The Beatrice was a Swedish barque, one the last windjammers. An extremely active practice of clipping Marine topics and images from newspapers and journals has resulted in a body of material about the history of the shipping industry and maritime movements in and out of Melbourne.Discoloured newspaper cutting (undated) with the 'Beatrice' figure head and part of the bowsprit in the foreground and the steamship Runic in the background.The image contrast the old and the new - sail and steam. barque beatrice, mv runic, windjammer, windjammers, grain race, wheat race, sweden

MIGRATION Travel is a luxury for most people, and although seafarers undoubtedly face hardships as part of their profession, they are also able to experience parts of the broader world than that of friends and family at home. The stories and experiences of seafarers - together with the work of the Mission to Seafarers ministry - contribute to the archive of ongoing global links and narratives of world trade and migration. As an example of this, in 1917 alone the Mission directed almost 6,000 letters written by visiting seafarers home to their families abroad, and received almost 3,000 letters in return. After experiencing Melbourne through the Mission, many seafarers later chose to make the city and Australia their home, and some chose to marry their partners at the Mission’s chapel. This pair of windows, titled ‘Baptism’ and ‘Holy Spirit’, was installed during 1933 and represents the integral links between seafaring and the world.Reflections of the Sea was an exhibition of 10 framed montage of photographs from the mission's archive collection showcasing 10 stained glass windows from the St Peter chapel. This exhibition curated by Georgia Melville and Catherine McLay, and funded by PROV and Creative Victoria, was displayed in the World Trade Centre Wharf Gallery in June July 2013 and toured to Queenscliff Maritime Museum. The photographs of the windows were taken by scientific photographer Justine M. Philip. This frame is showcasing the lancet windows in the baptistry ad a photograph of the Eiffel Tower taken by Allan Charles Quinn during one of his voyages.Framed and mounted on black cardboard of black and white and colour reproductions from the MTSV collection for the exhibition Reflections of the Sea with brief label signageon label: A snapshot of the Eiffel Tower with Australian seafarer Allan Charles Quinn in the foreground, taken during a voyage to France in 1956reflections of the sea, georgia melville, exhibition, 2013, world trade centre, wtc, creative victoria, prov, mission to seafarers, stained glass windows, justine m. philip, flinders street, allan charles quinn, eiffel tower, france, travel, migration, baptistry, paris, catherine mclay, arthouse

Diamond Valley Arts Society members displayed their work at the Society's annual display. Sculptors Ellen Jenkins and Kaye Steventon had their work on display.News clipping, black text, colour image.diamond valley arts society, kaye steventon, ellen jenkins

A Bicentennial Centenarians Project, comprising interviews with 50 Australian centenarians. 183 p. illus.biographies, oral history

A collection of stories of World War One from Banyule, Nillumbik and Whittlesea.Collected by Yarra Plenty Regional Library with contributors from the local area.227 p., illus. 2 copiesyarra plenty regional library, world war 1

Stories of involvement of people of Banuyle, Nillumbik and Whittlesea area in World War Iiv, 228 pages : illustrations, portraits ; 26 cmISBN 9780994609304world war i, banyule, nillumbik, whittlesea

Edited by Jim Martin, Tim Erickson and Frank Carrucan. The Carrucans came from Ireland to Australia in the 1850s, settling in Eltham and living there for many generations. Much of this family history book is set in Eltham and surrounding districts. Contents: Themes - The Wurundjeri in Eltham - The Carrucan Story - The Michael Line - The Emigrants - The Bridget Line - The Patrick Line - The Peter Line - The Denis Line - They serve the Lord - They served their country - Final thoughts. SoftcoverCover: Commemorating the dispersion of members of the Carracan Family from West Clare, Ireland ISBN 9780646552286 [includes a dedication letter from Tim Erickson (for the Carrucan Book Committee) to the Eltham District Historical Society, presenting a complimentary copy of the book, 13 October 2011; there is also a handwritten summary of Eltham references inside the back cover]carracun family, pioneers

Two Djumba figures, both male on black background. Ochres on Canvas.

Framed image of ANZAC soldiers with descriptors below and Australian badge in centreDescriptors: 'Australia at War' 'The Gallipoli Campaign', 'The Light Horse of Gallipoli', 'The ANZAC Legend', and badges (see 0357.2)

Part of larger image (see 0357.1)Top Badge 'Australian Commonwealth Miltary Force' . Lower Badge- Image of Sinmpson and his Donkey with words 'Sands of Gallipoli' above and 'Simpson and his Donkey' below.

A number of images for this journal were supplied by the University of Ballarat Historical Collection,Brown and Black soft covered book of 200 pages. Chapters include and introduction (Geoffrey Blainey); Eureka: gathering the 'Oppresed of all Nations (Anne Beggs-Sunter); The 'Southern Cross': a radical legacy (Drew Cottle); Ballarat of Eureka (Keith McKenry); 'Men of Colour' John Joseph and the Eureka Treason trials (Jeffrey Atkinson); 'Blood, Sweat and Tears': Women of Eureka (Dorothy Wickham); 'Why should they pay money to the Queen?: Aboriginal Miners and Land Claim (Fred Cahir); Raffaello Carboni's Perception of Australia (Gaetano Rando); Democracy, Political Rhetoric and the Conservative Response to manhood Suffrage in Colonial New South Wales (Gregory Melleuish); 'Foreign to their feelings as freemen': Liberal politics in a goldfields community, Bendigo 1853-1883.ballarat, bendigo, eureka, aborigines, southern cross, women, charles hotham, australian democracy, agitation

In March 1998 the Eureka Stockade centre was opened in the Eureka Memorial Park. Twelve page supplement of the Ballarat Courier printed to commemorate the opening of the Eureka Stockade centre (now Museum of Democracy at Eureka). The supplement includes a foreword by Premier Jeff Kennett, causes of the Eureka Stockade, the aftermath, Jan Penney, Peter Tobin, Peter Lalor, Laural Johnston, Anastasia Hayes, Patience Wearne, Jane Cuming, Eureka Soldier's Memorial, Peter Hiscock, Fr Patrick Smytheureka stockade, eureka stockade centre, museum of democracy at eureka, penny, kennett, tobin

Coloured flyereureka, rebellion, anne beggs-sunter, dinner

BookA collection of essays by art critics, historians and journalists exploring 12 individual and group practices of activist art making. An overview of the dynamic exhibitions, events, happenings and cultural practices engaged in creating social change.public art, collective, interdisciplinary, body, racism, durational art, social practice, museology, feminism, collaboration

Index, bibliography, notes, ill, maps, p.193.non-fictionAustralia lost its innocence in 1942. Japan had conquered Asia and the Pacific,and were at our doorstep. Our finest troops were fighting in the Middle East. All that stood between the Japanese onslaught and our homeland was a handful of 18-year-old militia troops who had never fired a shot in angerworld war 1939 – 1945 – campaigns – kokoda, kokoda track papua new guinea

Ill, p.48.non-fictionA series of essays by schoolchildren on the subject of the spirit of ANZACanzac - childrens perspectives, cairns rsl sub-branch

The story of the Phillip Island RSL.This book, Keeping the Spirit Alive, The Story of the Philip island RSL, is a journey through time and through the memories of its members.returned services league of australia. phillip island sub-branch -- history, veterans -- victoria -- phillip island -- history

In many ways the Digger is a study of contradictions: he doesn't crave war yet he will fight with unequalled ferocity: he hates spit and polish but will hold his discipline under the most trying conditions; he is tough yet compassionate; he hates his enemy until he surrenders, then he is generous in victory; he despises histrionics but will cry unashamedly at the loss of a mate...mateship (australia), soldiers - australia

Purchased through the Horsham Art Gallery Trust Fund with the assistance of the Caltex-Victorian Government Art Fund, 1982

black and white photograph, unmounted, original, good conditionOn back: In front of Fogarty's Grocery & Spirits store

Coleman Lamp Stove Co Ltd possibly making irons by arrangement with Coleman Lamp & Stove Co Ltd in Canada. Origin of these companies - started by William Coleman of Oklahoma and Kansas, USA. Iron has chrome plated sole - blue enamel body with white speckles and hemispherical tank (probably copper - has typical green verdigris appearance) for the lighting fluid that would have supplied the heat. The wooden handle is painted blue. Top screw is missing from the fuel tank.clothes iron

ANZAC Centenary 2015 Presented to Grey Street Primary School by Traralgon RSL

The artwork sought inspiration by the local history of Wendouree West and is a feature at the Wendouree West Recreation Reserve commissioned as part of a redevelopment of the park in 2017-2018. The artwork is located within close proximity to new playground facilities and promotes positive stories about Wendouree West to locals and the wider community.The artwork is of aesthetic significance to the people of BallaratThree stainless steel sculptures of Kurrajong tree leaves Col Henry 2018spirit of the forest, wendouree west, col henry, australian sculpture

Softcoverarts, australian art, colonisation, walsh st library

Hardcover w/ Dust JacketSticker inside cover: "With compliments National Australia Bank"australia, history, patriotism, nationalism, walsh st library

"Father Julian Tenison Woods met Adam Lindsay Gordon in 1857 on one of his first trips out from Penola riding from station to station across his huge, scattered parish. At that time Gordon was a horse-breaker on a station near Guichen Bay. The two shared a love of poetry and the classics and often rode together reciting to each other. They seemed to find in each other a kindred spirit based on literary enjoyment and entertainment. Woods lent Gordon books from his collection." From this website:https://www.sosj.org.au/jtw-man-of-words-5/ pamela l. walker