On display in frame with 1391.2 in History House. Portland Centenary Celebrations. Portland Town Council.Letter with gold crest top centre. Addressed to His Worship the Major. Framed

On display in frame with 1391.1 in History House Portland Centenary Celebrations Portland Town CouncilLetter with gold crest top centre. Addressed to His Worship the Mayor.

Written on the retirement of Philip Scott as This copy kept by Council Portland Town Council archives

The Encyclopaedia Britannica. Leather bound spine. Cloth covered board covers, maroon coloured. Gold lettering and gold embossed vine-leaf design in three rectangles bearing crests within a roundel. Leather corners on outer edges. Set contains vols. I - . Catalogued as 403.1 - 403. .

Acquired by Portland Council for the Encouragement of Music and the Arts (CEMA) as a winner of its annual Art Price in 1964; later presented by CEMA to Portland Town Council.View of the interior of a cave. In foreground is a triangular pool of dark blue water with lighter highlights. The walls of the cave curve up both sides of the water, meeting at the back of the cave. At back of cave is a ledge with approximately 9-10 seals on it. One seal is diving into the water. The walls are painted in brown and dark blue, the seals in pale blue with highlights in white.Front: Malseed (lower right, red paint) Back: Nancy Malseed "Seal Cave" Portland Art Gallery Trust, c/c C. Woolcock (upper and mid left, black felt tip pen).

Used by William Learmonth Esq., Chairman, Portland Municipal Council, to lay the foundation stone for the Portland Town Hall, 21st September 1863Silver Towel, engraved with decoration and inscription. Bone handle. In leather case, lined on the inner base with blue velvet, and inside the lid with cream silk. The leather case has two brass hinges and a small brass clasp.Engraved on face of trowel "PRESENTED / by the / MUNICIPAL COUNCIL / of / PORTLAND/ To / William Learmonth, Esq / their Chairman / on the occasion of his laying / the FOUNDATION STONE of / the / COUNCIL CHAMBER / 21st September, 1863". On reverse - 4 hallmarks, letter "BJ", number "551" and "(indeciperable maker's name) & Co / MELBOURNE"foundation stone, trowel, ceremonial, william learmonth, portland, town hall, municipal council

From Portland Town Council Art Programme. Sponsored by PTC's Art Program, the Theatre Board of the Australian Council, Portland 150th Anniversary Committee, Portland CEMA and the Myer Foundation.Poster for theatrical production. The central image is a retouched photograph of a group of people (men and women) outside a building. The building is made of wood. The people are standing in front of the building and on its roofless verandah. They are dressed in clothing of c1910's. The image is black and white with some items of clothing hand coloured in with red, orange and yellow. The entire poster is covered with approximately 61 signatures. On lower left is a reproduced newspaper clipping of paper addressing a welcome home ceremony for Gallipoli soldiers. In pale yellow in background is a map of Portland Bay. In orange mount in black and gold frame. Below image are the words: "Portland Bay Swells! Devised by Ken Harper and the Portland Community." Below this are details of performance times and ticket details. Mounted in peach matt. Black wooden frame with glass.Front: (no inscriptions) Back: (no inscriptions)

The Country Women's Association of Victoria was founded in 1928. It was formed to promote the interests of women and children in rural areas. Mabel Hedditch (1897 - 1966) moved to Australia and was postmistress in Bridgewater. Aswell as being elected to the Portland Town Council she was a founding member of the Country Women's Association of Victoria. Programme for Country Women's Association Choral and Drama Festival 1990. Yellow front and back cover with a green content page. Three pages in total stapled together. The cover page shows pixelated images of four drama masks with title information. Held at the Portland Civic Hall, 9th-10th Oct. 1990. Cover page: The Country Women's Association of Victoria Inc. / Choral & Drama Festival, Portland Civic Hall, 9th & 10th October 1990 / Convenor - Mrs M Stratford / Adjudicators, Mrs J Irving - Drama, Mr P Sargeant - Choralcountry women's association, cwa, fesitvals, choral and drama festival

Booklet. ALEC H CHISHOLM COLLECTION. 83 page soft cover booklet by E. W. (Ned) Harvey and Noel F. Learmonth. A year by year summary of Portland's history taken from the files of the Portland 'Guardian' Newspaper. Published in 1966 by the Portland Town Council. Printed by E. Davis and Sons, Portland, Victoria. Catalogue sticker ''2222 HAR'' on front cover. Handwritten in ink on flyleaf ''Noel Learmonth, Alec Chisholm with best wishes from one author 26/9/67''E. W. Harvey & Noel F. Learmonthbooks, collections, history, alec h chisholm collection, portland, e.w.harvey, noel f. learmonth

Possibly Portland Town Council. Thomas Must, a wealthy Sydney merchant arrived in Portland in 1845. In 1855 prospect was built for Must to a design by local architect George Mathewson. The two storey home was built in expansive grounds with sweeping views of Portland Bay and the township. The stuccoed house is of Regency/Italianate style with a single storey verandah and single storey kitchen wing. In 1878 the original posted verandah was replaced by new verandah and a conservatory to a design of architect Daniel Nicholson. Nicholson had also been responsible for the design of the Assembly Rooms at the London Inn. Thomas Must was active in the Portland Community. He was a Trustee of the Port Philip Savings Bank, a Justice of the Peace, Treasurer of St. Peters Church at Bridgewater and the first Chairman of the Portland Borough Council. Prospect was Thomas Must’s home until his death in 1905. The building has been considerably altered over the years and much of the original Italianate character has been lost. Subsequent owners include B. Cunningham, G.S. Beresford (who changed the property’s name to Waterford), and long-term Liberal Senator Sir Magnus Cormack. Cormack was President of the Senate from 1971 to 1974. In 1976 the Prospect became an aged accommodation centre.Wooden Frame - light brown. Gold inner frame. Fawn mount. Man with long white beard and hair facing right wearing dark jacket.Front: (no inscriptions) Back: (no inscriptions)photography, opalotype, thomas must

CEMA Art Collection Previously located in History HouseThe print depicts a natural landscape with a large classical style building (Menin Gate, Belgium) to the left. In the foreground are hundreds of ghostly figures of soldiers. The background appears to be a distant view of a town with several lights visible. The work is completed in various shades of blue and green. Mounted with brown card the work is framed in a black and gold frame, and has an exposed canvas.Front: Lower Right: Will LONGSTAFF 1927 Brass embossed plate:MENIN GATE AT MIDNIGHT BY WILL LONGSTAFF, PRESENTED TO THE COMMONWEALTH GOVERNMENT OF AUSTRALIA, BY LORD WOOLAVINGTON. COPYRIGHT RESERVED Back: (No inscriptions)

NilScene of Portland Harbour. View includes people walking on beaches, jetties, moored boats (some with sails, some without). Upper centre of image shows a town, with a church to the right. To the left centre is a planned garden with people promenading. In foreground is empty land with a few seagulls. A train track enters the image on bottom centre. Print is predominantly in shades of blue, grey and brown. Mounted in dark cream matt, in wooden frame with glass.Front: A. Hy Fullwood (lower left, grey paint) "Portland Victoria" A. H. Fullwood 1836-1930 (printed below image) Back: (no inscriptions)

Art Collection Previously located in History HouseThe painting depicts the Portland Port from an aerial perspective. The perspective is taken from the ocean looking down across the Port and into the town of Portland. Within the foreground is the ocean beyond the Main Breakwater, the Main Breakwater and the Port. Within the Port nine large ships are docked and another is being brought into the Port by two tugboats. The background features a distant view of the town of Portland and the landscape beyond the township. The work has a white wooden frame and glass.Front: TROMPF (white paint, bottom right corner) Back: (no inscriptions)

On Display at History HouseWall hanging set of 5 black and white prints of Historic Portland Buildings. Each print in a black and gold frame, print covered with glass. The five prints connected with green braided cord. Steampacket Inn Foresters Hall Old Town Hall Court House H.M. Customs