Showing 1444 items
matching stripes
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Running Rabbits Military Museum operated by the Upwey Belgrave RSL Sub Branch
Tunic
US Wool Sergeants Stripesuniform, ww2, us army -
Ringwood RSL Sub-Branch
Uniform Chevrons
Khaki material Corporal's stripes -
Sir Reginald Ansett Transport Museum
Accessory - Scarf, Sportscraft
Creamy scarf with orange stripeshostess, stewardess, flight attendant, sportscraft, uniform, scarf -
Dandenong/Cranbourne RSL Sub Branch
Medal - Medal, WWII
Silver Coat of Arms with two Lions and a crown. Ribbon is orange stripe in centre with white, black, blue/grey stripes.On the back "George VI : D : G : BR OMN : REX F ; D : IND : IMP On the front "THE DEFENCE MEDAL / 1939 - 1945" medal, wwii, british medal -
NMIT (Northern Melbourne Institute of TAFE)
School Blazer: Collingwood Technical College 1970, Phillip Joseph
Two CTC School blazers dating from 1970 onwards when Collingwood Technical School changed to Collingwood Technical College. Both have epaulettes on each shoulder with two gold stripes. The first also has two Band badges, one on each lapel, indicating it belonged to a School Band member. It is in very good condition. The second blazer has no badges, is made by 'waldron's SCHOOLWEAR' and has 'The Doctor FLANNEL ...' label and is a size 10.Black Pure Wool school blazer, with two gold stripes on epaulettes on each shoulder, and CTC logo on the pocket. A Band badge on each lapel. Dates from 1970 when Collingwood Technical School changed to Collingwood Technical College. Also a second CTC Black School blazer which was in the collection, also with the same epaulettes made by Waldron's Schoolwear, size 10.1st Blazer: CTC logo on pocket. And Manufacturer's labels inside. First reads 'PURE WOOL / Philip Joseph / TAILORED QUALITY'. Second label reads The FAMOUS / Doctor / FLANNEL / AUSTRALIAN WOOL BUREAU / GOLD MEDAL WINNER / ALL PURE WOOL / MOTHPROOFED' Second Blazer has label 'waldron's / SCHOOLWEAR' and 'The Doctor ...' label as the one above. This is a size 10.collingwood technical college, school blazer, uniforms, nmit. -
Bendigo Military Museum
Uniform - UNIFORM, WRAAF, 1939-1945
Items issued to Mavis Keillor, refer Cat No 3402 for her service details.1. Jacket - Polyester/Wool, Navy Blue with Black buttons. 2. Skirt - Polyester/Wool, Navy Blue. 3. Belt - Polyester/Wool, Navy blue with black buckle. 4. Cap - Polyester/wool, Navy blue, embroidered RAAF Insignia.1. Embroidered wings each shoulder. Metal badges each sleeve - wireless. 3 stripes embroidered in light blue cotton. Blue and red, 3 stripes lower left sleeve.wraaf uniform, ww2 -
Bendigo Historical Society Inc.
Container - CERAMIC JUG
Ceramic Jug (Previously #145 from Mechanics Institute Eaglehawk ) Orange Handle and stripes. 3 green stripes 1 red stripe. Approx 35cm x 20 cm. label tied to handle, unable to read.cottage, miners -
Chiltern Athenaeum Trust
WW1 Victory Medal - Pte. A.E. Hollis, 1914-1918
WW1 The Great War 1914-1918 Pte. A. E. Hollis Chiltern Resident Victory Medal WW1 serviceWW1 The Great War - issued for service overseas : Victory Medal 1914-1918. Pte. A. E. Hollis Chiltern Resident. Design The medal is bronze with a winged figure of Victory on the obverse. The reverse has the words ‘THE GREAT WAR FOR CIVILISATION’, all surrounded by a laurel wreath. Ribbon The ribbon has a ‘two rainbow’ design, with the violet from each rainbow on the outside edges moving through to a central red stripe where both rainbows meet. The medal is bronze with a winged figure of Victory on the obverse. The reverse has the words ‘THE GREAT WAR FOR CIVILISATION’, all surrounded by a laurel wreath. Ribbon The ribbon has a ‘two rainbow’ design, with the violet from each rainbow on the outside edges moving through to a central red stripe where both rainbows meet. ww1 1914-1918, victory medal ww1, pte. a. e. hollis, chiltern resident. -
Ringwood RSL Sub-Branch
Uniform, Army Jumper
None knownKhaki jumper with Sergent stripes on arm. -
Whitehorse Historical Society Inc.
Domestic object - Tea Towel
Tea towel - white with green stripesAll linen Hordura Tea towel Linen.manchester, work cloths -
Ringwood RSL Sub-Branch
Uniform
Seven sets of Army corporal stripes -
National Vietnam Veterans Museum (NVVM)
Flag
United States flag with stars/stripes.CF flag 4/6 (nylon)united states flag -
Greensborough Historical Society
Document - Letterhead, Thomastown Golf Club, Thomastown Golf Club. Letterhead, 1990s
Sample letterhead of the Thomastown Golf Club. As used by Club Secretary Robert (Bob) Jones.Thomastown Golf Club was a social club formed in 1976. This is part of the Robert (Bob) Jones collection of Club memorabilia.5 sheets with yellow stripe and logo.thomastown golf club, bob jones, letterhead -
Greensborough Historical Society
Beret, Watsonia High School Uniform - Beret, 1985c
Part of school uniformThis beret is part of a small collection of Watsonia High School memorabilia.Maroon beret with blue stripe on side.watsonia high school, school uniform, beret, varden -
Diamond Valley Vietnam Veterans Sub-Branch
Clothing - VC Scarf, c2002
Scarf as used by Viet Cong soldiers.The item's significance lies in it being part of the field equipment of the Viet Cong soldier.Viet Cong (VC) scarf made of lightweight cotton with horizontal/vertical pattern of black, grey and white stripes with an occasional red stripe.None.vietnam, vietnam war, diamond valley vietnam veterans sub branch -
Glenelg Shire Council Cultural Collection
Print, Sails, 1984
CEMA Art Collection. Part of "A Community View" 150 years in Portland Screenprint Exhibition. Part of Angela Gee Residency 1983 and 1984.Laminated screenprint of six sail shapes. Printed on a blue background the sails all have horizontal stripes. The patterns on the sails alternate from sails with yellow, white and aqua stripes to sails with red, white and blue stripes. The sails are various sizes.Front: 21/60 (lower left) "Sails" (centre) CJ Snook 84 (lower left) (pencil) Back: 38 -
Bendigo Military Museum
Clothing - PYJAMAS, 1968
Pyjamas Army issue 1968. Made in Tasmania. Issued to Maurice Charles Betts at Recruit Training, Puckapunyal Vic. Refer Cat No 1198.2 for his service history. .1) Pyjama top, blue & white vertical stripes. Size M. .2) Pyjama pants, blue & white vertical stripes. Size M..1) Printed on label: “3795164, M BETTS”uniforms - army, costume - male nightwear, pyjamas -
Flagstaff Hill Maritime Museum and Village
Badge - Insignia Ribbon, 1939-1945
The cloth insignia patch is one of a collection of military badges that date to the World War II period. This ribbon has not yet been identified. The badges are now part of Flagstaff Hill’s comprehensive W.R. Angus Collection, donated by the family of Dr W R Angus (1901-1970), surgeon and oculist. Dr W R Angus was a Surgeon Captain for the Australian Defence Forces, Army Medical Corps, stationed in Ballarat, Victoria, and in Bonegilla, N.S.W. He completed his service just before the end of the war due to suffering from a heart attack. The W.R. Angus Collection: - The W.R. Angus Collection includes historical medical equipment, surgical instruments and material belonging to Dr Edward Ryan and Dr Thomas Francis Ryan, (both of Nhill, Victoria) and Dr Angus’ own belongings. The Collection’s history spans the medical practices of the two Doctors Ryan, from 1885-1926 plus that of Dr Angus, up until 1969. It includes historical medical and surgical equipment and instruments from the doctors Edward and Thomas Ryan of Nhill, Victoria. Dr Angus married Gladys in 1927 at Ballarat, the nearest big city to Nhill where he began as a Medical Assistant. He was also Acting House surgeon at the Nhill hospital where their two daughters were born. During World War II He served as a Military Doctor in the Australian Defence Forces. Dr Angus and his family moved to Warrnambool in 1939, where Dr Angus operated his own medical practice. He later added the part-time Port Medical Officer responsibility and was the last person appointed to that position. Both Dr Angus and his wife were very involved in the local community, including the planning stages of the new Flagstaff Hill and the layout of the gardens there. Dr Angus passed away in March 1970.This insignia ribbon is connected to the collection of military badges in the W.R. Angus Collection. Dr W R Angus (1901-1970), surgeon and oculist, collected a range of military objects including those he personally used during his time as Surgeon Captain in the Australian Defence Forces in World War II. The item allows insight into military life in the early-to-mid 20th century. The W.R. Angus Collection is significant for still being located at the site it is connected with, Doctor Angus being the last Port Medical Officer in Warrnambool. The Collection includes historical medical objects that date back to the late 1800s.Badge, woven ribbon insignia patch. Rectangular patch has wide vertical stripes, one is a blue stripe and the other is a red or crimson stripe. The cloth patches belonged to Dr W R Angus and are now part of the W. R. Angus Collection.flagstaff hill, warrnambool, maritime village, maritime museum, shipwreck coast, great ocean road, flagstaff hill maritime museum and village, dr w r angus, w.r. angus collection, australian army, surgeon captain, ballarat, bonegilla, badge, insignia, badge collection, world war 2, second world war, australian defence forces, army medical corps, military uniform, cloth patch, insignia patch, australian army medical corp (militia), ww 2, ww ii, 1925-1940, military badge, non-divisional unit, aamc, 1940-1942, 8th field ambulance, peacetime training, insignia history, insignia ribbon, ribbon patch -
City of Moorabbin Historical Society (Operating the Box Cottage Museum)
Clothing, Man's formal black wool tail coat with pleated trousers, c1960
Very formal fashion for men in the City of Moorabbin c 1960 was a tailor made formal 'white tie' tails dinner suit with cut away jacket and pleated trousers that have a satin stripe down the outer seams There are 3 large black plastic buttons on each side of silk lined jacket and 4 small black plastic buttons on each sleeve. Special occasions, events and ceremonies were when men wore this outfit. The full outfit comprised of a white dress shirt, white starched collar, white bow tie, white waistcoat, gold pocket watch, mother of pearl or white studs and cufflinks with black leather shoes. A white flower may have been worn of jacket.This formal 'white tie', dinner suit with tails, cut away jacket and pleated trousers was typical of that worn by men c 1960 in City of Moorabbin for very formal occasions.A tailor made formal 'white tie' tails dinner suit with cut away jacket and pleated trousers that have a satin stripe down the outer seams There are 3 large black plastic buttons on each side of silk lined jacket and 4 small black plastic buttons on each sleeve.professional tailor 4 buttons on sleevesclothing, formal wear, dress shirt, tails, dinner suit, tailors, bowtie white, bowtie black, tuxedo, waistcoat, cufflinks, maynard dennis, city of moorabbin, freemasons lodge, city of moorabbin historical society, early settlers, market gardeners, bentleigh, cheltenham, moorabbin, -
Cobram Historical Society Inc
Makeup compact
Enamald black and white stripes, gold plated.'Oroton' case -
National Wool Museum
Textile - Blanket, Laconia Woollen Mills
Collector says: It was always satisfying to reunite matching blankets. One of these was acquired from a garage sale in Castlemaine and the other from The Mill Market in Daylesford.Note from collector- "For more than 100 years blankets were made all over Australia in over 100 woollen mills. My aim, is to preserve 100 examples of these wonderful pieces of history. Ten years ago I started collecting the iconic Onkaparinga travel rugs, so that on movie nights at home there would be plenty to go around. Everyone had their favourite; even the cat had his own – a small red tartan one. Keeping an eye out for those travel rugs at op-shops and markets, collectable stores and bazaars, led to noticing vintage blankets. I'd never really thought about them before or paid much attention though of course I had grown up with them at my grandmother's. When I discovered my first Laconia cream blanket with blue stripes, my eyes just went gaga. Well that was it, I was hooked and since then over 500 blankets have passed through my hands. These common, everyday items, found in all households for so many decades, were traditional engagement gifts. Pairs were prized wedding presents turning into family heirlooms. They were fashionable dressers of beds, givers of warmth, bestowers of security and reliability. The comfort found in these objects resonates with almost all of us; we grew up with them ourselves or fondly recall them in a grandparent’s home. There is no modern replacement with the integrity of these old blankets, many of them now older than most of us. They are romantic, sensible, special, familiar, nostalgic and nothing else feels so appropriate in so many situations. No offense to the great Aussie doona, but from hippie to hipster, at a music festival, picnic, campsite or couch, a vintage blanket is something coveted by all. This industry that employed tens of thousands and must have been such a huge contributor to the economy is almost completely lost now. Blanket Fever is an ode to everything that came before: the land, the sheep, the shearers, the hands, the mills, the weavers, the designers, the distributors, the department stores. To the grandparents that gave them, the people that received them, the families that kept them; thank you. I’m passionate about my collection of Australian blankets manufactured in mostly Victoria, South Australia and Tasmania from the 1930s to the end of the 1960s. The collection has blankets from each of these four decades representing the styles and fashions of their time and includes dated advertisements which help determine the eras the blankets are from." Double sized blanket, cream with salmon stripesThe Laconia Blanket/Guaranteed Odorless and Free From Filling/Made in Australia/Wool 70% Cotton 30%wool, blanket, blanket fever, laconia, cotton -
National Wool Museum
Textile - Blanket, Laconia Woollen Mills, 1930s
Collector says: It was always satisfying to reunite matching blankets. One of these was acquired from a garage sale in Castlemaine and the other from The Mill Market in Daylesford.Note from collector- "For more than 100 years blankets were made all over Australia in over 100 woollen mills. My aim, is to preserve 100 examples of these wonderful pieces of history. Ten years ago I started collecting the iconic Onkaparinga travel rugs, so that on movie nights at home there would be plenty to go around. Everyone had their favourite; even the cat had his own – a small red tartan one. Keeping an eye out for those travel rugs at op-shops and markets, collectable stores and bazaars, led to noticing vintage blankets. I'd never really thought about them before or paid much attention though of course I had grown up with them at my grandmother's. When I discovered my first Laconia cream blanket with blue stripes, my eyes just went gaga. Well that was it, I was hooked and since then over 500 blankets have passed through my hands. These common, everyday items, found in all households for so many decades, were traditional engagement gifts. Pairs were prized wedding presents turning into family heirlooms. They were fashionable dressers of beds, givers of warmth, bestowers of security and reliability. The comfort found in these objects resonates with almost all of us; we grew up with them ourselves or fondly recall them in a grandparent’s home. There is no modern replacement with the integrity of these old blankets, many of them now older than most of us. They are romantic, sensible, special, familiar, nostalgic and nothing else feels so appropriate in so many situations. No offense to the great Aussie doona, but from hippie to hipster, at a music festival, picnic, campsite or couch, a vintage blanket is something coveted by all. This industry that employed tens of thousands and must have been such a huge contributor to the economy is almost completely lost now. Blanket Fever is an ode to everything that came before: the land, the sheep, the shearers, the hands, the mills, the weavers, the designers, the distributors, the department stores. To the grandparents that gave them, the people that received them, the families that kept them; thank you. I’m passionate about my collection of Australian blankets manufactured in mostly Victoria, South Australia and Tasmania from the 1930s to the end of the 1960s. The collection has blankets from each of these four decades representing the styles and fashions of their time and includes dated advertisements which help determine the eras the blankets are from." Double sized blanket, cream with salmon stripesThe Laconia Blanket/Guaranteed Odorless and Free From Filling/Made in Australia/Wool 70% Cotton 30%wool, cotton, blanket, blanket fever, laconia -
National Wool Museum
Textile - Blanket, The Warrnambool Woollen Mill, 1950s
Collector says: Cream and blue panel blankets were the first style of domestic blankets I started collecting and both of these ones were found in Geelong op shops. Pairs of blankets were regularly advertised as ideal wedding gifts and 'The Bride' label is one of my favourite labels of all time. This is the only one I've ever seen but hopefully there are lots more out there being handed down the generations.Note from collector- "For more than 100 years blankets were made all over Australia in over 100 woollen mills. My aim, is to preserve 100 examples of these wonderful pieces of history. Ten years ago I started collecting the iconic Onkaparinga travel rugs, so that on movie nights at home there would be plenty to go around. Everyone had their favourite; even the cat had his own – a small red tartan one. Keeping an eye out for those travel rugs at op-shops and markets, collectable stores and bazaars, led to noticing vintage blankets. I'd never really thought about them before or paid much attention though of course I had grown up with them at my grandmother's. When I discovered my first Laconia cream blanket with blue stripes, my eyes just went gaga. Well that was it, I was hooked and since then over 500 blankets have passed through my hands. These common, everyday items, found in all households for so many decades, were traditional engagement gifts. Pairs were prized wedding presents turning into family heirlooms. They were fashionable dressers of beds, givers of warmth, bestowers of security and reliability. The comfort found in these objects resonates with almost all of us; we grew up with them ourselves or fondly recall them in a grandparent’s home. There is no modern replacement with the integrity of these old blankets, many of them now older than most of us. They are romantic, sensible, special, familiar, nostalgic and nothing else feels so appropriate in so many situations. No offense to the great Aussie doona, but from hippie to hipster, at a music festival, picnic, campsite or couch, a vintage blanket is something coveted by all. This industry that employed tens of thousands and must have been such a huge contributor to the economy is almost completely lost now. Blanket Fever is an ode to everything that came before: the land, the sheep, the shearers, the hands, the mills, the weavers, the designers, the distributors, the department stores. To the grandparents that gave them, the people that received them, the families that kept them; thank you. I’m passionate about my collection of Australian blankets manufactured in mostly Victoria, South Australia and Tasmania from the 1930s to the end of the 1960s. The collection has blankets from each of these four decades representing the styles and fashions of their time and includes dated advertisements which help determine the eras the blankets are from." Double sized cream blanket with blue stripesWarrnambool/The Bride/All Wool ---Deluxe/Made in Australiawool, blanket, blanket fever, warrnambool, bride -
Bendigo Military Museum
Equipment - BLANKET, Unite Woolen Mill, 1941
1939-1945 IssueBlanket- wool, grey with lighter grey stripe.blankets, wool blanket, army equipment -
Bendigo Military Museum
Equipment - BLANKET, Federal Mills Geelong, 1942
1939-1945 Army issue. Blanket- wool, grey with lighter grey stripe.wool blanket, army equipment -
Running Rabbits Military Museum operated by the Upwey Belgrave RSL Sub Branch
Skirt
Skirt black red stripe (part of UC006)uniform, 2010, army -
Running Rabbits Military Museum operated by the Upwey Belgrave RSL Sub Branch
Epaulettes
Epaulettes corporal.. 2 Stripes (1 pair)uniform, 2000, raaf -
Kastellorizian Association of Victoria
Football guernsey, George Verginis' Cassie Football Team Guernsey, Parktone Knitwear
navy and white horizontal stripes; long-sleeved;Number 17 on back -
Running Rabbits Military Museum operated by the Upwey Belgrave RSL Sub Branch
Rank Stripes
Numerous miscelanous rank stripes of various era'suniform, army -
Victorian Harness Racing Heritage Collection at Lord's Raceway Bendigo
Clothing - Race colours, Alice Laidlaw
Alice Laidlaw Victorian Harness Racing Hall of Fame 2019 Alice McCulloch was born in 1894 at Deniliquin, NSW, and grew up on a huge 56,000 acre property at Navarre, “North Woodlands”, where she learnt to ride at a young age. She soon learnt to jump and would jump the farm fences and only went through gates if she was shifting stock. In 1915 Alice travelled to Egypt as a Red Cross volunteer to nurse soldiers injured in the Gallipoli campaign. The young Alice met and married Adam Alexander (Sandy) Laidlaw of Hamilton and lived at “The Hill: in Ararat. Their son Colin, a successful Ararat trainer /driver, was born on 31st March 1923. One of Australia’s most respected and accomplished female riders, Alice excelled at educating, training, riding, driving, hunting and jumping. Alice rode in the Melbourne, Sydney, Brisbane, Adelaide and Tasmania Royal Shows as well as almost every country show in between. She would win the Champion Hack with a horse and then turn around and win the High Jump with the very same horse. Her horse Look Out held the Australian record for a high jump of 7 ft 10 ¼ in at Tenterfield, NSW. She also rode in England. Alice also trained and rode/drove trotters, ridden or in a sulky. She competed and won against the men. In 1929 she won several races with Bazil Bells at country tracks, but authorities refused to grant women licences to drive at the metropolitan track at Richmond so she had to engage men drivers. She won rces against the men at Stawell and Ballarat tracks. Among harness horses that she owned, trained and rode or drove were Mountain Derby, Dane Grey, Wonga Grattan, Plain Grattan, Miss Keewong, and Wong Derby the dam of the Ararat and Mildura Cup winner and later sire, Efficiency. She also trained gallopers, and rode them in races against the men, with a lot of success. Her father owned the 1917 Caulfield Cup winner Lieutenant Bill. Alice Laidlaw died of a heart attack in Ararat in 1947 several weeks after an accident with one of her horses at the Korumburra Show. Her 54 horses were then sold. After she died, the Alice Laidlaw Memorial Trophy for lady riders over 18 at the Royal Melbourne Show was commenced in her honour. This continues.Black and yellow vertical stripes, red sleeves