About the 1992 Barcelona Olympic Games donor Doug Pleasance wrote- During the 1980's the Australian wool industry was at its most prosperous times with record numbers of sheep producing wool receiving ever increasing values due to the success of the Reserve Price Scheme, and the overall guidance of the Australian Wool Corporation (AWC). As a humble technician, my role was a low profile newly created position of Controller, Technical Marketing where wool was to be marketed on its technical properties, as distinct from the Product Marketing Group which exploited the traditional high profile approach of marketing wool;s superior fashion attributes. The Woolmark was the tool central to this approach. The 1992 Barcelona Olympic Games saw an evolutionary change in designer selection. A Declaration of Interest Form was communicated to over forty potential designers. The task and especially tight timelines that were involved deterred many aspirants, however, there remained eight designers with the potential we were seeking. These eight designers were paid $3,000 per submission and the winning designer, Wendy Powitt, was paid $15,000. For the first time the judging panel included two athletes, one male swimmer and one female basketballer, their influence was pivotal. The ensemble consisted of three elements- 1. The Official Uniform which was used for travel and all official functions. This included: a tailored blazer and trouser/skirt (all water repellent) by Fletcher Jones, pure wool olive-green faille fabric by Foster Valley, cotton PE formal shirt by Pelaco, pure wool knitwear by Spangaro, printed wool tie by TD Noone, wool nylon socks by Holeproof and footwear by Hush Puppy. 2. Opening Ceremony Uniform a lightweight wool fabric printed with floral designs that had been inspired by the work of Australian artist Margaret Preston. This included: Lightweight W/PE shorts by Fletcher Jones in Foster Valley Fabric, socks by Holeproof and footwear by Hush Puppy. 3. Village Clothing was designed to be highly visible garments to make it easy to  spot the Aussie and helped to contribute to good team spirit. This included: A pure wool shirt featuring blocks of contrasting colours, and a newly developed stretch 50:50 wool/cotton fabric by Bradmill was made into shorts and jeans by Fletcher Jones.8134.1 - The shirt is coloured with stripes of olive green and cream. There are several panels on the shirt, majority of the panels have the stripes running vertically but two panels over the left breast have the stripes running horizontally. Over the horizontal stripes is the Australian emblem with the Olympic rings and "Barcelona 1992," underneath. On the reverse of the shirt there is only one panel and the stripes all run vertically. Along the shoulders of the reverse of the shirt are four velcro dots from the object being previously displayed. 8134.2 - The shirt is coloured with stripes of olive green and cream. There are several panels on the shirt, majority of the panels have the stripes running vertically but two panels over the left breast have the stripes running horizontally. Over the horizontal stripes is the Australian emblem with the Olympic rings and "Barcelona 1992," underneath. On the reverse of the shirt there is only one panel and the stripes all run vertically.8134.1 - BARCELONA 1992 8134.2 - BARCELONA 19921992 barcelona olympics, sport, athletes, fashion, design, uniform

Items issued to Mavis Keillor, refer Cat No 3402 for her service details.1. Jacket - Polyester/Wool, Navy Blue with Black buttons. 2. Skirt - Polyester/Wool, Navy Blue. 3. Belt - Polyester/Wool, Navy blue with black buckle. 4. Cap - Polyester/wool, Navy blue, embroidered RAAF Insignia.1. Embroidered wings each shoulder. Metal badges each sleeve - wireless. 3 stripes embroidered in light blue cotton. Blue and red, 3 stripes lower left sleeve.wraaf uniform, ww2

Creamy scarf with orange stripeshostess, stewardess, flight attendant, sportscraft, uniform, scarf

US Wool Sergeants Stripesuniform, ww2, us army

Red with Black Oblique Stripepersonal items, ballarat rsl, ballarat

Khaki material Corporal's stripes

Silver Coat of Arms with two Lions and a crown. Ribbon is orange stripe in centre with white, black, blue/grey stripes.On the back "George VI : D : G : BR OMN : REX F ; D : IND : IMP On the front "THE DEFENCE MEDAL / 1939 - 1945" medal, wwii, british medal

Two CTC School blazers dating from 1970 onwards when Collingwood Technical School changed to Collingwood Technical College. Both have epaulettes on each shoulder with two gold stripes. The first also has two Band badges, one on each lapel, indicating it belonged to a School Band member. It is in very good condition. The second blazer has no badges, is made by 'waldron's SCHOOLWEAR' and has 'The Doctor FLANNEL ...' label and is a size 10.Black Pure Wool school blazer, with two gold stripes on epaulettes on each shoulder, and CTC logo on the pocket. A Band badge on each lapel. Dates from 1970 when Collingwood Technical School changed to Collingwood Technical College. Also a second CTC Black School blazer which was in the collection, also with the same epaulettes made by Waldron's Schoolwear, size 10.1st Blazer: CTC logo on pocket. And Manufacturer's labels inside. First reads 'PURE WOOL / Philip Joseph / TAILORED QUALITY'. Second label reads The FAMOUS / Doctor / FLANNEL / AUSTRALIAN WOOL BUREAU / GOLD MEDAL WINNER / ALL PURE WOOL / MOTHPROOFED' Second Blazer has label 'waldron's / SCHOOLWEAR' and 'The Doctor ...' label as the one above. This is a size 10.collingwood technical college, school blazer, uniforms, nmit.

WW1 The Great War 1914-1918 Pte. A. E. Hollis Chiltern Resident Victory Medal WW1 serviceWW1 The Great War - issued for service overseas : Victory Medal 1914-1918. Pte. A. E. Hollis Chiltern Resident. Design The medal is bronze with a winged figure of Victory on the obverse. The reverse has the words ‘THE GREAT WAR FOR CIVILISATION’, all surrounded by a laurel wreath. Ribbon The ribbon has a ‘two rainbow’ design, with the violet from each rainbow on the outside edges moving through to a central red stripe where both rainbows meet. The medal is bronze with a winged figure of Victory on the obverse. The reverse has the words ‘THE GREAT WAR FOR CIVILISATION’, all surrounded by a laurel wreath. Ribbon The ribbon has a ‘two rainbow’ design, with the violet from each rainbow on the outside edges moving through to a central red stripe where both rainbows meet. ww1 1914-1918, victory medal ww1, pte. a. e. hollis, chiltern resident.

Ceramic Jug (Previously #145 from Mechanics Institute Eaglehawk ) Orange Handle and stripes. 3 green stripes 1 red stripe. Approx 35cm x 20 cm. label tied to handle, unable to read.cottage, miners

Sample letterhead of the Thomastown Golf Club. As used by Club Secretary Robert (Bob) Jones.Thomastown Golf Club was a social club formed in 1976. This is part of the Robert (Bob) Jones collection of Club memorabilia.5 sheets with yellow stripe and logo.thomastown golf club, bob jones, letterhead

Part of school uniformThis beret is part of a small collection of Watsonia High School memorabilia.Maroon beret with blue stripe on side.watsonia high school, school uniform, beret, varden

United States flag with stars/stripes.CF flag 4/6 (nylon)united states flag

Tea towel - white with green stripesAll linen Hordura Tea towel Linen.manchester, work cloths

None knownKhaki jumper with Sergent stripes on arm.

Seven sets of Army corporal stripes

Scarf as used by Viet Cong soldiers.The item's significance lies in it being part of the field equipment of the Viet Cong soldier.Viet Cong (VC) scarf made of lightweight cotton with horizontal/vertical pattern of black, grey and white stripes with an occasional red stripe.None.vietnam, vietnam war, diamond valley vietnam veterans sub branch

CEMA Art Collection. Part of "A Community View" 150 years in Portland Screenprint Exhibition. Part of Angela Gee Residency 1983 and 1984.Laminated screenprint of six sail shapes. Printed on a blue background the sails all have horizontal stripes. The patterns on the sails alternate from sails with yellow, white and aqua stripes to sails with red, white and blue stripes. The sails are various sizes.Front: 21/60 (lower left) "Sails" (centre) CJ Snook 84 (lower left) (pencil) Back: 38

Pyjamas Army issue 1968. Made in Tasmania. Issued to Maurice Charles Betts at Recruit Training, Puckapunyal Vic. Refer Cat No 1198.2 for his service history. .1) Pyjama top, blue & white vertical stripes. Size M. .2) Pyjama pants, blue & white vertical stripes. Size M..1) Printed on label: “3795164, M BETTS”uniforms - army, costume - male nightwear, pyjamas

The cloth insignia patch is one of a collection of military badges that date to the World War II period. This ribbon has not yet been identified. The badges are now part of Flagstaff Hill’s comprehensive W.R. Angus Collection, donated by the family of Dr W R Angus (1901-1970), surgeon and oculist. Dr W R Angus was a Surgeon Captain for the Australian Defence Forces, Army Medical Corps, stationed in Ballarat, Victoria, and in Bonegilla, N.S.W. He completed his service just before the end of the war due to suffering from a heart attack. The W.R. Angus Collection: - The W.R. Angus Collection includes historical medical equipment, surgical instruments and material belonging to Dr Edward Ryan and Dr Thomas Francis Ryan, (both of Nhill, Victoria) and Dr Angus’ own belongings. The Collection’s history spans the medical practices of the two Doctors Ryan, from 1885-1926 plus that of Dr Angus, up until 1969. It includes historical medical and surgical equipment and instruments from the doctors Edward and Thomas Ryan of Nhill, Victoria. Dr Angus married Gladys in 1927 at Ballarat, the nearest big city to Nhill where he began as a Medical Assistant. He was also Acting House surgeon at the Nhill hospital where their two daughters were born. During World War II He served as a Military Doctor in the Australian Defence Forces. Dr Angus and his family moved to Warrnambool in 1939, where Dr Angus operated his own medical practice. He later added the part-time Port Medical Officer responsibility and was the last person appointed to that position. Both Dr Angus and his wife were very involved in the local community, including the planning stages of the new Flagstaff Hill and the layout of the gardens there. Dr Angus passed away in March 1970.This insignia ribbon is connected to the collection of military badges in the W.R. Angus Collection. Dr W R Angus (1901-1970), surgeon and oculist, collected a range of military objects including those he personally used during his time as Surgeon Captain in the Australian Defence Forces in World War II. The item allows insight into military life in the early-to-mid 20th century. The W.R. Angus Collection is significant for still being located at the site it is connected with, Doctor Angus being the last Port Medical Officer in Warrnambool. The Collection includes historical medical objects that date back to the late 1800s.Badge, woven ribbon insignia patch. Rectangular patch has wide vertical stripes, one is a blue stripe and the other is a red or crimson stripe. The cloth patches belonged to Dr W R Angus and are now part of the W. R. Angus Collection.flagstaff hill, warrnambool, maritime village, maritime museum, shipwreck coast, great ocean road, flagstaff hill maritime museum and village, dr w r angus, w.r. angus collection, australian army, surgeon captain, ballarat, bonegilla, badge, insignia, badge collection, world war 2, second world war, australian defence forces, army medical corps, military uniform, cloth patch, insignia patch, australian army medical corp (militia), ww 2, ww ii, 1925-1940, military badge, non-divisional unit, aamc, 1940-1942, 8th field ambulance, peacetime training, insignia history, insignia ribbon, ribbon patch

1939-1945 IssueBlanket- wool, grey with lighter grey stripe.blankets, wool blanket, army equipment

1939-1945 Army issue. Blanket- wool, grey with lighter grey stripe.wool blanket, army equipment

Epaulettes corporal.. 2 Stripes (1 pair)uniform, 2000, raaf

Numerous miscelanous rank stripes of various era'suniform, army

navy and white horizontal stripes; long-sleeved;Number 17 on back

Collector says: It was always satisfying to reunite matching blankets. One of these was acquired from a garage sale in Castlemaine and the other from The Mill Market in Daylesford.Note from collector- "For more than 100 years blankets were made all over Australia in over 100 woollen mills. My aim, is to preserve 100 examples of these wonderful pieces of history. Ten years ago I started collecting the iconic Onkaparinga travel rugs, so that on movie nights at home there would be plenty to go around. Everyone had their favourite; even the cat had his own – a small red tartan one. Keeping an eye out for those travel rugs at op-shops and markets, collectable stores and bazaars, led to noticing vintage blankets. I'd never really thought about them before or paid much attention though of course I had grown up with them at my grandmother's. When I discovered my first Laconia cream blanket with blue stripes, my eyes just went gaga. Well that was it, I was hooked and since then over 500 blankets have passed through my hands. These common, everyday items, found in all households for so many decades, were traditional engagement gifts. Pairs were prized wedding presents turning into family heirlooms. They were fashionable dressers of beds, givers of warmth, bestowers of security and reliability. The comfort found in these objects resonates with almost all of us; we grew up with them ourselves or fondly recall them in a grandparent’s home. There is no modern replacement with the integrity of these old blankets, many of them now older than most of us. They are romantic, sensible, special, familiar, nostalgic and nothing else feels so appropriate in so many situations. No offense to the great Aussie doona, but from hippie to hipster, at a music festival, picnic, campsite or couch, a vintage blanket is something coveted by all. This industry that employed tens of thousands and must have been such a huge contributor to the economy is almost completely lost now. Blanket Fever is an ode to everything that came before: the land, the sheep, the shearers, the hands, the mills, the weavers, the designers, the distributors, the department stores. To the grandparents that gave them, the people that received them, the families that kept them; thank you. I’m passionate about my collection of Australian blankets manufactured in mostly Victoria, South Australia and Tasmania from the 1930s to the end of the 1960s. The collection has blankets from each of these four decades representing the styles and fashions of their time and includes dated advertisements which help determine the eras the blankets are from." Double sized blanket, cream with salmon stripesThe Laconia Blanket/Guaranteed Odorless and Free From Filling/Made in Australia/Wool 70% Cotton 30%wool, blanket, blanket fever, laconia, cotton

Collector says: It was always satisfying to reunite matching blankets. One of these was acquired from a garage sale in Castlemaine and the other from The Mill Market in Daylesford.Note from collector- "For more than 100 years blankets were made all over Australia in over 100 woollen mills. My aim, is to preserve 100 examples of these wonderful pieces of history. Ten years ago I started collecting the iconic Onkaparinga travel rugs, so that on movie nights at home there would be plenty to go around. Everyone had their favourite; even the cat had his own – a small red tartan one. Keeping an eye out for those travel rugs at op-shops and markets, collectable stores and bazaars, led to noticing vintage blankets. I'd never really thought about them before or paid much attention though of course I had grown up with them at my grandmother's. When I discovered my first Laconia cream blanket with blue stripes, my eyes just went gaga. Well that was it, I was hooked and since then over 500 blankets have passed through my hands. These common, everyday items, found in all households for so many decades, were traditional engagement gifts. Pairs were prized wedding presents turning into family heirlooms. They were fashionable dressers of beds, givers of warmth, bestowers of security and reliability. The comfort found in these objects resonates with almost all of us; we grew up with them ourselves or fondly recall them in a grandparent’s home. There is no modern replacement with the integrity of these old blankets, many of them now older than most of us. They are romantic, sensible, special, familiar, nostalgic and nothing else feels so appropriate in so many situations. No offense to the great Aussie doona, but from hippie to hipster, at a music festival, picnic, campsite or couch, a vintage blanket is something coveted by all. This industry that employed tens of thousands and must have been such a huge contributor to the economy is almost completely lost now. Blanket Fever is an ode to everything that came before: the land, the sheep, the shearers, the hands, the mills, the weavers, the designers, the distributors, the department stores. To the grandparents that gave them, the people that received them, the families that kept them; thank you. I’m passionate about my collection of Australian blankets manufactured in mostly Victoria, South Australia and Tasmania from the 1930s to the end of the 1960s. The collection has blankets from each of these four decades representing the styles and fashions of their time and includes dated advertisements which help determine the eras the blankets are from." Double sized blanket, cream with salmon stripesThe Laconia Blanket/Guaranteed Odorless and Free From Filling/Made in Australia/Wool 70% Cotton 30%wool, cotton, blanket, blanket fever, laconia

Collector says: Cream and blue panel blankets were the first style of domestic blankets I started collecting and both of these ones were found in Geelong op shops. Pairs of blankets were regularly advertised as ideal wedding gifts and 'The Bride' label is one of my favourite labels of all time. This is the only one I've ever seen but hopefully there are lots more out there being handed down the generations.Note from collector- "For more than 100 years blankets were made all over Australia in over 100 woollen mills. My aim, is to preserve 100 examples of these wonderful pieces of history. Ten years ago I started collecting the iconic Onkaparinga travel rugs, so that on movie nights at home there would be plenty to go around. Everyone had their favourite; even the cat had his own – a small red tartan one. Keeping an eye out for those travel rugs at op-shops and markets, collectable stores and bazaars, led to noticing vintage blankets. I'd never really thought about them before or paid much attention though of course I had grown up with them at my grandmother's. When I discovered my first Laconia cream blanket with blue stripes, my eyes just went gaga. Well that was it, I was hooked and since then over 500 blankets have passed through my hands. These common, everyday items, found in all households for so many decades, were traditional engagement gifts. Pairs were prized wedding presents turning into family heirlooms. They were fashionable dressers of beds, givers of warmth, bestowers of security and reliability. The comfort found in these objects resonates with almost all of us; we grew up with them ourselves or fondly recall them in a grandparent’s home. There is no modern replacement with the integrity of these old blankets, many of them now older than most of us. They are romantic, sensible, special, familiar, nostalgic and nothing else feels so appropriate in so many situations. No offense to the great Aussie doona, but from hippie to hipster, at a music festival, picnic, campsite or couch, a vintage blanket is something coveted by all. This industry that employed tens of thousands and must have been such a huge contributor to the economy is almost completely lost now. Blanket Fever is an ode to everything that came before: the land, the sheep, the shearers, the hands, the mills, the weavers, the designers, the distributors, the department stores. To the grandparents that gave them, the people that received them, the families that kept them; thank you. I’m passionate about my collection of Australian blankets manufactured in mostly Victoria, South Australia and Tasmania from the 1930s to the end of the 1960s. The collection has blankets from each of these four decades representing the styles and fashions of their time and includes dated advertisements which help determine the eras the blankets are from." Double sized cream blanket with blue stripesWarrnambool/The Bride/All Wool ---Deluxe/Made in Australiawool, blanket, blanket fever, warrnambool, bride