Light Grey blouse with lace inset and pin tucks. Seven pearl buttons, long sleeves, cuffed and 1 pearl button. Ruffle around neckcostume, female

White cotton camisole with short sleeves. Has pin tucking on front peplum, with royal blue ribbon threaded through eyelet lace drawstring at neck. camisoles, underwear

Clothing. Infant's pink linen nightdress. Square neckline trimmed with eyelet lace threaded with pink ribbon, and 1 cm lace frill. Square yoke front and back with horizontal pin tucks and 5 cm lace insert. Yoke at front and back has 5 cm lace frill around edges. Long sleeves, have a pleat at the shoulder, pin tucks and lace insert at elbow. Sleeves are gathered into casing at wrist with 4 cm lace frill at hem. Front of skirt has vertical pin tucks and three lace inserts below the yoke. Skirt has border of zig zag lace insert and horizontal pin tucks above two 13 cm flounces with zig zag lace inserts and lace edges. Centre back opening (35 cm) fastened with four metal press-studs.costume, children's, infant's pink nightdress

Clothing. Infant's cream silk christening gown. High round neckline edged with gathered .7 cm lace. Yoke front (7cm) and back (8cm) of lace pieces and pin tucks. Skirt has 37 cm border of horizontal pin tucks, embroidered sections, piping and hemmed with scalloped embroidered lace.Centre back opening (21 cm) fastened at neck and lower edge of yoke with one cm pearl look buttons. No button holes. Long sleeves gathered at shoulders and gathered into 3 cm band of lace at wrist with gathered lace frill at hem. Three pin tucks around sleeves at elbow.costume, children's, infant's cream silk christening gown

This white, cotton, baby's pinafore with hand crochet work is and example of the dressmaking skills of the women of the families of the pioneer settlers and market gardeners of the Moorabbin Shire.The pioneer settlers and market gardeners of Moorabbin Shire had to be self reliant and made their own clothing and utensils. This is one of many items that exhibit the skill and craftsmanship of the women in these families.A white cotton infant's pinafore, with hand crochet work around armholes, and lower edge of garment. Feather stitch embroidery, and pin-tucking on bodice. Waist ties.clothing, crochet work, moorabbin, bentleigh, early settlers, pioneers, market gardeners, dendy special survey, brighton pioneers

Donated by Ann BarryCream polyester five pearl button fastening down front. Thirty six vertical pin tucks across shoulders, long sleeve, pearl button at cuff.Fletcher Jones. Australia's Finest Clothingcostume, female

Long white lawn bed jacket pin tucked with lace insets on sleeves and body. Deep lace borders on collar, sleeves and body. Five white buttonscostume, female nightwear

Laundered 30/10/1999Long frock, possibly a christening frock. Lace and pin tucks on bodice, lace on hem with 1/4 inch tucks above lace, puff sleeves on bottom.costume, infants'

Mary Owen OAM (1921-2017) purchased this dress in 1975 in Mexico while attending the first World Conference on Women and wore it to the reception there. A dedicated feminist, unionist and activist, she was a vocal campaigner for the empowerment of women, particularly in the fight for equal pay. Mary's involvement in activism began in 1966 when she joined the staff of the Association of Architects, Engineers & Draughtsmen (AAESDA), where she was responsible for advertising, layout and proofreading editorial for its journal 'Blueprint'. Her contact with the union awoke an interest in women's rights in the workplace, and in 1969 after she joined Dr Bertram Wainer's Progressive Reform Party, which advocated for legalised abortion. She joined the Women's Electoral Lobby in 1972 and remained an active member for over forty-three years, representing the WEL on many government committees. She was a founding co-coordinator of the Working Women's Centre Melbourne from 1975 until 1986, a founding member of EMILY's List Australia, an early member of the Melbourne Press Club and an early supporter of the Australian Women's Archives Project. An annual Mary Owen Dinner was held in her honour for twenty years from 1986 until 2007, which brought together hundreds of women each year. Mary was awarded the Queen's Silver Jubilee Medal in 1977 and the Order of Australia Medal in 1984. She was added to the Victorian Honour Roll of Women in 2001.Red, white and black cotton halter neck dress with rows of pin tucking on the bodice and applied horizontal strips of red and black cotton and black lace to the skirt. Label, woven black on white acetate, centre back: Disenado con carino por / GEORGIA CHARUHAS / HECHO / EN MEXICO Label, woven black on white acetate, centre back: Gerorgia's / BOUTIQUE LAS MARIPOSAS / Designer: / Georgia Charuhas / MERIDA YUCATAN, MEXICOmexico, international women's conference, 1970s fashion, georgia charuhas, feminism, mary owen

The pioneer settlers and market gardeners of Moorabbin Shire had to be self reliant and made their own clothing and utensils. This is one of many items that exhibit the skill and craftsmanship of the women in these families. This white, cotton Lady's blouse with pin-tucked front and back is and example of the dressmaking skills of the women of the families of the pioneer settlers and market gardeners in the Moorabbin Shire. Ladies long-sleeved white cotton blouse with high collar. Pin-tucking to front and back, guipure lace inserts on front of bodice. Significant tear at lower edge of the garment.clothing, brighton, moorabbin, pioneers, dendy henry, market gardeners, home dressmaker, craft work

Clothing. Woman's yellow leather gloves. Three pin tucks on back of gloves. Openings at wrist (7 cm) fastened with two .8 cm metal buttons and button holes.Stamped inside both gloves ''2114''costume accessories, female, woman's yellow leather gloves.

This long calico baby's nightdress is an example of the dressmaking skills of the women of the families of the pioneer settlers and market gardeners of the Moorabbin Shire.The pioneer settlers and market gardeners of Moorabbin Shire had to be self reliant and made their own clothing and utensils. This is one of many items that exhibit the skill and craftsmanship of the women in these families.A short-sleeved, long calico baby's nightgown. There is extensive hand-embroidery and pin-tucks on the bodice. Waist ties embroidered at the front. Crochet edges to neck and sleeves. The garment opens at the back.clothing, brighton, moorabbin, pioneers, dendy henry, market gardeners, dressmakers, craft work

Christening gowns are traditional outfits made just for baby’s baptism. They are almost always white and can be very ornate, highly decorated garments. Usually, the christening gown is quite long – much longer than the baby being christened, particularly when it is worn by a young or very small baby. Many families keep a “family” christening gown that has been passed down through various family members and is used for the baptism ceremony. This christening robe was probably used by the Cameron family.The christening gown was a late 18th century innovation usually made of white lawn, muslin or net, longer than the baby and fancier than a day gown. The design was a more moderate version of contemporary adult fashion. Most 19th century christening gowns featured lace. All, until the end of the century, had low necklines and short sleeves. This gown reflects the style of christening robes in the early 20th century. A high waisted, short-sleeved long white broderie anglaise christening robe made of fine cotton. It is hand made edged with machine stitched cut work lace. The bodice is pin tucked.christening-robe clothing-childhood

19th century Irish linen Christening gown and matching petticoat donated by Ruth Starkey. The Christening gown and petticoat have been in the family for around 170 years, passed to generations. They were sewn by Eliza Lynon in Enniskillen, Northern Ireland. The following history has been provided by Ruth Starkey: • Town of origin is Enniskillen, Northern Ireland, sewn by Eliza Lynon. • The gown came to Australia with Eliza Lynon on the Red Jacket in 1855. • Eliza married Joseph Dobbyn (who was a member of the Royal Inniskilling Fusiliers Regiment) at Christ Church Geelong. • They built a home at 150 McKillop St, Geelong. Melrose was the name of the home. • Family name Dobbyn - Joseph Wilson Dobbyn b. 07/04/1844 - d 12/10/1892 and Elizabeth (Eliza b 12/03/1847 d 26/08/1934) and passed to Eliza Jane, Jessie Victoria Mary and Lucy Ellen Dobbyn (sisters). • Lucy Ellen nee Dobbyn, married Herbert Blunt, Boatbuilder Geelong at Christ Church Geelong • All lived at 150 McKillop St Geelong over the years • Passed to Marjorie May Fearn born nee Blunt who was baptized at Christ Church Geelong 29/5/1915 • Passed to Ann Rosemary Starkey nee Fearn • Passed to Ruth Norelle Starkey (me) I was baptized at Christ Church Geelong. • I am the great- great granddaughter of Joseph and Eliza and the great granddaughter of Herbert and Lucy.White Irish linen bodiced petticoat with three sets of three pin tucks at hem. Skirt is attached with cartridge pleating and constructed with French seams. The bodice ties at the back with drawstrings at the neck and waist.irish linen, christening, religion, children's clothing, ceremonial, church, geelong, red jacket ship, enniskillen, christ church geelong, northern ireland

Cream cotton Nightdress with square neckline and short sleeves. Crochet cotton lace around neckline and sleeve edge and in triangle in centre of gown. White cutout embroidery at neckline and sleeves. Pin tucking at waistcostume, female nightwear

Due to relative long distance to haberdashery stores majority of children's garments were hand made by a local talented seamstress or mother/relative. This bonnet is very similar is style and fashion to other children's clothing in KVHS collection which indicates this was made during the early 1900's. This has good historical significance because it shows the fashions during the early 1900's which baby bonnets were made by women of the Kiewa Valley. This item also has good interpretive capacity as it adds to the other babies clothing in the KVHS collection and therefore increases the interpretive capacity for the children's clothesCream muslin with 1 cm wide lace around the face and neck. Pin tucks threaded with fine string and 2 tape ties 13 cm long. Also string used to gather the neck edge.baby. bonnet. christening. clothing. infant.

Clothing. Women's elbow length white cotton gloves. Slit inside each wrist (9 cm) fastened with two X .7 cm spherical pearl buttons. Three pin tucks on the back of the glove.costume accessories, female, women's elbow length white cotton gloves

Laundered 30/10/1999White cotton christening gown with short sleeves. White cotton broderie anglaise lace in rows on bodice and inset near hem of dress. Four rows of pin tucking above and below inset of lace in skirt.costume, infants'

A remnant of pin-tucked cotton and crochet lace fabric, cut from another article, cylindrical in shape with machine stitching joining the edges. There are two bands of crochet lace fabric, the lower one with scalloped edging.favaloro, pin-tucks

This baby’s long cotton gown is an example of the dressmaking and lacework skills of the women of the pioneer settlers families in Moorabbin Shire c1900Early settlers and market gardeners established their families in Moorabbin Shirec1900 and this item shows the skill and craftsmanship of the women of these families A baby's long, fine white cotton christening dress with short sleeves, lace bodice ,and lace inserts on front panel. Pin tucks and lace form the lower part of gown and the cuffs and neckline have lace edgingclothing, crochet, brighton, moorabbin, pioneers, dressmaking, market gardeners, early settlers, craftwork, lacework, moorabbin shire, bentleigh, mckinnon, hunt ailsa, dairy farms, fruit orchards

Bisque Doll dressed in cream silk smocked dress with crocheted lace border on collar.and hem. White lawn petticoat pin tucked on hem. Wooden legs on cords attached to body. Brown hair with pink ribbon.toys, dolls

White cotton nightdresses with long sleeves. Eyelet cotton lace around neck. Spotted cotton frill on sleeves and alternate layers of spotted embroidery panels and pin tucking on bodice. Three buttons in concealed placket in front.costume, female nightwear

The Fashion & Design collection of Kew Historical Society includes examples of women’s, men’s, children’s and infants' clothing from the 18th, 19th and 20th centuries. While the collection includes some examples of international fashion, most items were handmade or purchased in Melbourne. White cotton voile puff sleeved chemisette with four engraved pearl buttons. Neck edged with an edging lace and narrow tape. Sleeves finished with two rows of pin tucking and edging lace. Insertion and tape lace at neckline.lace, women's clothing, underwear, undergarments

Clothing. Infant's white spotted muslin waisted dress. High round neck with lace trim. Front of dress has alternating vertical stripes of pin tucks and lace. Skirt tightly gathered into casing at waist. Lower section of skirt has alternating horizontal stripes of pin tucks and lace. Long shaped sleeves with fabric cap around arm hole. Sleeve gathered into casing at wrist. Item edged with lace, forming a frill. Centre back opening (20cm) fastened with five X .9mm white buttons between neckline and waist.costume, children's, infant's white spotted muslin dress

Clothing. Women's brown wrist length leather gloves. Decorative stitching around seams on fingers. Three pin tucks on back of gloves. U-shaped cut out at centre front at wrist (3 cms X 1 cm).costume accessories, female, women's brown wrist length leather glove

White cotton tea cosy in half circle. Edged in pin tucked lawn with lace border. Double sided with butterflies embroidered in blue on one side with centre piece of crochet. Other side flowers embroidered in blue and crochet centrepiece.manchester, table linen, handcrafts, needlework

Victorian era child's nightgown collected in Europe by Nan Wagner in the 1970's.Victorian era child's nightgown collected in Europe.Victorian era child's nightgown is made of white cotton with a lace yolk and pin tucks at the hem. There is feather stitching at the lower edge of the yolk. The back placket has handmade buttonholes and pearl shell buttons completed with a rouleau drawstring at the neckline. childs clothing, victorian era, handmade, cotton