The giraffe was photographed when the children from Bulla Primary School were taken on an excursion to Werribee Parl Open Range Zoo and mansion. The children were amused at the way the giraffe had to spread out his front legs in order to reach the food in the container. The excursion to the Open Range Zoo was a part of the children's nature and environmental studies.A non-digital photograph of a giraffe in an open area feeding from a large container on the ground.werribee park open range zoo, bulla primary school, school excursions, exotic animals

Norma Bull in a window of 'Medlow', 1920s Her brother (Ronald) Richard was a keen photographer and is believed to have taken the photographs of the family and in the grounds of 'Medlow'. Norma Catherine Bull (7 September 1906 – September 1980) was an Australian painter, printmaker and etcher best known for the paintings and sketches she made in Britain during World War II. Norma was the daughter of Richard Joseph Bull (1874-1927) and Catherine Grace Perrier (1884-1972). Her father was the Director of Bacteriology at Melbourne University. Richard and Catherine had 2 children. Norma was born in Hawthorn in 1906 and her brother Ronald Richard was born in Surrey Hills in 1912, where in 1911 Richard bought a property at 42 Warrigal Road, Surrey Hills developed by Colonel William Cairncross, known as ‘Willcyrus’ and renamed ‘Medlow’ by the Bulls. As a child, Norma was a high achiever both intellectually and artistically. She was educated at Fintona, where she matriculated as Dux of the School and winner of an exhibition in French. She won a scholarship to attend the University of Melbourne where she studied French, Zoology, Philosophy, English and History, leading to a Bachelor of Arts in 1929. Following this she studied painting and drawing at the National Gallery Art School for seven years. Whilst most of the students of the 1930s were inspired by Modernism, Norma followed more traditional styles and became known for her etchings and realistic depiction of urban scenes. Her work was strongly influenced by the conservative nature of the National Gallery Art School under Bernard Hall, and she remained a traditionalist all her life. In 1938, she was awarded the Sir John Longstaff Scholarship in Fine Art. This enabled her to travel to England to study at the Royal Academy in London. She arrived in April 1939 and after the outbreak of war, she worked as a volunteer at a First Aid Clearing Station and applied to become a war artist. In 1941, she was given a sketching permit by the War Artists Advisory Committee to record bomb damage in the Bristol area. In 1947, an exhibition of her 205 wartime works entitled “Two Hemispheres”, opened at Australia House in London. Many were acquired for major collections in England including the Victoria and Albert Museum, the Imperial War Museum and the Royal Collection. The “Two Hemispheres” exhibition toured Australia in 1948 and for over twelve months she followed Wirth’s Circus around the country, painting aspects of circus life. From then on she lived at Medlow’, From 1960 she was secretary of the Fellowship of Australian Artists. She was a finalist in the Archibald Prize on 2 occasions and is remembered through a biennial Art Prize, ‘The Norma Bull Portraiture Scholarship’ which is administered by The Victorian Artist’s Society. She continued to paint landscapes and seascapes in her traditionalist style. She had holiday homes at Anglesea and Bright. After she died in September 1980, 31 of her works were bequeathed to Bright Art Gallery. A black and white photograph of a lady holding a sun umbrella and sitting in a window frame.miss norma bull, medlow, house names, warrigal road, surrey hills, mr ronald richard bull

Film strips put out by the Visual Centre of the victorian Education Department during the 1940's and 50's as an aid to the teaching of subjects such as Social Studies, English, History. Picturol Projector Model K/ U.S. Patent Nos 1277568- 14342/9 Mr Wilfred Murphy became headmaster of the Port Fairy Consolidated School in the 1950's and retired in the 70's. The projector was used by Mr Wilfred Murphy during the early days of his teaching career. small portable projector in leatherette case with leads to attach to 6 volt battery. seven (7) tins of film - 'The garden that Mary made'/'Our Earth'/ two (2) Copies of 'the Story of the Seed'/ 'Spiders-their Kin'/ 'Camouflage in Nature'/ 'the Story of a Tree'Each tin has a label='The garden that Mary made'/'Our Earth'/ two (2) Copies of 'the Story of the Seed'/ 'Spiders-their Kin'/ 'Camouflage in Nature'/ 'the Story of a Tree'photography, projectors, wilf murphy, education

Jessie McCleverty had a private ladies school in 2 locations in Surrey Hills in the early 1900s. She is not registered in teacher records at PROV. According to Jocelyn Hall's notes her school was located at 12 Durham Road from 1903-1905/6 and from then until 1933 at 44 Windsor Crescent.The earliest date in Sands & MacDougall is c1902 and according to the Victorian Government Gazette 1924, the school closed in 1923. [1933 may be a typo.] She was born in Melbourne in 1862 daughter of George McCleverty and Mary Gill. She had a brother William Edward, b1858, Ballarat East. Her parents may have migrated independently from Ireland. They married in 1856. By 1931 she was retired but still living in Surrey Hills. It is unclear exactly when she moved to Queensland, but she is listed on the electoral roll there for 1943 living with her niece Frances Victoria Shepperd and she died on 26 Jul 1943. She is buried in Toowoomba Cemetery. Fanny Wridgway (1890-1956) was born in Box Hill, the daughter of Frederick Wridgway and his wife Mary Ann (nee Young). She had an older brother Alfred and a younger sister Mary Ann. Box Hill Reporter entry gives her attending Banff Ladies' College in Box Hill in 1904 and she was dux of the school in 1905. Although the original donor indicated that Fanny was a teacher, she is not registered on the PROV Victorian Teachers' Roll. Electoral roll entries consistently indicate that her occupation was 'clerk'. She is buried in Box Hill Cemetery, along with her sister Mary Ann. No information found regarding W M Nance.This a fine example of the standard of work required of a senior student for examination purposes in 1907/1908.An exercise book with alternating lined and plain paper. The cover is beige in colour with a stamped illustration in the top LH corner. The binding is navy coloured cloth tape. it has rounded corners. The pages are numbered in neat black pen in the upper outside corner. An index on the front page indicates the scope of entries and the page number. The book is almost full. Each completed page has been signed by W M Nance. Illustrations and executed in black ink and the detail is very fine. in 2 places there are pressed rose leaves.Front cover in faded black ink: "(No. 1118 Passed in 1907) / Fanny Wridgway / Ladies' High School / Surrey Hills. / N0. 1366. present Exam. Dec. 1908" Back page in faded black ink: "J. M'Cleverty / Principal / Ladies' High School. Surrey Hills" jessie mccleverty, fanny wridgway, nature study, schools, private schools, w m nance, box hill cemetery

p.765.fictionThe classic tale of one young woman's quest for fulfillment in 1820s England, and the price she would pay for true freedom. Maggie Tulliver's entire life has been spent in the shadow of Dorlcote Mill on the River Floss with her beloved older brother, Tom. But when their father meets an untimely death, the siblings' singular bond is strained as Tom is forced to leave his studies and Maggie struggles to find a sense of belonging. Maggie's sharp intelligence and spirited nature have made her an oddity in the rural hamlet of St. Ogg's, where such unique qualities are perceived as unbecoming for a woman. Her need for recognition and love eventually drives her to defy her brother, who casts her out of his house to survive on her own. Forced to grieve the losses of both their father and each other, the siblings will have to find it in their hearts to forgive in order to reconcile before tragedy strikes again. Inspired by events in the life of the author, The Mill on the Floss is George Eliot's most heartfelt novel and one of her most compelling and moving worksengland - fiction, romantic fiction

p.236.non-fictionThe author was Professor of Classics at Melbourne University. Preface: 'The following short studies were originally delivered as Lectures before various societies, and subsequently appeared in the columns of the Melbourne 'Argus'. They are here reprinted with such slight revisions as their present collection seemed to render desirable ...' Contents: - Our earliest ancestors and their beliefs - The nature and province of poetry - Literature, Science and Education - Culture and cant - The teachings of history - The teachings of travel - Literary judgment Fergusonliterature - history and criticism, modern literature

The Uniting Church (originally the Scots Presbyterian Church) was built 1865-67) and adjacent former Church Hall / Sunday School (built 1938), Yuille Street, Melton. The adjacent former church hall, now kindergarten facility. The Uniting Church and former church hall are historically significant at a Local level (AHC A4). It was built after Melton’s ‘United’ church and school, erected by Protestant denominations in 1857 in an effort to share resources in the pioneering era, was replaced by individual churches in the 1860s. The church became the home of and is expressive of the union of the Methodist and Presbyterian churches, begun in Melton from the early 1970s, and formally concluded by the formation of the Uniting Church of Australia in 1977. The new additions and functions of the church are expressive of the increase in Melton’s population especially in the 1970s, and the changing nature of the parish’s ministry. The church is one of only three remaining nineteenth century churches, and one of only two remaining bluestone churches, in the Shire of Melton. Information from Shire of Melton Heritage Study Stage 2 Volume 6 David Moloney 2007 At the opening of the new extension to the churchlocal identities, churches

Scots Presbyterian Church now known as the Uniting Church. The Uniting Church and former church hall are historically significant at at the Local level (AHC A4). It was built after the Melton’s ‘United’ church and school, erected by Protestant denominations in 1857 in an effort to share resources in the pioneering era, was replaced by individual churches in the 1860’s. The church became the home of and is expressive of the union of the Methodist and Presbyterian churches, began in Melton from the early 1970’s, and formally concluded by the formation of the Uniting Church of Australia in 1977. The new additions and functions of the church are expressive of the increase in Melton’s population especially in the 1970’s and the changing nature of the parish’s ministry. The church is one of only three remaining nineteenth churches, and one of only two remaining bluestone churches, in the Shire of Melton. Information from Shire of Melton Heritage Study Stage 2 Volume 6 David Moloney 2007 Barrie, Vass, Robinson, and other families gathered at the front of the church churches, local architecture, local identities

'Home' is a symbol of hopes, dreams, comfort, love, family and future. It is both a place and an idea, nor does it remain in time and space. It can also represent a time of sadness , fear and loss. Through the roller-coaster of the past year, I have used a series of homes belonging to family and friends. Each artwork of home tells a different story about its occupants, their story, and what home mean to them. Sarah CANHAM Sarah has had a life-long love of creative arts and a passion for nature she has pursued in her career. She has a Bachelor Applied Science degree from Charles Sturt University, a Masters of Environment from University of Melbourne, and works in natural resource management and conservation. Studying part time Sarah Canham completed a Bachelor of Visual Arts at Federation University Arts Academy in 2021. Her art is an expression of the awe she has for the natural world, and concerns for the future, including for our indigenous culture, and native flora and fauna in Australia. She also reflects on the current and past women and mother artists who have experienced the challenge of juggling art, career and motherhood, and have been under-represented in the arts community for millennia.Three handbuilt, slab construction, stoneware formsceramics, sarah canham, dvc art award, alumni

In recent years intense study of the Vietnam War, mainly in the United States, has tended to concentrate on the nature and causes of the American defeat.vietnamese conflict, 1961-1975 - origins, united states - foreign relations - vietnam, ho chi minh

In recent years intense study of the Vietnam War, mainly in the United States, has tended to concentrate on the nature and causes of the American defeat.vietnamese conflict, 1961-1975 - origins, united states - foreign relations - vietnam, ho chi minh