From the album of WWI soldier William West (1268) of the 29 Infantry Battalion, 5th Pioneers Battalion. This collection of postcards, photographs and clippings were sent between William and his family and loved ones during the years he was on active service. See also 207 and 220. Colour postcard of ship at sea, flags and two lyrebirds within shape of AustraliaGreetings to My Soldier Boyalbum, photo album, newspaper clippings, postcard, wwi, flag, lyre bird, union jack, bird, australia, soldier

On 19 November 1941, HMAS Sydney was involved in a mutually destructive engagement with the German auxiliary cruiser Kormoran, and was lost with all hands (645) aboard.This object was handmade to house a Life Buoy from HMAS Sydney II which was lost at sea with all hands on board in 1941. The Life Buoy made from kapok ceased to be used by the RAN in the early 1950's. It was found in poor condition discarded in a bin at Spectacle Island in Sydney and later restored.Long narrow timber board mounted with timber crest consisting of crown and red anchor on white background within gold coloured circled rope.SYDNEY Gold coloured plaque - Donated by Peter L CARDWELL Ex HMAS SYDNEY (3) 2002life buoy, hmas sydney

Original Victory Medal belonging to Private George James MALCOLM 3536 10th Battalion AIF who came from Naracoorte South Australia Enlisted on 24/8/1915 Aged 25 years and KIA on 19/8/1916 at Mouquet Farm near POZIERS. Unknown grave - Villiers Bretonneaux Medal sent to next of kin - brother William Silas MALCOLM - Nandaly near Sea Lake Victoria - born 8/4/1899 at Narracoorte SA. Enlisted 25/9/1918 Melbourne V80527 aged 19 years but not called up.Small white box with black typing on attached label on lid Contents - round gold coloured medal with multicoloured ribbon and red and fawn coloured diamond shaped patchBox - 3536 Pte. G. J. MALCOLM 10 Bn AIF 29783/DECD. Medal -The Great War for Civilisation 1914-1919 private george james malcolm, 10th bn aif, kia, ww1

Official RAAF Magazine issued fortnightly during WW2 between April 1943 to March 1946In publication since 1942, Wings delivers an informative and entertaining collation of Australia's proud aviation history, the latest aerospace research and technology, aviation industry and military news, encouragement for our junior leaders and engagement with the veteran community.Grey and white magazine with photograph of WREN on a boat at sea.Vol 4 No 5 Dec. 12, 1944 wings, raaf, magazine, ww2

OFF SAMARINDA, BORNEO. 1945-09-08. AUSTRALIAN AND JAPANESE OFFICERS DISCUSS THE SURRENDER OF THE JAPANESE FORCES IN DUTCH BORNEO ON THE QUARTERDECK OF THE FRIGATE HMAS BURDEKIN.Black and white photograph of uniformed men around table on board ship at seaww2, japanese surrender, borneo, hmas burdekin

OFF SAMARINDA, BORNEO. 1945-09-08. FILMED AND WATCHED BY MEMBERS OF THE SHIP'S COMPANY, AUSTRALIAN AND JAPANESE OFFICERS SIGNING OF THE SURRENDER OF THE JAPANESE FORCES IN DUTCH BORNEO ON THE QUARTERDECK OF THE FRIGATE HMAS BURDEKINBlack and white photograph of japanese officers standing on deck of ship at seaww2, japanese surrender, borneo, hmas burdekin

OFF SAMARINDA, BORNEO. 1945-09-08. WATCHED BY MEMBERS OF THE SHIP'S COMPANY, AUSTRALIAN AND JAPANESE OFFICERS DISCUSS THE SURRENDER OF THE JAPANESE FORCES IN DUTCH BORNEO ON THE QUARTERDECK OF THE FRIGATE HMAS BURDEKIN. Black and white photograph of officers seated around table on deck of ship at seaww2, japanese surrender, borneo, hmas burdekin

JAPANESE VICE-ADMIRAL MITCHISHI KAMADA ABOARD USN PTB377 COMING ALONGSIDE FRIGATE HMAS BURDEKIN ON 8 SEPTEMBER 1945 TO SURRENDER THE JAPANESE FORCES IN DUTCH BORNEO. THE SURRENDER WAS ACCEPTED BY MAJOR-GENERAL E.J. MILFORD, GOC 7TH DIVISION, AIF AT A POSITION SOME 50 MILES NORTH EAST OF BALIKPAPAN.Black and white photograph of officers and seamen on deck of ship at seaww2, japanese surrender, borneo, hmas burdekin

PHOTOGRAPH IS PART OF COLLECTION TAKEN ON 8 SEPTEMBER 1945 AT THE SIGNING OF THE SURRENDER OF THE JAPANESE FORCES IN DUTCH BORNEO ON BOARD HMAS BURDEKIN. THE SURRENDER WAS ACCEPTED BY MAJOR-GENERAL E.J. MILFORD, GOC 7TH DIVISION, AIF NEAR BALIKPAPAN.Black and white photograph of distant ship at seaww2, japanese surrender, borneo, hmas burdekin

Dark brown timber frame with grey mount containing photograph of five ships at seaGold coloured plaque -RAN FFG 7 class frigatesffg 7 class frigates, ran

Landing of ANZAC's at Gallipoli April 25 1915Brown timber frame with light brown mount containing print depicting soldiers landing on shore from ships at sea.The landing of the New Zealand and Australian Expeditionary Forces,Gallipoli,April 25,1915anzac, gallipoli, 25/4/1915

Charge of the Heavy Brigade occurred during the Battle of Balaclava, fought on 25 October 1854 during the Crimean War, was part of Siege of Sevastopol (1854–55) to capture the port and fortress of Sevastopol, Russia's principal naval base on the Black Sea. Timber framed print dipicting mounted soldier in battle Charge of the Heavy Brigadebattle of balaclava, crimean war

Keith William "Bluey" TRUSCOTT 400213 Awarded DFC & Bar - Born 17/5/1916 Prahran Victoria WW2 RAAF Squadron Leader and Ace fighter pilot who served in Europe, South West Pacific and Milne Bay. Played for Melbourne Football Club. Died at sea and buried at Karrakatta Cemetery in Perth Western Australia. Three coloured photographs depicting head stones in cemetery400213 Squadron Leader K.W. Truscott DFC & Bar Royal Australian Air Force 28th March 1943 Aged 26 In Loving Memory of our Darling Son His duty nobly done. truscott, raaf, ww2, dfc

From the album of WWI soldier William West (1268) of the 29 Infantry Battalion, 5th Pioneers Battalion. This collection of postcards, photographs and clippings were sent between William and his family and loved ones during the years he was on active service. See also 207 and 220. Colour postcard with a photograph of the St Kilda Baths. Handwritten message on back.album, photo album, newspaper clippings, postcard, wwi, creswick, st kilda baths, st kilda, sea baths

From the album of WWI soldier William West (1268) of the 29 Infantry Battalion, 5th Pioneers Battalion. This collection of postcards, photographs and clippings were sent between William and his family and loved ones during the years he was on active service. See also 207 and 220. Postcard with a colour cartoon of two men standing on the side of cliff next to the ocean. One man is dressed in a sailors uniform. The other is wearing a suit and smoking a cigar. Handwritten message on the back.Front: "Don't folks often fall over the cliffs and get lost." / "No, we allers finds em at the bottom!"album, photo album, newspaper clippings, postcard, wwi, cliff, sea, ocean, sailor, cigar, pipe, cartoon

Introduction /? John Henderson and David Nash Language and native title /? John Henderson Linguistic evidence and native title cases in Australia /? Peter Sutton Linguistic continuity in colonised country /? Jeanie Bell Country and the word: linguistic evidence in the Croker Sea claim /? Nicholas Evans Linguistics and the Yorta Yorta native title claim /? Heather Bowe The language of the Peak Hill Aboriginal people: a linguistic report in a native title claim /? Tamsin Donaldson Labels, language and native title groups: the Miriuwung-Gajerrong case /? Greg McIntyre and Kim Doohan Historical linguistic geography of south-east Western Australia /? David Nash Language ownership: a key issue for native title /? Michael Walsh Can lexicostatistics contribute an absolute time-scale to discussions of continuity of occupation in native title determinations? /? Barry Alpher Linguistic stratigraphy and native title: the case of ethnonyms /? Patrick McConvell Making your skin fit properly: displaced equivalence in 'skin' systems in the Barkly /? Gavan BreenMaps, tables, b&w diagramsyorta yorta, yoda yoda, yabala yabala, bangerang, shepparton, miriuwung, gajerrong, native title

“Between the devil and the deep blue sea!” is a special work to me for different reasons. It was my first experience ever working with textile, and it was my first major artwork that I made and exhibited in Australia. I moved to Australia in 2011 and lived in Perth for 5 years before I moved to Melbourne in 2016. I didn’t have a chance to make many artworks when I was living in Perth and it was mainly because I needed to work full time in order to afford the living costs. Melbourne was totally different though. I moved to Melbourne after I was awarded Australian Postgraduate Award (APA) to study my PhD at RMIT University. This was a fantastic opportunity for me, not only because it helped me financially, but also because it gave me the opportunity to develop my practice and research experience. Being new in Australia and Melbourne though, I needed to familiarise myself with the art community in Australia and find ways that I can introduce myself and present my art. I knew that exhibiting in Australia will be challenging and I thought I can start with looking for opportunities like group shows and awards. The Wangaratta Contemporary Textile Award was the very first one that I applied for and it was definitely a great starting point for me. It gave me the confidence to look for other opportunities and that my decision for working with the material and methods that I had no previous working experience with, was a right one. Between the devil and the deep blue sea! is about a dilemma. A dilemma where on one side there is all the memories of the past, home, family, and friends. Everything that was once a life and now is only a memory. There is the threat of death, terrorism and violence and there is no hope for a better future. On the other side, there is a better chance for staying alive, but there is nothing clear about the future. Where you go and what you will be called; A terrorist? Or someone that is there to take the jobs and money!? We are watching the news and seeing tragic accidents happening all over the world every day, but what makes us indifferent to the suffering of others was something that I became interested to learn more about it. From the beginning of my project, I was interested in discovering more about the notion of indifference and that came from my own position as an observer. I am an Iranian living in Australia. On the one hand, I am observing wars and conflicts in the Middle-East from a distance and on the other hand, from not much a distance! I am living in Australia with a great distance from the Middle-East in terms of the geographical distance and the differences in socio-political situations. On the other hand, and despite Iran’s current safe situation, there is no guarantee for a stable peace in the future. Being not here nor there, I am an observer who won’t be in peace in peaceful Australia, and can’t feel the depth of the pain for people living in war-torn countries such as Syria and Iraq. The indifference phenomena can be studied from different disciplines, however, there can not be a simple and unique explanation for its cause. Regardless of different explanations for the causes of the indifference, what I am most interested in is to explore the ways I can show the “indifference” itself. For this, I seek to focus on my simple interpretation of the phenomena, which in my mind is “seeing tragedy, not tragic.” In other words, whether the indifference is caused by information overload, or distance from the sufferer for example, people don’t feel the pain and can’t understand the conditions others in pain are experiencing. Based on this explanation, the focus of my artworks is to depict and highlight the contradiction between the pain and the indifference. In my art practice, I often use colourful and attractive materials in combination with a visual language that reference to the aftermath of tragic events of wars, to provide a symbolic representation of indifference in the form of an artwork. This is my artistic approach in explaining the notion of “indifference”, that can illustrate my ideas around “seeing tragedy, not tragic”. to give voice to my own concerns and position as an Iranian artist, I am interested in utilising visual elements from traditional arts of Persia and the Middle-East. In selecting rugs and fabrics that I use in my artworks, the weaving quality is not my concern. Moving beyond this, I am looking for features which express and underpin concepts such as antiquity, resistance, simplicity, and peace which sit in stark contrast to the terrorising and militant image of Middle Eastern people portrayed by the mainstream media. Nowruz (Persian New Year) 21 March marks the Persian New Year and the first day of spring in Iranian calendar. It’s the time of the year when all Iranians and many other Farsi speaking nationalities (Afghans, Tajiks, etc.) celebrate together. My wife and I are planning a trip to Iran for the new year holidays and it would be our first time to celebrate the new year with family and friends in Iran since 2011. It is believed that Nowruz has a long history of around 3,000 years and is rooted in Zoroastrianism, an ancient Persian religion that predates both Christianity and Islam. Every year Iranians celebrate this very special event at different times and it’s because the exact time of the new year depends on the exact calculation of when the length of the day and the night are equal. There are many things about the Persian new year to be excited about and sitting around the Haft-Seen table (7sin) with family is with no doubt the most exciting one. Haft-Seen is a set of seven symbolic elements beginning with ‘S’ in Farsi that Iranians arrange them together to decorate a table that family sit around and celebrate the beginning of the new year. The most common items found in Haft-seen decoration are: Sabzeh: Wheat, barley, mung bean or lentil sprouts growing in a dish, Samanu: Sweet pudding made from wheat germ, Senjed: Dried Persian olive. Seer: Garlic Seeb: Apple Somāq: Sumac Serkeh: Vinegar Sekkeh: Coin that symbolise health, wealth, abundance, etc.Wangaratta Art Gallery Collection, Acquired with the assistance of Robert Salzer Foundation.A used Persian Rug that has had a motif of two heads and an explosion hand-stitched onto it.mohsen meysami, textile, rug

Published to help the war effort and contribute to the defence of the country. Patterns selected in collaboration with the three services-colours and garments by active services in air,on land or at sea.Green-grey light card cover. 32 pages compiled by the Country Womens Association of Victoria sponsored by the Wool Board.J.Tatebooks, handcrafts

The merchant marine has many followers in the area both past and present. Queenscliff and Point Lonsdale offer a great vantage point for ship spotting as they navigate the rip. The Museum has a large collection of paintings of ocean liners of the past which is of great interest to immigrants to this country especially those who travelled by sea in the past. Of significant interest to visitors who visit our display of ocean liners paintings. Migrants from the 50s to the 70s take great pleasure in finding their ship in the display. Unfortunately, nothing is know of the previous owner of the uniform.Chief engineer uniform on mannequin. Rank shown is that of Captain as the Chief Engineer was of equal rank to the Captain. However, the Captain retained overall authority on board ship. Uniform consists of cap, cap insignia, jacket, tie, trousers and additional two cap insignia and one shoulder insignia stored separately. [shirt and shoes shown are props] merchant marine, uniforms, insignia

This stencil was used as a location stamp for the transportation of wool bales. Turkey is a country in the Middle East. Wool bales marked TURKEY would have been transported to Turkey by sea.Wool bale stencil - TURKEYTURKEYwool - transportation, wool sales

This booklet tells the story of the bell from the "S. S. Santhia" and how it came to Bogong State School, Victoria. "Santhia" belonged to the British India Line. On 6th November 1943 she was in service as a troopship when she caught fire and capsized at No. 3 Garden Reach Jetty, Calcutta. Due to the additional weight of water pumped into her to extinguish the fire, "Santhia" heeled over and remained in the mud of the River Hooghly until a successful salvage was completed in January 1946. The salvage operation was carried out by Captain J. P. Williams of Melbourne and his team of Australian divers nine and a half months after the commencement of operations. "Santhia" was the sixty seventh ship salvaged by Captain Williams. "Santhia's" Bell was presented by Captain Williams to Mr G.G. Jobbins, Chairman of Commissioners for installation at Bogong State School. The ceremony of presenting the bell took place on 21st February 1947. The bell bears the following inscription:- "Presented to G.G.Jobbins, Esq., Chairman, State Electricity Commission, by Captain J.P. Williams for Bogong School, on December 6th, 1946. This bell was recovered from the wreck of the "S.S.Santhia" sunk in the Hooghly River, Calcutta, and raised by an Australian salvage party."This booklet is significant because it documents an unusual event linking Bogong State School to a World War II salvage operation.A booklet consisting of images and text which tells the story of S.S. Santhia, of her sinking while in service as a troopship, of her subsequent salvage and how her bell came to Bogong State School in Victoria's High Country. The booklet consists of 12 pages including the cover. It consists of text and images. Primarily printed in black and white, the booklet uses blue boxes to highlight text including titles and explanation of images. The cover is blue with white text and features an image of the bell of the S. S. Santhia.Inside front cover: THIS BOOKLET is presented by THE STATE ELECTRICITY COMMISSION OF VICTORIA to the children of BOGONG STATE SCHOOLbogong state school, s.s.santhia, santhia bell

A publication of 128 pages includes 230 full colour photos, 42 illustrations and 19 colour route maps. A touring guide of the Murray RIver, Australia from its source in the mountains following its journey to the sea. The first sections cover information about the area of the Upper Murray, including Lake Hume and the Albury-Wodonga area.murray river, australia - tourism

An outing by the widows club to visit a memorial to servicemen and women from the Woodhouse-Nareeb area. The photos show a group of ladies who attended and the plaques and memorial board. The plaque says 'These trees were planted by district people in memory of servicemen and women who died serving their country in the 1939-45 war, including nursing sisters who lost their lives in the java seas and on Banka Island. Dedicated 1978, Sister Jeffery 'Lest We Forget'. The memorial board says 'World War 2 Soldier Settlement Woodhouse-Nareeb area. The settlers served with Navies, Armies, and Air Forces of the British Commonwealth, many of their wives served with the Womens' Auxillaries and nursing services.'A record of the types of activities Legacy provided as a physical and social outlet for widows.Colour photo x 5 of an outing to a memorial in 1988.Photos are marked as 4 December 1988.widows, widows outing, memorial, daytrip

The newsletter from October 1950. It featured a drawing of two junior legatees on the cover. There was a piece on the battle of the Coral Sea. Pages showed news from the different Boys and Girls Classes and suggested physical exercises. Plus a piece on the Mothers' Club and the Intermediate Club activities. A hobbies page discussed model plane building. There pages on fashion and on possible careers. A newsletter published by Legacy in this format for many years from 1942. It mentions "Issued from time to time for Private Circulation among the Sons and Daughters of Deceased Service men and Merchant Seamen who served their Country during the War of 1914-18, or the present War". Articles on the work of Legacy, including features on boys classes, girls classes, camps, the residences and where their past residents ended up. There are some suggestion for careers and some general interest articles. Some very interesting photos.Newsletter outlining news of Junior Legatee activities.Black and white printed newsletter x 12 pages from October 1950. Volume 4 Number 2boys classes, activities, girls classes, ilc

The newsletter from February 1956. It featured Lord Louis Mountbatten on the cover. There was a piece on tooth decay and the St John Ambulance Brigade. Photos from the 1955 Demonstration Pages showed news from the different Boys and Girls Classes. There was a piece on two junior legatees who had been in the residences, John Woodley and Ronald Rudd and their new careers on the sea. A newsletter published by Legacy in this format for many years from 1942. It mentions "Issued from time to time for Private Circulation among the Sons and Daughters of Deceased Service men and Merchant Seamen who served their Country during the War of 1914-18, or the present War". Many articles on the work of Legacy, including features on boys classes, girls classes, camps, the residences and where their past residents ended up. There are some suggestion for careers and some general interest articles. Some very interesting photos.Newsletter outlining news of Junior Legatee activities.Black and white printed newsletter x 12 pages from February 1956. Volume 9 Number 1.boys classes, activities, girls classes, ilc

The Naringal school was originally known as Tallangatta S S when it was opened in 1877. The era of this photograph saw enrolments increase from around 39 to 59. Headteacher at the time and in this photograph is Mr Wellman. One of its most eminent past pupils was Sister Mona Wilson who was also sewing mistress for a short time before commencing nursing training. She sailed with the 8th division in 1941. and was lost at sea when the ship "Viner Brook " was sunk after being bombed by the Japanese. The Naringal Primary School was burnt to the ground in the Ash Wednesday Bushfires 1983. An interesting depiction of a country school's enrolment in the 1930's. Having been taken in the time of the Great Depression. As the school was destroyed in the Ash Wednesday Bushfires, in 1983 so surviving items relating to the school are limited. Small black and white photograph mounted on fawn card with darker border on the edge and also around the photograph. It depicts 38 children with teacher in back row. Naringal School No 1839, 1932 on board.naringal, tallangatta victoria, mr wellman naringal, naringal primary school 1932

This map from the mid-18th century doesn't include the finer details of land and sea masses that we know today. The map was produced by German cartographer and publisher, Johann Baptist Homann (1663-1724) and published in 1746, after his death. Earlier versions were published, such as 1707 and 1716. The date can be calculated from the Roman numerals on the top left text area. This print of a map is significant for its connection with early world explorers. A comparison of maps over the centuries shows the progression of navigational technology, the countries who claimed the land they explored. The naming of even some Australian locations shows who had already made their mark on Australia in the early 18th century. The print shows the fine details included by the cartographer and the beauty included that makes it attractive and interesting even today. The map is also significant for its connection with German cartographer, Johann Baptist Homann, whose Homann publishing company was renewed in Germany for producing high quality maps and atlases. Map behind glass in dark brown wooden frame on beige paper. The Coloured hand drawn line drawings show different hemispheres of the known world in the mid-18th century. Beautifully drawn figures and decorative embellishments enhance the map. The text on the top right has an explanation of the Figures I, II, III, and IV. This print of the 1746 map was produced in England by Leisure Arts Ltd. "PLANIGLOBIL TERRESTRIS" "MDCCXXXXVI" [1746] "MAPPE_MONDE" [Medieval Map of the World] "LEISURE ARTS LTD" "Printed in England"flagstaff hill, warrnambool, flagstaff hill maritime museum, flagstaff hill maritime village, flagstaff hill maritime museum and village, shipwreck coast, world map, french map, 18th century map, leisure arts ltd, cartography, early exploration, cartographer, johann homann (1663-1724), exploration, naviagtion, 1746 planiglobil terrestris

Document: green hard cover book with buff spine and corners. Contains details of public auctions of land in Bendigo and district. Entries are in chronological order of sales with sale advertisement attached to page. Includes Manangatang, Boort, Rushworth, Maldon, Heathcote, Castlemaine, Sea Lake, Avoca.Lands Officeland sales, northern victoria, lands office, land surveyed, land sold, public auction, country victoria