p.679.fictionA portrait of the pain and joy of youth, the ruin of marriage gone wrong and the ache of lost friendship and love. A trilogy of Edna O'Brien's early novels.ireland - social life and customs - fiction, women - ireland - fiction

p.345.fictionA romantic novel. Mary Lavelle, a beautiful young Irish woman, travels to Spain to see some of the world before marrying her steadfast fiance John. But despite the enchanting surroundings and her three charming charges, life as governess to the wealthy Areavaga family is lonely and she is homesick. Then comes the arrival of the family's handsome, passionate - and married - son Juanito and Mary's loyalties and beliefs are challenged. Falling in love with Juanito and with Spain, Mary finds herself at the heart of a family and a nation divided. love story, spain - history - republic 1931-1939

p. 298.fictionA searing and compelling piece of fictionenglish fiction- irish authors, fathers and daughters-fiction

Ill, p.89.non-fictionAn autobiographical tapestry, recollections of an Irish childhood linked to an account of a journey there today, interwoven with fragments of Irish mythology, history and hearsay.ireland - authors - biography, ireland - description and travel

Index, map, Ill, plates, bib. p.336.non-fictionThe first of a series of biographies of the 16 men executed by the British Government following the Easter Rising in 1916.ireland - biography - sean macdiarmada, ireland - uprising 1916

"Empty Avenues (Best of Season 1) reimagines the daily life of the artist through the formal languages of television sitcoms and YouTube ‘Best of’ compilations. By doing so the work engages the concept of narrative identity; questioning the extent to which identity is shaped through media influence, and our potential to reformulate understandings of self through narrative reconstruction. What emerges is an absurd, Existential sitcom that explores themes of meaninglessness, isolation, domesticity, and despair. Extended statement: The concept of narrative identity In other words, our understanding of ourselves, the values and goals that we possess, and our place within society can only be grasped within the context of a self-generated historical narrative. However, to what extent is our formulation of narrative identity shaped by pre-existing narrative structures? And how can the implementation of alternative narrative structures potentially reformulate our understanding of ourselves? Empty Avenues (Best of Season 1) explores these ideas by reimagining the narrative identity of the artist through the conventions of traditional TV sitcoms and YouTube ‘Best of’ compilations. Interactions, responsibilities, and leisure activities are taken from O’Brien’s daily life and restaged as scenes within a constructed domestic environment. Through the process of restaging, the work engages uncanniness as a way of generating critical distance and estrangement towards daily life. This process also allows the work to be instilled with a greater sense of subjectivity; utilizing mise-en-scène to externalise the experience of somebody struggling with Existential concerns. This blending of factuality and subjectivity emerges as a magical realist take on a traditional sitcom premise: the Odd Couple scenario. This cliché premise is depicted in Empty Avenues as the relationship between a man and a materialisation of ‘the void’ – a universal nothingness that permeates everything. In these terms, the relationship between the characters can be understood as an embodiment of the conditions that generate the Absurd. In terms of narrative structure, Empty Avenues is presented as a ‘Best of’ compilation instead of a traditionally chronological, cohesive narrative. Such compilations, typically assembled by fans and amateur video editors, feature fragments of scenes that have been removed from their original contexts and reassembled in ways that distort the sequence of events. By presenting Empty Avenues in this way, the work disrupts the temporal conditions of narrative identity that allow for the construction of meaning. As such, scenes are instilled with a greater sense of absurdity and meaninglessness, allowing the audience to share in the Existential perspective of the main character. As a result, both the character and the audience are confronted with a narrative world that is constantly on the brink of both creation and destruction, and are faced with the question of whether they can continue to engage with such a world. At it’s core, Empty Avenues (Best of Season 1) explores the enduring question: how do we find meaningful relationships and pursuits in an immutably meaningless world? "

The Things They Carried is a thrilling and beautiful distillation of everything that has been thought, felt, or said about the Vietnam War and its long afterburn.vietnam war, 1961-1975 - veterans - fiction

Gracefully written and as gripping as a thriller... O'Brien makes the hunt a thrilling pursuit. vietnam war (1961-1975), missing persons -- fiction., vietnamese conflict, 1961-1975 -- fiction

Colour slide in a mount. Image from a magazine of Kansas City's International Airport, Kansas City, Missouri, USA. (Architects: Cooper-Roberson-Carlson-O'Brien.)Made in Australia (Print) / Kansas City's International Airport / Platte County ----- / Cooper-Roberson-Carlson-O'Brien / 10 / Encircled 12 (All Handwritten)slide, robin boyd

This is one of a series of plaques which commemorated some of the winners of the Grand Annual Steeplechase which is held each year in Warrnambool. It is the longest race at a public course in Australia.The first Grand Annual was held in 1872 as the Warrnambool Handicap Steeplechase.This plaque denotes the victory of Knebsworth in 1895 one of three for owner Dan O'Brien winning again in 1900 with Butler followed in 1904 by Wooral.These items relate to a significant part of Warrnambool's sporting and social history.Small rectangular stainless steel plaque engraved and infilled with black text.Mr D O'Brien KNEBSWORTH Winner of the GrandAnnual Steeplechase 1895warrnambool, grand annual steeplechase, grand annual steeplechase, knebsworth

DESCENDANTS OF FRANCIS CLARK & JANE RANKIN.(CLUNES)MURIEL & FRANCES O'BRIEN, ALFRED(JIM) O'BRIEN, FRANCES MAY O'BRIEN, ALFRED O'BRIEN WITH MURIELlocal history, photography, photographs, clark family

This crystal goblet was presented to Mrs. T. O'Brien (Margaret O'Brien nee Leyden) on 26 January 1915 when the Starkie Memorial was unvieled by the then Shire President Cr. O'Brien. The memorial was erected in recognition of Cr. Joseph David Starkie's efforts in bringing the water supply to Sunbury.Engraved crystal goblet with diamond cut decoration on bowl of goblet. Stem and base plain. A black round wood base with three white clips for holding goblet. A clear glass dome shaped cover that is used to enclose the goblet on wood base.around rim - "PRESENTED TO MRS. T.O'BRIEN..."o'brien, margaret, 1910s, sunbury, starkie memorial fountain, starkie, joseph david, george evans collection

DESCENDANTS OF FRANCIS CLARK & JANE RANKIN.(CLUNES)4 PHOTOGRAPHIC IMAGES INCLUDES THE NAMES PRINTED ON EACH IMAGEPRINTED ALEXANDER O'BRIEN, ALEXANDER & MAY (NEE HOLDEN) CLARK, FRANCES O'BRIEN & FARRELL WALLACE, ALF (JIM) O'BRIEN & MARY CLARKlocal history, photographs, clark family

Black and white photo of Tom O'Brien playing a banjo. Typed on a sticker on the back is: O'Brien, Tom, Aberdeen. B. 1903 18.4.83.photo, individual, tom o'brien, peter ellis collection, tom o'brien

Kevin O'Brien at the opening of the school libraryeducation, council

Born in Bendigo and trained as a nurse in the 1950s, Sonia Jill O’Brien devoted a lifetime to social and environmental issues at both the state and local level. From her work in the 1960s with the Family Planning Association of Victoria, of which she was a founding member, through to the 1990s as a member of the Ethics Committee of the Department of Health, she supported efforts to improve women’s health and reproductive rights. At the local level she was most active on committees that worked to save the natural and built environment. The Power-line Action Group, the Studley Park Conservation Society, and the Yarra Bend Park Trust all benefitted from her indefatigable endeavours as well her vision. In 1980, Jill O’Brien successfully stood for the Kew City Council and served as Mayor in 1983 and 1984. With an eye to preserving the past as well as guarding the future, she had the Mayoral robes restored and in 1980 and 1981 was president of the Kew Historical Society. The preservation and restoration of Villa Alba in Walmer Street owes much to her determined efforts throughout the 1980s. On Council, she chaired a number of committees involved in the saving of the Kew River Parklands from the proposed transmission line of the SEC. To this end, she was the Council representative on the Merri Yarra Municipal Protection Committee.Rare colour photograph, used as the official mayoral portrait of Cr Jill O'Brien.Formal civic portrait of Cr Jill O'Brien in red mayoral robes wearing lace jabot and cuffs. The portrait is part of the larger Jill O'Brien Collection donated by her daughters.cr jill o'brien, city of kew -- mayors, mayoral portraits -- city of kew

Text tells the stories of the bravery of Australian women from Gallipoli to Kokoda.Book, soft cover with sepia illustration depicting 4 women. Title in cream lettering. Black & white photographic illustrations & black & white maps. 296 pages with cut edges.Handwritten in black on 1st page: “O'Brien”book, australian women

Three Australian soldiers in Korea showing WW2 serviceRon Marley, Denis O'Brien and unknown