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Whitehorse Historical Society Inc.
Document, Geals Pottery, 2006?
Notes on the Geal Family, who ran Geal Bros. Pottery, 266-272 Springvale Road, Nunawading.Notes on the Geal Family, who ran Geal Bros. Pottery, 266-272 Springvale Road, Nunawading.Notes on the Geal Family, who ran Geal Bros. Pottery, 266-272 Springvale Road, Nunawading.geal family, potteries, springvale road nunawading, nos. 266-272 -
Ballarat Heritage Services
Ceramic - Ceramics, Pottery Vase by Kevin Crick
Potter Kevin Crick was based in or around Moruya on the south coast of NSW in the late 1980s and 1990s. He exhibited at the Granite Grove Art Gallery in Moruya in 1987 according to an article in the Canberra Times. He made well-thrown and glazed functional ware with an impressed mark consisting of three horizontal lines in a square, with a raised circle bisecting the top line. Photograph of a hand thrown and decorated ceramic vase by Kevin Crick with impressed studio mark on the base. ceramics, pottery, kevin crick, studio pottery -
Whitehorse Historical Society Inc.
Photograph, Builders Trading & Roofing Co Ltd (formerly Monarch Pottery)
Monarch Pottery Site purchased by Builders Trading & Roofing Co. Ltd. c1918 - known locally as 'Builders Tile Works'monarch pottery, builders trading and roofing co. ltd. -
Whitehorse Historical Society Inc.
Document - E G GREENWAY PTY LTD, E G GREENWAY PTY LTD Pottery Factory, 1947 - 1949
A pottery factory at 129 Whitehorse Road, Blackburn. Became the PMG mail sorting centre and is now a Sikh Temple, GURUDWARAnon-fictione g greenway pty ltd, gurudwara sikh, postal services -
Ringwood and District Historical Society
Mixed media - Video, RDHS Guest Speaker Presentation - "Ringwood Pottery" - Greg Hill
Digitised video (2.42GB). Duration: 55 minutes. Recorded March, 2024 (Video is available for viewing at Ringwood & District Historical Society Archives by appointment)This month's Guest Presenter - Greg Hill, is recognised as the leading authority on both Australian Colonial Pottery and Australian Art Pottery. His interest in Australian pottery goes back to the early 1960s. He has been an avid collector of Australian pottery for many decades and has researched many key producers, particularly in Victoria. Greg has also assisted RDHS to evaluate the ceramic tiles featured at the front of Ringwood's historic Blood Bros. Store. -
Flagstaff Hill Maritime Museum and Village
Book, A Guide to the Knowledge of Pottery Porcelain and Other Objects of Vertu
This item is from the ‘Pattison Collection’, a collection of books and records that was originally owned by the Warrnambool Mechanics’ Institute, which was founded in Warrnambool in 1853. By 1886 the Warrnambool Mechanics’ Institute (WMI) had grown to have a Library, Museum and Fine Arts Gallery, with a collection of “… choice productions of art, and valuable specimens in almost every branch and many wonderful national curiosities are now to be seen there, including historic relics of the town and district.” It later included a School of Design. Although it was very well patronised, the lack of financial support led the WMI in 1911 to ask the City Council to take it over. In 1935 Ralph Pattison was appointed as City Librarian to establish and organise the Warrnambool Library as it was then called. When the WMI building was pulled down in 1963 a new civic building was erected on the site and the new Warrnambool Library, on behalf of the City Council, took over all the holdings of the WMI. At this time some of the items were separated and identified as the ‘Pattison Collection’, named after Ralph Pattison. Eventually the components of the WMI were distributed from the Warrnambool Library to various places, including the Art Gallery, Historical Society and Flagstaff Hill. Later some were even distributed to other regional branches of Corangamite Regional Library and passed to and fro. It is difficult now to trace just where all of the items have ended up. The books at Flagstaff Hill Maritime Village generally display stamps and markings from Pattison as well as a variety of other institutions including the Mechanics’ Institute itself. RALPH ERIC PATTISON Ralph Eric Pattison was born in Rockhampton, Queensland, in 1891. He married Maude Swan from Warrnambool in 1920 and they set up home in Warrnambool. In 1935 Pattison accepted a position as City Librarian for the Warrnambool City Council. His huge challenge was to make a functional library within two rooms of the Mechanics’ Institute. He tirelessly cleaned, cleared and sorted a disarrayed collection of old books, jars of preserved specimens and other items reserved for exhibition in the city’s museum. He developed and updated the library with a wide variety of books for all tastes, including reference books for students; a difficult task to fulfil during the years following the Depression. He converted all of the lower area of the building into a library, reference room and reading room for members and the public. The books were sorted and stored using a cataloguing and card index system that he had developed himself. He also prepared the upper floor of the building and established the Art Gallery and later the Museum, a place to exhibit the many old relics that had been stored for years for this purpose. One of the treasures he found was a beautiful ancient clock, which he repaired, restored and enjoyed using in his office during the years of his service there. Ralph Pattison was described as “a meticulous gentleman whose punctuality, floorless courtesy and distinctive neat dress were hallmarks of his character, and ‘his’ clock controlled his daily routine, and his opening and closing of the library’s large heavy doors to the minute.” Pattison took leave during 1942 to 1942 to serve in the Royal Australian Navy, Volunteer Reserve as Lieutenant. A few years later he converted one of the Museum’s rooms into a Children’s Library, stocking it with suitable books for the younger generation. This was an instant success. In the 1950’s he had the honour of being appointed to the Victorian Library Board and received more inspiration from the monthly conferences in Melbourne. He was sadly retired in 1959 after over 23 years of service, due to the fact that he had gone over the working age of council officers. However he continued to take a very keen interest in the continual development of the Library until his death in 1969. The Pattison Collection, along with other items at Flagstaff Hill Maritime Village, was originally part of the Warrnambool Mechanics' Institute’s collection. The Warrnambool Mechanics’ Institute Collection is primarily significant in its totality, rather than for the individual objects it contains. Its contents are highly representative of the development of Mechanics' Institute libraries across Australia, particularly Victoria. A diversity of publications and themes has been amassed, and these provide clues to our understanding of the nature of and changes in the reading habits of Victorians from the 1850s to the middle of the 20th century. The collection also highlights the Warrnambool community’s commitment to the Mechanics’ Institute, reading, literacy and learning in the regions, and proves that access to knowledge was not impeded by distance. These items help to provide a more complete picture of our community’s ideals and aspirations. The Warrnambool Mechanics Institute book collection has historical and social significance for its strong association with the Mechanics Institute movement and the important role it played in the intellectual, cultural and social development of people throughout the latter part of the nineteenth century and the early twentieth century. The collection of books is a rare example of an early lending library and its significance is enhanced by the survival of an original collection of many volumes. The Warrnambool Mechanics' Institute’s publication collection is of both local and state significance. A Guide to the Knowledge of Pottery Porcelain and Other Objects of Vertu Author: Henry G Bohn Publisher: HG Bohn Date: 1862Label on spine with typed text PAT 730 BOH warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, shipwrecked-artefact, pattison collection, warrnambool library, warrnambool mechanics’ institute, ralph eric pattison, warrnambool city librarian, mechanics’ institute library, victorian library board, warrnambool books and records, warrnambool children’s library, book, a guide to the knowledge of pottery porcelain and other objects of vertu -
Mont De Lancey
Pottery - Jug, 1953-54
Part of collection of hand and wheel pottery by Mrs. Annette Lord - 1953. Bisque fired.Pottery jug with matt glaze. White.pottery -
Flagstaff Hill Maritime Museum and Village
Ceramic - Two plates, Broadhurst Staffordshire Ironstone Pottery, 1950-1960
Broadhurst China was established in 1862 the firm was based at the Crown Pottery, Longton, Staffordshire until 1870 where James Broadhurst made a range of gold and silver lusterwares. In 1870 the firm moved to the Portland Pottery at Fenton, Staffordshire and continued to produce good quality earthenware. In 1897 "& Sons" was added to the company name and "Ltd" from C.1922. The full name, James Broadhurst & Sons Ltd. appears from 1957. In 1984 James Broadhurst & Sons Ltd became Churchill Tableware Ltd.Items made around 1950s or slightly later that are now collectors items made by one of the founders of ironstone pottery in England.Two Staffordshire ironstone dinner plates willow patternThe back is stamped "WILLOW BROADHURST STAFFORDSHIRE IRONSTONE Made in England Detergent and Dishwasher Proof"flagstaff hill museum, ceramics, pottery, plates, domestic items, kitchen ware, dinner sets, staffordshire ironstone pottery, staffordshire england -
Mont De Lancey
Pottery - Girl, 1953-54
Part of collection of hand and wheel pottery by Mrs. Annette Lord - 1953. Bisque fired.Pottery girl seated nursing doll. White.pottery -
Ballarat Heritage Services
Ceramic - Photograph - Colour, Ceramic Plate by Graham Masters of Sweenies Creek Pottery
Graham MASTERS Graham Masters is a potter based at Sweenies Creek, just outside Bendigo, Victoria. He specialises in a patented technique of low relief stoneware depicting Australian animals and landscapes. He obtained a Diploma of Art and Design in Ceramics from the Bendigo Institute of Technology in 1973, then operated a pottery for a year in Bendigo, before becoming an employee, then a partner at Maldon Pottery, Maldon, Victoria, with Neville Wilson and Thomas Metcalf. He left Maldon to set up his own pottery at Sweenies Creek in 1983 and has been there over 20 years. In 2000 Graham Masters started working at Bendigo pottery, and is one of five in the business, specialising in large works such as vases, platters and wine barrels, all handmade on the pottery wheel. graham masters, sweenies creek pottery, ceramics -
Bendigo Military Museum
Ceramic - SOUP TUREEN & GRAVY BOAT, ROSENTHAL, C1940
“The items were left behind by the Ss units stationed in Nijmegen, Arnhem, Holland’ The pottery was made at the Rosenthal pottery which was taken over by Germany. Soup Tureen- pottery round bowl with white glaze, with pottery handles in the shape of a lion’s head. Gray Boat - pottery oval shaped pitcher with attached tray, with white glaze. Long lip on both ends of gravy boat. .1) Base of Tureen, makers stamp, black ink, German Eagle with Swastika “F1. UV./ Rosenthal” .2) Base of gravy boat, makers stamp, green ink, German Eagle with Swastika “F1. U.V. 1940 BOHEMIA pottery, german, ww2 -
Ballarat Heritage Services
Photograph, Ceramic Bottle by Maldon Pottery
Maldon Pottery was established in 1973 by Neville Wilson (1946-1996), Tom Metcalf (1948- ) and Graham Masters (1950- ) on Barringhup Road, Maldon, Victoria. Tom Metcalf and Graham Masters Masters graduated from Bendigo College of Advanced Education all Bendigo graduates. Wilson ) He was a skilled drawer and did all the brushwork. Metcalf (1948- ) graduated in 1968, did two years' work experience at Non-porite in Melbourne, then worked as a thrower and decorator at Bendigo Pottery from 1971-73. He is T.M. on Epsom ware. Masters (1950- ) graduated in 1973 and established the Enterprise Pottery at Myers Flat with Morris Hesse in 1974, so must have joined the partnership later than the others. He left in 1984 to set up his own Sweenies Creek Pottery. Metcalf left in the late 1980s, leaving Wilson to operate the pottery by himself until his death in 1996. As well as using the Maldon Pottery stamp, Wilson signed some of his work with his name or an impressed 'N'. Photograph of a hand thrown ceramic bottle, with glaze design depicting an Australian landscape in the 'continuous trees' pattern.maldon pottery, ceramics, australian studio pottery -
City of Greater Bendigo - Civic Collection
Decorative object - Ceramic platter, Bendigo Pottery, Strathfieldsaye Shire 1866 - 1991, 1991
Graham Masters is a potter based at Sweenies Creek, just outside Bendigo, Victoria who specialises in a patented technique of low relief stoneware depicting Australian animals and landscapes. He obtained a Diploma of Art and Design in Ceramics from the Bendigo Institute of Technology in 1973, then operated a pottery for a year in Bendigo, before becoming an employee, then a partner at Maldon Pottery, Victoria with Neville Wilson and Thomas Metcalf. He left Maldon to set up his own pottery at Sweenies Creek in 1984. (1.) (Judith Pearce). Built in 1869, the (former) Strathfieldsaye Shire Hall is one of The City of Bendigo's earliest surviving public buildings. Designed by George Steane and built by George Pallett in 1869 the Strathfieldsaye Shire Hall has aesthetic significance as a purpose built Shire Hall designed in the Free Classical manner. It is also of importance as an early example of the novel system of cavity wall construction. The building is largely intact and unaltered. Other important elements include the arched portico of the main entrance with brick arched features on either side; the brick quoining and dressings to the round arch windows; the three gabled roof; and the matching chimneys that reinforce the symmetrical design. The Hall has social significance as a temporary schooling facility in the 1870s and as a flood refuge in 1889. The Strathfieldsaye Shire Hall is a brick building designed in the Free Classical manner. This style was favoured by the Public Works Department for a number of public buildings including Shire Halls and courthouses. The form includes a central taller volume flanked by matching smaller gables. In the case of the Shire Hall these would be occupied by the Shire Secretary and Shire Engineer whilst the larger volume was the council chamber. The portico at the front is designed with a flat arch in the centre and matching smaller arches each side. The face red brick is unadorned apart from a plain string course at the roof springing point, brick quoining and dressings to the round arch windows. There are matching chimneys that are located to reinforce the symmetrical design and the original roof is believed to have been slate but is now corrugated iron. Large wheel thrown ceramic platter with a shallow well, broad flaring ledge and raised on a high foot rim. Rim decorated with slab rolled gum trees protruding on centre left and right sides of plater. which reflect the low relief image of trees and the Strathfieldsaye Shire Hall on the surface of the plate. Glazed with golden brown and cream. Front centre top; 'Shire of Strathfieldsaye'. Front lower centre '1866 - 1991 - 125 Years'. Signed 'G Master / 1991' on rim centre right. Reverse; signed 'G Master' / 1991. Bendigo Pottery stamp.shire of strathfieldsaye, bendigo pottery -
Greensborough Historical Society
Plate, Stone Pottery Pahara, Hall dinner plate, 1910c
Dinner plate owned by the parents of Norman Hall, Grimshaw Street Greensborough.Example of fine dinner plate.White china round dinner plate with blue floral decoration and gilt edge. Maker's mark on base: blue crown over "Stone Pottery Pahara"plates, dinner plates, hall family -
Mont De Lancey
Pottery - Bowl, 1953-54
Part of collection of hand and wheel pottery by Mrs. Annette Lord - 1953. Bisque fired.Pottery bowl with lid - grape ornamentation. White.pottery, bowls -
Mont De Lancey
Pottery - Bowl, 1953-54
Part of collection of hand and wheel pottery by Mrs. Annette Lord - 1953. Bisque fired.Pottery bowl with handles and flowers at base. White.pottery, bowls -
Mont De Lancey
Pottery - Deer, 1953-54
Part of collection of hand and wheel pottery by Mrs. Annette Lord - 1953. Bisque fired.Pottery deer resting and sitting down. White.pottery, deer -
Mont De Lancey
Plate, Royal Victoria Pottery
Owned by the Burgi family.Ceramic plate with gold painted rim, burgundy edge and an illustration of a band and woman on a seat."Royal Victoria Pottery Made in England" "C. Burgi" in felt pen on the back.plates -
Mont De Lancey
Pottery - Bowl, Mrs. Annette Lord, 1953-54
Part of collection of hand and wheel pottery by Mrs. Annette Lord - 1953. Bisque fired.Pottery bowl with lid and handles with flowers under lid. White.pottery, bowls -
Mont De Lancey
Pottery - Vases, 1953-54
Part of collection of hand and wheel pottery by Mrs. Annette Lord - 1953. Bisque fired.Two small pottery vases with floral relief design. White.pottery, vases -
Mont De Lancey
Pottery - Rabbits, 1953-54
Part of collection of hand and wheel pottery by Mrs. Annette Lord - 1953. Bisque fired.Pair of two pottery rabbits joined - eating a leaf. White.pottery, rabbits -
City of Moorabbin Historical Society (Operating the Box Cottage Museum)
Kitchen Equipment, meat platter 'CETEM WARE', c1930
The Maling Pottery of Newcastle upon Tyne, England, was in production from 1762 to 1963. In its heyday it claimed to be the biggest pottery in the world. The first Maling pottery was established at North Hylton, near Sunderland, in 1762 by William Maling. William’s descendants who moved to the Newcastle area and built a succession of larger works. The last of these – the Ford B pottery – was begun in 1878 and occupied a 14 acre site... Maling’s stock in trade was everyday white ware – marmalade jars for Keillers and Coopers, crockery for railways, shipping lines and hotels, and a huge variety of domestic kitchenware. With a significant export trade in the 1920s they had showrooms in Australia, New Zealand and Denmark. Mary Ford, daughter of an Edinburgh glass manufacturer, married Christopher Maling. Christopher Thompson Maling’s initials form one of the company’s early factory marks – the letters CTM inscribed vertically inside a triangle. The Maling name (which had first appeared with the castle mark in the 1920s) and extended to the trade name “Cetem Ware” when the company adopted its well known trademark of a castle in the early years of this century. The “Cetem” name continued to be used into the 1930s. the Maling name continued to be used as a trademark until the factory finally closed in 1963 The outbreak of World War 11 in 1939 marked the beginning of a long decline. Many of the factory’s workers were called up for military service, and wartime restrictions prevented decorative ware being produced for the home market.A larger oval china platter with blue garland around the rim ‘ CETEM WARE’ EMPIRE c1930 On base ; CETEM WARE / over a Castle / EMPIRE / Rd No 519757 china, pottery, cetem ware, maling pottery co ltd., maling william, maling christopher thompson, ford mary, newcastle upon tyne uk, crockery, north hylton sunderland uk, moorabbin, bentleigh, market gardeners, early settlers, cheltenham, world war 11 1939-45, cooking -
Uniting Church Archives - Synod of Victoria
Souvenir - Bud vase, New Devon Pottery, c1950s
1 Rectory Street, Epworth, Doncaster DN9 IHX, Lincolnshire was home to the rector of Epworth from 1697 to 1735, the Reverend Samuel Wesley, his wife Susanna and their 19 children, one of whom, John Wesley was a founder of Methodism.Cream pottery gondola shaped bud vase with brown, green, grey, black and white decal on one side and black text on the other. "Epworth Old Rectory"new devon potter newton abbott devon, epworth old rectory -
Round the Bend Conservation Co-operative
Another early Co-op building was referred to as the Humpy. It was used as a pottery studio
Another early Co-op building was referred to as the Humpy. It was used as a pottery studio. Originally a weatherboard building built by Chris Mueller in 1973-74, it eventually started to deteriorate and was clad in mud brick. Band White Photo -
Ringwood and District Historical Society
Photograph, Hon. Billie Snedden with Ian Sprague. Exhibition of pottery, October 14, 1967
Catalogue card reads, "Hon. Billie Snedden (later knighted) with Ian Sprague. Exhibition of pottery, October 14, 1967." Backing sheet of photograph reads, "The Minister for Immigration (Mr. B.M. Snedden) this weekend (October 14, 1967?) opened an exhibition of pottery at the Potters Cottage, Warrandyte, Victoria. Exhibits came from all parts of Australia. Here Mr. Snedden (left) discusses a hand-made vase with exhibitor Ian Sprague of Upper Beaconsfield, Victoria." -
City of Moorabbin Historical Society (Operating the Box Cottage Museum)
Book, Fisher, Stanley W, English Pottery and Porcelain Marks : Including Scottish and Irish marks, 1970
This small yet comprehensive book reproduces the commoner marks to be found on British pottery and procelain between 1750 and 1900. It also provides basic information about the pottery and porcelain ware manufactured during this period.96 pagesnon-fictionThis small yet comprehensive book reproduces the commoner marks to be found on British pottery and procelain between 1750 and 1900. It also provides basic information about the pottery and porcelain ware manufactured during this period.pottery, porcelain, commoner marks, english -
Ballarat Heritage Services
Ceramic - Ceramics, Australian Landscape Pottery by Les Macleman, 1999
Les MacLEMAN Les MacLeman was Apprenticed to Michael Cardew and was trained to make beautiful pots. He survived the late 1980s recession by slip-decorating them with Australian themes for the sourvenir market. In 2001, MacLeman was working part-time at Bendigo Pottery. A bright landscape scene on a handcrafted ceramic plate.australian landscape pottery, les macleman, ceramics, landscape -
Clunes Museum
Container - BOTTLE, THE BENDIGO POTTERY, CIRCA 1850
STONEWARE GINGER BEER CONTAINER FOR COLAC AERATED WATER CO.THIS ITEM IS A STONEWARE GINGER BEER BOTTLE COLAC AERRATED WATER CO. GEO. HAY'S GINGER BEER PHONE 85 - THE BENDIGO POTTERY EPSO BENDIGOlocal history, domestic item, containers, eberhard -
City of Greater Bendigo - Civic Collection
Domestic object - Water Monkey, Bendigo Pottery, 1880 - 1910
Vessels for storing water such as these are common throughout the ages and evident in the pottery of the middle east, Mediterranean and Africa. Between 1880 and 1910 Bendigo Pottery produced these as part of their terracotta ware range. Established by George Guthrie in 1857 (about 5km north of its current site) and then again seven years later in 1864 after it initially closed, Bendigo Pottery remains one of the most influential and longest running Pottery’s in Australia. Over the years the Pottery has contributed to the growth and development of the district through both its products including building products, table ware and decorative and commemorative war as well as artistically, being responsible for training and supporting many potters locally. The City of Greater Bendigo has had a long history of partnering with Bendigo Pottery to produce tourism tableware and art pieces and the Civic Collection holds a number of important items within its collection.Polished terracotta water holder with saucer and stopper. Globular body with rounded base. The shoulders taper into long cylindrical neck, no handle or pouring spout. Surface is undecorated expect for two rings at base of neck. This is the smaller of the two. 0430a stopper; 0430b vessel; 0430c saucerNone foundbendigo pottery, george gutherie, city of greater bendigo tourism -
Buninyong Visitor Information Centre
Container - Ceramic Jar, Pale coloured ceramic jar
Partial manufacturer's stamp on side near base not yet identified reads 'Port... das OLASO... Pottery'. Further research needed.Pale coloured, bottle shaped ceramic jar with no stopper. Has a partial but illegible maker's mark. Further identification required.'Port... das OLASO... Pottery'.pottery, containers, jars, ceramics