This guidebook shares the personal stories of the individuals honoured in 250 of Victoria's key war memorials. It covers metropolitan Melbourne and regional Victoria, providing a unique insight into wartime history and the local heroes who fought overseas. Garrie Hutchinson has authored and edited over 30 books, In the early 1970s Hutchinson was heavily involved in anti-war activism and alternative journalism. From the late 1970s Hutchinson moved away from writing poetry and towards a journalistic career.This is a significant research tool.A 308 pp hard cover book with a dust jacket titled Remember Them, A guide to Victoria's Wartime Heritage. The author is Garrie Hutchinson. On the front cover is a photograph of a close-up image of a sculpture of a soldier. The text is dark grey.It is arranged geographically, with accompanying maps and photographs,military-history memorials-victoria

1. Old Japanese 100 year old note. Black and Red printing on face, blue ink on rear side. Face side has image of a building and traditional man. rear side images has buildings and two dragons. NRS: 561037 1136422. 2. British Armed Forces - Special voucher. Three pence. printing on front is in brown green and red ink. rear side, brown ink. 3. British Armed Forces - Special voucher. Six pence. Printing on front is in blue, orange and green ink - rearside in blue ink. 4. British Armed Forces - Special voucher. One shilling. Printing on front is in red, blue and green ink - rearside in red ink.army overseas, barracks money, japan, britian

The origin of the book goes back to 2007 when a tin of nitrate negatives (Cat No 1248.2) came to the Bendigo RSL Museum via Aylene Kirkwood (Eaglehawk Heritage Society) and her friend Jean Grinton, Jack Grintons Daughter. The tin of negatives had been sitting in a shed at Jeans place for many years. The RSL Museum sorted some to see what they were about and were mostly WW1 era overseas. The Museum had some reproduced by Wayne Eels a Dark Room Technician and the quality was amazing. A small number were shown at an exhibition in a talk by Museum Curator Peter Ball in March 2008. The exhibition was called “Snapshots and Stories” by Corrine Perkin from the Bendigo Art Gallery and included a number of Bendigo Historical groups. The RSL Museum by then had put together 44 images in 11 frames to make a story (cat No's 5880P to 5890P) and shown at the Bendigo District RSL Sub Branch Inc in April 2008. The exhibition included memorabilia from Jean Grinton. Corrine Perkin who was at the opening spoke to the Curator Peter Ball with the view that a travelling exhibition could be made from this. After discussions then began 12 months research between Corinne and Peter identifying people in the photos, places, deciphering Jack's Diary, researching the 38th Bn to gain an overall picture of Jack and Bert Grinton, producing photos for quality. Eventually an exhibition of photos (Cat No's 7100P to 7179P), story boards with photos (Cat No's 7180 to 7187) came into being. The opening was at the Bendigo Art Gallery on the evening of June 13th 2009 with Les Carlyon as guest speaker and went through until August 2nd. The exhibition was accompanied by memorabilia of Jacks Daughter Jean and Bert's Daughter Dorothy. The exhibition then went onto 4 more locations including the Melbourne Shrine of Remembrance. Jacks service details are in Cat No 1280, Berts are in Cat No 1320P.Book, cardboard cover, 64 gloss pages. Front cover shows Jack Grinton in Barracks hut 19 England in 1916. The book relates to the photo collection of Jack Grinton and his brother Albert (Bert) both in the 38th BN AIF. The publication is in 6 sections. 1. Preface - Karen Quinlan, Director Art Gallery. 2. Two brothers, a Camera and a War to end all Wars - Corrine Perkin, Exhibition Curator Bendigo Art Gallery. 3. The Great War - Les Carlyon, Journalist and Author. 4. Photographing War - Colin Harding, Curator photographic technology, national media museum UK 5. The Grinton Collection in 6 Sub Sections; Living behind the lines. The burden of war. Trip of a lifetime. Portraiture and remembrance. Quota 45: The journey home. Life after 1919.book, camera on the somme, grinton, 38th

This is a needle book containing needles. It appears that the Army and Navy Needle books were not issued to soldiers or sailors but were made for home use in the Western World - Europe, America and presumably Australia. They were made mainly in Germany and some were made in Japan but were not sold in wartime. They were sold before and after World War Two and often featured images of well-known ships of the day. This folder has images of the Europa and the Bremen, two ships made in Germany which belonged to the Norddeutscher Lloyd Line (N.D.L.) and which were launched in the late 1920s. They were the two most advanced high speed steam turbine ocean liners of their day. The Bremen was gutted by fire in 1941. The Europa was captured by the Allies in 1945 and used as a troopship, then it went to France where it was became an ocean liner named Liberte. It was scrapped in 1963. The newspaper cutting tells of a presentation by the Warrnambool Woollen Mill to Private Les Lawlor on his embarking for overseas service. It is not known to which war the cutting refers and no reference can be found to Private Les Lawlor. No connection between the two items (needle book and cutting) has been established but they have always been together in our collection. The needle book is of social significance but has no known local provenance. The cutting contains information suitable for our files.1 This is a piece of thickened paper folded in two to make a folder containing four packets of needles. The folder is green with two images of ships on the back and the front. The images are multi-coloured and have an ornamental edging. The needles of different sizes are contained in black paper folded four times to enclose the needles (13 still in the folded paper – all rusty). It appears one needle packet may be missing. .2 This is a cutting from a newspaper regarding a soldier leaving for overseas military service. There is no date.‘The Army and Navy Needle Book’ ‘Made in Germany’ ‘Silver Steel’‘Superior Quality Royal Drilldeyd Sharps 1 Made in Germany’ ‘Superior Quality Royal Drilldeyd Sharps 1/5 Made in Germany’ ‘Superior Quality Royal Drilldeyd Sharps 5 Made in Germany’ ‘Superior Quality Royal Drilldeyd Sharps 6 Made in Germany’ needle books, ship bremen, ship europa, private les lawlor, warrnambool woollen mill

These badges appear to have been issued as part of Wattle Day celebrations in the period 19910 to 1919. The use of wattle as an Australian symbol was strong during the pre- Federation and Federation days and was particularly promoted by the Australian Natives Association, a prominent campaigner for Federation. Wattle Day was established in Melbourne, Sydney and Adelaide in 1910 and the wattle symbol was a strong one for servicemen serving overseas in World War One and wattle badges and pins were used to raise funds for funds such organisations as the Red Cross.These badges are of interest as an example of the strong national sentiment engendered on Australia by World War One..1 circular metal concave badge featuring a cream map of Australia with dark green outline. An image of wattle flowers and leaves is in the centre of the map. Surrounding the map is a pale green border with text. The edge is dark green. It has a pin clip on the reverse. .2 As above .3 As above .1 WATTLE DAY .2 WATTLE DAY .3 WATTLE DAY

The Victory medal was awarded to all Allied servicemen and women who served in World War One. Australians were issued with the medal made for British service personnel. The medal described above was awarded to Private Thomas Wickham. He was born in Port Fairy in 1886 and died in Warrnambool in 1955. Private Wickham enlisted in February 1916 and his next of kin was his wife Elizabeth, living at that time in Terang. Thomas Wickham was a member of the 58th Battalion, 2nd Reinforcement. He served overseas and returned to Australia in 1919 and was discharged as medically unfit because of rheumatism. This is a round bronze medal with the image of a winged female figure of Victory on the obverse side and engraved lettering surrounded by laurel leaves on the reverse side. There is lettering around the edge of the medal. The medal has a metal ring to which is attached a rainbow-coloured ribbonThe Great War For Civilisation 1914-1919 1773 Pte. T. Wickham 58 Bn. A.I.F. world war one, thomas wickham, history of warrnambool

With the extension of the railway to Hurstbridge in 1912, large commercial orchards were able to expand. By 1914, 1,886 acres of orchards were under cultivation, with a considerable proprotion of the fruit being exported overseas. After World War One, the industry declined, mainly due to competition from other areas. This photo shows an orchard in the foreground with the township of Hurstbridge in the distance. The photo was taken in 1924, the same year that Hurstbridge was declared a township. orchard, hurstbridge, rose postcard

Rear page has a state. For sale only to men and women in uniform of Commonwealth, Empire, United States and other allied forces. Booklet has a cardboard cover, front cover has a black and photograph of St. Pauls Cathedral London. Inside are images of London life before and during the blitzFront cover “ This is London. A souvenir for overseas forces. 1/6 net “ ww2, london souvenir, booklet

Belonged to Clarence (Clarrie) Edward Nicholls who was a communications person on the Sunderland Flying Boats. He was in the Battle of Britain. He was seconded to the RAF and flew out of Plymouth. He was shot down a number of times. He was in the peace keeping corps in Japan and then Korea, and then went into the full time Korea. At one time Clarrie and his two brothers were in New Guinea at the same time. They knew they were all there together but they could not find each other, and officials would not tell them where they were. He flew the last Sunderland back to Lake Boga. He wanted to buzz his parents in Wodonga so he knew he was on the way, but the authorities wouldn't let him. Clarrie Nicholls was a flag bearer for the Melbourne Olympics.Red hard covered book of 200 pages. The following images are by official war artist Geoff Mainwaring (SX13471) who later taught painting at the Ballarat Technical Art School. * 'And Again. So-Heave', page 121 * 'Day's Work Done', page 121 * Untitled image, pg 185 Includes photographs of General Sir Thomas Blamey, Corporal Jim Gordon, John Lavarack, Iven Maccay, Australian Women's Army Service, Convalescent Diggers at Heidelberg Hospital; and maps of the Malay Peninsula and Singapore.clarence nicholls, nicholls, world war 2, geoffrey mainwaring, new guinea, singapore, libya, solomon islands, charles bush, ivor heale, g.j. browning

The tins held various items from pencils, writing paper to tobacco and spices. The idea came from Princess Mary to get one to all Allied troops serving overseas. Item relates to Gilbert Turner MM, No 1410, 45th Batt AIF. Refer 1294P, 1039P, 1038. Princess Mary Christmas tin 1914, brass, lid is embossed with writing and an image of the Princess, hinged lid, "Imperium Britanicum Christmas 1914", "Japan, Russia, Montenegro, Serbia, France, Belgium"containers - commercial, xmas 1914, turner

Set of Books commonly called 'As You Were' from WW1 and WW2. Green cloth. .1) Australia in Palestine (WWI) Book, hard cover, cardboard in centre of cover is silhouette of a Light Horseman & horse. Print is black ink, 153 pages. Illustrated with photos, drawings & maps. .2) These Eagles. Story of the RAAF at War. Book, green hard buckram cover, 200 pages. Front cover has black print with outline drawing of an eagle. Illustrated with photos, drawings. .3) RAAF Log - The RAAF at War. Book, green buckram hard cover. Front has profile of a pilot, black print, 200 pages, illustrated with photos, maps. paintings & drawings. .4) RAAF SAAG - The RAAF at War. Front cover has drawing of 2 Fighter Pilots in black ink, black print. 200 pages, illustrated with photos, drawings & paintings. Book, green buckram hard cover. Front cover has drawing of 2 Fighter pilots, black print, 200 pages, photos, drawings & paintings. .5) Victory Roll - The RAAF at War. Book, green buckram, black print, 200 pages, photos, drawings & charts. .6) HMAS Green buckram hard cloth cover, cloth cover with black text. 200 pages, black & white print, black text on white paper. .7) HMAS Mk II. Book, green buckram hard cover, black & white text on white paper. 200 pages, illustrated colour prints. .8) HMAS Mk III Book , green buckram hard cover, black text on white paper. 200 pages, illustrated colour prints. .9) HMAS Mk IV Book, green buckram hard cover, black text on white paper. Illustrated colour prints. .10) Active Service with Australia in the Middle East. Book, green buckram hard cover, black text on white paper, 129 pages. .11) Soldering on the Australian Army at Home & Overseas. Book, green buckram hard cover, black text on white paper, 200 pages. Rising Sun badge at bottom right hand corner. Illustrated with black & white photos, paintings, maps & drawings. .12) Khaki & Green with the Australian Army at Home & Overseas. Book, green buckram hard cover, black text on white paper, 204 pages. Front cover has a layout of words khaki & green, 2nd tone in light yellow. Illustrated with black & white photos, paintings, & drawings. .13) Jungle Warfare with the Australian Army in the South West Pacific. Book, brown buckram hard cover, light brown ink. Image at bottom of Australian soldier in jungle, 208 pages. Illustrated with photos, paintings, maps & drawings. .14) Stand Easy. After the Defeat of Japan, 1945. Book, light green buckram hard cover, black text on white paper, 208 pages. Image of soldier, both arms outstretched, smiling. Illustrated with photos, maps, paintings, & drawings. .15 On Guard with the Volunteer Defence Corps. Book, green & black buckram hard cover, black text on white paper, 172 pages. Illustrated with colour prints, & black & white photos. .16) As You Were. A Cavalcade of Events with The Australian Services from 1788 to 1946. Book, green buckram hard cover, tan & black text on white paper, 202 pages. Illustrated with black & white photos & colour prints. .17) As You Were. A Cavalcade of Events with The Australian Services from 1788 to 1947. Book, green buckram hard cover, black text on white paper, 202 pages. Illustrated with black & white photos & colour prints. .18) As You Were. A Cavalcade of Events with The Australian Services from 1788 to 1948. Book, green buckram hard cover, black text on white paper, 202 pages. Illustrated with black & white photos & colour prints. .19) As You Were. A Cavalcade of Events with The Australian Services from 1788 to 1949. Book, green buckram hard cover, green text on white paper, red & green diagram, 194 pages. Illustrated with black & white photos & colour prints. .20) Signals. Story of the Australian Corps of Signals. Book, green buckram hard cover, black text on white paper, 196 pages. In the corner of the front cover is the badge with motif of the Australian Corps of Signals. Illustrated with photos & drawings..1) 4214 TPR J E Neilson Year 1919 F E Addlem 1962 .books-military, museums, history

ACRONYMS: The name of the organisation is Australian Trust for Conservation of Nature (ATCV) from 1981 to 1999 and Conservation Volunteers Australia (CVA) from 2000 onwards.............................................Last used in 1999 the Echidna logo was used for 17 years. It was designed by John Zulic, then a young graphic designer at Sovereign Hill Outdoor Museum in Ballarat, and by 2010 the longest serving employee. John was briefed by Peter Hiscock, then director of Sovereign Hill and also President of ATCV, in 1982 to design ATCV’s first logo. Through the image of the echidna John Zulic tried to capture a unique Australian identity (a combination of uniqueness, strength, resilience, role in a balanced habitat and a national feel) for a fledgling local group with big plans. John presented concept to Tim Cox and Peter Hiscock – both were enthusiastic: the rest is history. For many years newly arriving volunteers were photographed with the mascot.The echidna was synonymous with ATCV for many years. The logo appeared on team vehicles and buses and on all publications until 2000. For many years new volunteers had their photograph taken with "Eddy". Even today overseas visitors to CVA's head office clamour to be photographed with it.This item is a taxidermal (preserved and stuffed) echidna. The echidna is an Australian marsupial animal resembling the porcupine or hedgehog found in other continents. It is a nocturnal, burrowing, egg-laying mammal of the genera Tachyglossus and Zaglossus of Australia, Tasmania, and New Guinea, having a spiny coat, slender snout, and an extensible sticky tongue used for catching insects. NOTE: The provenance of this item is not yet established but it has been the unofficial "mascot" of ATCV/CVA from soon after foundation till the present.australian, echidna, mascot, logo, wildlife

Unknown chaplain in the Vancouver Mission speaker with a young sailor.The photograph is typical of the images used as marketing to d'escrime the Mission's work around the world.medium sized rectangular b/w photograph in landscape formathand-written marking in pencil: "IL" and in pen: Vancouverchaplain, comforting, seamen, sailors, seafarers, overseas missions, vancouver, welfare

This printed tinplate candle holder appears to have been made in Australia from the middle of 1915 and was available for private purchase to Australian troops (including Light Horse) prior to their departure overseas in WWI. The purpose of the tin was to ensure the contents were kept dry and readily available. The lid also aided in shielding the direct flame of the candle.Used by Australian troops in WWIRectangular tin with hinged lid. The lid is illustrated with a coloured image of three Australian soldiers at camp (WWI era) with the words 'Camp Pocket Candlestick - A Soldier's Friend'. The border of the lid is decorated in a daisy pattern. The body of the tin is decorated in a monotone green tartan, with the base displaying a small panel entitled 'Patented 19-7-15 No 16856'. Inside the tin is coloured olive green, with a fitted pressed tin circular candle holder, located over a hole in the base, and a folded tin match holder. A half used white wax candle is contained within.Camp Pocket Candlestick - A Soldiers Friend Patented 19-7-15 No 16856candlestick, soldier's friend, camp pocket, wwi

2246 Pte, Clive Terril Rowe Born Melbourne. Enlisted 17th March 1916 in Sale Victoria, aged 18 years 5 months Pte. Rowe went from the 19th Depot Battalion to the 46th Battalion AIF. Departed Australia 16th August 1916 and returned to Australia 8th April 1919. He was discharged 15th June 1919. While overseas Pte. Rowe suffered trench feet, was wounded (shellshock) and chronic eczema. Pte. Rowe was awarded the British War Medal and the Victory Medal.British War Medal 1914-1920 Instituted by King George V in 1919 to mark the end of WW1 and record the service given.The circular medal is made of cupro nickel with the effigy of George V on the obverse. Around this are the words GEORGIVS V BRITT. OMN:REX ET IND:IMP: The reverse image has St. George on horseback trampling underfoot the eagle shield of the Central Powers and a skull and crossbones, the emblem of death. Above this is the risen sun of victory. The years 1914 and 1918 are contained on the outside edge of the medal. The ribbon has a wide central watered stripe of orange, flanked by two narrow white stripes which are in turn flanked by two black pinstripes, flanked by two outer stripes of blue. The colours have no particular significance. Along the rim of the medal is stamped 2245 PTE.C.T. ROWE. 46-BN. A.I.F.

"Homefront" is the name of the group of chainsaw statues in Greensborough's War Memorial Park. Banyule Council initiated the project. The sculptures were designed by Amanda Gibson, carved by Hikaru Kodama and Leigh Conkie. This sculpture "Modern Warfare" shows two soldiers standing back to back. These soldiers are a symbol of strength and the ability to focus. And a reminder that Australian soldiers are currently deployed overseas. Women have been on the front line since 2016. She wears the uniform worn in East Timor. The male wears the uniform from Afghanistan. The Homefront project replaces Leigh Conkie's original chainsaw sculptures in War Memorial Park.Digital copy of colour photographsgreensborough war memorial park, war memorials, homefront project

"Homefront" is the name of the group of chainsaw statues in Greensborough's War Memorial Park. Banyule Council initiated the project. The sculptures were designed by Amanda Gibson, carved by Hikaru Kodama and Leigh Conkie. This sculpture "Reunion" represents the joy of reunion and what has been happening on the ‘Homefront’ while soldiers are serving overseas. The two sculptures are placed apart, facing each other. The excitement on the young boy’s face as he runs to his father is a joy to see. Dad waits patiently, taking in the sight of his boy. The Homefront project replaces Leigh Conkie's original chainsaw sculptures in War Memorial Park.Digital copy of colour photographsgreensborough war memorial park, war memorials, homefront project

"Homefront" is the name of the group of chainsaw statues in Greensborough's War Memorial Park. Banyule Council initiated the project. The sculptures were designed by Amanda Gibson, carved by Hikaru Kodama and Leigh Conkie. This sculpture "Reunion" represents the joy of reunion and what has been happening on the ‘Homefront’ while soldiers are serving overseas. The two sculptures are placed apart, facing each other. The excitement on the young boy’s face as he runs to his father is a joy to see. Dad waits patiently, taking in the sight of his boy. The Homefront project replaces Leigh Conkie's original chainsaw sculptures in War Memorial Park.Digital copy of colour photographsgreensborough war memorial park, war memorials, homefront project

Steven Wells of Montmorency is a registered nurse and horticulturalist. He has developed a horticulture therapy program at Royal Talbot Rehabilitation Centre in Kew. He was awarded a Winston Churchill Memorial Trust Fellowship to further his studies overseas.News clipping, black text, colour image.steven wells, winston churchill memorial fellowship, royal talbot, rehabilitation

Original steel engraving by J.C Armytage after John SkinnerPROUT (1806 - 1876). Prout was born in Plymouth and was a member of the New Watercolour Society in London, he latter emigrated and lived for some time in Sydney and Hobart before returning to England. Published in "Australia... Illustrated with Drawings by Skinner Prout, N Chevalier, etc. by Edwin Carlton Booth F.R.C.I. (printed 1873-76) Virtue & Co., London, and as part work from about 1873. Steel Steel Engraved antique print some with marking to the margins. Image 12 x 18 cm. John Skinner Prout (1806 - 1876) was an architectural illustrator and painter. Born in Plymouth and nephew of Samuel Prout (Topographical illustrator, drawing master and colourist). John specialised in similar subjects to his uncle but was practically self-taught. He was elected a member of the New Watercolour Society on his return from Australia in 1849, where he visited Sydney and Hobart. He had already forfeited his membership of the NWS in 1838 by being overseas. John settled in Bristol after 1849 whewre he became a good friend of W.J. Muller (artist). He later moved to London where he died, at Camden Town on 29th August 1876Framed print of etching depicting four aboriginals one of which is climbing a treeprint, gwalior plains

These three flour bags belonged to Helena Warren (nee McKeown) who was a self-taught photographer who became the local press correspondent and producer of postcard images. She was married to William John warren and lived in Newmerella. Flour bags were used for bulk purchases of flour in early to mid 20th century. They would have been laundered and re-used for storage. In earlier times empty flour bags were washed and boiled and then made into tea towels or children’s bloomers, or underwear. The flour bags are good examples of packaging and design for Australian produce which sold across Australia and overseas in the mid 20th century. Three rectangular, open calico flour bags. 2491.1 is faded and has red and green print sketch of a fir tree with mountains in the background- "McAlpin's, Containing "Aerophos", Self-Raising Flour; "There's No Other". 2491.2 has similar print with a red stalk of wheat and "7lbs Net" and a C inside a triangle. 2491.3 has yellow background inside a rectangular frame with black print - "Tested ; Self-Raising Flour"; a drawing of a wheat field; "Medallion Brand ; Groves McVitty & Co Pty Ltd' 8 Market Street Melbourne.flour-bags warren-helena mcalpin mcvitty food-storage

Allwood, Hurstbridge, 1899. Gray family in the garden in front of the Victorian style Allwood house with lace iron work on the verandah. Left to Right: - , - , William George Gray (3rd from left),. Frances Ellen Gray (nee Hurst) and William Hurst Gray (on lap). Carrie Sharp, Rob Sharp, Holmstrong. Frederick and Catherine Hurst relocated this Victorian style weatherboard home from an inner Melbourne suburb to its present site on their Allwood property. Mr Charles Verso, builder and farmer, reassembled and refurbished the home for the Hurst’s. In 1897 Frederick and Catherine’s daughter, Frances Ellen, married William (Bill) George Gray of Cottlesbridge and the newlyweds moved into the new house. Frederick and Catherine Hurst moved into a little cottage, ‘Mia Mia’, on the other side of the Diamond Creek. William and Frances Gray established Allwood Nursery and by 1900 most of the Allwood property was under orchard, largely apples, pears, cherry plums and peaches. They also developed an extensive nursery, growing seedling stock for supply to other local orchardists and the overseas market. Cross Ref: Sepp_1022 This photo forms part of a collection of photographs gathered by the Shire of Eltham for their centenary project book, "Pioneers and Painters: 100 years of the Shire of Eltham" by Alan Marshall (1971). The collection of over 500 images is held in partnership between Eltham District Historical Society and Yarra Plenty Regional Library (Eltham Library) and is now formally known as 'The Shire of Eltham Pioneers Photograph Collection.' It is significant in being the first community sourced collection representing the places and people of the Shire's first one hundred years.Digital image 4 x 5 inch B&W Negshire of eltham pioneers photograph collection, hurstbridge, allwood, carrie sharp, frances ellen gray (nee hurst), holmstrong, hurst family, rob sharp, william (bill) george gray, william hurst gray

Allwood Nurseries in Hurstbridge was operated by W.G (William George) Gray. By 1922 he operated a well cultivated property of 64 cleared acres, 56 of which were under nursery healthy stock, principally apples, peaches, plums and cherries. In addition to 4 acres of potatoes. He grew seedling stock which he supplied to other local orchardists and the overseas market. This photo forms part of a collection of photographs gathered by the Shire of Eltham for their centenary project book, "Pioneers and Painters: 100 years of the Shire of Eltham" by Alan Marshall (1971). The collection of over 500 images is held in partnership between Eltham District Historical Society and Yarra Plenty Regional Library (Eltham Library) and is now formally known as 'The Shire of Eltham Pioneers Photograph Collection.' It is significant in being the first community sourced collection representing the places and people of the Shire's first one hundred years.Digital imagesepp, shire of eltham pioneers photograph collection, hurstbridge, allwood nurseries, export, nursery

A photocopy of newspaper publication of obituary for Annie Mavis Webster, MBE 21/5/1914 - 8/4/2000 An exceptional singer who contributed greatly to local Bendigo and Australia as well as abroad Bendigo born and raised by Edwin and Annie Webster, Education was at Camp Hill. A life long participation in and commitment to local music and Competition Society provided opportunities for performance. The ultimate prize for amateur singers at the time was the Sun News Pictorial Aria Competition, which Mavis attained as runner up in 1938 and as winner in 1939. Outbreak of WWII curtailed early opportunities for overseas travel but there was much call for her as recitalist, artist and teacher such as at The Sisters of Mercy at St Mary's Convent, Bendigo where she taught singing. Mavis gained impressive reputation and experience in numerous roles including as chorister (and founder of the all female choir and the Benola singers which she also named, after her home), and later (1960) included male voices; she was also conductor; musical director; and adjudicator at Eisteddfords. She laso taught at Girton, St Killian's. During the 1950s Mavis went on a very successful 9 month overseas trip on which she was inspired in many respects including the formation of the choirs. In 1978 Mavis was made a Member of the British Empire for her services to music.City of Greater Bendigo acknowledged Mavis contribution and skills by establishing the Mavis Webster Vocal Collection at the City library.bendigo, history, obituary and biography of annie mavis webster mbe, forest st methodist (now uniting) bendigo, girton, st killian's, herald sun aria, the eisteddford, sisters of mercy at st mary's convent, mavis webster vocal collection, city of greater bendigo, margaret watters.

Copy of photo: image shows marching troops, guns on shoulders, marching around Alexandra Fountain. Annotation: A.I.F. troops parade through Bendigo - rounding the fountain - Pall Mall Bendigo, on their way up the View St. Hill to the Queen Elizabeth ground for their 'passing out parade' prior to embarkation for overseas service. C. 1940.organisation, government, army, army, alexandra fountain, bendigo

Postcard written by Slavica Risek at 11 years of age to her grandmother on arrival to Australia from Croatia. She was travelling on the Angelina Lauro passenger ship with her brother, mother and father c.1969. She describes her cabin is located at the first windows at the bow of the ship. The postcard was never posted. This was during a time that Australia was recruiting labourers from Europe. The family left Croatia along with many other immigrants looking for a better life in Australia.This item is of historical significance as a representative example of a young girl immigrating to Australia during the time when Australia was recruiting labourers from overseas.Image of Postcard with photo on front of ship named Angelina Lauro sailing under the Sydney Harbour Bridge. On reverse side is a written message and address in Croatianimmigration, sydney harbour bridge, croatia, labourers, angelino lauro ship, postcard

Postcard, WW1, B&W image of two platoons of Canadian Infantry led by a mounted officer, marching through a London street. Spectators on both sides of street. Union Jack hanging from the building on the right. Copy R7postcard, postcard, ww1, canadian infantry, london

Bib, ill, p.429.Haunting and poignant, this collection of portraits from renowned Melbourne artist, George Petrou portrays a spirit like no other — the Anzac spirit. Australians from all walks of life have served our great nation with gallantry and sacrifice — ordinary people who displayed mateship, resilience and devotion to duty. The Art of Sacrifice captures the spirit of service in a fitting tribute to all Anzacs of every generation. Using images of the past and the stories of today, the artist travels Australia and overseas to connect the past and the present in a unique, powerful and evocative collection of outstanding portraits. The Art of Sacrifice is a stunning contribution to the understanding and commemoration of all those who have served our great country.australia - military - personal narratives, soldiers - australia - pictorial works

White T shirt commemorating 25 Years of RAAF Caribou Service 1964 - 1989. Front has image and emblem, back has overseas operationsraaf, caribou, t-shirt

image of soldiers wearing shorts loading stretcher into rear of vehicle most likely taken during the middle east campaign in 1941 one of whom is possibly Francis Williams VX 34295 of the 2/24th Battalion.The 2/24th Battalion was an infantry battalion of the Australian Army, which served during World War II .A unit of all-volunteers, it was formed in July 1940 from primarily Victorian volunteers and was known as "Wangaratta's Own" because of the time the battalion spent in the town during its formative period prior to deployment overseas. It served in North Africa in 1941–1942 as part of the 26th Brigade, which was assigned to the 7th Division, before being reassigned to the 9th Division. In early 1943, the battalion returned to Australia and later took part in campaigns against the Japanese in New Guinea in 1943–1944 and Borneo in 1945, before being disbanded in 1946. The 2/24th suffered the highest number of casualties of any 2nd AIF infantry battalion. The Unit was granted the Freedom of the City by the Rural City of Wangaratta in 1996 and one of the first, if not the first, to receive this type of honour. Reproduced black and white photograph of seven soldiers of which four are loading a stretcher into rear of vehicle.Handwritten on rear - Tobruk 1941 Left Francis William ? ???2/24th battalion, tobruk, ww2, middle east