Showing 88 items
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Wodonga & District Historical Society Inc
Photograph - Rats of Tobruk - Private Arthur Lock in Middle East, c1941
Arthur Lock was born in Newport, England and migrated to Australia with his widowed mother in 1924. After spending time in Queensland, he moved to Victoria where he enlisted in the Australian Army at Royal Park, Melbourne on 17 Jun 1940. His service number was VX31240. After basic training, Arthur was enlisted into the 2/23rd Battalion which was raised as part of the all-volunteer Second Australian Imperial Force and assigned to the 26th Brigade. The battalion was moved to Bonegilla, Victoria, and 2/23rd Battalion became known as "Albury's Own". Arthur saw service in the Middle East and Africa where he was involved in the siege at Tobruk, becoming one of the Rats of Tobruk. He also served in El Alamein, New Guinea, Borneo and Tarakan. In his post war life, Arthur dedicated much time and energy to the Scouting movement and in 1972 was awarded the British Empire Medal for services to young people and the community in Wodonga, Victoria.This item is part of a collection of items owned by Arthur Lock, a member of the 2/23rd Battalion, an all-volunteer Second Australian Imperial Force which served as part of the garrison during the Siege of Tobruk, then at El Alamein, New Guinea and Borneo. It has particular local significance as the battalion was know as "Albury's Own" because a large majority of the battalion's initial intake of volunteers came from the Albury–Wodonga region.A black and white photo of Private Arthur Lock taken whilst on service in the Middle East.world war 11, rats of tobruk, tobruk -
Parks Victoria - Maldon State Battery
Concentrating table
The table was used to separate gold from crushed quartz through vibration movement The Phoenix Foundry, part of James Martin and Company, was established by James Martin, MLC, often referred to as the “Father of Gawler”. The Phoenix Foundry was significant, historically, because it formed part of the leading engineering works in the state in the late nineteenth century when Gawler was one of Australia's most important industrial centres. The company was established in 1848 and ceased operation: in1907 Large Phoenix-Weir concentrating table. Rectangular green and pink painted table, inscription on one side with decorative motives, comprises of slatted table top which creates ridges, wooden channel which is bolted on table top, box with holes in base sitting loosely next to channel, table is joined to gear/s which in turn runs belt wheel, gear/s sits on unpainted concrete block, whole table sits on 2 concrete pillars which are raised, table top is tilted on an angle, wooden trough is on lower side of table and sits underneath which is sitting on rusty tins."the phoenix-weir jas martin & co/concentrating table sole makers/gawler. S.A" -
Rutherglen Historical Society
Scotland Box, 1910
In 1910, a Union Jack flag was sent to Rutherglen State School No. 522 from a group of schools in Rutherglen Scotland, in exchange for an Australian flag previously sent to schools in Rutherglen Scotland. This exchange was part of the Empire Day Movement to celebrate Empire Day in 1911. It was one of nearly 300 flags that were exchanged between Australian and United Kingdom schools. The pupils of the woodworking classes of Rutherglen State School made this box to house the flag.Wooden box with brass plaque on lid.On brass plaque: "Presented to the School Children of Rutherglen, Victoria, Australia by their School Mates in Rutherglen Scotland. June 1910"schools, rutherglen scotland, rutherglen connection, rutherglen state school -
Rutherglen Historical Society
Flag, c1900
In 1910, this flag was sent to Rutherglen State School No. 522 from a group of schools in Rutherglen Scotland, in exchange for an Australian flag sent to schools in Rutherglen Scotland. This exchange was part of the Empire Day Movement to celebrate Empire Day in 1911. This was one of nearly 300 flags that were exchanged between Australian and United Kingdom schools. The pupils of the woodworking classes of Rutherglen State School made a box to house the flag.Union Jack flag sent from schools in Rutherglen Scotland.schools, rutherglen scotland, rutherglen connection, rutherglen state school -
Young Christian Workers (YCW Australia) Archive and Research Centre
YCW Flag, Australia, 1957
This felt pennant was produced by the Australian YCW and given to participants on the 'pilgrimage' to Rome in 1957, for the first gathering of the International Young Christian Workers. YCWs from various nations exchanged pennants in Rome, gathered as souvenirs of the event. This is a rare piece, collected by Bill Armstrong, AO who was one of the young workers who visited Rome in 1957. When situated along side the pennants of other participating nations, it symbolises the internationalism of the YCW movement.Small, felt, green and gold pennant flag featuring the logo of the Australian YCW, superimposed over a map of Australia. -
Young Christian Workers (YCW Australia) Archive and Research Centre
Two Copies of The Co-operator Newspaper, The Co-operator, 1962/64
The YCW had established cooperatives in the late 1940s, a manifestation of the movement's commitment to deliver a service for every need. The Co-Ooperator was a newspaper produced by the YCW sharing information regarding its activities in the co-operative sector. The extended publication details of the newspaper are unknown and this complete copy and fragment are the only surviving editions collected by the Archive.One complete edition of The Co-Operator newspaper published March-April 1964 and a fragment of an edition dated 1962. co-operatives, ycw melbourne, third sector -
Unions Ballarat
Australia reconstructed : ACTU/TDC mission to Western Europe : a report / by the mission members to the ACTU and the TDC, 1987
The book was written after a joint mission in 1987 of the ACTU and the federal Government's Trade Development Commission to examine economic outcomes of European countries – e.g. Sweden and Austria – alongside their labour practices. One of the major recommendations of the report is that the union movement might strengthen its collective power by amalgamations to create fewer but larger unions. At the time the latter recommendation was embraced by the ACTU.Significant to Australian and European economic and labour practices in the 1980s and union growth strategies.Paper; book.btlc, ballarat trades and labour council, ballarat trades hall, actu, australian council of trade unions, trade development commission, economy, workplace relations, unions, europe, labour practices, unions - amalgamations -
Unions Ballarat
Correspondence of the Council re the One Big Union Movement. (Includes pamphlets.), 10 September 1918-13 February 1919
The mission of One Big Union, was to align all workers belonging to trade and craft unions into a whole union movement to include all Australian workers. Documents in the collection include: (a) Proposed schemes for closer unionism in Victoria (b) Reorganisation. Report of a Committee appointed to draft a scheme for the Reorganisation of the Trade Union movement.Documents are part of the international One Big Union campaign that took place in the late 19th and early 20th centuries for alignment of trade and craft unions.Paper and folders. Pamphlets.one big union movement, unions, craft unions, btlc, ballarat trades and labour council, eight hours anniversary committee, trade unions, ballarat trades hall -
Unions Ballarat
Part of the glory : reminiscences of the Shearers' Strike, Queensland 1891 from the pen of Julian Stuart (1866-1929) (Don Woodward Collection), Stuart, Julian et al, 1867
The strike took place in 1891 when pastoralists wanted to reduce shearers' wages and bring in non-union workers at lower rates. The author, Julian Stuart, was one of the leaders of the shearers' strike and was jailed for three years with hard labour. He subsequently worked for the Labour Electoral League (a predecessor of the Australian Labor Party).Relevant to the history of the union movement and especially the shearers' union in Queensland.Book; 167 pages. Dust jacket: red and black background; red and black lettering; author's name and title. Cover: green; gold lettering; author's name and title on spine. btlc, ballarat trades hall, ballarat trades and labour council, unions, strikes, pastoralists, shearers, shearers' strike, queensland, labour electoral league, australian labor party, alp, stuart, julian, prison, workers - non-union, workers - union -
Bialik College
Article, 'Mr. Jona Impressed with Bialik Progress', The Australian Jewish Herald, 15 April 1965, 1965
Newspaper clipping, 'Mr. Jona Impressed with Bialik Progress', published in The Australian Jewish Herald, 15 April 1965. 'The progress made by Bialik College and the standard which at present has been attained, is certainly a credit to the headmaster Mr. Chowers, and to all those who have guided the College during its period of growth and development. This was said by Mr. Walter Jona, M.L.A, when he paid an official visit to the college on the invitation of the headmaster, Mr. Abraham Chowers. As one who is particularly interested in the Jewish Day School Movement, Mr. Jona took the opportunity to fully acquaint himself with the contribution being made to the movement by Bialik College which is the only Jewish Day School within his electorate. Mr. Jona toured all the classrooms and was particularly interested in the preparations being made for the Pesach Seder. In Grade 1 he was shown a Haggadah specially prepared for the children's use during the Seder complete with verse and illustrations. On leaving the college Mr. Jona commented, 'At Bialik the obvious enjoyment displayed by the children in their activities derived from both the teaching and environmental influence was most apparent.''shakespeare grove, 1960s -
Federation University Historical Collection
Photograph - Photograph - Colour, VIOSH: Reducing Back Injuries and Energy Costs of Shearing through the Development of Practical Modifications to Shed Layout, 1995-1997
Victorian Institute of Occupational Safety and Health (VIOSH) Australia is the Asia-Pacific centre for teaching and research in occupational health and safety (OHS) and is known as one of Australia's leaders in the field. VIOSH has a global reputation for its innovative approach within the field of OHS management. VIOSH had its first intake of students in 1979. At that time the Institution was known as the Ballarat College of Advanced Education. In 1990 it became known as Ballarat University College, then in 1994 as University of Ballarat. It was 2014 that it became Federation University. VIOSH Australia students are safety managers, senior advisors and experienced OHS professionals. They come from all over Australia and industry. Students are taught active research and enquiry; rather than textbook learning and a one-size fits all approach. VIOSH accepts people into the Graduate Diploma of Occupational Hazard Management who have no undergraduate degree - on the basis of extensive work experience and knowledge. A project titled "Reducing Back Injuries and Energy Costs of Shearing Through the Development of Practical Modifications to Shed Layout" was funded by Worksafe Australia. The budget was $101,170. VIOSH Australia collaborated with the School of Human Movement and Sports Science to look for ways to reduce muscle injuries associated with shearing. The study set up a number of focus groups in the Ballarat area, New South Wales and Western Australia to gather different inputs and perspectives on causes of injuries. Groups represented were shearers, doctors, farmers and shearing shed designers. Shed design was a principal factor with the emphasis on minimising body twisting associated with catching and releasing sheep, removal of floor obstructions along path between pen and release, battens oriented along direction of drag and slope in pens.Colour photographs - postcard and A5 - relating to reducing back injuries and Energy Costs of Shearing.viosh, victorian institute of occupational safety and health, worksafe australia, back injuries, shearing sheds, shearers, school of human movement and sports science, ballarat, new south wales, western australia, doctors, farmers, shed designers -
National Vietnam Veterans Museum (NVVM)
Photograph, Prepare For Movement
A black and white photograph of Gunners of the 103 Battery, Royal Australian Artillery, prepare their guns and equipment for movement by US Army CH47 Chinook medium helicopters to a fire support base. The load was one Chinook for one battery detachment (circaJuly 1967)photograph, 103 battery, 1st field regt, raa, chinook, gibbons collection catalogue, gunner, fire support base -
National Vietnam Veterans Museum (NVVM)
Photograph, Prepare For Movement
A black and white photograph of Gunners of the 103 Battery, Royal Australian Artillery, prepare their guns and equipment for movement by US Army CH47 Chinook helicopters to a fire support base. The load was one Chinook for one battery detachment (circa July 1967)photograph, 103 battery, 1st field regt, raa, chinook, gibbons collection catalogue, gunner, fire support base -
National Vietnam Veterans Museum (NVVM)
Photograph, Prepare For Movement
A black and white photograph of Gunners of the 103 Battery Royal Australian Artillery, prepare their guns and equipment for movement by US Army CH47 Chinook helicopters to a fire support base. The load was one Chinook for one battery detachment (circa July 1967)photograph, 103 battery, 1st field regt, raa, chinook, gibbons collection catalogue, gunner, fire support base -
National Vietnam Veterans Museum (NVVM)
Photograph, Prepare For Movement
A black and white photograph of Gunners of the 103 Battery Royal Australian Artillery, prepare their guns and equipment for movement by US Army CH47 Chinook helicopters to a fire support base. The load was one Chinook for one battery detachment (circa July 1967)photograph, 103 battery, 1st field regt, raa, chinook, gibbons collection catalogue, gunner, fire support base -
National Vietnam Veterans Museum (NVVM)
Photograph, Prepare For Movement
A black and white photograph of Gunners of the 103 Battery, Royal Australian Artillery, prepare their guns and equipment for movement by US Army CH47 Chinook helicopters to a fire support base. The load was one Chinook for one battery detachment (circa July 1967)photograph, 103 battery, 1st field regt, raa, chinook, gibbons collection catalogue, gunner, fire support base -
The Beechworth Burke Museum
Ceremonial object - Ushabti of Taweret-Khaiti, Circa 1292 BC
Ushabti are tiny anthropoid (human-shaped) figures placed in the tombs of wealthy Egyptians. They were intended to do the work of the deceased in the afterlife. This purpose is implied through their name, which may have derived from the Egyptian word “to answer”. The Burke Museum in Beechworth is home to a particular ancient Egyptian Ushabti figure. This artefact was donated to the Museum in 1875. No details about how it left Egypt, arrived in Australia, and where it was located before this donation are known. The Nineteenth Century, when this artefact was donated, was a period when many museums acquired items of ancient Egyptian heritage. Many of these items were procured in less than desirable circumstances, having often been looted from ancient tombs and sold to tourists without documentation as to their original location and/or accompanying grave goods. These artefacts were also divested through partage (the trading of artefacts for funds); however, the latter is unlikely to have been the case for this artefact. Since the Ushabti was donated by an unknown donor, it is likely to have been in a private collection rather than an institution. Ushabti can be dated using iconographic analysis which is non-invasive and provides a comprehensive study of the artefact. The later period of the 18th Dynasty marked the beginning of an increase in both the inclusion of Ushabti as essential funerary items and the creation of Ushabti with tools. From this period, they are no longer depicted without tools. Depictions of tools including gardening hoes are frequently depicted grasped in the Ushabti’s hands whilst items like the seed-bag are depicted hanging on the back rather than in an alternative position. This Ushabti figure grasps a gardening hoe and a mattock and a small seed bag surrounded by a yoke bearing water jars are depicted on the upper back of the Ushabti. These features are essential in helping narrow this dating to the late 18th and before the early 20th Dynasty. The position of this seed bag also provides dating information. In the early 18th Dynasty this bag was consistently drawn on the front of the figurine; however, by the reign of Seti I, this feature moved to the back. Thus, since the seed bag is located on the back of this Ushabti, it cannot date to the early 18th Dynasty. By the 19th Dynasty, Ushabti’s were increasingly made from either faience or terracotta. The availability of these materials in Egypt resulted in the increase of Ushabti production with tombs containing many more figurines than previously seen. The Ushabti held by the Burke collections is made from terracotta. Terracotta was rarely used for Ushabti before and during the early 18th Dynasty with only the odd appearance until the late 18th Dynasty and becoming common through that period until the late Third Intermediate Period. Whilst the face has been damaged, there is no evidence for the Ushabti having been provided with an Osirian false beard. This omission rules out a dating of later than the 25th Dynasty when beards became prominent. The inscriptions also date the Ushabti to the New Kingdom. This is because of the use of sḥḏ (“to illuminate”) with Wsjr (“Osiris”) which only occurs in these periods. Therefore, considering all these elements, the Ushabti can be confidently be dated to between the late 18th to early 19th dynasty.Artefacts like this Ushabti are no longer exclusively representative of their origins in burial assemblages and significance in the mythology of the Egyptian afterlife but are also significant for the accumulated histories they have gained through travel. The movement of this artefact from Egypt to Australia allows insight into the collecting habits of the 19th century, and in particular, the reception of ancient Egyptian artefacts in small rural museums. The procurement of Egyptian artefacts was a social trend around the late 1800s to early 1900s. Egyptian artefacts were considered curiosities and recognised for their ability to attract public attention to museums. They were also utilised in Australian museums, like the Burke Museum, to connect the collection to one of the oldest civilisations known to man and since Australia was considered a “young” country by European settlers, this was vital and derived from an interest in Darwin’s “Origin of the Species” 1859. Furthermore, there was a culture of collecting in the 1800s amongst the affluent in English society which led to the appearance of many Egyptian artefacts in private collections. The acquisition of this Ushabti figure is not certain, but it was likely donated from a private collection rather than an institution. This particular artefact is significant as an example of a high-quality Ushabti representative of those produced during the late 18th or early 19th century. It provides insight into the individualism of an Ushabti and the mythology of ancient Egypt. It also provides an example of the types of items required in the tomb assemblages of this period and reinforces the importance of ensuring the successful afterlife of the deceased through art. This Ushabti belonged to a woman named Taweret-Khaiti, Chantress of Amun, in the late 18th Dynasty or early 19th Dynasty (c.1292 BC) of the Egyptian New Kingdom. It likely comes from an undetermined tomb in the locality of Thebes. This figure is made from Nile silt clay (a polyester terracotta; clay sourced from the banks of the Nile River) which was a popular material for Ushabti construction in the early 19th Dynasty. It is in a fair state of preservation (with the exception of a break through the centre) and originally made to a high quality. The face has been damaged but the eyes and eyebrows are clearly marked with black ink and the sclera painted white. The Ushabti is painted a light brown/yellow colour and features a vertical line of inscription down the lower front. The Ushabti wears a large wig and and a schematic collar. The arms are painted light brown and depicted crossed with bracelets around the wrists. It grasps a hoe and mattock. A yellow seed-basket is depicted on the Ushabti’s back. These features represent the likelihood that this particular Ushabti was intended to complete farm work for the deceased in the next life. There would have been additional Ushabti of similar design within the tomb who worked under the supervision of a foreman Ushabti. The foreman Ushabti would be depicted dressed in the clothing of the living. The inscriptions are painted freehand in black ink and written in a vertical column from the base of the collar to the foot pedestal on the front of the Ushabti. The owner of the Ushabti could elect to have the figures inscribed with their name, the Ushabti spell and any other details they deemed necessary. In the case of this example, the Ushabti is inscribed with the owner’s details and is an abbreviated version of the standard Ushabti formula. This formula ensured that the Ushabti would complete the desired task in the afterlife when called upon by the deceased. Ushabti which were not inscribed would represent their intended purpose through design; however, this Ushabti, like most made in the late 18th Dynasty, conveys its purpose both through both design and inscription. The inscription is as follows: sHD wsir nbt pr Smayt imn tA-wr(t)-xai(ti) mAa xrw which translates to: "The illuminated one, the Osiris (the deceased), the mistress of the household, Chantress of Amun, Taweret-Khaiti, true of voice (justified)"ancient egypt -
St Kilda Historical Society
Ephemera - Flyer, Independent Order of Rechabites 45th Anniversary and Concert, 1915
Advertisement for event to raise funds for The Australian Wounded Soldiers' Fund on 24 August 1915 and to celebrate the 45th anniversary of St Kilda Tent No 131 of the Independent Order of Rechabites. The Independent Order of Rechabites was founded as a fraternal organisation and friendly society in England in 1835 as part of the wider temperance movement to promote total abstinence from alcoholic beverages. It was first established in Australia in Tasmania in 1843 and retains a state branch in Victoria with a number of affiliated tents.Pink coloured paper printed one side in brown and red. Cut from a larger sheet which may have been a poster, flyer or other document. wwi, world war i, wwi fund-raising, independent order of rechabites, australian wounded soldiers' fund -
Eltham District Historical Society Inc
Newspaper Clipping, Australian Landscape Art; A fine collection; The Daily Telegraph (Sydney, NSW), p4, November 18, 1918
AUSTRALIAN LANDSCAPE ART. A FINE COLLECTION. The late Mr. Walter Withers was one of the little band of landscapists that Included Streeton Condor, who pioneered the "plein-airiste" movement In Victoria thirty years ago. Mr. Withers had been trained in Paris, but practically all his artistic life was spent in Australia, and examples from his easel are to be found in all the leading Australian galleries. He belonged to a brilliant little coterie of men whose works have since been eagerly sought for at ever-rising prices. And now collectors have an opportunity of acquiring examples of his art for a thoroughly characteristic collection of his work, both in oils and in water-color, will be open to-day In the fine art gallery at Anthony Horderns', in George Street. The collection includes 28 paintings in oil by the late Mr. Walter Withers, and 32 of his water-color drawings, while smaller collections by his daughter, Miss Margery Withers, and by his son, Mr. Meynell Withers, are also added. Among the landscapes in oils by the deceased artist may be seen examples of many moods, and also many phases of his artistic development. At different times he was a realist, a romanticist, an idealist. In his fine picture "The Easter Moon" the emotional appeal to the homing instinct is direct and compelling. This delightful work, low in tone and charming in its feeling of repose, suggests the sentiment of Gray's "Elegy." Entirely different in range, intention, and feeling, are two brilliantly-painted pictures entitled "The Young Gardener," and "The Dividing Fence," Mr. Withers here displays an unusual gift for placing effective notes in an admirably harmonised color scheme. "Sunlight in the Forest" is a pastoral poem in color. Most of these pictures were painted in the Eltham or Warrandyte country, while the "marines" are impressions at Phillip Island or on the shores of the bay. The artist was well equipped with technical knowledge and experience. His pictures are full of air and sunlight, and his realisation of cloud-forms is most convincing. The watercolor drawings which he did in the full maturity of his powers have, a softness, richness, and depth of color quite unusual. His son, Meynell Withers, shows a collection of landscapes of striking merit, recalllng his father's handling of color and selective taste In composition. Miss Margory Withers shows a charming group of watercolor portraits, and also some meritorious landscapes. The pictures have been hung with fine artistic discrimination in the grouping of the subjects, and so skilfully that in each group an essential harmony of tone has been preserved. The exhibition will be open to the public from to-day. AUSTRALIAN LANDSCAPE ART. (1918, November 18). The Daily Telegraph (Sydney, NSW : 1883 - 1930), p. 4. Retrieved August 22, 2023, from http://nla.gov.au/nla.news-article239575164Journal inscribed: "Mrs Withers 463 Collins St. West Melbourne"art exhibition, art review, artist, john withers collection, walter herbert withers -
Vision Australia
Equipment - Object, Telesensory Systems, Optacon, 1974
The Optacon OPtical-to-TActile-CONverter is a compact, portable reading aid for the blind. It is about the size of a textbook, and weighs less than 2kg. It works by converting a printed image into a tactile image that a blind person can feel with one finger. After a period of training and practice, a blind person can use the Optacon to read ordinary books, magazines, newspapers, and other printed materials. The Optacon was developed after intensive research at Standford University, California, USA and was trialed by clients of the Royal Victorian Institute for the Blind (now part of Vision Australia) in 1973. It has three main sections: 1 a miniature camera, 2 an electronics section, and 3 a tactile stimulator array. The miniature camera, about the size of a pocket knife, is mounted in a housing that has rollers for easy movement along a line of print. The camera is connected to the electronics section by a lightweight cable. The electronics section and the tactile stimulator array are in the main chassis. The array consists of 144 tiny metal rods arranged in six vertical columns and 24 horizontal rows. Each of the rods can vibrate independently. The tips of these rods protrude through holes in a concave finger plate where the index finger is placed flat in order to read. These three components act together to convert the image of a printed letter or other shape into a pattern of vibrating rods, a tactile image of the letter or shape. The letter shape is tactually perceived as an image that moves from right to left on the finger, showing the left or leading edge of the letter first. Letters are felt sequentially rather than all at once, and the image should be kept moving. The Optacon converts a printed O into a tactile form that resembles a crater with a vibrating rim -- a completed circle. C would have a gap or opening on the right side of the curve. The letter F would be felt, sequentially, as a vertical line with two trailing horizontal lines. Because it can convert any ordinary printed image into a corresponding tactile image, the Optacon is not restricted to any special typestyle or language. The camera has a zoom lens that compensates for differences in the size of type. The standard Optacon lens can accommodate type sizes from 6 point to 20 point. With the optional F4A magnifier lens, type sizes as small as 4 point can be read. Powered by a rechargeable battery, and comes with its own battery charger. The battery is contained within the main chassis, and is not removable by the user. There are four basic controls on the Optacon: the Magnification Adjustment zoom button located on the camera section on the side opposite the rollers; and the On-Off switch, the Stimulator Intensity Adjustment knob, and the Threshold Adjustment knob located on the right side of the front panel. The Circuit Breaker protrudes from the right-hand wall inside the chassis compartment. From left to right when the back panel is facing you, are located: the jack for connecting the battery charger; the Battery Check button; the Normal-Invert switch; and the Input/Output I/O connector for use with the Visual Display, when using the Repeater Cable to connect two Optacons to one another or with other accessories. Designed not be removed from the leather case during normal operation, the On-Off switch is a slide switch located on the right side of the front panel. It slides up and snaps into place in the on position. 1 black with orange front, rectangular device in leather case assistive devices, audio equipment -
Hymettus Cottage & Garden
Book, Eureka Stockade, 1942
Originally published by Carboni in 1856 following the Eureka Stockade at Ballarat this second edition was not published until 1942 almost ninety years later. One of the major productions of the Australian private press movement of the 1920s this second edition was produced in 1942 by Ernest Shea's Sunnybrook Press Sydney, in a limited edition of 150 copies. The book is illustrated with lino-cuts by W.E.Pidgeon and introduced by H.V.Evatt. It has a dustjacket and slip case and is signed by Shea, Evatt and Pidgeon. Only 150 produced on a handpress, rare example of Australian fine printing especially in wartime and only the second edition of Carboni's "Eureka Stockade".Book made with rag paper, dust jacket and slipcase.Numbered 128 of 150, signed by printer and artist. eureka stockade, private press, ballarat, ernest shea, sunnybrook press, sydney, carboni, second edition., evatt, pidgeon. -
Mission to Seafarers Victoria
Furniture - Pulpit, Rodney Howard Alsop, 1909
In 1909, assistant Chaplain Rev. Haire presented the Mission with an 'uncommonly artistic pulpit' in memory of his mother. A plaque in memory of Jane King Haire can be found on the side next to the steps. The dedication was performed by the Archbishop of Melbourne on the 26th January (date engraves on the plaque) This pulpit was designed by Melbourne architect Rodney Howard Alsop (1881-1932) and manufactured by William John Dalziel (furniture manufacturer). It was initially used in the first Mission in Central Melbourne, Siddeley St. It is located in the Chapel of Saint Peter of the Mission to Seafarers 717 Flinders St. complex since 1917 (State Heritage listed (H1496). This complex was designed by Walter Richmond Butler in 1916, and officially opened on 11 September 1917, a day '...of unusually kind weather', by the Governor of Victoria, the Honourable Sir Arthur Stanley. According to a later article published in 1950: The pulpit is a model, built to scale, of the stern of an old ship of the line in Lord Nelson's day. This pulpit is significant as it is housed in The Memorial Chapel of Saint Peter forming part of the State Heritage listed Mission to Seafarers Victoria complex. It was built in Melbourne of Australian timbers, and is one of only two known maritime inspired pulpits, both associated with Missions to Seamen of the early 20th C. the other is held in the ANMM Collection see link. Their statement of significance is worth quoting in part as it applies equally to this pulpit "...an extremely rare and unique example of such pulpits. It is highly significant as a wonderfully preserved example of a time when religion was preached to sailors for their spiritual guidance and temperance..." Rodney Howard Alsop was an important Melbourne architect of the Arts and Crafts movement. John William Dalziel had sailed from Liverpool to Melbourne in 1862. Seventeen years later Penman and Dalziel founded the business in Lonsdale Street West, and won recognition at the Indian and Colonial Exhibition in London in 1886. Penman and Dalziel were identified in 1937 as one of Melbourne’s early ‘skilled craftsmen’ and ‘leading names’ in the manufacture of fine furniture. He died in February 1918 in a railway accident.Timber pulpit built in the form of a ship's stern including a timber step ladder for access, a timber keel and rudder, a rope fixed from the pulpit to a post mounted to the floor, and a dedication plaque on the side of the pulpit. The pulpit sits on timber legs. It's likely to be the original rope: traditionally made coir rope with twisted fibres, covered with canvas supported by a thread. At lower end the rope is secured by a monkey fist know and at the top by a turk head knot.Inside the pulpit (right) is the cardboard label with the maker details: " On an attached plaque see 0678 To the greater glory of God and in ever loving memory of Jane King Haire. This pulpit is erected by her son. Blessed are the pure in heart. For they shall see God. St. Matt. V.8. 26.1.09mission, seafarers, melbourne, victoria, chapel, saint peter, pulpit, australian timber, stern, walter richmond butler, australian maritime history, reverend w.f. haire, rodney howard alsop (1881-1932), wright's lane, william john dalziel, gifts-1917, heritage listed -
Flagstaff Hill Maritime Museum and Village
Book - Religious Book, John Scott, D.D, The Christian Life Vol 4, 1696
This religious book by John Scott, D.D., late Rector of St. Giles in the Fields, London, sets about to explain some of the church's doctrine. The book originated from the Warrnambool Mechanics' Institute. The book was printed for Walter Kettilby, a bookseller and publisher in London in the 17th century. He died in 1699 and was buried at St. Paul’s Cathedral.The book is significant for its age – it is one of the oldest books in Flagstaff Hill’s collection, published in 1696, well before Australia was colonised. The publisher, Walter Kettilby, passed away three years later. The book expresses the writer’s interpretation of Christian doctrine giving an insight into the doctrines and beliefs of the 17th century. The book was originally part of the Warrnambool Mechanics' Institutes’ Collection. which has historical and social significance for its strong association with the Mechanics Institute movement and its important role in people's intellectual, cultural and social development throughout the latter part of the nineteenth century and the early twentieth century. The collection of books is a rare example of an early lending library and its significance is enhanced by the survival of an original collection of many volumes. The Warrnambool Mechanics' Institute’s publication collection is of both local and state significance.The Christian Life Part III Vol IV Author: John Scott, D.D. Publisher: Walter Kettilby, Bishop's-Head, St. Paul's Church Yard. Date: 1696Label: "RH 248.4 SCO" Sticker: "Warrnambool Mechanics Institute and Free Library" Stamp on Fly: "000379" Text on Fly: "Wherein the great duties of justice, mercy and mortification are fully explained and inforced." "By John Scott, D.D. late Rector of St. Giles in the Fields."flagstaff hill, flagstaff hill maritime museum and village, warrnambool, maritime museum, maritime village, great ocean road, shipwreck coast, warrnambool mechanics’ institute, mechanics’ institute library, warrnambool library, free library, john scott, 17th century book, 1696, the christian life, walter kettilby, bishop-s head, st paul's church yard, st giles in the fields, religious teaching, christian teaching, christian doctrine, walter kettilby bookseller, walter kettilby publisher -
Wodonga & District Historical Society Inc
Award - Mann's of Wodonga Supreme Champion Led Horse Shield
In a "LED HORSE" category, the horse is presented bridled and unsaddled. The handler leads the horse in clockwise direction on the circle. The horse is required to walk and trot and stand to be judged. The judge looks for correct conformation of the horse as well as ahorse that is neatly presented and in good condition. Straight movement, correctness and quality of paces and obedience of the horse are also taken into consideration. This trophy was sponsored by Manns of Wodonga. The Mann family operated a major business in Wodonga for 85 years, beginning with a produce store in February 1921. It expanded to become one of Australia’s largest regional shopping centres, with a Supermarket, Hardware Store, Steel Store, Plumbing and Industrial supplies store, at one stage employing well over 100 people. The Mann Family sold the business in 2006.This item has local significance as it records winners in equestrian events at the Wodonga Show. The award was also presented by a prominent citizen of Wodonga.A wooden shield with metal plaques engraved with names and year of competition winners for the Supreme Champion Led horse at the Wodonga Show.On gold toned banner at top: "Manns of Wodonga" On bottom plate: Supreme Champion/ Led Horse of / the Wodonga Show" On smaller shields: "1976/MISS M McINTYRE/ GREEN VALLEY/CALYPSO", "1977 /MISS M McINTYRE/BIRRAHLEE LONICERA" , "1978/J. VINGE/ HILLINVIEW/BLACK PANTHER" , "1979/MRS A. WILKINSON/SWEET SUE"equestrian events wodonga show, wodonga show, supreme champion led horse, mann wodonga -
Wangaratta RSL Sub Branch
Instrument - Pilot Balloon Slide Rule
The Mark II Pilot Balloon Slide Rule was made of wood laminated with heavy white plastic with a length of 24.5-in. and width of 2.5 inches. Mark II rules were manufactured in Australia by W & G (Melbourne). The W & G rule differs only slightly from the English A. G. Thornton LTD rule. The W & G rule uses serif fonts and has some fiducial marks that the English rule lacks. Exact dates of production are not known but the MK II is known to have started production by 1927. The printed scales are engraved in the plastic faces. The slide rule has 4 captive cursors (glass windows and brass guides) that ride in slots on the top and bottom edges. Each can be moved independently of one another. The cursors are missing from this item. Brass knobs at both ends of the slide facilitate its movement. The case is fabric covered wood with felt lining. No known history for this item as located in a property after purchase. The Pilot Balloon slide rule is used to convert the observed azimuth and elevation readings into wind velocity and direction records. The use of slide rules was abandoned with the wide spread adoption of computers and programs to do the calculations, as well as the decline in the use of optical pilot balloon theodolites.Made in Australia by White & Gillespie (Melb) Pty Ltd. Established in 1910, the firm was involved mainly in printing plate manufacture, but during the Second World War it manufactured a variety of navigational aids and range finding devices for the military. About 250,000 instruments were made during that period. After the war the company produced, among other items, drawing instruments and slide rules. The case is fabric covered wood with felt fabric lining containing a long black laminate ruler with numerous white markings and numbers. Top of the ruler is in three sections with the centre section movable by small gold metal knobs at either end. This slide rule contains a engraved notation on the rear face "IMPORTANT. NORMALLY NUMBER OF GRATICULE SCALE DIVISIONS PER RADIAN (K) X LENGTH OF TAIL IN FEET (I) = 12X 105. IN OTHER CASES MULTIPLY GRATICULE READINGS BY 1.2/KI BEFORE CALCULATION ON RULE" Top of Slide Rule - RAAF Ident No G268/480 Serial WG/22pilot balloon slide rule, raaf -
Wangaratta RSL Sub Branch
Headwear - Army Slouch Hat, Fayrefield of Melbourne
History has it that the origins of the Slouch Hat began with the Victorian Mounted Rifles; a hat of similar design had been worn in South Africa by the Cape Mounted Rifles for many years before 1885. The design of the Victorian Mounted Rifle hat originated from headgear of native police in Burma where Lieutenant-Colonel Tom Price had recognised its value. The Victorian hat was an ordinary bush felt hat turned up on the right side. The intention of turning up the right side of the hat was to ensure it would not be caught during the drill movement of “shoulder arms” from “order arms”. The Slouch Hat became standard issue headdress in 1903 and its brim position was mostly standardised. The slouch hat became a famous symbol of the Australian fighting man during World War One and continued to be worn throughout World War Two. Its use since that time has made it a national symbol.Slouch Hat - made of fur felt with an 8 fold hat band (puggaree) it has the blue/gold unit badge on the band denoting the 8th Light Horse brigade with a leather chin strap. The right hand side is held by a brass rising sun badge.army, slouch hat -
Bendigo Historical Society Inc.
Book - MALONE COLLECTION: THE AUSTRALIAN PROHIBITION SONGSTER
Grey cover, A5 booklet 'The Australian Prohibition Songster' Price one shilling (net). 2nd Edition. Written on cover in blue ink "P. Mills" Booklet contains music and words for songs that promote prohibition. Example: 'Vote for the little boys and girls' by W.A. Williams.Robert Harknessbendigo, clubs, prohibition movement -
Federation University Historical Collection
Photograph - Photograph - Colour, VIOSH: Shearing Shed Demonstrations - Collaboration with School of Human Movement and Sports Science; ways to reduce muscle injuries - 1994-1997
.Victorian Institute of Occupational Safety and Health (VIOSH) Australia is the Asia-Pacific centre for teaching and research in occupational health and safety (OHS) and is known as one of Australia's leaders in the field. VIOSH has a global reputation for its innovative approach within the field of OHS management. VIOSH had its first intake of students in 1979. At that time the Institution was known as the Ballarat College of Advanced Education. In 1990 it became known as Ballarat University College, then in 1994 as University of Ballarat. It was 2014 that it became Federation University. VIOSH Australia students are safety managers, senior advisors and experienced OHS professionals. They come from all over Australia and industry. Students are taught active research and enquiry; rather than textbook learning and a one-size fits all approach. VIOSH accepts people into the Graduate Diploma of Occupational Hazard Management who have no undergraduate degree - on the basis of extensive work experience and knowledge. A project titled "Reducing Back Injuries and Energy Costs of Shearing Through the Development of Practical Modifications to Shed Layout" was funded by Worksafe Australia. The budget was $101,170. VIOSH Australia collaborated with the School of Human Movement and Sports Science to look for ways to reduce muscle injuries associated with shearing. The study set up a number of focus groups in the Ballarat area, New South Wales and Western Australia to gather different inputs and perspectives on causes of injuries. Groups represented were shearers, doctors, farmers and shearing shed designers. Shed design was a principal factor with the emphasis on minimising body twisting associated with catching and releasing sheep, removal of floor obstructions along path between pen and release, battens oriented along direction of drag and slope in pens.Thirty-one colour photographs on inside a shearing shedviosh, victorian institute of occupational safety and health, 1995-1997, shearing shed layout, worksafe australia, school of human movement and sports science, shearers, doctors, farmers, muscle injuries, university of ballarat, student activity