Silver platter, commemorating Davis Cup European Zone Final Durban 1967. Also states: South Africa...Brazil...J.Drobny'. Materials: Silver/Metaltennis

number in album 03554.02Colour photograph Lakes Organic Gardening Society members Adele Greenbeau, Bob Hodgson, at Carole McDonalds home with platter of organically grown produce. Lakes Entrance Victoriaclubs, function

This item is part of the Federation University Art Collection. The Art Collection features over 1000 works and was listed as a 'Ballarat Treasure' in 2007.Ceramic earthenware platter by Ballarat School of Mines Associate Diploma of Arts (Ceramics) student Geoff Phillips. His artwork commemorates different phases of the moon and times for planting vegetables. art, artwork, geoff phillips, ceramics

Commissioned in Australia, this platter illustrates the continued affection of Dutch migrants for the Dutch royal family.White platter. Around the rim: at top, Beatrix Regina; underneath: Troonbestijging (ascension) 30 April 1980. Dutch royal coat of arms with motto 'Je maintendrai' (I shall perservere)On reverse, logo HP 8076 Commisioned by H. van Hoek to Hallam Pottery Handmade and handpainted by Gerard Albers

Silver prize platter. Inscr: 'THE CHAMPIONSHIPS/WIMBLEDON/TO TENNIS AUSTRALIA /IN CELEBRATION OF THE/CENTENARY AUSTRALIAN CHAMPIONSHIPS/'FROM YOUR FRIENDS AT/THE ALL ENGLAND CLUB WIMBLEDON/JANUARY 2005'. Materials: Silver/Metaltennis

The maker’s initials on the back of the patter, “A.F. & S.” are one of the marks of Alfred Fenton & Sons (& Co) of Brook Street Works (renamed Century Street in 1950’s), Hanley, Staffordshire, Stoke-on-Trent in the United Kingdom. The partners were Alfred Fenton, James Tunstall Fenton, Arthur Fenton and John Fenton. Other initials used are “A F & Co.” The company operated from 1887 to 1901. According to the London Gazette of January 10, 1899, the Earthenware Manufacturers “Alfred Fenton & Sons“ also had a location in Australia at the corner of Elizabeth Street and 314-316 Bourke Street Melbourne Victoria, and Bond Street, Sydney, and in New Zealand at Manse Street, Dunedin. The maker’s mark also includes the word ‘PRAHRAN’, which is an inner suburb of Melbourne. “Prahran” may have been the name of this particular pattern or even the location chosen in preference to the location ‘Melbourne’. The Melbourne address was purchased from a long established drapery business, Wright and Neil, between 1911-1914 by Sidney Myer. Myer constructed his 1914 building in on this site in Bourke Street. This platter is an example of late 19th or early 20th century dinnerware.Dish; white ceramic rectangular platter with picture in brown ink depicting vegetation (including bamboo and blossoms), flower pot, plates and two oriental persons. Made by Alfred Fenton and Sons 1887-1901.Stamped on back, "PRAHRAN / A.F. & S." surrounded by a buckled belt. Number "14" printed in the clay. flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, dish, food perparation, dinnerware, catering, a.f. & s., a fenton and son potters of hanley uk, bourke street melbourne, prahran dinnerwear

Students of Bialik partook in a large chess themed event. There was a range of chess board themed cakes and platters shown, students dressed as various pieces of the board, family and friends from the community are shown seated, watching the children perform. For inquiries or access contact [email protected] photographs have a post-it note on the reverse of the photograph. 'The Food: I loved the kake. It was good. Charlie. Lindsay I loved the cupcakes I made it with my mom.' Another states 'we are handing out the tick's to the gest's [sic].school, jewish school, bialik college, photographs, chess, club

Three people stand in a kitchen. The gentleman on the left wears a white coat, the younger male in the middle wears a chefs jacket and checked pants, and holds a platter, whilst the older female at the right holds a certificate. A Cooking Apprentice award was given to a person employed at the Association for the Blind.1 x B/W photographassociation for the blind

This plate was used for serving carved meat at the dining table. This serving meat plate/platter dates to the 1914 to 1930's period in time. Generally fine bone china and crockery was imported. Pieces like this tray were often considered to be "good" crockery for use on special occasions.The item is an example of a piece of china used by local families in the early 20th century. It also has aesthetic significance.A large meat carving plate with a floral design around its rim. The plate is white china with pink and blue painted flowers. The edge is scalloped and painted with a gold edging.Underneath - H 4.....?domestic kitchen crockery, serving-plates platters food-preparation

Prize footed platter with scalloped edges, inscribed: 'ROY A. YOUDALE/IN APPRECIATION OF/HIS LONG AND DISTINGUISHED SERVICES/TO THE LAWN TENNIS ASSOCIATION OF AUSTRALIA/25TH NOVEMBER 1952'. Stamped in underside: 'MADE IN ENGLAND/W DRUMMOND & CO'. Materials: Silver/Metaltennis

This serving meat plate/platter dates to the 1914 to 1930's period in time. This was a period when fine bone china and crockery was imported from England or Europe (mainly Germany). It was highly regarded not only as good crockery but also a linkage to "mother" England and showed a that the family was "well to do". This plate has important relevance to the socio- economical "atmosphere" of rural life (Kiewa Valley) in the early 20th Century. The quality of good English merchandise and the "British best" attitude of the Australian psyche of this period, especially in rural regions, was strongly entrenched into the population. However after World War II this psyche changed drastically as European refugees from war torn Europe "invaded" the mainly "British" based cultural mores. This was the beginning of cultural diversity and rolled out onto multi-culturalism of the latter 20th Century. This large bone china oval shaped serving plate has a green floral pattern around the the base extending up the sides, similar to the "Brussels" pattern. The top edge is delineated with a swirling pattern emphasised with gold leaf. On the rim and detailing 15mm before the edge are oyster or scollop like bubbles in three rows.manufacturers stamp (dating manufacture 1914-1925) and numbered "36" domestic kitchen crockery, english crockery, serving plates and platters

Souvenir collected by a member of BCOF in Japan Post War WW2. Items re collection of "RICHARD WILLIAM McGILVERY" RAAF. Refer Cat No. 7287P for his service details, photos and awards.Silver coloured metal platter. Raised edges engraved with decorative flowers and leaves, mostly silver but some red. Small hole at each end. Base engraved with series of rural images. Back engraved with speckled image and each corner slightly raised.bcof, souvenir

Cheese platter and cover made of China. (previously #91a,b from Mechanics Institute Eaglehawk ) Rectangular shape with fluted edges, decorated with pink and floral painting, approx. 20 x 27 x 15cm. Top slopes left to right with square shaped, dipped handle.cottage, miners

The 10th Light Horse was raised in 1903 from Victorian Mounted Rifles companies in Gippsland. In 1912 the regiment was renumbered 13th Light Horse. In 1920 the regiment had the territorial title Gippsland Light Horse added. The regiment was raised as 13th Light Horse (Gippsland), a Citizen Forces unit. In 1940 the regiment converted from horse to mechanised, initially as 13th Motor Regiment then 13th Armoured Regiment. It trained in Victoria and Queensland but as the Japanese threat to the mainland declined, was disbanded in October 1943 with men going to other units.Large white oval serving platter with 13th Light Horse monogram on edge. Part of an incomplete set of white vitreous china plates with a red monogram incorporating the regimental badge in the rim denoting the object was made specially for 13th Light Horse Officers' Mess. The red on white is the colour patch of the regiment."13th (Gippsland) LH Regt" above regimental badge, and "Officers' Mess" below badge. Marked on base of plate " 'Duraline' Supervitrifies Grindley Hotelware Co England" and "Loftus Moran Pty Ltd Melbourne"mess, officer, light horse, 13th, monogram, crockery

Cheese Platter - Ceramic (previously #89a and b from Mechanics Institute Eaglehawk). Wedge shaped plate and cover decorated with trail of leaves, flowers and vine. White, brown and silver. Approx 30cm x 20cm x 10cm . Makers Mark appears under plate. Two eyes with mouth. See Image 064-DSC_1009.jpgtwo eyes with mouthcottage, miners

Graham Masters is a potter based at Sweenies Creek, just outside Bendigo, Victoria who specialises in a patented technique of low relief stoneware depicting Australian animals and landscapes. He obtained a Diploma of Art and Design in Ceramics from the Bendigo Institute of Technology in 1973, then operated a pottery for a year in Bendigo, before becoming an employee, then a partner at Maldon Pottery, Victoria with Neville Wilson and Thomas Metcalf. He left Maldon to set up his own pottery at Sweenies Creek in 1984. (1.) (Judith Pearce). Built in 1869, the (former) Strathfieldsaye Shire Hall is one of The City of Bendigo's earliest surviving public buildings. Designed by George Steane and built by George Pallett in 1869 the Strathfieldsaye Shire Hall has aesthetic significance as a purpose built Shire Hall designed in the Free Classical manner. It is also of importance as an early example of the novel system of cavity wall construction. The building is largely intact and unaltered. Other important elements include the arched portico of the main entrance with brick arched features on either side; the brick quoining and dressings to the round arch windows; the three gabled roof; and the matching chimneys that reinforce the symmetrical design. The Hall has social significance as a temporary schooling facility in the 1870s and as a flood refuge in 1889. The Strathfieldsaye Shire Hall is a brick building designed in the Free Classical manner. This style was favoured by the Public Works Department for a number of public buildings including Shire Halls and courthouses. The form includes a central taller volume flanked by matching smaller gables. In the case of the Shire Hall these would be occupied by the Shire Secretary and Shire Engineer whilst the larger volume was the council chamber. The portico at the front is designed with a flat arch in the centre and matching smaller arches each side. The face red brick is unadorned apart from a plain string course at the roof springing point, brick quoining and dressings to the round arch windows. There are matching chimneys that are located to reinforce the symmetrical design and the original roof is believed to have been slate but is now corrugated iron. Large wheel thrown ceramic platter with a shallow well, broad flaring ledge and raised on a high foot rim. Rim decorated with slab rolled gum trees protruding on centre left and right sides of plater. which reflect the low relief image of trees and the Strathfieldsaye Shire Hall on the surface of the plate. Glazed with golden brown and cream. Front centre top; 'Shire of Strathfieldsaye'. Front lower centre '1866 - 1991 - 125 Years'. Signed 'G Master / 1991' on rim centre right. Reverse; signed 'G Master' / 1991. Bendigo Pottery stamp.shire of strathfieldsaye, bendigo pottery

The Russell Collins Restaurant was located in the basement of the T&G Building on the south west corner of the Collins and Russell Streets intersection. It was a popular 'up-market' restaurant from the 1940s until the early 1970s when the T&G building underwent alterations. The restaurant, like its counterpart Elizabeth Collins, was renowned for its large platters of delicious salads. Nick (Naki) Raftopoulos operated the Russell Collins during the early 70s up until its closure.A black and white photograph of the interior of an Art Deco style restaurant fitted out around the walls with wooden 'shoulder high' cubicles which seated four people. Tables and chairs with various settings are arranged in the open areas of the restaurant. The floor is a wooden herringbone parquetry with a carpet on the floor in the reception area. Handwritten across the bottom of the photo: RUSSELL COLLINS RESTAURANT NICK RAFTOPOULOS.art deco, russell collins restaurant, restuarants

David WILLIAMs David Williams established Toolangi Pottery in Toolangi, Victoria, in 1977. In 1980, he completed a BA in Fine Art from Phillip Institute of Technology (now part of RMIT University). He produces mainly crystalline glazed bowls, platters, vases, lampbases and other domestic ware. His works are marked with an impressed stamp reading 'David Williams' or 'David WIlliams Handcrafted in Australia ' and he also used a cursive 'DP Williams'.Photograph of a hand thrown ceramic vase with crystalline glaze. It is signed on the base with a cursive 'DP Williams'. ceramics, pottery, david williams, crystaline glaze, crystalline glaze, toolangi pottery, studio pottery, australian studio pottery

Sandra JOHNSTONE (1936-Jan 1991) Born Southern California, USA Worked California, USA Sandra Johnstone was awarded a MA in Ceramics and an MFA in Plastic Arts at San Jose State University, where she later also lectured. Specialiing in functional and sculptural forms, with emphasis on wheel-thrown shapes and salt-glazed stoneware and porcelain, her work is best known for salt glazing, using surface texture and colour to enhance the character of the clay. Sandra Johnstone was a visiting artist to the Gippsland Centre for Art and Design (GCAD). Salt glazed platter. This work is part of the Jan Feder Memorial Ceramics Collection. Jan Feder was an alumna of the Gippsland Campus who studied ceramics on the campus. She passed away in the mid 1980s. Her student peers raised funds to buy ceramic works in her memory. They bought works from visiting lecturers who became leading ceramic artists around the world, as well as from many of the staff who taught there."Johnstone" on basesandra johnstone, ceramics, artist, artwork, gippsland campus, jan feder memorial ceramics collection

17 piece tea set featuring tennis motif (racquets balls and nets) painted on outside of every piece. Pieces are not yet physically numbered (.1 to .17), but include: teapot and lid; sugar bowl; jug; six cups; six saucers and large scalloped-edge platter. Adhesives labels on some parts state: SOTHEBY"S...LOT 251/17...18.7.01'. On several pieces is inscribed in ink: 6227N (manufacturer's number). Materials: Ceramic, Painttennis

Colour photograph. Unofficial launch of shilling fund. Patrons cutting the cake. Eight Women stand behind a table with a cake on a swerving platter. At host's, Chair Janet England's house. Front row left to right: Maron Lau (Trustee), Fleur Spitzer (Patron), Prof. Trong Thomas (Patron), Noel Waite (Patron), Glenys Sharma (General Manager). Back row left to right: Jean Tom (Patron Country Women's Association), Janet England, Prof. Nancy Mils (Patron). charitable organisations, official events

Victoria HOWLETT (b. 1945- ) Born London, United Kingdom Arrived Australia 1946 Victoria Howlett studied Ceramics at RMIT. She lectured at Prahran College for several years before travelling to Canada, The United States of America, Mexico, Africa and England. She began working as a potter full time in 1977, establishing a studio in Melbourne. In 1985 Victoria Howlett won the Stuart Devlin Award, Melbourne. She is a practicing artist in Apollo Bay, Victoria. The ceramic work of Victoria Howlett draws on the Oribe tradition of painted surface designs. During the 1980s, she moved from rounded vessels and lidded jars to the platter as the form to be decorated, using a well-charged brush and slips coloured with oxide. Wheel thrown stoneware jar with dipped and painted glaze decoration. The ceramic works of Victoria Howlett are impressed 'TOR' or painted or incised 'Victoria Howlett'. This work is part of the Jan Feder Memorial Ceramics Collection. Jan Feder was an alumna of the Gippsland Campus who studied ceramics on the campus. She passed away in the mid 1980s. Her student peers raised funds to buy ceramic works in her memory. They bought works from visiting lecturers who became leading ceramic artists around the world, as well as from many of the staff who taught there. Victoria Howlett was a visiting lecturer to the Gippsland Institute of Advanced Education Gift of the artistvictoria howlett, ceramics, gippsland campus, jan feder memorial ceramics collection

These nine photographs of technical equipment were provided to the Directorate of Survey as input to the 1990-1991 Annual Report. The equipment in Photos .1P and .2P were used to evaluate/validate colour values on printed maps. The equipment in Photo .3P is a daylight film processor. The Optronix 5040 Laser Scanner/Plotter was shown in Photos .4P to .6P. The Print Room’s Map Handling Station in photo .7P provided ergonomic benefits to the Printer Technician and improved despatching productivity. The Optical Disk Archive and Retrieval System (ODARS) equipment in .8P was optical "platter" disk technology for the secure and long term archive storage of large amounts of digital map data. Map data was transferred from large reels of magnetic tape. As most map type (letters and names) generation was done in Automap 2, The ITEK Typesetter shown in photo .9P was close to obsolete in 1991. At this time it was used to generate map type for other RASvy units, contractors and sections still performing manual map production at Army Svy Regt.This is a set of photographs of Army Survey Regiment technical equipment taken in 1991. The photographs were printed on photographic paper and are part of the Army Survey Regiment’s Collection. The photographs were scanned at 300 dpi. .1) - Photo, black & white, 1991, Colour Evaluation Workstation No 1, Lithographic Squadron .2) - Photo, black & white, 1991, Colour Evaluation Workstation No 2, Lithographic Squadron .3) - Photo, black & white, 1991, Daylight film processor, Lithographic Squadron, Daylight Working Contacting Frames in background. .4) - Photo, black & white, 1991, Optronix 5040 Laser Scanner/Plotter, Lithographic Squadron .5) - Photo, black & white, 1991, Optronix 5040 Laser Scanner/Plotter, Lithographic Squadron .6) - Photo, black & white, 1991, Optronix 5040 Laser Scanner/Plotter, Lithographic Squadron .7) - Photo, black & white, 1991, Map Handling Station, Lithographic Squadron .8) - Photo, black & white, 1991, Optical Disk Archive and Retrieval System (ODARS), Cartographic Squadron .10) - Photo, black & white, 1991, Optronix 5040 Laser Scanner/Plotter, Lithographic Squadron .9) - Photo, black & white, 1991, ITEK Typesetter, Cartographic Squadron.1P, .2P, .4P to .10P – equipment description annotated on back .3P - no annotation.royal australian survey corps, rasvy, army survey regiment, army svy regt, fortuna, asr, litho, automap

This children's eating utensil is believed to belong to the household of Chiltern writer and historian, W.C. Busse. The level of tarnish and the mark 'EPNS' may indicate it is electroplated. The blade also contains the maker's mark 'APEX', which was used by John Biggin & Co, Sheffield, United Kingdom. Pushers such as these were a common utensil in Victorian and early twentieth-century households. They were used to help children too young to use knives learn to eat politely at the table - the blunt blade was used to push food onto the fork. Pushers could also be used to pull food from a serving platter onto an individual plate. Wilfred Clarence Busse was born in Chiltern in 1898. He went to school at Wesley College in Melbourne, studied law at the University of Melbourne and became a barrister. Additionally, after spending time on a Victorian station in his early twenties, he wrote two historical novels about bush life. His first novel was 'The Blue Beyond: a Romance of the Early Days in South Eastern Australia', written in 1928 and published in 1930. Busse's second novel was titled 'The Golden Plague: A Romance of the Early Fifties'. The judges of the Henry Lawson Society's T.E. Rofe competition to advance Australian literature unanimously awarded it the Gold Medal in 1931 for the best historical novel of 1930. Newspaper articles about the award mention the writer's meticulous documentary and oral history research regarding life on the Gold Fields in the 1850s. It became a best-seller. Busse also wrote a series of articles about local history for "The Federal Standard" newspaper in Chiltern. He was a member of the Chiltern Athenaeum. He died in 1960.This child's eating utensil is significant for the detail it conveys of ordinary domestic life in the household of a significant Victorian writer with special reference to Chiltern and the surrounding region. It may also be significant in understanding the customs and practices of English-speaking nations in the early Twentieth Century. The object is a metal food pusher, a child's eating utensil with a blunt lozenge at right angles to the handle. The metal is tarnished, indicating that it may be silver or silverplated. APEX EPNS AI w.c. busse, wilfred clarence busse, chiltern, indigo shire, north-east victoria, gold fields, gold mining, gold rush, table manners, etiquette, children, childhood, john biggin & co, sheffield, golden plague, blue beyond, historical fiction, 1930s, 1850s, t.e. rofe, henry lawson society, electroplate, tableware, cutlery

Yellow folded card. P.Ellis and 2 in circle hand written at top on front. Circular Emblem. Bendigo Club First Annual Old Time Cabaret Ball Friday, June 1st, 1984 8.30 p.m. - 1.30 a.m. $8.00 per head Band: Armstrongs. Star of Evening Belle of Ball Matron of evening. Sections: Geelong Red Sash Warnambool Blue Sash Warnambool Green Sash. Inside reads: Programme 1 Foxtrot 2 Valeta 3 Maxina 4 Foxtrot 5 Charmaine 6 Waltz Oxford 7 Progressive Barn Dance 8 Foxtrot 9 Tangoette 10 Pride of Erin (Star Dance) 11 Parma Waltz 12 Modern Waltz 13 Quick Step (Monte Carlo) 14 Lucile 15 St. Bernard 16 Foxtrot 17 Swing Waltz 18 Evening Three Step 19 Foxtrot 20 Merrilyn 21 Dorothea 22 Foxtrot 23 Irene 24 Hawaiian 25 Foxtrot Thanks for coming hope you enjoyed the evening. Rear reads: Supper Party Pies, Pasties, Sandwiches, Chicken Salad Platters, Cream Sponge, Small cakes, Pavlova, Fruit Salad, Coffee. Catering by Eric Brookes Catering Service who caters for Weddings and Special Occasions Dinner A La Carte 028 Community Service Groups (Rotary, Lions etc) Telephone (054) 43 1359person, individual, peter ellis oam

Yellow card Black stick figure drawing in circle. 2 in circle handwritten in top right hand corner. Bendigo Club First Annual Old Time Cabaret Ball Friday, June 1st, 1984 8.30 p.m. - 1.30 a.m. $8.00 per Head Band Armstrongs Star of Evening Belle of Ball Matron of Evening Sections: Geelong Red Sash Warnambool Blue Sash Warnambool Green Sash. Programme 1 Foxtrot 2 Valeta 3 Maxina 4 Foxtrot 5 Charmaine 6 Waltz Oxford 7 Progressive Barn Dance 8 Foxtrot 9 Tangoette 10 Pride of Erin (Star Dance) 11 Parma Waltz 12 Modern Waltz 13 Quick Step (Monte Carlo) 14 Lucile 15 St. Bernard 16 Foxtrot 17 Swing Waltz 18 Evening Three Step 19 Foxtrot 20 Merrilyn 21 Dorothea 22 Foxtrot 23 Irene 24 Hawaiian 25 Foxtrot Thanks for coming hope you enjoyed the evening. Supper Party Pies, Pasties, Sandwiches, Chicken Salad Platters, Cream Sponge, Small Cakes, Pavlova, Fruit Salad, Coffee. Catering By Eric Brookes Catering Service Who Caters for Weddings and Special Occasions Dinner A La Carte 038 Community Service Groups (Rotary, Lions etc) Telephone (054) 43 1359. 411510 handwritten on back.person, individual, peter ellis oam