Showing 273 items
matching neck tie
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Orbost & District Historical Society
bottle, After 1862
... side. Wide neck with string tied around.... with flat side. Wide neck with string tied around. Front ...Spa water bottle made in Daylesford, Victoria in 1860's.Small oval-shaped green tinted spa water bottle with flat side. Wide neck with string tied around.Front - Established 1862, Trademark, C.R. Moore, Daylesford.bottle -daylesford-moore c.r. -
Whitehorse Historical Society Inc.
Clothing - Baby's Bonnet
... ties at neck... bonnet lined with cotton.. ribbon ties at neck costume infants' ...Cream wool crochet baby bonnet lined with cotton.. ribbon ties at neckcostume, infants' -
Blacksmith's Cottage and Forge
Bottle
... is in place in neck of bottle. Tied-on leather label white with red... camphorated oil. Cork is in place in neck of bottle. Tied-on leather ...Before widespread medical services were available, most families kept a medicine cupboard of home remedies, or medications made by the local chemist. Camphorated oil was commonly used as an inhalant, or as a chest rub for those suffering from colds or flu. It is a forerunner of the modern Vicks VapoRub.Local. it is of interest that this bottle was manufactured in NSW.Glass bottle (full) containing camphorated oil. Cork is in place in neck of bottle. Tied-on leather label white with red lettering.Camphorated Oil. V D Johnston, Chemist. 8 Bayswater Road, Darlinghurst. 260 Victoria Street, Darlinghurst. -
Ringwood and District Historical Society
Nightgown, White cotton christening gown with lace edging at sleeves and wrists. C early 1900's, c. early 1900s
... at neck back tied with tapes. Pin tucks under neck lace. Machine... at neck back tied with tapes. Pin tucks under neck lace. Machine ...Unknown - possibly Maggs familyWhite cotton christening gown with lace edging at sleeves and wrists. Inserted V with lace and lace band at front. Opening at neck back tied with tapes. Pin tucks under neck lace. Machine sewn. +Additional Keywords: Maggs Family -
Bendigo Historical Society Inc.
Clothing - HANRO COLLECTION: WOMEN'S BED JACKET
... , with peter pan collar and tie neck. No identifying label on garment... pan collar and tie neck. No identifying label on garment ...Clothing: salmon pink bed jacket. Lacy pattern overall, with peter pan collar and tie neck. No identifying label on garment. Possibly Hanro ?female, bed jacket, women's clothing, bed jacket, night attire. -
Whitehorse Historical Society Inc.
Clothing - Jacket
... Cream silk sleeveless matinee jacket with ribbon ties... jacket with ribbon ties at neck. Crochet edging at embroidery ...Cream silk sleeveless matinee jacket with ribbon ties at neck. Crochet edging at embroidery on front.costume, infants' -
Bendigo Historical Society Inc.
Clothing - AILEEN AND JOHN ELLISON COLLECTION: BENDIGO HIGH SCHOOL TIE BY AUSTICO
... across neck of tie where a piece has been removed. Tie has been... and light blue. Self tipped. Diagonal seam across neck of tie where ...Bendigo High School tie with shell fabric with diagonal stripes of yellow and light blue. Self tipped. Diagonal seam across neck of tie where a piece has been removed. Tie has been shortened by half its original length. Worn by Merryn Ellison.Label on back of tip. 90% wool,10% Rayon, ''AUSTICO'' Name.costume accessories, female, bendigo high school tie -
Whitehorse Historical Society Inc.
Clothing - Wool Jumper, 1980s
... . Ribbed stand up collar and tie at neck.... and tie at neck. Clothing Wool Jumper ...Hand-knitted by donorCream wool jumper; Hand knitted in open zig-zag design. Ribbed stand up collar and tie at neck.costume, female -
Tatura Irrigation & Wartime Camps Museum
Clothing - Baby Jacket, 1940's
... is in a bobble pattern. Silk crochet edge. Silk tie at neck.... crochet edge. Silk tie at neck. Made and used in Camp 3 camp 3 ...Made and used in Camp 3Pale green and lemon knitted matinee jacket. Lemon border is in a bobble pattern. Silk crochet edge. Silk tie at neck.camp 3 baby clothes, peter and barbara drescher -
Bendigo Military Museum
Accessory - IDENTITY DISCS
... or injured. Tied around neck and one taken off the body and other... for identification of soldier if killed or injured. Tied around neck and one ...Dog tags used for identification of soldier if killed or injured. Tied around neck and one taken off the body and other left on body. Belongs to a J.M. Foley V246507 (V346507?) although number not found in nominal roll.Metallic silver discs x 2 with identification of the soldier imprinted on them, tied onto a long piece of white string.Imprinted on discs; "Foley J.M." & "V246507" and "RC" in centre. On other side is imprinted "04". dog tags, identification -
Whitehorse Historical Society Inc.
Clothing - Apron, approx 1940's
... bias binding neck loop, ties and edging on apron and pockets... with two patch pockets. Blue bias binding neck loop, ties ...not knownCalico hand embroidered apron with two patch pockets. Blue bias binding neck loop, ties and edging on apron and pockets. Embroidery - young woman in full length blue gown with red trim at neckline, hem and cuffs of short sleeves. 1940's hair style. Flowers in hair and at waistline. Standing on a flower decorated balcony.costume, female working, handcrafts, embroidery -
Whitehorse Historical Society Inc.
Clothing - Infant's Nightdress
... at neck and sleeve edge. Gathered at front of bodice. tape ties... nightdress with two ties. Lace frill at neck and sleeve edge ...White cotton baby nightdress with two ties. Lace frill at neck and sleeve edge. Gathered at front of bodice. tape ties at neck.'NS' embroidered on hemcostume, female nightwear -
Whitehorse Historical Society Inc.
Clothing - Camisole
... trim around neck and armhole edge. Two buttons and tape ties... edge. Two buttons and tape ties at neck and waist. COSTUME ...White cotton sleeveless camisole with white cotton crochet trim around neck and armhole edge. Two buttons and tape ties at neck and waist.costume, female underwear -
Seaworks Maritime Museum
Vase
... and red ribbon tied around neck. Inside is blue. Sitting on small... decoration and red ribbon tied around neck. Inside is blue. Sitting ...Red lacquer ware vase with carved vegetative decoration and red ribbon tied around neck. Inside is blue. Sitting on small, round wooden standOn vase "PMA 0260/1" On Ribbon "COSCO" On stand "PMA 0260/2" Sticker fixed on bottom of stand "Presented to Chairman, PMA/ John B King/ By China Ocean Shipping Co (COSCO)/ On Occasion of his visit to Beijing/ 25-29 October 1991/ (red carved lacquer ware vase) -
Flagstaff Hill Maritime Museum and Village
Clothing - Camisole, c. 1900
... and lace trim around armholes and neck. Drawstring waist tie... trim around armholes and neck. Drawstring waist tie and button ...This camisole was donated along with other well kept items of women's clothing. The clothing once belonged to members of a family who migrated from Faversham, Kent, England to Sydney, Australia in the late 19th - early 20th century and was passed down through the family. The items have been worn and have also been well cared for.Camisole, machine sewn, cotton with lace insert panels and lace trim around armholes and neck. Drawstring waist tie and button closure on back - 2 buttons. Inscription, handwritten in pencil on back opening "19428 - - - " c. 1900Handwritten in pencil "19428 - - - " flagstaff hill, warrnambool, shipwrecked coast, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, ladies garments 19th century, cotton garments 19th century, ladies undergarment, camisole c 1900, handmade lingerie -
Bendigo Historical Society Inc.
Clothing - BABY CLOTHES COLLECTION: BED JACKET, early 1940s
... ribbon tie at neck. Apricot coloured ribbon ties at cuff.This.... Front opening. Pink satin ribbon tie at neck. Apricot coloured ...Hand knitted salmon pink coloured ladies woollen bed jacket with set in long sleeves. All over feather and fan pattern with rib pattern on yolk. Fold over collar. Front opening. Pink satin ribbon tie at neck. Apricot coloured ribbon ties at cuff.This collection of knitted and sewn garments were made in the early 1940s and were intended for a baby that was stillborn.costume, female, ladies bed jacket -
Whitehorse Historical Society Inc.
Clothing - Infant's Nightdress
... and long ties. Tape ties at neck.... ties at neck. 'NH' embroidered inside hem costume female ...White cotton infant's nightdress with long sleeves. Lace around neckline and sleeves. 3 rows of small embroidery in front and long ties. Tape ties at neck.'NH' embroidered inside hemcostume, female nightwear -
Whitehorse Historical Society Inc.
Clothing - Camisole
... on bodice. Tape ties at neck and waist.... layers of cotton lace insets on bodice. Tape ties at neck ...Short sleeve white cotton camisole with cotton lace trim on neck and sleeve edge. Alternate layers of cotton lace insets on bodice. Tape ties at neck and waist.costume, female underwear -
Whitehorse Historical Society Inc.
Clothing - Nightdress
... in the material. Applique embroidery on V neck and cap sleeves. Ties... with flower pattern in the material. Applique embroidery on V neck ...Cream Fuji silk nightdress with flower pattern in the material. Applique embroidery on V neck and cap sleeves. Ties and small pocket at waist. Cut on bias. Edges bound with material.costume, female nightwear -
Bendigo Historical Society Inc.
Clothing - CAMISOLE, Late 19th C
... made. Cotton tape ties at neck and waist. Square neckline. Lace... sleeves. Machine made. Cotton tape ties at neck and waist. Square ...Camisole. Delicate cotton patterned fabric with lace inserts and pintucks, front and back. Small cap sleeves. Machine made. Cotton tape ties at neck and waist. Square neckline. Lace edging at bottom.costume, female, underwear -
Whitehorse Historical Society Inc.
Clothing - Camisole
... and sleeves. (Torchon Lace). Front held together by tape tie at neck... held together by tape tie at neck. Three press studs sewn over ...Fine white cotton camisole with crochet cotton lace at neck and sleeves. (Torchon Lace). Front held together by tape tie at neck. Three press studs sewn over original button holes in placket.costume, female underwear -
Bendigo Historical Society Inc.
Clothing - BABY CLOTHES COLLECTION: BABY VEST, 1940s
... coloured cotton tie at neck. Patterned yolk and lower edge... baby vest.Cream coloured cotton tie at neck. Patterned yolk ...Cream coloured hand knitted woollen baby vest.Cream coloured cotton tie at neck. Patterned yolk and lower edge. Stocking stitch. This collection of knitted and sewn garments were made in the early 1940s and were intended for a baby that was stillborn.costume, children's, baby vest -
Bendigo Historical Society Inc.
Photograph - UNKNOWN FAMILY COLLECTION: PHOTOGRAPH
... , mum,dad and baby. Male with a high neck collar and thin tie..., mum,dad and baby. Male with a high neck collar and thin tie ...Photograph - black and white. Portrait of a young family, mum,dad and baby. Male with a high neck collar and thin tie and moustache. Female, pleated top part, hair tied up on top of head. Baby all in white lace.Richards & Co., Ballarat.person, family, portrait of family, portrait - family. -
Lara RSL Sub Branch
Belt, Leather Belt
... (but not always the same pattern arrangement) of regimental neck ties. ... (but not always the same pattern arrangement) of regimental neck ties ...This belt belonged to a WW1 Australian Anzac who most probably, because of the buttons and badges, served on the Western Front. Records destroyed in 1969 bush fires at Lara means we are unable to determine who owned this in the RSL. The belts is called a 'stable belt' and the one you have acquired is an early example with a leather pocket. It became common in WW1 for both, leather belts (especially that from the 1903 bandolier equipment as worn by those in the Boer War), and stable belts to be used to hold badges collected from fellow soldiers and for that reason it was often known as a 'souvenir belt'. The evolution of the stable belt: It seems that stable belts began to become popular across the Army as a whole around the turn of the 20th century, although they probably originated with the cavalry a little earlier sometime in the 1880s/1890s. All units at that time had horses on their establishment and those soldiers told off to attend them reported for Stable Parade in Stable Dress which consisted of very high waisted and pocket less breeches, or trousers, held up by braces and collarless, woollen flannel shirts with sleeves rolled up. This was to facilitate the rigorous physical effort and flexibility of movement necessary for mucking out and grooming. Braces at that time had no elastic as rubber was expensive, they were made of cotton with no 'give' whatsoever and so soldiers commonly allowed the braces to flop down from the waist so that they could bend over freely. For trousers that fitted loosely (due to the high waist) this meant that they tended to slip down and at first soldiers cinched them in with leather belts. Later on the regimental saddlers began to make belts from the same, plain canvas or wool strapping used for the horses Surcingle and utilising the same double leather strap and buckle arrangement for security (if one strap broke the other would hold and prevent the saddle from coming unseated). One particular feature of these early stable belts was a sewn on (or in) pocket, secured by a stud or clip, within which loose change could be kept, or a pocket watch, as there were no pockets in the breeches. As you might imagine these became very popular as the pocket was useful and the extra breadth afforded by the canvas strapping made them very comfortable. Around about the turn of the 20th century it began to be popular for officers to wear neckties in regimental colours both for sport and less formal, country dress. This habit probably began with the Queens Household troops and Line Cavalry, but quickly spread throughout the Army and it appears as if this use of regimental colours spread to the canvas or wool strapping used to make stable belts. For this reason the stable belts invariably followed the same colour scheme (but not always the same pattern arrangement) of regimental neck ties. This belt is an example of what Australian troops collected when on the Western Front during WW1 and when on leave.Leather Belt with 31 Badges and Buttons from WW1 attachedSee Mediaww1, world war 1, australian army, badges, button, belt, stable belt -
Lara RSL Sub Branch
Belt, Webbing Belt
... (but not always the same pattern arrangement) of regimental neck ties.... (but not always the same pattern arrangement) of regimental neck ties ...This belt belonged to a WW1 Australian Anzac who most probably, because of the buttons and badges, served on the Western Front. Records destroyed in 1969 bush fires at Lara means we are unable to determine who owned this in the RSL. The belts is called a 'stable belt' and the one you have acquired is an early example with a leather pocket. It became common in WW1 for both, leather belts (especially that from the 1903 bandolier equipment as worn by those in the Boer War), and stable belts to be used to hold badges collected from fellow soldiers and for that reason it was often known as a 'souvenir belt'. The evolution of the stable belt: It seems that stable belts began to become popular across the Army as a whole around the turn of the 20th century, although they probably originated with the cavalry a little earlier sometime in the 1880s/1890s. All units at that time had horses on their establishment and those soldiers told off to attend them reported for Stable Parade in Stable Dress which consisted of very high waisted and pocket less breeches, or trousers, held up by braces and collarless, woollen flannel shirts with sleeves rolled up. This was to facilitate the rigorous physical effort and flexibility of movement necessary for mucking out and grooming. Braces at that time had no elastic as rubber was expensive, they were made of cotton with no 'give' whatsoever and so soldiers commonly allowed the braces to flop down from the waist so that they could bend over freely. For trousers that fitted loosely (due to the high waist) this meant that they tended to slip down and at first soldiers cinched them in with leather belts. Later on the regimental saddlers began to make belts from the same, plain canvas or wool strapping used for the horses Surcingle and utilising the same double leather strap and buckle arrangement for security (if one strap broke the other would hold and prevent the saddle from coming unseated). One particular feature of these early stable belts was a sewn on (or in) pocket, secured by a stud or clip, within which loose change could be kept, or a pocket watch, as there were no pockets in the breeches. As you might imagine these became very popular as the pocket was useful and the extra breadth afforded by the canvas strapping made them very comfortable. Around about the turn of the 20th century it began to be popular for officers to wear neckties in regimental colours both for sport and less formal, country dress. This habit probably began with the Queens Household troops and Line Cavalry, but quickly spread throughout the Army and it appears as if this use of regimental colours spread to the canvas or wool strapping used to make stable belts. For this reason the stable belts invariably followed the same colour scheme (but not always the same pattern arrangement) of regimental neck ties.This belt is an example of what Australian troops collected when on the Western Front during WW1 and when on leave.Webbing Belt with Badges and Buttons WW1See Mediaarmy, australian army, western front, aif, s.w.ellis, service number 640, 2 m.g.c., buttons, badges, belt, stable belt -
Clunes Museum
Clothing - APPAREL
... colour .4 1 blouse, cream colour with fabric tie at neck .5 1... tie at neck .5 1 purple top hat LABEL ON INSIDE OF JACKET ...Karolina Artist was a resident artist of Clunes.1 1 purple jacket (wool) with poplin detail on lapels .2 1 purple jacket (polyester) .3 1 chemise/singlet top in cream colour .4 1 blouse, cream colour with fabric tie at neck .5 1 purple top hatLABEL ON INSIDE OF JACKET JACKET "HANDMADE WITH LOVE BY MAREE FOR KAROLINA"karolina, costume -
National Wool Museum
Work on paper - Women's Official Occasions Uniform Design Drawings, Wendy Powitt, c. 1992
... woollen vest over a yellow button up shirt with printed neck tie... with printed neck tie. Three smaller drawings on the left side ...A set of laminated A3 sketchbook pages depicting designs for the 1992 Barcelona Olympic Women's Official Occasions Uniform designed by Wendy Powitt. On the 1992 Barcelona Olympic Games donor Doug Pleasance wrote- The 1992 Barcelona Olympic Games saw an evolutionary change in designer selection. A Declaration of Interest Form was communicated to over forty potential designers. The task and especially tight timelines that were involved deterred many aspirants, however, there remained eight designers with the potential we were seeking. These eight designers were paid $3,000 per submission and the winning designer, Wendy Powitt, was paid $15,000. For the first time the judging panel included two athletes, one male swimmer and one female basketballer, their influence was pivotal. The Official Uniform was used for both travel and official functions. This included a tailored blazer and trouser/skirt set (all water repellent) by Fletcher Jones in pure olive green faille fabric by Foster Valley, a cotton PE formal shirt by Pelaco, pure wool knitwear by Spangaro, a printed wool tie by TD Noone, wool nylon socks by Holeproof and footwear by Hush Puppy.8116.1 - A laminated A3 sketchbook page depicting a design for the 1992 Barcelona Olympic Women's Official Occasions Uniform. The main drawing shows the design for a green skirt and green woollen vest over a yellow button up shirt with printed neck tie. Three smaller drawings on the left side of the page show the details of the vest, necktie and shirt. 8116.2 - A laminated A3 sketchbook page depicting a design for the 1992 Barcelona Olympic Women's Official Occasions Uniform. The main drawing shows the design for a black skirt and printed scoop neck, button up blouse, cinched at the waist with a black belt. Around the central drawing are smaller drawings showing the details of the skirt, belt and shoes. 8116.3 - A laminated A3 sketchbook page depicting a design for the 1992 Barcelona Olympic Women's Official Occasions Uniform. The main drawing shows the design for a black skirt and black blazer with detailed striping across the right front and right arm. There is a small detailed drawing of the blazer to the right of the main figure which includes the design of a scarf. 8116.4 - A laminated A3 sketchbook page depicting a design for the 1992 Barcelona Olympic Women's Official Occasions Uniform. The main drawing shows the design for a green skirt, a yellow printed, sleeveless shirt, yellow gloves, along with a matching headband and scarf.1992 barcelona olympics, sport, athletes, fashion, design, artwork, drawing, uniform -
City of Moorabbin Historical Society (Operating the Box Cottage Museum)
Clothing, Baby's long white calico Christening gown c1900, c1900
... by a mother of pearl button and draw string at neck with long waist... sleeves, long waist ties and a draw string neck. A traditional ...A traditional Baby's long white calico Christening gown with cut-work and pintucks on the front yoke and fastened at back by a mother of pearl button and draw string at neck with long waist ties. The women of the early settler families in Moorabbin Shire were skilled dressmakers and craft workers and made the clothes for their families. There were times when prices for produce were not good and families struggled to support their families until prosperity returned. However they still made simple materials special by their dressmaking and craft work skills The early settler families followed the religious traditions of their Churches. This Baby's long white calico Christening gown is an example of the simple dressmaking skill of a woman making a special garment with inexpensive material and her cut- work decoration. A Baby's long, white calico Christening gown with pintucks,cut-work, lace, long sleeves, long waist ties and a draw string neck. clothing, brighton, moorabbin, pioneers, dressmaking, lace work, cut work, christening gowns, methodist church, religious services, market gardeners, early settlers, craftwork , bentleigh, moorabbin shire blackburn nance, dairy farms, fruit orchards -
Whitehorse Historical Society Inc.
Clothing - Apron - Nanny
... White bib front apron with ties to back of neck - wide... with ties to back of neck - wide waist band ties - 12 cm hem line ...The bedspread (NA2862) and apron were owned by Maria Austin (born 25 August 1867 Buried at Box Hill Cemetery 15 November 1955) and used when she worked as a 'Nanny' in England. Many of the children she cared for kept in touch with her after she came to Australia with her family in 1914. They arrived on Show Day, 1914 on the last ship to leave England before the First World War was declared. She lived at 26 Nelson Road Box Hill now the site of the Box Hill R.S.L. Maria was born 25 August in 18?? and died in 1952 and is buried in the Box Hill Cemetery. She was the Great Aunt of the donor.White bib front apron with ties to back of neck - wide waist band ties - 12 cm hem line - also three 2cm pin tucks above hem line - two 12cm pin tucks at top of bib front. Pocket on right hand side.M Austin. 1.2.1901|Laundry mark in red 59costume, female working -
Bendigo Historical Society Inc.
Clothing - BABY CLOTHES COLLECTION: BABY JACKET, 1948 s
... . Embroidered silk thread trim on cuffs, collar and hem. Ribbon tie..., collar and hem. Ribbon tie at neck , foldover collar. Rib pattern ...Hand knitted baby jacket cream coloured. Front opening. Embroidered silk thread trim on cuffs, collar and hem. Ribbon tie at neck , foldover collar. Rib pattern. This collection of knitted and sewn garments were made in the early 1940s and were intended for a baby that was stillborn.costume, children's, baby jacket