Regional History Seminar May 2005. History of Central Victoria. Agrarian deals, Pastoral realities: the use and misuse of land in rural Australia, 1788 - 2004. Presented by Professor Richard Waterhouse. Contains lose booklet containing list of seven presenters at a future (undated) seminar. Produced by the Bendigo Bank. A5 formatvictoria, history, regional history.

In July 1840, Glenfine, consisting of 31,440 acres, was acquired by Thomas Downie. In March 1842 the 'Right of Run' was taken up by Thomas Chirnside who with an imported stallion 'Delapre' ran a horse stud. He apparently lived here for ten years and employed a gardener with a wife and five children from Hobart, Tasmania. Only some blocks of stone and a few trees remain of their homestead. In 1853 the property was transferred to Dr. John Chirnside, an elder brother of Thomas. I, 1857, William Rowe of Naringal purchased Glenfiine where he and his family lived until 1904 when it was bought by Richard Howell's estate. It was then 39,000 acres. The present house was built by the Rowes in 1872 of bluestone quarried on the property with a cement render overall. The architect was H.R. Casselli. In 1911 R.C. Howell, son of Richard, became the owner, followed by his son in 1960. Gold was found on the property and by 1898 the township of Hollybush was first reported, situated at either side of the front entrance, on the Cressy Road. The land for the township was given by William Rowe. By 1990 Hollybush had a population of 426 persons. All of the early history of Glenfine, documents etc., were destroyed when Naringal homestead was burnt down in 1944. Glenfine was classified by the National Trust in 1974 and is on the Heritage Commission Register. Mounted black and white image of a large group of men and boys in front of a weatherboard shearing shed. The men are each holding a pair of hand shears. One young man is kneeling on top of a wool bale. A small blue biro 'x' identifies W. Todd. Glenfine was a pastoral station. The original homestead still stands.shearing sheds, shearers, rural activity, william todd, glenfine pastoral station, thomas chirnside, thomas downie, richard howell, william thomas rowe

''The Mount Alexander Stations'' - short article of few pages dated March 24th 1969 . Detailed discussion of early ownership of pastoral licences in the area. Author (presumably - as underneath title) is H.C. Reference to Richard Grice; Powlett Plains; Heape; Charles Sherratt; Fenton; Gibson; Mt. Alexander Station; Mt. Alexander North ; William Barkerbendigo, land sales, pastoral licences, mount alexandra station, richard grice, powlett plains. lodden river.

with compliments slip from Bendigo Agricultural pastoral and Horticultural Society & free ticket to Bendigo Agricultural Show Society 25-27.10.1951 / small ticket and compliments slip - paper / ticket for miss E.A. Geotze / envelope from Bendigo Agricultural Show Society National Bank Chambers , Pall Mall , Bendigo dated 24.8.1951/ 3 pence stamporganization, society, community services, bendigo agricultural pastoral and horticultural society /bendigo agricultural show society e.a. geotze / national bank chambers , pall mall , bendigo / 3 pence stamp

Demonstrates the work of the Ballarat Tramway Museum and has a strong association with the photographer and photo competition.Mounted digital print of SEC Ballarat Tram No. 14 outside the BTM Depot, 31/10/2011 - photographed by Ellen Eustice. Made for the Ballarat Agricultural and Pastoral Society 2011 show, printed on Fujifilm paper. Exhibit 5. Tram has the destination of Drummond St North, and the Bendigo Bank roof advertisement. Details of photograph on the front and rear of the photograph.trams, tramways, btm, depot, showgrounds, tram 14

Bendigo Advertiser ''The way we were'' from 2000. Ravenswood: the Ravenswood homestead, Calder Highway Ravenswood was built in the 1850s for Frederick Fenton. Gold was first found on the pastoral lease known as the Ravenswood Run in 1851. This quiet valley inhabited by the Jajaworung tribe overnight was invaded by an army of gold diggers. The gold they found not only built Bendigo, but contributed greatly to the prosperity of Victoria. The clip is in a folder.newspaper, bendigo advertiser, the way we were

Moulded glass drinking vessel with vitreous enamel lid mounted on silver base with lifting mechanism. Lifting lever decorated with fleur de lis. Painting on lid depicts a pastoral scene with a seated male next to standing female with a staff, a dog lying next to the man, and sheep in background. 8 cut planes of glass around 2/3rds of glass circumference, and a rounded, moulded handle.'Schalerin, Schalerin, fri auf der hut!'domestic items, food and drink consumption, drinking, vessel, enamel, picture

At the beginning of the 1890s, the Kew businessman and Town Councillor, Henry Kellett, commissioned J.F.C. Farquhar to photograph scenes of Kew. These scenes included panoramas as well as pastoral scenes. The resulting set of twelve photographs was assembled in an album, Kew Where We Live, from which customers could select images for purchase.The preamble to the album describes that the photographs used the ‘argentic bromide’ process, now more commonly known as the gelatine silver process. This form of dry plate photography allowed for the negatives to be kept for weeks before processing, hence its value in landscape photography. The resulting images were considered to be finely grained and everlasting. Evidence of the success of Henry Kellett’s venture can be seen today, in that some of the photographs are held in national collections.It is believed that the Kew Historical Society’s copy of the Kellett album is unique and that the photographs in the book were the first copies taken from the original plates. It is the first and most important series of images produced about Kew. The individual images have proved essential in identifying buildings and places of heritage value in the district.When the Kew Lunatic Asylum was opened in 1871, its extensive 340 acres of grounds were intended for farming, agriculture and recreation for the inmates. The point-of-view chosen by Farquhar for this panoramic photograph focuses on the ordered open fields, haystacks and remnant trees that extended from the foreground to the rear of the Asylum. The inmates are the absent players in this pastoral idyll. In 1891, The Argus reported on the Annual Asylum Picnic: “Wednesday saw the Kew picnic, the yearly festival of the mad folks and their keepers. Once a year the public subscribes for cakes and ale for all these mad folks, and their keepers, from superintendent to lowest wardsman, turn out, and use their best endeavours to make one day in the year sanely merry.” Regardless of such merriment, the Asylum’s development and ongoing status were frequently a source of disquiet to the residents of Kew, who regularly petitioned the State Government for its removal. Despite these views, the Asylum was to remain a functioning institution from 1871 to 1988. Kew Asylum & Groundskew illustrated, kew where we live, photographic books, henry kellett, kew lunatic asylum

At the beginning of the 1890s, the Kew businessman and Town Councillor, Henry Kellett, commissioned J.F.C. Farquhar to photograph scenes of Kew. These scenes included panoramas as well as pastoral scenes. The resulting set of twelve photographs was assembled in an album, Kew Where We Live, from which customers could select images for purchase.The preamble to the album describes that the photographs used the ‘argentic bromide’ process, now more commonly known as the gelatine silver process. This form of dry plate photography allowed for the negatives to be kept for weeks before processing, hence its value in landscape photography. The resulting images were considered to be finely grained and everlasting. Evidence of the success of Henry Kellett’s venture can be seen today, in that some of the photographs are held in national collections.It is believed that the Kew Historical Society’s copy of the Kellett album is unique and that the photographs in the book were the first copies taken from the original plates. It is the first and most important series of images produced about Kew. The individual images have proved essential in identifying buildings and places of heritage value in the district.Hyde Park is now a small recreation reserve bordered by Willsmere and Kilby Roads and White Avenue. In 1982, Hyde Park was cut off from the Yarra River by the construction of the Eastern Freeway. The building of the latter was to transform the natural landscape, including the Yarra, as well as Hyde Park. The construction of the Freeway makes it difficult to view the scene with the photographer’s eye. Today’s Hyde Park is located on land purchased in 1847 by John Cowell, and in 1851 Catherine Cowell, yet the scene selected by the photographer may well have been located on farmland owned by the Wills family. Farquhar’s point-of-view emphasises both the pastoral and recreational elements of the scene: the grazing cows, three boys, and in the distance two figures, seated on the bank with a parasol. By 1891, an environmental consequence of human activity, including farming, was deforestation, leading to the erosion of the south bank of the Yarra. In contrast, the land on the Alphington side of the river in 1891 included remnant bushland.The Yarra in Hyde Parkkew illustrated, kew where we live, photographic books, henry kellett, yarra river

Leather bound book, gold on edges of pages 867 pages, shield on front is goldNew Testament Psalmsbible, new testament, girdler, gumbleton, deaconate

A History of the Diocese of Bendigo 1902 - 1976 : An Anglican Diocese in Rural Victoria (1991) by Keith Cole. Published by Keith Col Publications, Bendigo Printed by D.G. Walker Pty Ltd, Bendigo Copyright Edmund Keith Cole 228 pages. Includes b/w photographs, index, and bibliography History of the Diocese including, Pastoral Care and Administration, and Diocesan Institutions, Colleges, and Organisations, and Brief Historical notes on Churches and Worship Centres in the Diocese of Bendigo. Copy Notes: Signed by Author.Keith Colechurch, history, st. pauls' anglican cathedral

Property of Jim Hay, geelong property manager of Elders Pastoral.Large bound photo album with black cloth cover containing pictures, notices, documents and news paper articles documenting Denny's Lascelles Wool brokers and Strachan Wool brokers. Pictures and documents are mounted on black card using glue and sticky tape, on both the front and back of pages. There are five photographs and one document not attached to the album that illustrate Denny's Lascelles Wool brokers. Photos feature different events across several decades related to the Dennys Lascelles Wool Store, including newspaper clippings, men driving a car and staff photos."To the Directors Denny's Lascelles Limited From T.G. Moore July 1941wool brokering wool stores wool industry, elders pastoral dennys, lascelles limited strachan and co. limited, hay, mr jim e. - elders vp, geelong, victoria, wool brokering, wool stores, wool industry

Information kit promoting Elders Pastoral's Lara wool complex.wool brokering, australian corriedale association elders vp, pettitt, mr r. w.

This is a pastoral scene in halls Gap. The building is the Halls Gap Public Hall.The photo shows a man with a hat and long walking stick standing in a paddock with a number of geese. In the middle distance is a building surrounded by fruit trees. Behind this tall eucalyptus trees can be seen and in the background is a rocky range.mining, equipmment