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Eltham District Historical Society Inc
Newsletter, Eltham Echo; Your Local Council's News, Shire of Eltham, No. 35, September 1994, 1994
Feature articles include: . Municipal Restructure Update . Invasive Plants in Eltham . Capital Works program 1994/95 . A Healthy Choice of Books at Eltham Library . Eltham Community Festival '94 "Echoes of Eltham" . What's New in Building? . Leisure Centre Works Proceeding... . Edendale Community Farm . Disabled But Not Damaged: A Family Story8 page newsletter; 2 x A3 pages copy folded and stapled1994, council amalgamation, edendale community farm, eltham echo, eltham festival, eltham library, international year of the family, leisure centre, municipal restructuring, shire of eltham building services, short story competition -
Federation University Historical Collection
Magazine - Booklet, Ballarat School of Mines Students' Magazine, 1916, 1916
School Council, Members of Staff, Editorial, Fumes from the Lab, Ancient Craft Classes and the Apprenticeship Question, Magazine Editorial Staff, The Trip to Bradshaw's Creek, Arts & Crafts Gossip, In Memoriam - E. J. Cannon, Echoes of the Past, The Haunted Tram Car, Old Boys', Sport, Shun!! Military Notes, The Junior TechsBlue soft covered magazine of 62 pages. Former students mentioned are John Walter Sutherland, Basil Sawyer, Charles Burbury, Herbert Sleeman, Eustace M. Watson. Oliver E. Jaeger, Oliver e. Jager, Godfrey Stephen Hart, Lionel J. Lambert, Charles G. Fraser, L.W.G. Buchner-Malcolm, James A. Reid, Richard G. Walker, Leslie J. Coulter, Herbert E. Hawkesworth, Leslie de Jersey Grut, Frederick G. Brisnden, Reginald Callister, Lewis J. Westcott, Angus D. Gibson, Henry Whittingham, Virgil Tucker, Norman C. Tinworth, Charles E. Finnis, Benjamin H. Bennett, Valentine G. Anderson, Ernest S. Anderson, Ralph I. Moore, John A. Grant, William Geldard, Francis C. Hall, Harold G. Cornell, Robert H. Lamb, Sydney Radcliff, George A. Denny. Frederick P. Paul, H. Lipson Hancock, Edgar C. Hurdsfield, David W. Bonar. Wilfred L. Allen, William J. Lakeland, Frederick A. Marriott, Eric Byron Moore, NOrman Stuckey, PErcy H. Osborne, John F. Spornballarat school of mines, magazine, f. maxwell, n. turnbull, g. procter, e. seimering, l. tonkin, w. carrol, h. smith, r. cox, j. a. greenshields, jnr, r. o. buchanan, l. vernon, a. bowman, w. h. steane, n. henry, r. dale, e. j. cannon, ted cannon, lance-corporal e. j. cannon, charles w. whyte, patrick s. anderson, william t. sayer, william f. m. johnson, robert m. sergeant, harold t. w. dixon, harrie wilson, ernest s. morsehead, carl jensen, corpl. r. sergeant, sergt. h. dixon, q.m.s. t. wilkins, captain james fairbairn fairley, sergt. e. morshead, sergt. hy. wilson, lieut. l. c. blick, f. g. procter, f. g. davies, gladstone procter, bradshaw's creek, edwin cannon, art library -
Federation University Historical Collection
Booklet, Ballarat School of Mines Students' Magazine, 1916, 1916
School Council, Members of Staff, Editorial, Fumes from the Lab, Ancient Craft Classes and the Apprenticeship Question, Magazine Editorial Staff, The Trip to Bradshaw's Creek, Arts & Crafts Gossip, In Memoriam - E. J. Cannon, Echoes of the Past, The Haunted Tram Car, Old Boys', Sport, Shun!! Military Notes, The Junior TechsBlue soft covered magazine of 62 pages.ballarat school of mines, magazine, f. maxwell, n. turnbull, g. procter, e. seimering, l. tonkin, w. carrol, h. smith, r. cox, j. a. greenshields, jnr, r. o. buchanan, l. vernon, a. bowman, w. h. steane, n. henry, r. dale, e. j. cannon, ted cannon, lance-corporal e. j. cannon, charles w. whyte, patrick s. anderson, william t. sayer, william f. m. johnson, robert m. sergeant, harold t. w. dixon, harrie wilson, ernest s. morsehead, carl jensen, corpl. r. sergeant, sergt. h. dixon, q.m.s. t. wilkins, captain james fairbairn fairley, sergt. e. morshead, sergt. hy. wilson, lieut. l. c. blick, f. g. procter, f. g. davies, glad procter -
Federation University Historical Collection
Booklet, Ballarat School of Mines Students' Magazine, 1930, 1930
Ballarat School of Mines Students' Magazine, 1930, Editorial, Obituary - Daniel Walker & Lieut.-Colonel Robert Law, Personal, Social and Educational, Fumes from the Lab, Sir Humphry Davy, News from China, Arts & Crafts Gossip, Sport, Echoes of the Past, Commercial Notes, The Junior Techs, The "Chem." Trip 1930 Maroon soft cover with gold inscriptions and border on front cover, 56 pages including advertisements.ballarat school of mines students' magazine 1930, staff, sports, s. hillman, a. mclachlan, j. young, r. montgomery, a. williams, a. raworth, a. bosher, j. maude, dr. j. r. pound, b. pemberthy, w. watson, daniel walker, lieut.-colonet rober law, r. s. russell, sir humphry davy, a. j. bell, henry kum yuen, t. h. trengrove, r. downey, a. sussex, j. alexander, l. prendergast, j. walters, j. downey, a. hall-jones, a. fletcher, e. loveland, r. elsworth, a. richards, j. allen, k. mclachlan, f. penny, w. useback, r. andre, h. jones, l. frees, c. annand, j. colbourne, h. caddy, v. leigh, m. grace, k. windsor, o. lyons, i. jackman, m. norris, o. dulfer, k. useback, n. saunders, b. saunders, f. saunders, g. wilcock, miss milvena, m. fogarty, e. george, j. rowling, g. dunstan, e. j. t. tippett, e. h. schache, g. e. baragwanath, richard young, c. c. fisher, frances m. holmes -
Federation University Historical Collection
Magazine - Booklet, Baxter & Stubbs, Printers and Bookbinders, Ballarat School of Mines Students' Magazine, 1919, 1919
Editorial Staff, Boys' Association Committee, Girls' Association Committee, Sports Committee, Editorial, Items of interest, Fumes from the Lab, Answers to correspondents, Arts & Crafts gossip, Echoes of the Past, Broken Hill, Sport, Shun Military Notes - S.M.B. Roll of Honour, The Junior Techs, Trade notes. In memoriam, Arthur A. Gribble,Gray soft covered magazine.Signed by Harold Jolly, 1919.ballarat school of mines, magazine, r. d. campbell, a. bowman, a. leask., arthur a. gribble, c. nicholls, t. k. jebb, r. cutter, c. a. schache, r. d. campbell, miss mclean, a. e. williams, miss hauser, d. hull, r. d. campbell, a. bowman, g. r. mclean, r. s. dale, n. hay, d. g. mcgrath, f. m. larkin, r. fleming, w. p. o'halloran, d. miller, w. shattock, h. g. wakeling, c. nicholls, a. leask, lal lal deposits, cadets -
Federation University Historical Collection
Booklet, Ballarat School of Mines Students' Magazine, 1916, 1916
School Council, Members of Staff, Editorial, Fumes from the Lab, Ancient Craft Classes and the Apprenticeship Question, Magazine Editorial Staff, The Trip to Bradshaw's Creek, Arts & Crafts Gossip, In Memoriam - E. J. Cannon, Echoes of the Past, The Haunted Tram Car, Old Boys', Sport, Shun!! Military Notes, The Junior TechsBlue soft covered magazine of 62 pages.ballarat school of mines, magazine, f. maxwell, n. turnbull, g. procter, e. seimering, l. tonkin, w. carrol, h. smith, r. cox, j. a. greenshields, jnr, r. o. buchanan, l. vernon, a. bowman, w. h. steane, n. henry, r. dale, e. j. cannon, ted cannon, lance-corporal e. j. cannon, charles w. whyte, patrick s. anderson, william t. sayer, william f. m. johnson, robert m. sergeant, harold t. w. dixon, harrie wilson, ernest s. morsehead, carl jensen, corpl. r. sergeant, sergt. h. dixon, q.m.s. t. wilkins, captain james fairbairn fairley, sergt. e. morshead, sergt. hy. wilson, lieut. l. c. blick, f. g. procter, f. g. davies -
Federation University Historical Collection
Booklet - Magazine, Ballarat School of Mines Students' Magazine, 1916, 1916
Editorial, Fumes from the Lab, First Principles, Excursion to Melbourne, General Principles of the Cinematograph, Arts & Crafts gossip, In Memoriam, Public notices, Answers to correspondents, Echoes of the past, Science School, Technical Art School, Shun Military notes, The Camp Concert, The Junior Techs, Past members of the staff, Swinburne Technical School visit. Blue soft covered magazine of 62 pages.ballarat school of mines, magazine, charles w. whyte, patrick s. anderson, william t. sayer, william f. m. johnson, robert m. sergeant, harold t. w. dixon, harrie wilson, ernest s. morsehead, carl jensen, t. wilkins, james fairbairn fairley, l. c. blick, f. maxwell, n. turnball, j. a. greenshields, e. eimering, l. tonkin, h. smith, r.cox, r. o. buchanan, l. vernon, w. h. steane, n. henry, r. dale, ted cannon, john walter sutherland, basil sawyer, charles burbury, herbert r. sleeman, eustace m. weston, oliver e. jaeger, godfrey s. hart, lionel j. lambert, charles g. fraser, l.w.g. buchner-malcolm, james a. reid, richard g. walker, leslie j. coulter, herbert e. hawkesworth, leslie de jersey grut, frederick g. brinsden, lewis j. westcott, angus d. gibson, henry j. whittingham, virgil tucker, norman c. tinworth, charles e. finnis, benjamin h. bennett, valentine g. anderson, ernest s. anderson, ralph i. moore, john a. grant, william gerldard, francis c. hall, harold g. cornell, robert b. lamb, sydney radcliff, george a. denny, frederick p. paul, j. lipson hancock, edgar c. hursfield, david w. bonar, wilfred l. allen, william j. lakeland, frederick a. marriott, eric byron moore, karl byron moore, norman stuckey, percy r. osborne, john f. sporn, horace l. giles, maurice troup, albert e. davies, thos. h. trengrove, garnet nightingale, walter h. bennett, cyril theimeyer, stanley tomkins, harold herbert, viola jackson, hilda wardle, elsie naples, jessie pridgeon, gertrude owen, alfred berryman, herbert malin, cedric white, arthur lilburne, donald j. johnson, arthur kennedy, eulalie perry, rex l. cutter, ronald ferguson, murdoch spencer, john b. sutcliffe, elliott gower, james leckie, richard craze, thos. r. pridgeon, d. hambly, harold n. ferguson, mabel morris, jack blaikie, robert allen, aubrey simmons, janet white, harold brown, kenneth moss, robert tremain, j. m. hobba, f. g. davis, e.j. cannon, reginald callister, r.c. callister, f.g. procter, gladstone procter -
National Wool Museum
Quilt, The Art of Record Keeping, 2015
Winner of 2015 Expressions: the Wool Quilt PRize. Created by Lisa Davis. Artist statement: "The Art of Record Keeping" pays homage to the work of Ernst Haeckel, German zoologist and evolutionist from the late 1800s. Raw edge machine applique and intricate quilting combine to create texture and detail reminiscent of Haeckel's illustrations. Including parallel lines in the quilting echoes the idea of documentation"Black wool quilt with white wool shapes -
Greensborough Historical Society
Article - Article, Newsletter, Janeen O'Connell, William and Margaret Blay, by Janeen O'Connell, 2022
The Blays moved from their farm in New Norfolk, Van Diemens Land to an allotment at Greenhills on the Plenty River in 1841, but William was injured in a fall and was unable to work this farm, which was repossessed by the bank, causing him to fall into a severe depression and subsequently admitted to Yarra Bend Insane Asylum, where he died in 1849. Article first published in "Pioneer Echo" no 226, Oct-Nov 2022.1 p. typescript, copied from newsletterblay family, william blay, greenhills -
Queenscliffe Maritime Museum
Newspaper - Articles re the steam-packet "Great Britain" and other 'cuttings', Photographer unknown, Plates and stories, 28 August 1952
An original newspaper cutting from The Illustrated London News 28 August 1852 regarding the steam-packet Great Britain leaving London for Port Phillip and Sydney.Realism, historical, etchings1. An original newspaper cutting from The Illustrated London News 28 Aug 1852 regarding the steam-packet GREAT BRITAIN leaving London for Port Phillip and Sydney. 2. Geelong Advertiser LTTE 09 Sep 1986 from the Alsop Family re SS Great Britain 3. Photocopy of an article from the 'Coastal Pilot' 1968 re the hand-over of a painting of the SS Great Britain to the QHS. 4. Cut-out from The Echo 20 Sep 1988 re SS Great BritainOn the reverse - [NIL] 1852, steam-packet ship, iron-screw steam-ship, ss great britain -
Unions Ballarat
Camp Street, Ballarat from Eureka to Federation : a guide to its history and buildings, 2001
A guide to the history of Camp Street Ballarat and its historical buildings. Camp Street has been the location of Unions Ballarat since 1887 - a chapter of the book is dedicated to Trades Hall - and was the home of the former labour newspaper, the Evening Echo. Camp Street was the site of the government camp at the time of the Eureka Stockade. Camp Street is now recognised as an Arts and Education precinct within the city of Ballarat. Headings: Gold fever The CAMPSTREET Project Titanic Bandstand Old Ballarat Free Library Complex "Point to the sky" "Perseus" Former government offices and court house Old Ballarat Court House Alfred Deakin Place Old Police Station (Ballarat Fine Art Gallery) Ballarat Fine Art Gallery Millennium Extension Bluestone Warehouse (Pratt's Warehouse) Old YMCA building Wilson House Ballarat Office Systems Ballarat Trades Hall The ANA Building Freemason's Hall Former Ballarat Trustees and Executors Agency Co. Ltd. Restaurant Former Evening Echo Building Ballarat Savings Bank (now The Ballarat Business Centre) Significant to the history of architecture and social life within the city of Ballarat. Direct relevance to Unions Ballarat building.Book; 48 pages. Cover: blue background; colour photos and maps pertinent to Ballarat; white lettering; title and compiler's name. btlc, ballarat trades hall, ballarat trades and labour council, evening echo, ballarat savings bank, ballarat business centre, freemason's hall - ballarat, ana building - ballarat, ballarat - camp street, wilson house - ballarat, ballarat office systems, ymca building, pratt's warehouse - ballarat, ballarat fine art gallery, old police station - ballarat, alfred deakin place, old courthouse - ballarat, perseus, point to the sky, old ballarat free library complex, titanic bandstand, campstreet project, gold mining - ballarat, architecture - history - ballarat -
Eltham District Historical Society Inc
Photograph, Not Just a Pretty Place, Aleks Danko (2000), Lennister Farm, Eltham South, 2000c
Not Just a Pretty Place acknowledges the cultural significance of this site for the residents of Nillumbik Shire and for the Wurrundjeri community. Historically the confluence of rivers have particular importance as these were sites where rituals and ceremonies took place. The carved bluestone form presents an oversize river pebble that echoes the spirit of the water and draws attention to this location as a meeting place an landmark. Awarded the 2000 Nillumbik Art in Public Places Award and situated behind Lennister Farm near Yarra ParkColour photograph printaleks danko, eltham, lennister farm, yarra park -
Eltham District Historical Society Inc
Photograph, Not Just a Pretty Place, Aleks Danko (2000), Lennister Farm, Eltham South, 2000c
Not Just a Pretty Place acknowledges the cultural significance of this site for the residents of Nillumbik Shire and for the Wurrundjeri community. Historically the confluence of rivers have particular importance as these were sites where rituals and ceremonies took place. The carved bluestone form presents an oversize river pebble that echoes the spirit of the water and draws attention to this location as a meeting place an landmark. Awarded the 2000 Nillumbik Art in Public Places Award and situated behind Lennister Farm near Yarra ParkColour photograph printaleks danko, eltham, lennister farm, yarra park -
Eltham District Historical Society Inc
Photograph, Not Just a Pretty Place, Aleks Danko (2000), Lennister Farm, Eltham South, 2000c
Not Just a Pretty Place acknowledges the cultural significance of this site for the residents of Nillumbik Shire and for the Wurrundjeri community. Historically the confluence of rivers have particular importance as these were sites where rituals and ceremonies took place. The carved bluestone form presents an oversize river pebble that echoes the spirit of the water and draws attention to this location as a meeting place an landmark. Awarded the 2000 Nillumbik Art in Public Places Award and situated behind Lennister Farm near Yarra ParkColour photograph printaleks danko, eltham, lennister farm, yarra park -
Federation University Historical Collection
Booklet, Ballarat School of Mines Students' Magazine, 1922, 1922
Editorial, Fumes from the Lab (by J.R. Pound), Trade Topics, Answers to correspondents, Arts & Crafts gossip, Echoes of the past - Past Students', In Memoriam: Clyde Lukeis, W. K. Moss, Hints to students who are leaving school, Sport, Military news, The Junior Techs, List of Past Students', First Steps in Assaying, Some Notes on the Plasticity of Clay (by Reginald Callister). The Factory Chemist (by George W. Cornell), Lal Lal V MorwellTwo brown soft covered magazine with navy blue inscriptions. Images include: Clyde Lukeis, Ken Ross, Ballarat School of Mines Football Team, Ballarat School of Mines Athlectics Team, Prefects and Scholarship WinnersSigned on inside first page by Harold Jolly.ballarat school of mines, magazine, h. a. palmer, g. r. simons, p. a. trompf, h. e. nicholls, c. mcilvena, g. tunbridge, v. gilchrist, e. mckissock, g. w. cowdell, m. timmings, a. w. middleditch, r. s. russell, h. jolly, harold jolly, d. r. evans, j. b. robinson, myrtle turner, clyde lukeis, w. k. moss, ken moss, a. nicholson, middleton and morris, j.r. pound, percy trompf, cyril callister, r. tinworth, victor greenhalgh, william baragwanath, old boys associaiton, reunion, john dulfer, d.a. runting, s.r. vial, george cornell, plasticity of clay, assaying, lal lal, morwell, reginald callister -
Warrnambool and District Historical Society Inc.
Plaques, Welcome Stranger, 1931
These plaques were once on display at the Warrnambool racecourse with the smaller one originally affixed to a seat. These plaques commemorate the winner of the Grand Annual Steeplechase in Warrnambool in 1931. The Warrnambool Grand Annual Steeplechase was first held in June 1872. Today it is part of the Warrnambool May Racing Carnival and is run over 5,500 metres with 32 fences. In 1931 Welcome Stranger's jockey was D. Wraight. The name "Welcome Stranger" is an echo of the name of the famous gold nugget found in Victoria in the 1850's. These plaques are of interest as mementoes of the Warrnambool Grand Annual Steeplechase one of Australia's most significant hurdle races..1 Silver coloured metal plaque in a rectangular shape with four holes in each corner for attachment to a surface. There is black printing on the plaque. .2 A rectangular shaped metal plaque with ten perforations along the longer sides. The plaque has a sketch of a jockey's cap and silks in blue and pink..1 MESSRS. M.R. McCRAE & H. BETTON WELCOME STRANGER .2 WINNER OF THE GRAND ANNUAL STEEPLECHASE 1931 ,2 WELCOME STRANGER 1931warrnambool racing club, warrnambool grand annual steeplechase -
Federation University Historical Collection
Modum, Ericovox Loud Speaking Telephone, c1959
Ericsson had designed its first speakerphone in the 1930s, it was in 1959 that the company made a major breakthrough with the development of the Ericovox, according to the website EricssonHistory.com. Until then, speakerphones experienced problems with ambient noise and echoes. The pyramid-shaped Ericovox featured an amplification system that addressed the background noise problems by automatically amplifying the audio in the direction of the speaker, decreasing it in other directions. The Ericovox did not have a handset or a ringer, but could be connected with a telephone, such as the Ericofon. 9http://www.ehow.com/info_12141155_ericsson-phones-1950s.html) Grey plastic loud speaking telephone with dial, three buttons, and a plug to connect to the telephone system. The phone is an Ericovox 1/DBe1225/1 A18 7516telephone, ericovox -
Bayside Gallery - Bayside City Council Art & Heritage Collection
Sculpture, Charles Douglas Richardson, The Cloud, 1900
Inspired by the opening lines of Percy Bysshe Shelley’s 1820 poem of the same title, The Cloud has grace of line that epitomises the model of classically informed beauty. Richardson’s figure successfully follows the serpentine line of Art Nouveau sculpture while also echoing the influence of British New Sculpture with its focused attention to bodily detail and surface articulation. A bronze version of The Cloud was cast in 1987 and can be seen in the formal garden between the Brighton Town Hall and the Brighton Library.Art Nouveauplaster patinated with paint and ground coppersculpture, female figure, charles douglas richardson, the cloud, cd richardson, c douglas richardson, percy bysshe shelley, poem, art nouveau, new sculpture, flowers -
Federation University Historical Collection
Photograph - Images - black & White, King Billy of Ballarat, published 1904
'King Billy' of Ballarat is also known as Frank Wilson, after the surname of an owner of Ercildoun Estate. He was buried in a Wesleyan burial plot at the Ballaarat Old Cemetery on 26 September 1896. The Anglican burial ceremony was organised by the community who thought 'King Billy' to be the last of his tribe. The Ballarat Star of 25 September 1896 stated: that Billy and his subjects 'once virtually owned all the land comprised of the City of Ballarat and its immediate surroundings 'so 'it can be considered only fair that six feet of ground should not be denied for his burial' The Australian Natives Association and the Australian Historical Records Society (later Ballarat Historical Society) took a major role in the burial of Frank Wilson. "As public interest and compassion grew, noteworthy citizens of Ballarat and two key Christian denominations appeared to jostle for pre-eminence in the ritual to follow. Whilst the 'venerable Archdeacon Mercer' from the Anglican Church took the funeral service, the cemetery trustees arranged that the body was placed in 'a central site in the Wesleyan section of the cemetery'. Frank was recorded as a Roman Catholic. The coffin was carried to the grave by several Methodists, including Justice of the Peace, Glenny, and Member of the Legislative Assembly, Kirton, as well as Old Colonists' and noted citizens. (https://www.academia.edu/3246304/2001_Remembering_King_Billy_Journal_of_Australian_Colonial_History_vol_3_2_61-80) Three Images relating to King Billy of Ballarat as illustrated in the Evening Echo Historical Edition 1904. * Image of a group of Aboriginal people. They are most most probably Wathaurung (Wadawurrung) . The picture includes ten standing males, two holding a boomerangs. Six females sit on the ground in front, three hold hats. A seated child wears a hat. * The burial of King Billy in the Ballaarat New Cemetery, 26 September 1896. * King Billy's Grave in the Ballaarat New Cemetery. wathaurung, wada wurrung, wathaurong, king billy, aborigines, aboriginal, frank wilson, mercer, ballaarat new cemetery, glenny, burial, mullawullah -
Ringwood and District Historical Society
Document, Ringwood Technical School-Misc letters, notes and forms (various dates or undated)
Several paper letters and notes "Dear Sly Eye" 1985, Mrs Phillips 1983, To Council Members1985, etc 22nd August 1960 Letter from G. M. Veitch (Principla) to Mr McCaskill re HIstory of school (Ex VC3501) Buff coloured - One page, blue typed, short letter. 16 December 1982 Letter from P Adgemis (Humanities Department) and B.K.Knox (Principla) to Mrs E.V. Pullin thanking her for her help in collecting historical material with the school magazine 'Echoes' (Ex VC3501):A4 page - typed letterrts, ringwood tech -
Eltham District Historical Society Inc
Photograph, Not Just a Pretty Place, Aleks Danko (2000), Lennister Farm, Eltham South, 2000c
The sculpture was launched on 9th August 2000 by Cr Diane Bullen and welcomed by Annette Xiberras of the Wurundjeri community. Not Just a Pretty Place acknowledges the cultural significance of this site for the residents of Nillumbik Shire and for the Wurrundjeri community. Historically the confluence of rivers have particular importance as these were sites where rituals and ceremonies took place. The carved bluestone form presents an oversize river pebble that echoes the spirit of the water and draws attention to this location as a meeting place an landmark. Awarded the 2000 Nillumbik Art in Public Places Award and situated behind Lennister Farm near Yarra ParkColour photograph printaleks danko, eltham, lennister farm, yarra park, cr. diane bullen -
Federation University Historical Collection
Magazine - Booklet, Baxter & Stubbs, Print, Ballarat School of Mines Students' Magazine, 1923, 1923
Editorial, In Memoriam: Robert James Dowling, Fumes from the Lab, A trip to America, Arts & Crafts Gossip, Echoes of the Past, Sport, The Junior Techs. Under Arts & Crafts Gossip the writer gives on overview on 'modern books on fine art'. "... In making this decision as to whether his tone values are correct or not the artist always studies his canvas from a distance of several yards. An excellent system of painting is being practised and taught by Max Meldrum. This consists of painting in the orders of the impressions. This method is fully explained in his book, and will be found invaluable by the student desiring to work on sound lines. ...Brown soft covered magazine..1) Stamped "Ballarat Technical Art School" .2) Written on front cover "Hessie Darby"ballarat school of mines, magazine, hessie darby, ballarat technical art school, e. kift, ethel kift, r. t. crosthwaite, c. mcilvena, h. finlayson, e. mckissock, f. russell, c. s. hunt, j. r. pound, a. leask, m. timmings, professor alfred mica smith, robert james dowling, e. j. mcconnon, r. g. cox, edwin a. brophy, raymond fricke, nancy humphries, r. sage, max meldrum -
Bayside Gallery - Bayside City Council Art & Heritage Collection
Sculpture, Charles Douglas Richardson, The Cloud, 1900 (cast 1987)
Inspired by the opening lines of Percy Bysshe Shelley’s 1820 poem of the same title, The Cloud has grace of line that epitomises the model of classically informed beauty. Richardson’s figure successfully follows the serpentine line of Art Nouveau sculpture while also echoing the influence of British New Sculpture with its focused attention to bodily detail and surface articulation. This bronze version of The Cloud was cast in 1987 from the original patinated plaster version from 1900 which is also in Bayside City Council's Collection. This work can be seen in the formal garden between the Brighton Town Hall and the Brighton Library.Art NouveauCharles Douglas Richardson, The Cloud 1900 (cast 1987), bronze, 190 x 40 x 40 cm. Bayside City Council Art and Heritage Collection. Commissioned 1987Bonze sculpture of a classical female figure looking downwards with a vessel in her hand. The sculpture sits on a rendered pedestal within a pond.sculpture, female figure, charles douglas richardson, the cloud, cd richardson, c douglas richardson, percy bysshe shelley, poem, art nouveau, new sculpture, flowers, public art, brighton -
Wyndham Art Gallery (Wyndham City Council)
Photograph, Michael Cook, Nature Morte (Aliment), 2021
A central tableau is beautifully lit to expose choreographed arrangements of plants, animals, objects and food. Grounded in a photographic aesthetic that echoes Dutch Old Master paintings, they examine the industry and practices that have so effectively brought damage to traditional Aboriginal culture, the natural environment of the Australian continent – and the globe. Each image explores an aspect of the devastating impact of colonisation on Australia’s First Nations peoples, and the global repercussions of environmental degradation. The translation of the French in the title of this series, “Natures mortes” is dead nature. Yet in the simmering emotional register of each image lies an inherent belief in the individual over environment, and the redemptive nature of culture. australian first nations art, photography, colonialisation, environment -
Wyndham Art Gallery (Wyndham City Council)
Photograph, Nature Morte (Flora), 2021
A central tableau is beautifully lit to expose choreographed arrangements of plants, animals, objects and food. Grounded in a photographic aesthetic that echoes Dutch Old Master paintings, they examine the industry and practices that have so effectively brought damage to traditional Aboriginal culture, the natural environment of the Australian continent – and the globe. Each image explores an aspect of the devastating impact of colonisation on Australia’s First Nations peoples, and the global repercussions of environmental degradation. The translation of the French in the title of this series, “Natures mortes” is dead nature. Yet in the simmering emotional register of each image lies an inherent belief in the individual over environment, and the redemptive nature of culture. australian first nations art, photography, colonialisation, environment -
Wyndham Art Gallery (Wyndham City Council)
Photograph, Michael Cook, Nature Morte (Colonisation), 2021
A central tableau is beautifully lit to expose choreographed arrangements of plants, animals, objects and food. Grounded in a photographic aesthetic that echoes Dutch Old Master paintings, they examine the industry and practices that have so effectively brought damage to traditional Aboriginal culture, the natural environment of the Australian continent – and the globe. Each image explores an aspect of the devastating impact of colonisation on Australia’s First Nations peoples, and the global repercussions of environmental degradation. The translation of the French in the title of this series, “Natures mortes” is dead nature. Yet in the simmering emotional register of each image lies an inherent belief in the individual over environment, and the redemptive nature of culture. australian first nations art, photography, colonialisation, environment -
Wyndham Art Gallery (Wyndham City Council)
Photograph, Michael Cook, Nature Morte (Veiled Bird), 2021
A central tableau is beautifully lit to expose choreographed arrangements of plants, animals, objects and food. Grounded in a photographic aesthetic that echoes Dutch Old Master paintings, they examine the industry and practices that have so effectively brought damage to traditional Aboriginal culture, the natural environment of the Australian continent – and the globe. Each image explores an aspect of the devastating impact of colonisation on Australia’s First Nations peoples, and the global repercussions of environmental degradation. The translation of the French in the title of this series, “Natures mortes” is dead nature. Yet in the simmering emotional register of each image lies an inherent belief in the individual over environment, and the redemptive nature of culture. australian first nations art, photography, colonialisation, environment -
Wyndham Art Gallery (Wyndham City Council)
Photograph, Michael Cook, Nature Morte (Blackbird), 2021
A central tableau is beautifully lit to expose choreographed arrangements of plants, animals, objects and food. Grounded in a photographic aesthetic that echoes Dutch Old Master paintings, they examine the industry and practices that have so effectively brought damage to traditional Aboriginal culture, the natural environment of the Australian continent – and the globe. Each image explores an aspect of the devastating impact of colonisation on Australia’s First Nations peoples, and the global repercussions of environmental degradation. The translation of the French in the title of this series, “Natures mortes” is dead nature. Yet in the simmering emotional register of each image lies an inherent belief in the individual over environment, and the redemptive nature of culture. australian first nations art, photography, colonialisation, environment -
Warrnambool and District Historical Society Inc.
Bottle, The Bendigo Pottery Co. Pty. Ltd, L Darryl, Late 1890s
This bottle has been produced in the Epsom factory of the Bendigo Pottery works and used by Alfred Darby for bottling his ginger beer in the late 1890s. In 1897 Alfred Darby leased the cordial factory in Henna Street,Warrnambool, formerly the McSweeney Cordial Factory (and today the Alderdice Brass Foundry). He used the Maltese Cross as his logo on his bottles. He also had a cordial factory in Rochester, Victoria about the same time. In 1899 Alfred Darby advertised that he had re-located his cordial business to the old ‘Echo’ newspaper building in Koroit Street but it is not known whether the business opened there or if it did, for how long. This ceramic bottle is of interest as one of the late 19th century bottles used by Alfred Darby, a soft drinks manufacturer in Warrnambool. Cordial manufacturing was an important industry in Warrnambool for over 100 years.This is a ceramic brown and buff-coloured ginger beer bottle. It has a black logo in the shape of a Maltese Cross stamped on one side and the maker’s name etched into the clay near the base. It has no stopper and the main body of the bottle is somewhat stained. ‘A. Darby Henna Street Warrnambool’ ‘The Bendigo Pottery Coy. Pty. Ltd. Epsom Bendigo’ cordial manufacturers in warrnambool, history of warrnambool -
RMIT Design Archives
Diazotypes, Robin Boyd's Sketch for combined project 60-64 Clarendon St + corner site, 1968
Robin Boyd’s unbuilt scheme for two residential towers for Carnich Pty Ltd in East Melbourne is one of his most striking late projects – remarkable for its daring scale, its indebtedness to the megastructural polemics of Paul Rudolph and Japanese Metabolism, and its prescience – a high-rise apartment building now sits on the same site. The drawing is spectacular: trays of space are held aloft on angled concrete props that branch off trunk-like vertical slabs. With balconies and spandrels highlighted in white, the scheme’s dynamism echoes El Lissitzky’s mad Wolkenbugel (‘Skyhooks’) while also signalling a tragic last hurrah before Boyd’s 1971 death. Philip GoadIncludes sketch of two structures and surrounding flora.Inscribed upper left of recto, "ROBIN BOYD'S SKETCH FOR / COMBINED PROJECT 60-64 / CLARENDON ST. + CORNER SITE"architecture, mid-century modern, emigre, rmit design archives