making it maleable and corrosion resistant, therefore a favourable metal to work with both across many centuriesn the past and present. Stamp cases where popularised by James Allen of Birmingham who created and registered the stamp holders he made. As they gained popularity, it was common for stamp holders to consist of multiple compartments holding various small items such as matches, strikers and of course stamps. Metalwork and silverwork has been a prominent proffession and artform historically and socially for many years. There are many different types of metal work to specialise in and distinct patterns and inscriptions for identifying the provenance of the item. Hallmarking is this proccess of inscribing the item, and consissts of four main components (including assaying) which can indicate the date of creation. Unfortunately this item has no hallmark, therefore it is relatively unknown where, what, when and who created it.This item is of social and historic significance as it highlights the importance of preserving histoical items. This item display's the intricate and highly skilled trades of the past with a glimpse into the social and cultural aspects of the beechworths' history.A small, silver stamp holder with decorative details etched into the metal. It has a small loop on the left side of the case, indicating it could be connected and held by a chain or ring. A01145 (obejct number): A01145 [object number inside stamp case] / STERLING SILVER [inscription inside stamp case]metalwork, silver, silverware, sterling silver, stamp holder, stamp case, burke museum, social history, burke museum collection, beechworth

non-fictionMining the Collection was an Arts NSW funded project in which nine community members and four artists were invited to discover and select works from Albury City's seven cultural collections. The collections were Indigenous Collection, Textile Collection, Social History Objects Collection, Social History Collection (paper based), Photography Collection, Works on paper Collection (Drysdale, drawings) and the Painting Collection. The community members selected individual pieces for the artists to respond to in their chosen medium. All four artists – Arthur Wicks, Ponch Hawkes, Treahna Hamm and Frank Burgers – have a connection with the region and a national profile. The artists' responses to the individual works chosen for them and the range of works selected became an exhibition that introduced visitors to the collection and to the contemporary artworks it inspired. This is a publication to accompany that exhibition. albury art gallery and museum, museum collection albury, exhibitions albury

The book belonged to Dr Robert Bennett, father of Sue Barnett. Its relevance to him was that he was involved with collecting radiology equipment and related material on behalf of the Royal Australian College of Radiology (RACR). Part of this collection is now housed at the Powerhouse Museum in Sydney. This book explains some of the legal aspects of establising a museum or gallery collection.R. Bennett|Sue Barnett(mr) shane simpson, museums association of australia inc. nsw branch, law and legislation, art museums, public liability, insurance

Yields information about Lydiard St north after the opening of the electric tram system.Black and white historic photograph downloaded from a picture resource website within a decorative frame. Printed with an inkjet printer. Titled "Sturt & Lydiard Street intersection, Ballarat circa:." shows two ESCo trams travelling east along the north side of Sturt St, No. 5 or 8? and No. 14 with many people lining the streets, possibly prior to a parade. Photo taken after the tramway has opened as the destination boxes are located on the roof, but prior to the installation of windscreens. Original photo from a postcard - not currently (June 2010) in Museum's collection. Many horse drawn vehicles. In the background are the Commonwealth Bank, Ashmore's Hotel and other buildings along the south side of Sturt St. Original photo from a postcard - not currently (June 2010) in Museum's collection.trams, tramways, sturt st, lydiard st, commonwealth bank, esco, tram 14, tram 8?

Mayday Hills Mental Hospital was originally constructed in 1864 under the name of the Beechworth Lunatic Asylum. It was built for locals in need of help who were kept in the local gaol. In its first decade, the residents of the hospital were used as menial labourers but over time, as mental healthcare progressed, were cared for in more nuanced ways. This site became a training hospital for nurses in the 1960's. Eventually, mental health patients were moved to other care facilities and Mayday Hills was operating as a geriatric care facility. It was closed in 1995, after which the buildings and their grounds were purchased to La Trobe University to be used as a campus. The university sold the site in 2011 to private ownership. This image depicts people enjoying the grounds and gardens.Mayday Hills Mental Hospital is a historically significant site for many factors. It is representative of healthcare practice in nineteenth century Victoria. It contains rare examples of construction and architecture. It is also significant for aesthetic and technical reasons.Black and white photograph printed on matte photographic paperReverse: at the Beechworth Lunatic Asylum/ (wade)/ do not copy - copy for Burke Museum/ for collection only only/ BMM 8326mayday, mayday hills hospital, mayday hills, mayday hills mental asylum, beechworth asylum, beechworth lunatic asylum, beechworth mental hospital, beechworth institution, healthcare, mental health, nurses quarters, nurses, gaol, garden, garden party

There are many 19th century items of furniture, linen and crockery donated to Flagstaff Hill Maritime Village by Vera and Aurelin Giles. The items are associated with the Giles Family and are known as the “Giles Collection”. These items mostly came from the simple home of Vera’s parents-in-law, Henry Giles and his wife Mary Jane (nee Freckleton), whose photos are in the parlour. They married in 1880. Henry Giles was born at Tower Hill in 1858. He was a labourer on the construction of the Breakwater before leaving in 1895 to build bridges in N.S.W. for about seven years. Mary Jane was born in 1860 at Cooramook. She attended Mailor’s Flat State School where she was also a student teacher before, as family legend has it, she became a governess at “Injemiara” where her grandfather, Francis Freckleton, once owned land. Henry and Mary’s family of six, some of whom were born at Mailor’s Flat and later children at Wangoom, lived with their parents at Wangoom and Purnim west, where Henry died in 1933 and Mary Jane in 1940. The Giles family collection has social significance at a local level, because it illustrates the level of material support the Warrnambool community gave to Flagstaff Hill when the Museum was established.Bedspread, double bed size, white self-embossed floral pattern.warrnambool, flagstaff-hill-maritime-museum, giles collection, henry giles, tower hill, cooramook, mailor’s flat, vera & aurelin giles, bedspread, double bed bedspread, bed linen, quilt, embossed cotton

Yields information about Sturt and Armstrong Streets with a toast rack tram and Snows Buildings on the left.Black and white historic photograph downloaded from a picture resource website within a decorative frame. Printed with an inkjet printer. Titled "Looking down Lydiard Street North Ballarat, circa:" shows a view looking north along the street from outside the Mining Exchange. Shows the centre poles in the street, the Federal Hotel, Cobb & Co building, blue stone gutters, gutter crossings and telephone wires. Original photo from a postcard - not currently (June 2010) in Museum's collection.trams, tramways, lydiard st north, horse drawn vehicle

Example of a shuttle used for a loom in the weaving process. This shuttle was probably used as an advertising piece for Waddington's company as it is constructed differently to other examples of working shuttles in the museum collection. This shuttle is a a unique item in the collection as a shuttle made for advertising purposes instead of being made for use on a loom. Wooden loom with metal tips on either end. Loom is rectangular. One side has a green sticker. Metal pieces inside loom are not present.WADDINGTON'S/ FOR/ SHUTTLES OF QUALITY/ Phone Bradford 27668waddingston's, weaving, shuttle, loom, advertising, geelong, wool

DVD in caseImperial War Museum the Official Collection - British Tanks at War Five Wartime Films 1941 - 1942ww2