Purchased, 1984gippsland, artwork, permanent collection

Donated by Mrs Pam Weaver OAM & Dr Hugh Weaver through the Australian Government Cultural Gifts Program, 2019Tenmoku-glazed ceramicgippsland, artwork, permanent collection

The contemporary art work by Paul Compton of a handmade book, teapot and two works on paper is inspired by Bundoora Homestead. Paul Compton is a local artist who grew up in Reservoir and still lives locally. His work reflects his affection for and knowledge of Bundoora Homestead. In the recent exhibition High Tea at Bundoora Homestead Art Centre this work was the favourite of visitors. The handmade book has a pop up image of the Homestead and visitors are encouraged to handle the book. It is an absorbing interactive art work with deep roots in the local community.

Teapot belonging to a set produced for use at the Moorabbin Arts Centre (now Kingston Arts).White ceramic teapot with lid and Moorabbin Arts Centre logo on front.Marked on base: Royal Porcelain / Kingdom of Thailand / Oven to Table / Dishwasher - safe / Microwave - safeephemera, crockery, tableware, moorabbin arts centre

Teapot used to make butter tea which is the national beverage. It is ideal in the extreme climatic and geographical conditions of the Tibetan plateau due to its high butter content. Although butter tea is the most popular tea, black tea is also popular. Ornamental Teapot Inlaid with lapis, coral and turquoise everyday life, silver, gemstones

Small china teapot white & pink with gilding and floral decoration.domestic equipment, table setting, teapot

Bruce ANDERSON (20 August 1950- Born Surry Hills, Melbourne, Victoria In 1971 Bruce Anderson obtained a Diploma of Art (Sculpture) from the Prahran Institute of Technology. For the next two years, he worked at Raynham Ceramics in East Bentleigh, making slipcast ware. After a year of National Service, he completed a teacher education course at the State College of Victoria, Auburn and taught for a time in the secondary school system. In 1977, he moved to Queensland to take up a position as Head of the Ceramics Department at Townsville TAFE. In 1984, he relocated to the Darling Downs Institute in Toowoomba and was still teaching there in his entry in the 1986-7 directory, working in raku and blackware fired with gas in a ceramic fibre kiln. During 1986, he moved to Adelaide to take up a position as senior lecturer in ceramics at the South Australian School of Design. During the late 1980s and 1990s, he began to make sculptural works of architactural form cast from a mixture of terracotta clay and refractory concrete. Part-glazed, the works allude to primitive industry and utilitarianism. In 1984 Bruce Anderson was a guest at Spotkanie held at the Gippsland Institute of Advanced Education.Raku teapot with tall handle. bruce anderson, ceramics, jan feder memorial ceramics collection, gippsland campus, teapot, raynham ceramics

Teaspoons of Loose Leaf Tea are placed in the china or earrthenware teapot then boiling water is added with the lid replaced an infusion occurs. Holding the handle the hot drink is poured from the spout through a strainer into a cup, mug or pannekin and milk, sugar or lemon may be added This drink was very popular with early settlers in Moorabbin Shire. The Temperance Society built a Tea Palace in Mentone - now Kilbreda College. The tea leaf was imported from Sri Lanka (Ceylon) and stored in tall silos in Melbourne where it was packaged and delivered to grocery stores.The early settlers in Moorabbin Shire enjoyed a well brewed pot of tea several times during the day.An opaque white china teapottea leaf, teapot, china crockery, earthenware, tea palaces, mentone, bentleigh, moorabbin shire, cheltenham, ceylon, temperance society, billy tea,

An old teapot covered 'mosaic like' with pieces of broken china. A memento of familiar objects 'lost', a popular idea during the 1930's. From the home of an Aunt of Miss Margaret Mitchell. Round large teapot with coloured ceramic pieces attached all over the pot, rough texture, with a smooth base.teapots, mosaics

White china teapot with lid and rubber drip free spout end, decorated with blue banding and flowers of red, yellow and blue.Made in Japandomestic equipment, food consumption, teapot

Estimated date when used 1950'sTeapot holder for travelling made with yellow, flower patterned, vinyl material covering and thickly padded red striped felt lining has cavity to fit teapot or hot water container. Gold metal trim around opening with loops on metal handle to rest two gold balls on other side when holder is closed - similar to a large purse. Red vinyl base has four gold metal balls on corners.teapot, carrier

This tea pot was used in the original Kiosk at Healesville Sanctuary during the 1940'sParamount medium-sized 2 pint silver teapot; functional classic design is similar to ones used in hotel dining rooms during the 1940's - quite plain with no markings or embellishment. Long spout, handle with swirl on upper side and marble-sized knob on lid. Larger in diameter at bottom than at the top. Stamped on base - "PARAMOUNT / PLATE / BEST QUALITY / EP NS AI /WARRANTED / HARD SOLDERED / K G LUKE MELB / 2 PT" teapot, k-g-luke,

Silver Teapot with inscription.matron, brown, teapot, bbh, 1933

PRESENTATION DECORATIVE SILVER TEAPOT PRESENTED TO J. WHITMORE AS A TOKEN OF ESTEEM. BY CLUNES FOOTBALL CLUB 1922local history, clunes football club

Mr.and Mrs Don Jessup and Mr.and Mrs.Ted Jessup presented the teaset to the then President of the Bright and District Historical Society, Mrs. Gwyneth Millar. The trophy was won by their uncle, Charles Jessup, in 1909 for cycling at the Bright Easter Sports Meeting.00053.1 Silver tray with ornate handles and holly decoration. 00053.2 Teapot. Spherical shape with attached lid. 00053.3 Two handled sugar bowl. 00053.4 Milk jug 00053.1 Presented by the, Tewksberry \ Amal. Gold Dredging Co. \ to the \ Bright \ Easter Sports Club \ Won by \ G. Jessup \ Easter 1909 00053.2 Lily E.P.N.S. A1 00053.3 Imperial A1 E.P.N.S. Hand soldered. 14 00053.4 26 A1 Imperial E.P.N.S. Hand soldered silver, teaset, jug, teapot, sugar bowl, tray, tewksberry gold dredging, jessup, sports, easter, cycling

HISTORY OF THE LOCH ARD The LOCH ARD belonged to the famous Loch Line which sailed many ships from England to Australia. Built in Glasgow by Barclay, Curdle and Co. in 1873, the LOCH ARD was a three-masted square rigged iron sailing ship. The ship measured 262ft 7" (79.87m) in length, 38ft (11.58m) in width, 23ft (7m) in depth and had a gross tonnage of 1693 tons. The LOCH ARD's main mast measured a massive 150ft (45.7m) in height. LOCH ARD made three trips to Australia and one trip to Calcutta before its final voyage. LOCH ARD left England on March 2, 1878, under the command of Captain Gibbs, a newly married, 29 year old. She was bound for Melbourne with a crew of 37, plus 17 passengers and a load of cargo. The general cargo reflected the affluence of Melbourne at the time. On board were straw hats, umbrella, perfumes, clay pipes, pianos, clocks, confectionary, linen and candles, as well as a heavier load of railway irons, cement, lead and copper. There were items included that intended for display in the Melbourne International Exhibition in 1880. The voyage to Port Phillip was long but uneventful. At 3am on June 1, 1878, Captain Gibbs was expecting to see land and the passengers were becoming excited as they prepared to view their new homeland in the early morning. But LOCH ARD was running into a fog which greatly reduced visibility. Captain Gibbs was becoming anxious as there was no sign of land or the Cape Otway lighthouse. At 4am the fog lifted. A man aloft announced that he could see breakers. The sheer cliffs of Victoria's west coast came into view, and Captain Gibbs realised that the ship was much closer to them than expected. He ordered as much sail to be set as time would permit and then attempted to steer the vessel out to sea. On coming head on into the wind, the ship lost momentum, the sails fell limp and LOCH ARD's bow swung back. Gibbs then ordered the anchors to be released in an attempt to hold its position. The anchors sank some 50 fathoms - but did not hold. By this time LOCH ARD was among the breakers and the tall cliffs of Mutton Bird Island rose behind the ship. Just half a mile from the coast, the ship's bow was suddenly pulled around by the anchor. The captain tried to tack out to sea, but the ship struck a reef at the base of Mutton Bird Island, near Port Campbell. Waves broke over the ship and the top deck was loosened from the hull. The masts and rigging came crashing down knocking passengers and crew overboard. When a lifeboat was finally launched, it crashed into the side of LOCH ARD and capsized. Tom Pearce, who had launched the boat, managed to cling to its overturned hull and shelter beneath it. He drifted out to sea and then on the flood tide came into what is now known as LOCH ARD Gorge. He swam to shore, bruised and dazed, and found a cave in which to shelter. Some of the crew stayed below deck to shelter from the falling rigging but drowned when the ship slipped off the reef into deeper water. Eva Carmichael had raced onto deck to find out what was happening only to be confronted by towering cliffs looming above the stricken ship. In all the chaos, Captain Gibbs grabbed Eva and said, "If you are saved Eva, let my dear wife know that I died like a sailor". That was the last Eva Carmichael saw of the captain. She was swept off the ship by a huge wave. Eva saw Tom Pearce on a small rocky beach and yelled to attract his attention. He dived in and swam to the exhausted woman and dragged her to shore. He took her to the cave and broke open case of brandy which had washed up on the beach. He opened a bottle to revive the unconscious woman. A few hours later Tom scaled a cliff in search of help. He followed hoof prints and came by chance upon two men from nearby Glenample Station three and a half miles away. In a state of exhaustion, he told the men of the tragedy. Tom returned to the gorge while the two men rode back to the station to get help. By the time they reached LOCH ARD Gorge, it was cold and dark. The two shipwreck survivors were taken to Glenample Station to recover. Eva stayed at the station for six weeks before returning to Ireland, this time by steamship. In Melbourne, Tom Pearce received a hero's welcome. He was presented with the first gold medal of the Royal Humane Society of Victoria and a £1000 cheque from the Victorian Government. Concerts were performed to honour the young man's bravery and to raise money for those who lost family in the LOCH ARD disaster. Of the 54 crew members and passengers on board, only two survived: the apprentice, Tom Pearce and the young woman passenger, Eva Carmichael, who lost all of her family in the tragedy. Ten days after the LOCH ARD tragedy, salvage rights to the wreck were sold at auction for £2,120. Cargo valued at £3,000 was salvaged and placed on the beach, but most washed back into the sea when another storm developed. The wreck of LOCH ARD still lies at the base of Mutton Bird Island. Much of the cargo has now been salvaged and some was washed up into what is now known as LOCH ARD Gorge. Cargo and artefacts have also been illegally salvaged over many years before protective legislation was introduced. One of the most unlikely pieces of cargo to have survived the shipwreck was a Minton porcelain peacock - one of only nine in the world. The peacock was destined for the Melbourne International Exhibition in 1880. It had been well packed, which gave it adequate protection during the violent storm. Today, the Minton peacock can be seen at the Flagstaff Hill Maritime Museum in Warrnambool. From Australia's most dramatic shipwreck it has now become Australia's most valuable shipwreck artefact and is one of very few 'objects' on the Victorian State Heritage Register. Flagstaff Hill’s collection of artefacts from LOCH ARD is significant for being one of the largest collections of artefacts from this shipwreck in Victoria. It is significant for its association with the shipwreck, which is on the Victorian Heritage Register (VHR S417). The collection is significant because of the relationship between the objects, as together they have a high potential to interpret the story of the LOCH ARD. The LOCH ARD collection is archaeologically significant as the remains of a large international passenger and cargo ship. The LOCH ARD collection is historically significant for representing aspects of Victoria’s shipping history and its potential to interpret sub-theme 1.5 of Victoria’s Framework of Historical Themes (living with natural processes). The collection is also historically significant for its association with the LOCH ARD, which was one of the worst and best known shipwrecks in Victoria’s history. Ceramic teapot spout from the wreck of the Loch Ard. Brown in colour. Length 5¼". Artefact Reg No LA/79.flagstaff hill, warrnambool, shipwrecked coast, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, loch line, loch ard, captain gibbs, eva carmichael, tom pearce, glenample station, mutton bird island, loch ard gorge, ceramic teapot, teapot

A large teapot from Bendigo's pottery.Bendigo Pottery Australia logo next to the handle.business, retail, material, bendigo pottery's website.

not recordedLarge brown,white and pink teapotlocal history, domestic items, crockery

White china teapot with School crest on side, gold around rim of teapot and a plain round handle. The lid is plain with a mushroom pointed top."Sint Lucernae Ardentes" and "Morongo Presbyterian Girls Gollge Geelong"

Ornate embossed lidded silver teapot on three footed stand with a spirit burner on base. Silver pins on chains on both sides of base top for securing teapot.No 4, Badger and shoe symbols, large comma, symbol,l A1, 6305teapots, stands

This item is an example of a hand crafted item showing the needlework skills of women in the early 20th century.Square brown and white beaded teapot stand. Handmade.

Brown earthenware teapot with lid, lighter streaking in glaze.ALB Patented England Made in Englanddomestic equipment, food preparation, kitchen

Engraved silver teapot with inscription with ivory knob on lid."Presented to Mrs Williams by the congregation of St Alban's as a token of esteem rendered as organist. Oct 28th 1889"

Ursula NOWICKIA woodfired stoneware Teapot, sugar bowl and milk jug.UN on baseursula nowicki, ceramics, jan feder memorial ceramics collection, jan feder, gippsland campus, woodfire 86