Barn Owls are the most widely distributed owl species in the world and one of the most widespread of all bird species, including in Australia. Barn Owls are sedentary and prefer open habitats such as grasslands, farmlands, and open woodlands, where they forage and hunt small mammals, particularly rodents, at night. Barn Owls nest in deep hollows in old trees, especially eucalypts, but also in caves, rock cavities, and sometimes cavities in buildings. Barn Owl's have a highly distinctive white heart-shaped face and pale underbelly feathers. They can be seen circling low above grassland areas at dusk or at night, and their drawn-out shrieking, hissing, and 'eerie' rasping sounds have led some rural populations to consider they have magical powers. Barn Owls vary in size but average 330-390mm in length, with wing spans between 800-950mm. Females are larger than males and most are a mix of white, pale brown and shades of grey speckled with fine black tear-shaped spots. They have a distinctive flat heart-shaped facial mask with oversized oblique black eye-slits and black irises. A ridge of feathers sits above the beak resembling a long nose. The feet vary in colour from pink to grey, and beaks can be pale to dark buff, corresponding to general plumage hue. This specimen is part of a collection of almost 200 animal specimens that were originally acquired as skins from various institutions across Australia, including the Australian Museum in Sydney and the National Museum of Victoria (known as Museums Victoria since 1983), as well as individuals such as amateur anthropologist Reynell Eveleigh Johns between 1860-1880. These skins were then mounted by members of the Burke Museum Committee and put-on display in the formal space of the Museum’s original exhibition hall where they continue to be on display. This display of taxidermy mounts initially served to instruct visitors to the Burke Museum of the natural world around them, today it serves as an insight into the collecting habits of the 19th century.This specimen is part of a significant and rare taxidermy mount collection in the Burke Museum. This collection is scientifically and culturally important for reminding us of how science continues to shape our understanding of the modern world. They demonstrate a capacity to hold evidence of how Australia’s fauna history existed in the past and are potentially important for future environmental research. This collection continues to be on display in the Museum and has become a key part to interpreting the collecting habits of the 19th century.This Barn Owl is medium sized with long wings and a short squarish tail. Its underbelly is pale and speckled with dark spots. The wings and tail feathers are light brown, grey and white with small, dark, tear-shaped speckles on the upper parts. It has a distinctive white heart-shaped facial disc with large black eyes and curved beak. This specimen stands on a wooden perch pedestal and it has metal and paper identification tags attached to its legs. Swing tag: 36. / Barn [torn] / Catalogue [torn] / Metal tag: 4058 /taxidermy mount, taxidermy, animalia, burke museum, beechworth, australian museum, skin, owls, birds of prey, tyto alba, heart-shaped faced owl, nocturnal birds, predator birds, 'harbingers of misfortune', demon owl, ghost owl, death owl, magical animals, lich owl, birds as omens, barn owl, carnivore, hissing owl

The Eurasian Jay is a small passerine bird occurring in Europe, northern Africa, and Asia. There are very distinct variations between the species of the Jay which assists in their identification. These birds inhabit mixed woodland, parks, orchards, and large gardens. They are generally solitary but can gather in large communal roosts during periods of cold weather. Eurasian Jays are known for their mimicry. They can often sound like a different species and during the day may mimic the birds they are attacking in order to confuse their opposition. This particular specimen has been mounted in an accurate but stylised fashion. This specimen is part of a collection of almost 200 animal specimens that were originally acquired as skins from various institutions across Australia, including the Australian Museum in Sydney and the National Museum of Victoria (known as Museums Victoria since 1983), as well as individuals such as amateur anthropologist Reynell Eveleigh Johns between 1860-1880. These skins were then mounted by members of the Burke Museum Committee and put-on display in the formal space of the Museum’s original exhibition hall where they continue to be on display. This display of taxidermy mounts initially served to instruct visitors to the Burke Museum of the natural world around them, today it serves as an insight into the collecting habits of the 19th century.This specimen is part of a significant and rare taxidermy mount collection in the Burke Museum. This collection is scientifically and culturally important for reminding us of how science continues to shape our understanding of the modern world. They demonstrate a capacity to hold evidence of how Australia’s fauna history existed in the past and are potentially important for future environmental research. This collection continues to be on display in the Museum and has become a key part to interpreting the collecting habits of the 19th century.The Eurasian Jay, as depicted in this specimen, has distinctive blue, white and dark brown stipes at the top of the wing. The body and head are light brown with a reddish undertone and there are streaks of dark brown at top the head. The tail, bottom of the wings and underneath the eyes are dark brown. This particular specimen stands upon a wooden mount and has an identification tag tied around its leg. It has pale coloured glass eyes which are accurate for this species.Swing Tag: [illegible] / to Sydney - N =99taxidermy mount, taxidermy, animalia, burke museum, beechworth, australian museum, skin, bird, jay, eurasian jay, europe, european birds, blue stripes

Link to 524. Grace Elizabeth Jennings Carmichael (1867-1904), poet and nurse, was born on 24 February 1867 at Ballarat, Victoria, daughter of Archibald Carmichael, a miner from Perthshire, Scotland, and his wife Margaret Jennings, née Clark, from Cornwall, England. . About 1880 the family moved to Gippsland where Henderson managed a station near Orbost. Grace learned to love the Gippsland forest. She began to express in verse her understanding of the sights, scents and sounds of the bush, often writing in some remote clearing, her manuscripts stored for privacy in a hollow trunk. The Bairnsdale Advertiser published her first story, and the Weekly Times an early poem; then on 28 November 1885 her poem 'The Old Maid' was published in the Australasian under her pen name Jennings Carmichael. Encouraged by its editor, David Watterston, Grace sent nearly all her subsequent verse to that newspaper. (Read more by Lindsay Gardiner in Australian Dictionary of Biography.)This is significant to the Orbost region in that it is associated with a woman who is certainly our foremost female poet.A framed photograph of a plaque above a photograph of head and shoulders of a woman. They are framed in a gold wooden frame and mounted on a light brown buff card.carmichael-jennings-grace poet memorial-plaque memento

This collection of works, “songs without words” was written in the 1830’s by Mendellson. He was of the opinion that the music should stand alone and hence no need for words. This collection of his work for piano solos is still on the music syllabus today. The stamp on the front cover J.B. Shepherd and Son relates the Shepherd family music store in Liebig Street, which operated around the turn of the 20th century . They sold pianos and other musical instruments as well as doing repairs and tuning and lessons.This collection of music scores by Mendelssohn is significant firstly because it is still used by music students 160 years after it was written and secondly this copy has local significance as it was owned by Grace Rome who was born in 1902 and was the daughter of one of Warrnambool’s most successful and longest living business people Thomas Rome, who incidently made one of the earliest sound recordings in Australia.Cream coloured card cover with dark green cloth binding with the title Mendelssohn in red text with black flourish. Other text on cover is black. Edition Peters at the top of cover in black text. Pages contain music scores .132 pages. Kullak printed on front cover. Light blue stamp, “J. E. Shepherd & Son, Piano, organ & music Warehouse. Tuners & repairers Warrnambool. Written in Black ink but scrubbed out with blue ink on inside fly is Grace Rome P.L.C. 1921. 1. Similarly un unknown name is scrubbed on front top right corner of cover. warrnambool, mendelssohn, lieder ohne worte, edition peters, grace rome

Gallipoli Revisited - In the footsteps of Charles Bean and the Australian Historical Mission. Dr Janda Gooding, Author, Head of Photographs, Film and Sound Section at the Australian War Memorial.Hard cardboard cover, buckram, brown colour white & light brown print on spine. Dust cover is white / dark brown, light brown print on front & spine. Background front sepia photos of the Gallipoli landscape. Back has sepia photo of group of soldiers in a trench. 236 pages, cut glossy white. Illustrated, black & white / colour photos, paintings, posters, drawings.book, gallipoli, bean

Brown quarter leather bound book with examinations results for students of the Ballarat School of Mines. non-fictionExamination results for a range of subjectsballarat school of mines, examination, alumni, j.b. robinson, practical chemistry, land surveying, assaying, mineralogy, metallurgy, geology, mining geology, building contruction, engineering, geometry, botany, mining, mechanics applied to mining, petrology, sound and light, steam and gas engines, engineering drawing, maxwell gaunt, a.s. ritchie, john adam, george hepburn, george cornell, godfrey hary, valentine anderson, john sutherland, william h. callister, lionel lambert, john currie, ferdnand g. krause, thomas lakeland, william troon, charles lund, richard cowles, glyndwr evans, norman buley, wilfred avery, norman lagerche, frederick l. treloar, arthur tandy, reginald callister, henry kofoed, david bonar, herbert j. semmens, a.d.r. galloway, william e. figgis, emma wardle, photography, leslie blick, leslie coulter, ernest heighway, henty whittingham, charles vale, james brokenshire, eric bieske, william baragwanath, harold cornell, j. raymond blight, george kidd, joseph mcgoldrick, samuel j. tongway, thomas k. sim, hevill tinworth, israel flegeltaub, oliver jaegar, charles flude, william burbridge, hubrt murphy, samuel mayo, ellen b. morris, elsie m. naples, jean rankin, hilda wardle, ernest morshead, arthur lilburne, herbert malin, robert serjeant, mollie o'dowd, robert w. allan, albert w. steane, leslie de j. grut, norman tinworth, robert m. serjeant jnr, vincent giuliano, william coates, allan bernaldo, loyal finch, john dulfer, william carroll, noel brelaz, guido brelaz, kathleen fisher

N. J. Tillings Timber Factory was part of the Brougham Street, Light industrial area, Eltham. This is one of 7 B/W 8x10 inch photos with notes on obverse by Dick Crichton. Accompanying letter from Florence Chrichton 2013 : "Originally sent to Shire of Eltham Engineer, Mr. McDonald. [These photographs were part of their campaign to the Shire of Eltham in 1975] claiming that the zoning regulations were being breached by the occupants of various factories in the nearby light industrial zone [Brougham Street, Eltham] - to the detriment of those living in adjoining residential zones, and that, despite .. earlier objections and complaints, nothing was done about it." Wire gate and fencing in foreground of photo displays signs relating to timber products and Dulux Paints. "The Tilling Group was established in November 1963 and began as a small factory in Eltham Victoria. The company now has large, modern offices and warehouses in most major cities across Australia" - http://www.tilling.com.au/about-us1 black and white photograph printed with white borderInscribed on back: "Front entrance to N,J. Tillings timber yard showing part of extractor fan system installed to facilitate milling operations. Sound intensified due to position of mill in valley. Valley acts as a natural sound bowl. Eltham Council were warned of this some years ago." Includes diagram of residences in relation to mill and statement that tooter blast at least ten times per day. "#Note Residences in close proximity to sound source. Pen marks on front of photograph indicating points of interest.industrial estate, brougham street, eltham, 1975, bolton street, dick crichton, n.j. tillings, timber factory, shire of eltham, milling, fan

Piles of dirt alongside dirt road, part of the light industrial area including N. J. Tillings Timber Factory, Brougham Street, Eltham. This is one of 7 B/W 8x10 inch photos with notes on obverse by Dick Crichton. Accompanying letter from Florence Chrichton 2013 : "Originally sent to Shire of Eltham Engineer, Mr. McDonald. [These photographs were part of their campaign to the Shire of Eltham in 1975] claiming that the zoning regulations were being breached by the occupants of various factories in the nearby light industrial zone [Brougham Street, Eltham] - to the detriment of those living in adjoining residential zones, and that, despite .. earlier objections and complaints, nothing was done about it." 1 black and white photograph printed with white border on three sidesInscribed on back: "View from residential premises in Brougham Street. Trees in foreground will soon be lost due to making of the main drain by M.M.B.W.. Photograph shows topographical features of the valley and how sound travels upwards and outwards to residential zones surrounding." industrial estate, brougham street, eltham, 1975, bolton street, dick crichton, n.j. tillings, timber factory, shire of eltham

A megaphone or loudhailer is usually portable or hand-held, the cone-shaped acoustic horn used to amplify a person's voice or other sounds and direct it in a given direction. Used to communicate with others over distances. In Greek mythology, "Stentor" was a Greek herald during the Trojan War. His name has given rise to the adjective "stentorian", meaning loud-voiced, for which he was famous. The large funnel-shaped device is made of painted metal that is riveted together. It has no metal mouthpiece at the narrow end but rather a larger opening that is associated with a movie directors megaphone. It could also be used in a maritime situation or anywhere a person needs to amplify their voice to give directions to others over a distance. The Megaphone has significance for its provenance and historic value, and also as a relatively rare item of equipment once used worldwide in not only marine situations, or light house stations as well as many other differing types of applications where a person voice was needed to be amplified when communicating with others.Pressed Metal megaphone or loud hailer, with rolled wire rims, folded seam and riveted handle painted green and marked "R" "R"warrnambool, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, megaphone, loud hailer, directors megaphone, communication device

Contents include: Associateship and final certificates; Calendar for 1903; Discipline; Fees; Full Certificates issued; general regulations: Honorary Correspondents: Office Bearers; Professor and Lecturers; Results of exams; Statistics; Subscriptions and Donations; Subjects included in Regulation Technical Schools; Subjects on Instruction; Subjects included in Associateship course, Time table. Images include: Andrew Anderson, Lecture Rooms (Administration Building), Senior members of staff, School Buildings and Grounds, Linkenbach Table - Battery Laboratory, Engineering laboratory interior, junior Chemistry Laboratory; Assay Laboratory, Battery Laboratory interior, Maddern FurnaceCharcoal soft covered book at 100 pages. ballarat school of mines, andersnon\bickett, vale, warrington rogers, oddie, dunn, figgis, david ham, herman, lindsay, lonie, maddern, middleton, morrison, nevett, pearce, scott, woolcott, wanliss, r.e. williams, henry cuthbert, thomas hart, charles kent, frederick martell, newman, william bailey, hamilton, bechervaise, george russell, thomas bath, r.m. serjeant, peter matthews, theo williams, alfred mica smithh, daniel walker, hubert murphy, charles deane, arthur garrard, valentine anderson, douglas runtin, john balyney, l. cameron, dawbarn, a.e.c. kerr, john adams, edgar mcconnon, hall, john m. sutherland, usher, charles campbell, metallurgy, geology, certificate as mine manager, certificat as assayer, labratory, museum, land and mine surveying, applied mechanics, machine drawing and dedign, mechanics applied to mining, engineering laboratory, electrical department, state school lectures, excursions, mathematics, physics, geometry, photography, chemistry, organic chemistry, assaying, mining gelogy, mineralogy, petrology, algebra, trigonometry, mensuration, land surveying, mine surveying, steam and gas engines, dynamics and heat, sound and light, magnetism and electricity, electrical tecnology, botany, veterinary science, engineering drawing, electroplating

A megaphone or loudhailer is usually portable or hand-held, the cone-shaped acoustic horn used to amplify a person's voice or other sounds and direct it in a given direction. Used to communicate with others over distances. In Greek mythology, "Stentor" was a Greek herald during the Trojan War. His name has given rise to the adjective "stentorian", meaning loud-voiced, for which he was famous. The large funnel-shaped device is made of recoated cardboard that is riveted together. It has a metal mouthpiece at the narrow end and a metal edge at the wide end, and a metal handle. The design indicates that it is a ‘Stentor Megaphone’ patented on 4 April 1899 by a company in Boston. Stentor brand megaphones were manufactured by Merriman Brothers, in Boston. In 1898 the brothers specialised in hardware for yachts their workshop was at 139 Border St. East Boston, Mass. They also made other equipment, which included pulley blocks, winches and fittings, and were well-known worldwide before the company closed in 1995. Merriman megaphones, including the familiar cheerleader megaphones, came in different sizes, Their patent for the device, dated April 4, 1899, specified details such as the 'rivets, metal mouthpiece, and adjacent parts, and an undated pamphlet promoting the Stentor Megaphone emphasizes its 'highly finished' appearance 'with nickel mouthpiece, rim and other fittings'. The Stentor Megaphone has significance for its provenance and historic value, and also as a relatively rare item of equipment once used worldwide in marine situations, such as light stations and many other similar applications where a person voice needed to be amplified.Megaphone conical shape cardboard with riveted seam, nickel plated reinforcing ring, mouthguard Made in the USAflagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, megaphone, loud hailer

A megaphone or loudhailer is usually portable or hand-held, the cone-shaped acoustic horn used to amplify a person's voice or other sounds and direct it in a given direction. Used to communicate with others over distances. In Greek mythology, "Stentor" was a Greek herald during the Trojan War. His name has given rise to the adjective "stentorian", meaning loud-voiced, for which he was famous. The large funnel-shaped device is made of painted metal that is riveted together. It has no metal mouthpiece at the narrow end but rather a larger opening that is associated with a movie directors megaphone. It could also be used in a maritime situation or anywhere a person needs to amplify their voice to give directions to others over a distance. The Megaphone has significance for its provenance and historic value, and also as a relatively rare item of equipment once used worldwide in not only marine situations, or light house stations as well as many other differing types of applications where a person voice was needed to be amplified when communicating with others.Megaphone or loud hailer, metal painted green with handle and a large indented mouth piece. Nonewarrnambool, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, megaphone, loud hailer, directors megaphone, communication device

The School of Mines Ballaarat. Annual Report 1883. Statement of Receipts and expenditure, general balance sheet, and list of subscriptions donations 1882. Sketch of School of Mines. Sketch Section from Lal Lal to the Moorabool (looking north) Geological map of Lal Lal. In the County of Grant. Annual Report, Balance Sheet, Certificates granted by the Council, Examination Papers - Elementary Science Classes (Appendix), Extracts from Visitors' Book, Fees, Form of Bequest, Honorary Correspondents. Life Governors, Museum - open to visitors, Notes on the Geology of Lal Lal (with Geological Plan & Sections), Obituary, Office Bearers, Paper of Particulars, Rules of the Ballaarat Field Club and Science Society (Appendix), Report of the Curator of the Museum and Library, Report of the Superintendent of Laboratories, Report of the Lecturer in Mathematics, Report of the Lecturer in Mechanical Engineering, Report of the Lecturer in Telegraphy, Report of the Lecturer in Materia Medica, Statement of Receipts and Expenditure for the year 1882, Subjects and Lectures, Subjects and Examiners, Subscriptions and Donations, from 1st January to 31st December 1882.Ballaarat School of Mines annual Report. Hard cover red book of 101 pages. Includes plans on Lal Lal and surrounds. ballarat school of mines, annual report, balance sheet, certificates granted by the council, examination papers, extracts from the visitors' book, fees, form of bequest, honorary correspondents, life governors, museum, notes on the geology of lal lal, obituary: charles william thomas. one of the examiners in mining and surveying, office bearers, paper of particulars, rules of the ballaarat field club and science society, report of the curator of the museum and library, report of the superintendent of laboratories, report of the lecturer in mathematics, report of the lecturer in mechanical engineering, report of the lecturer in telegraphy, report of the lecturer in materia medica, statement of receipts and expenditure for the year 1882, subjects and lectures, subjects and examiners, subcriptions and donations, from 1st january to 31st december 1882, alf. mica smith, professor of chemistry, alf. mica smith, metallurgy, f. m. krause - professor of geology, mineralogy, scientific mining, t. h. thompson, practical mining, w. h. shaw mechanical engineering, h. reid, mechanical enginnering, phoenix foundry company (limited), a. a. buley, mathematics, f. m. krause, land, mining and engineering surveying, w. d. campbell, telegraphy, james oddie, vice-president, alf. mica smith, natural philosophy (elementary mechanics and hydrostatics, magnetism and electricty, sound, light and heat), j. f. usher, materia medica, pharmacy and physiology, examiner, professor h. m. andrew, m. a., examiner, h. d. de la poer wall, m. a, c. e., examiner, thomas mann, b. a., examiner, p. c. fitzpatrick, c. s., examiner, h. rosale, j.p., f.g.s, m.e. and m, examiner, john lewis, examiner, w. c. kernot, m.a., c.e., examiner, professor mccoy, examiner, j. cosmo newbery, c.m.g., b. sc., examiner, baron von mueller, k.c.m.g., m. et ph. d., f. r.s., examiner, sam. w. macgowan, examiner, w. p. bechervaise, examiner, r. l. j. ellery, f.r.s. govt. astronomer, examiner, f. m. krause, c.e., examiner, j. m. bickett, examiner, n. kent, examiner, a. martin, examiner, r. s. mitchell, examiner, w. h. keast, examiner, p. matthews, examiner, d. milliken, examiner, j. t. richards, examiner, jonathan robinson, examiner, t. h. thompson, examiner, h. brookes allen, m.d., examiner, joseph bosisto, examiner, c. r. blackett, m.l.a., examiner, wm. johnson, analyst to the government of victoria, ferdinand krause, ballarat field naturalists club, ferdinand von mueller, thomas mann, a.a. buley, ferrdinand krause, alfred mica smith, james oddie, william johnson, jonathan robinson, james bickett, r.l.j. ellery, cosmo newbery, ballarat field naturalists

The School of Mines Ballaarat. Annual Report 1883. Statement of Receipts and expenditure, general balance sheet, and list of subscriptions donations 1883. Annual Report, Balance Sheet, Certificates granted by the Council, Examination Papers - Elementary Science Classes (Appendix), Fees, Honorary Correspondents. Life Governors, Museum - open to visitors, Office Bearers, Paper of Particulars, Report of the Curator of the Museum and Library, Report of the Superintendent of Laboratories, Report of the Lecturer in Mathematics, Report of the Lecturer in Mechanical Engineering, Report of the Lecturer in Telegraphy, Report of the Lecturer in Materia Medica, Report of the Lecturer of Astronomy, Scale of Charges for Assays and Analyses, Examinations Held, Statement of Receipts and Expenditure for the year 1883, Subjects and Lectures, Subjects and Examiners, Subscriptions and Donations, from 1st January to 31st December 1883.Ballaarat School of Mines annual Report. Soft cover pale green booklet of 67 pages. Includes a colour Geological Map of Lal Lal and a sketch Section from Lal Lal to the Moorabool. Inscription on front cover 'Office Copy' On pages 4 and 5 some names have been crossed out and others added.ballarat school of mines, annual report, balance sheet, certificates granted by the council, examination papers, fees, honorary correspondents, life governors, museum, office bearers, paper of particulars, ballarat school of mines museum, library, superintendent of laboratories, mathematics, mechanical engineering, telegraphy, lecturer in materia medica, statement of receipts and expenditure for the year 1882, examiners, subcriptions and donations, alfred mica smith, chemistry, metallurgy, f.m. krause, ferdinand krause, geology, mineralogy, scientific mining, t.h. thompson, practical mining, w.h. shaw, h. reid, mechanical enginnering, phoenix foundry company (limited), phoenix foundry, arthur. a. buley, mining, engineering surveying, walter. d. campbell, j. wall, astronomy, james oddie, natural philosophy, elementary mechanics and hydrostatics, magnetism and electricty, sound, light and heat, j.f. usher, materia medica, pharmacy, physiology, w.h. shawmechanical engineering, h.m. andrew, h.d. de la poer wall, thomas mann, p.c. fitzpatrick, h. rosale, john lewis, w.c. kernot, mccoy, j. cosmo newbery, baron von mueller, samuel w. macgowan, w.p. bechervaise, r.l.j. ellery, astronomer, j.m. bickett, james bickett, n. kent, a. martin, r.s. mitchell, w.h. keast, p. matthews, d. milliken, j.t. richards, jonathan robinson, h. brookes allen, joseph bosisto, c.r. blackett, m.l.a., william. johnson, government of victoria analyst, moorabool, lal lal, skipton, coal, skipton coal discovery, lal lal creek, moorabool falls, lal lal race course, lal lal falls, moorabool river, william h. keast

Also Black and white copy print 15 x 25Black and white postcard of Kalimna Jetty. It shows a substantial timber jetty with rail line and goods trolley, storage shed with square water tank. Passenger launch and four rowing boats moored at jetty. Navigation light towards end of jetty. Lakes Entrance VictoriaKalimna Jetty and Reeves Sound Lakes Entrance Series M 3024islands, jetties, waterways, topography, boats and boating

The Boyds purchased their record player and sound system from Thomas’s in Melbourne. Patricia Boyd (later Davies) was very interested in opera and was later appointed to the Board of the Australian Opera.Bolero - 79 rhapsodic light-classical favourites. LP 33RPM vinyl - Box set, 1 large cardboard box - package still intact, unopened.lp, sound recording

Sound and colour. A film about the Shrine of Remembrance which was made in April 1981 (from the label). Documents the history of the Shrine by interspersing images of war with returned servicemen's marches. The film shows archival images of Australia in 1914 and accounts from WWI, which gave rise to the campaign to build the Shrine in the 1920s. Gen.Sir John Monash, after consulting with Legacy, lent his support and it was opened in 1934 by the Duke of Gloucester, becoming the focus of commemoration in Victoria. The forecourt with the Eternal Flame was added in 1954 to commemorate the fallen of WWII and was dedicated by Queen Elizabeth II. Junior Legatees are shown paying their respects at one of their annual commemorations. This film has been digitised to preserve its content. Melbourne Legacy gratefully acknowledges the support of the Victorian Government and Public Record Office Victoria for making this possible.Legacy were instrumental in campaigning for the building of the Shrine. Blue plastic circular tin with fitted reel inside. Lid has a sticker with information about the film. Film is 700 feet at 16mm. Piece of double-sided paper loose inside the tin with information on run time and last checked for inspection.Lid sticker is as follows: KEY NO. 810422 / PRINT NO. 1 LENGTH 17 mins / TITLE "SHRINE" VICTORIAN FILM CORPORATION / 409 KING STREET, MELBOURNE 3000 / BOX 4361 MAIL EXCHANGE 3001 / 03-329 7033 Sticker underneath is as follows to the naked eye: VICTORIAN FILM LABORATORIES / VICTORIAN FILM CORPORATION / SHRINE / G STREET HAWTHORN 8180461 Documentation inside tin is as follows: Side 1: Details, Run 1 / BRK 1, 4:12 / BRK 2, 8:05 / Credits 41, 4:33 / TOTAL, 16:50 Side 2: TDX Date / Run 1: TO BE DUBBED, 25.4.81 / No. of Breaks: 2 Remarks: Fair, Light Int scratches, Light broken scratches / Total Duration / Run 1: 16.50shrine of remembrance, history

Has tickets from:, ESCo Ballarat, Form TYE 1-37 re acceptance of breach of regulations - to Reg Item 5017, Geelong tramways – 1, Bendigo ESCo – 3, SEC – weekly, tourist and parcel / newspaper, scholars, SEC – various, also for Ballarat, Bendigo and Geelong and small packet of loose tickets., Prahran and Malvern Tramways Trust, MTT Adelaide including a small packet of loose tickets, MMTB – 2 sheets including two loose sheets with tickets and a Pensioners Fare Concession Certificate for 61 – 62 with some loose tickets, NSW – Sydney two pages, NSW – Newcastle one page + 2 tickets, and four tickets for the Yass to Yass Junction tram Brisbane – two pages with one Rockhampton ticket, VR St Kilda Brighton, Parramatta steam tram – Sydney ferries limited, Hobart, Launceston, Wellington NZ – two pages, Christchurch, Wanganui, Auckland, New Plymouth - 1, Invercargill - 1, Johannesburg, Cape town, Pretoria – 1, Liverpool, Sheffield, London – 3 pages + loose 7 day go as you please issued in 1963 to Wal Larsen, Manchester, Newcastle and Gateshead, Bolton, South Lancashire Transport – 1, Oldham, Barry Corporation – Lancs, Birmingham, Llandudno, Salford, Stockport, Sunderland, South shields, Edinburgh, Glasgow, Leeds, Darwen Corporation – 1, Dublin, Belfast, Blackpool – 1, South Wales – 1, Bradford, Dundee, Southampton, Plymouth, Leicester, Douglas, Southend on Sea, Croydon, Naples and other Italian ones, Antwerp – 1, Istanbul, St Quentin, Vevey Switzerland, Dusseldorf, Bombay, Calcutta, Karachi, Bangkok, Penang, Milwaukee Electric Railway, Los Angeles Railway – loose on page was a Tram pass for American Fleet celebration, 2/9/1908 to Eaglehawk - to Reg Item 5017, Market St Railway, Loose San Francisco Municipal railway, Puget Sound, St Louis Public Service Co., Sandwich, Tacoma Railway, Capital Transport Little Rock, Pittsburgh, Connecticut – New Haven, Twin City Lines, Chicago and West Towns, Chicago Aurora and Elgin, Elgin and Belvidere, Chicago Rapid Transits, Chicago Surface, ClevelandFeatures tickets from Australian and Overseas tramway systems. Collected by Wal Jack. Light brown paper covered album with dark red binding band, with off-white paper inside covers holding some 40 sheets of card on which tickets have been mounted using stamp hinges, captions in blue or black ink. Three supplementary sheets have been glued in as well. Has some 750 tickets including loose tickets. Reg Items 5017 (ESCo Employee Report outcome) and 5018 (Bendigo Tramways ticket for the visit of the personnel from the American Fleet - 1908) were loose in the album and have been separately collected. Some tickets in envelopes of clipped into the sheets.Individual captions for each group of tickets from a city.trams, tramways, tickets, ballarat, melbourne, usa, uk trams, esco

2020, heidelberg theatre company inc, directed by catherine christensen, 435, art space exhibitor david belton, arts space coordinator teresa schipano, mrs bella manningham played by claire benne, mr jack manningam played by liam gillespie, elizabeth the housekeeper played by patricia alcock, nancy the maid played by elysia janssen, rough played by chris mclean, officers played by robert peel and charles field, production coordinator joan moriarty, stage manager melanie belcher, lighting design emma fox, sound design rob wanless, set design/decor costume design props wendy drowley, special props warren lane, scenic artists gaye billing and mal cother, ass. stage manager and rehearsal prompt bobby parish, sound/light operator tasmin mackie, photographer david belton, program/poster design chris mclean, publicity jim thomson & toni tyers, box office toni tyers & june cherrey & jenni purdey & carol farr & brett hunt, front of house jenny gilbert and htc members, set construction owen evens & doug mcnaughton & paddy moriarty & brett hunt &, des harris & norm munks & tim scott & bob tyres & david belton & noel purdey & dean christenssen & htc members, production review cheryl threadgold, foh helpers alicia curry & owen evans & diane dawson, 2019 agm christmas party and awards president john gilbert treasurer bruce akers represented by jim thomson awards adjudicators jill scott & leslie hardcastle & rodney charles, 2019 best male lead actor mark yeates as jake laurents in it's a wonderful life, 2019 best female lean actor catherine christensen as beatrice in a view from the bridge', 2019 best supporting male actor jack kenny as rodolpho in a view from the bridge, 2019 best supporting female actor aimee sanderson as bella in lost in yonkers, 2019 special award for body of work liam gillespie for louis in lost in yonkers & freddie filmore and others in it's a wonderful life, 2019 victorian drama league awards htc's nominated entry lost in yonkers: nominations: best actress in a minor role cat jardine as gert, best properties melanie belcher & maureen mcinerney: best costume design wendy drowley, best production: drama, best supporting actor in a drama liam gillespie as louis & best supporting actress in a drama lindy yeates as grandma, 2019 bill cherrey award john rowe, election of committee: returning committee all elected unopposed joan moriarty & jim tomson & ryan purdey & morgan thomas-connor & melanie belcher

Mary MODEEN (1953- ) Born United States of America Lives Scotland Mary Modeen is an artist/printmaker and interdisciplinary academic who also works in artist books, installations, and recently, in video and sound. She is also an academic of nearly 30 years full-time experience in higher education, residing in Scotland where she convenes the Art, Philosophy and Contemporary Practices at the Duncan of Jordanstone College of Art and Design, University of Dundee. Modeen’s research has several threads: perception as a cognitive and interpretive process, and place-based research, which tends to connect cultural values, history and embodied experience. In 2000, while a Visiting Research Fellow at the University of Ballarat (later Federation University Australia), Mary Modeen was commissioned to create a sculpture in a Public Art context for the campus. This item is part of the Federation University Art Collection. The Art Collection features over 1000 works and was listed as a 'Ballarat Treasure' in 2007.An external sculpture commissioned in a Public Art context for the Mt Helen campus Business Building (B Building) by Scottish Artist and Visiting Research Fellow, Mary Modeen. Mary Modeen's three dimensional sculptures and installations draw on her interest in "light" relating to artworks and conceptual art. The 'plugs' in the sculpture represent students, while the blue acrylic disk represents alumni, and the spread and impact of our students throughout the community. art, artwork, sculpture, mary modeen, business school art collection

The Ballarat School of Mines was established in 1970 and was the first school of Mines in Australia.A number of Ballarat School of Mines Annual General reports bounds in a dark blue hardcover with black leather spine. Includes some illustrations such as the Ballarat School of Mines Senior Staff.mining, mining alumni, geometry, steam, botany, ballarat school of mines, alfred mica smith, j f usher, andrew anderson, chemistry, metallurgy, a e c kerr, henry j hall, veterinary science, robert e weir, assaying, mineralogy, petrography, algebra, trigonometry, applied, mechancis, land surveying, mine surveying, dynamics and heat, sound and light, magnetism and electricity, carpentry and joinery, architecture, photography, john warrington rogers, james bickett, thomas wanliss, henry cuthbert, museum, william huey, steele, and, gas, engines, mine managers certificate, john m sutherland, charles e campbell, cyanide plant, mining laboratory, samuel thornton, daniel walker, percy osborne, robert allan, hubert murphy, charles deane, ernest trend, thomas evans, alfred johnston, boer war, richard maddern, underground, ferdinand krause

Jenna Lee dissects and reconstructs colonial 'Indigenous dictionaries' and embeds the works with new cultural meaning. Long obsessed with the duality of the destructive and healing properties that fire can yield, this element has been applied to the paper in the forms of burning and mark-making. In Without Us, Lee uses charcoal to conceal the text on the page, viewing this process as a ritualistic act of reclaiming and honouring Indigenous heritage while challenging the oppressive legacies of colonialism. Lee explains in Art Guide (2022), ‘These books in particular [used to create the proposed works] are Aboriginal language dictionaries—but there’s no such thing as “Aboriginal language”. There are hundreds of languages. The dictionary just presents words, with no reference to where they came from. It was specifically published by collating compendiums from the 1920s, 30s and 40s, with the purpose to give [non-Indigenous] people pleasant sounding Aboriginal words to name children, houses and boats. And yet the first things that were taken from us was our language, children, land and water. And the reason our words were so widely written down was because [white Australians] were trying to eradicate us. They thought we were going extinct. The deeper you get into it, the darker it gets. But the purpose of my work is to take those horrible things and cast them as something beautiful.’Framed artwork