A 26 page booklet with cream cover and pages featuring 4 self drives that are recommended in the Sunbury district. There are illustrations and text throughout the bookletnon-fictionA paperback booklet featuring 4 drives explaining historic and natural sites in the Sunbury area.sunbury, self drive booklet, heritage, +

A sepia coloured portrait of a woman on card. On back 'KEMP, PERRY & CO/Artists and Photographers./81 BOURKE ST. EAST./2 doors East of/THEATRE ROYAL/MELBOURNE' / 'PHOTOGRAPHIC COPIES & PORTRAITS IN OILS & WATER COLORS/CAN BE HAD FROM THIS CARD.' deaf children australia, victorian deaf & dumb institution

Portrait of Bow HutchingsB/W Photograph Portrait of a young male, head and shoulders, He is wearing a Jacket and cardigan with a tieBow Hutchingsstawell

Cast steel and machined Self Lapping air brake handle stamped "CAR 19". Could have been allocated to Freight car 19 or 19W.trams, tramways, brakes, tramcar component, preston workshops

Painted by Edith Alsop. Edith came from a progressive family, and encouraged by their parents, she along with her three sisters, went to Europe to discover contemporary art styles. The University of Melbourne holds an impressive collection of her works. The portrait was unveiled at the school on 2 August 1940. The OLA had agreed to purchase the painting at its AGM held on 20 March 1940. . The inscription reads "Miss Lilian Irving Co-founder 1901-1933". Size 840mm x 670mm. This portrait is part of the Record Series 74. Permanent/Semi-Permanent Displayed Works.Oil Portrait of Miss Lillian Irving Miss Lillian Irving Co-Founder 1901-1933

The portrait was commissioned by the Old Lauristonian Association and painted by W.B. McInnes in 1932. It was exhibited in the Australian Art Exhibition, November 1932, and entered for the Archibald Prize in 1933. The inscription reads "Miss Margaret Irving Founder and headmistress 1901-1933". Size 1000mm x 800mm. This portrait is part of the Record Series 74. Permanent/Semi-Permanent Displayed Works.Oil Portrait of Miss Margaret Irving Founder & Headmistress 1901-1933 Miss Margaret Irving Founder & Headmistress 1901-1933

Professional portrait of unknown man wearing a pin striped suit, white shirt and tie. 1 B/W portrait of man in pin stripe suit, white shirt and tie26 2917 C.3association for the blind, elanora home (brighton)

Portrait of Edward Green. In the 1840s, Edward B. Green ran the mail service between Melbourne and Sydney and owned a parcel of land on the Plenty River. He engaged a surveyor to draw up plans and lay out a township on the slopes overlooking the river, and to mark out small farm holdings on the flats. This small township named after him is now Greensborough.Digital copy of portrait.edward bernard green, greensborough history

Self propelled gun with blade to dig its own bund. Crew of seven. At rest, one soldier is with a map, one soldier is looking at a magazine, while another soldier is unpacking ammunition.Word PACHELBEL? appears on the gun barrelpachelbel, m-107, self propelled artillery, diorama

This photographic portrait was commissioned to commemorate Dr Genevieve Goulding's term as President of ANZCA. Traditionally, ANZCA presidents have been commemorated at the end of their term with a commissioned oil painting. In 2015, the decision was made by ANZCA Council to change to photographic portraiture. This meant the existing oil paintings of College presidents became a formed collection which will not be added to and this portrait is the first to be commissioned in the new medium. It was unveiled at the ANZCA Council dinner on 22 July 2016. Framed colour photographic portrait of Dr Genevieve Goulding holding the President's medal.goulding, genevieve, anzca president, anzca council, budgeon, chris, photographic artist

Jean APPLETON (1911-2003) Jean Appleton was a painter and craftworker who studied at East Sydney Technical College and at the Westminster School, London. After seeing French sculptor Maillol's work 'The Cyclist' she was inspired to try sculpture and consequently studied under Eric Schilsky in London. With the outbreak of war she returned to Australia, thereafter teaching at high schools in the ACT and NSW and at the Julian Ashton and National Art Schools in Sydney. The first of her thirteen solo exhibitions was held at Sydney’s Macquarie Galleries in 1940. Resident in England from 1969 to 1981, she continued to teach intermittently into the late 1970s. After a difficult first marriage to artist Eric Wilson, who died, she married painter Tom Green and they settled in Moss Vale. Though her work is now represented in major state and regional collections, Appleton was like many women artists of her generation in that recognition of her work came late in life: she was in her eighties when a public gallery first presented a retrospective exhibition of her art. (https://www.portrait.gov.au/portraits/2013.92/self-portrait, accessed 15 September 2019) Jean Appleton won the inaugural Portia Geach Memorial Award in 1965 with this work. She dies in 2003.A sketched portrait of a man's head by Jean Apppleton. It may be Jean Appleton's first husband, Eric Wilson. drawing, portrait, jean appleton

Portrait - Nurse Dianne Tiddy Served in Boer War Daughter of Caleb Tiddy of Greens Creek Hotel Earlier scan replaced by Scan of original in possession of Wendy Kinsella Feb 2024 B/W Portrait of Nurse in uniform looking to side and leaning on chair'Stawell May 21 1899stawell, boer war

Portrait of a seated woman with short red hair, black turtle neck and blue skirt with multiple figures in background. Signed and dated lower right 'Clifton Feb 55'. Label on reverse: 'Lauraine Diggins/ Cat no. 29/ Portrait of Pat Tozer/ Oil on Particle board/ exhibited - The Antipodeans'.clifton pugh, painting, portrait, pat tozer

Photograph of Cooper shearing plant.Photograph of Cooper shearing plant.4-stand self contained shearing plant powered by 4 H.P. Cooper petrol engine designed for use in South Africa circa 1950shearing machinery, cooper engineering company pty ltd

Founded in 1891, the Ellams Duplicator Company produced drum and flat duplicators that copied a stenciled sheet and allowed multiple copies to be made. Considered desk top, this rather heavy machine was operated by turning the handle and could turn out 100 copies a minute. This would have been useful for donation request letters or large print newsletters.1 black case holding a black drum and metal platesEllams Rotary Duplicator Self Feeding Ellams Duplicator Co Ltd 12 King Street London E.C. Alfred Street, Brisbane, Australiaoffice equipment, ellams

Self-twist spinning machine prototype developed by CSIRO in the 1960's. Made by CSIRO Division of Wool Technology in conjunction with an Australian engineering company REPCO and the International Wool Secretariat. Prototype developed in 1960's and since 1970 over 3500 have been produced and sold.Self-twisting spinning machine (protoype).Label with machine: Prototype SELF-TWIST SPINNER / This prototype spinning machine was built / at Division of Wool Technology in the mid 1960's as / part of the program which developed the Self-Twist spinning / process. / Self-Twist was commercially released in / 1970 by The Division in conjunction with the Australian / engineering company Repco, and The International Wool / Secretariat. / Since 1970 more than 3500 Self-Twist / machines have been sold. / The process offers advantages in the / speed of spinning, machine size, maintenance and energy / consumption.engineering, manufacturing, wool processing, spinning, csiro, prototype, invention, wool technology, self-twist, repco, international wool secretariat

Portrait of James & Mary Walker. Mary nee Shreeve, was Ellie McClures Auntie. James and Mary owned a Bakery in Patrick Street Stawell.Portrait black & white photo of a gentleman seated and a woman standing beside him. Boarder around the photograph.stawell

Newspaper article about Sir Thomas North, formerly from Rutherglen, published in The Herald 29/05/1979. Title of article "Self-made super marketer", by Jan McGuinness, concluding a series called "The Company Kings"super markets, marketing, tom north

One of five group and individual portraits of the Noble family of Kew, two in the rear garden of what is presumed to be ‘Charnwood’, in Station Street, Coburg. The photographs date from the period c.1890-1914. One of the larger framed photographs is a portrait of the entire family group, while another is of two of the children, Frederick and Winifred. The father, Frederick William Noble was a businessman, and, at one period Secretary of the Victorian Creamery & Butter Company in South Melbourne. Later he was to manage J. Bartram & Co., Ice & Cold Storage Department in Flinders Lane. By 1906, the Noble family had moved to Kew, living for almost 20 years at 100 Walpole Street before relocating to 26 Molesworth Street in the mid 1920s. The five photographs in the collection reveal details of family life and social values as expressed through attire. The family is formally costumed in a manner indicative of their social status. Mrs Noble, in one of the large framed portraits, is dressed in a sombre manner in a long, dark-coloured long-sleeved, high-necked gown. It is difficult to know whether she is dressed in mourning wear in this black and white photograph. It was not uncommon for a woman to regularly wear mourning attire due to the high mortality rate in the Victorian era. This situation was compounded for women due to the size of extended families. A woman might rarely be out of mourning due to the death of a parent, a sibling, a husband, a child or a near relative. The portraits of the Noble family children, particularly Frederick and Winifred, show the elaborateness of formal attire worn by the children of wealthy families during the late Victorian era. Winifred is dressed in a long cotton dress and a broad-rimmed hat; both liberally covered in lace. Winifred and Frederick’s lace collars extend to their shoulders. Winifred’s diaries, covering the period 1908-50, are now in the collection of the State Library of Victoria. The most detailed of the diaries is from 1914, just before the outbreak of World War 1, and includes ‘Accounts of my Dancing Evenings - Season 1914’. The diaries were the inspiration for an art exhibition by Jim Pavlidis in 2014. One of the family’s two sons, Frederick, was to work at The Age newspaper for 50 years. His obituary records that “He was regarded as the epitome of accuracy and a fount of knowledge on many subjects, but especially cricket, the Royal Melbourne Show and Gilbert & Sullivan”. With Robert Morgan he compiled Speed the Plough, a history of the Royal Agricultural Society of Victoria and its role in developing agriculture in Victoria.Framed portrait of Frederick Noble"Frederick Noble". The name "PRENTICE" is handwritten below the label.noble family, frederick noble

The Henty family and their descendants were notable settlers in Australia, initially in Western Australia, then in Launceston and finally in Victoria. While most family members settled in Victoria from 1834, others remained in England and in Tasmania. The identity of the woman in this 1920s studio portrait is as yet unidentified. The photograph was purchased by the Society as part of a small collection of Henty memorabilia and portraits from the owner of Moorabool Antiques, Geelong in 2021, which had in turn acquired the item from the estate of Dennis Alston of Alston's Antiques in Hamilton, Victoria.Members of the extended Henty family were notable British settlers of southeastern and southwestern Australia. The connection to Kew (Vic.) is that members of the Henty family owned important mansions in Kew in the 19th century. Stephen George Henty's family lived at 'Findon', and Francis Henty of 'Merino Downs' in the Western District lived in his final years at 'Field Place', Kew. Numerous members of the Henty family are buried in the Boroondara General Cemetery.Oval convex portrait of an as yet unidentified member of the Henty family. The unsigned photograph mounted on a metal backing is sepia tinted. It shows a woman, photographed at an oblique angle, gazing at the photographer. Her dress and hairstyle allow us to date the portrait to the 1920s.henty family, australia - early settlers

THIS PICTURE WAS TAKEN SOON AFTER THE CHURCH WAS BUILD IN 1871, AND PRIOR TO EXTENSION AT REAR END IN 1888.PHOTOGRAPH OF ST PAUL'S CHURCH OF ENGLAND.ST.PAUL'S PRIOR TO 1888local history, photography, photographs, churches - st-pauls anglican

JANE DAVIDSON - SCHOOLTEACHER AT CLUNES. ORIGINAL PHOTOGRAPH OWNED BY MRS. ISOBEL FOXSEPIA COPY OF JANE DAVIDSON STANDING BY READING TABLE.local history, photography, photographs, costumes - female

JANE DAVIDSON WIFE OF ALEXANDER GLADSTONE DAVIDSON MARRIED 20TH. OCTOBER 1864 BY THE REV. JAMES BALLANTYNE. MOTHER OF NINE CHILDREN. ORIGINAL PHOTOGRAPH OWNED BY MRS. ISOBEL FOXTWO PHOTOGRAPHS [COPIES] 1 SEPIA AND 1 BLACK AND WHITE OF JANE DAVIDSON, WIFE OF ALEXANDER GLADSTONE DAVIDSON, MARRIED 24TH OCTOBER 1864 BY THE REV. JAMES BALLANTYNE. MOTHER OF NINE CHILDREN.local history, photography, photographs, costumes - female

NORTH CLUNES MINE OPERATEDSEPIA PHOTOGRAPH OF NORTH CLUNES MINING COMPANY WORKS. SHOWING WORKING MINE - POPPET HEADS - CHIMNEY AND HOUSES WITH SMALL HOME GARDENS IN FOREGROUND,THE NORTH CLUNES COMPANY'S WORKSphotographs, mining, north clunes company, poppet heads